Notes to Principles of literary criticism — Reading edition
198 notes · Reading edition
Front matter · Note 1NOTES. · Note 1Front matter · Note 2NOTES. · Note 2Front matter · Note 3NOTES. · Note 3NOTES. · Note 4NOTES. · Note 5NOTES. · Note 6NOTES. · Note 7NOTES. · Note 8NOTES. · Note 9NOTES. · Note 10NOTES. · Note 11NOTES. · Note 12NOTES. · Note 13NOTES. · Note 14NOTES. · Note 15NOTES. · Note 16NOTES. · Note 17NOTES. · Note 18NOTES. · Note 19NOTES. · Note 20NOTES. · Note 21NOTES. · Note 22NOTES. · Note 23NOTES. · Note 24NOTES. · Note 25NOTES. · Note 26NOTES. · Note 27NOTES. · Note 28NOTES. · Note 29NOTES. · Note 30NOTES. · Note 31NOTES. · Note 32NOTES. · Note 33NOTES. · Note 34NOTES. · Note 35NOTES. · Note 36NOTES. · Note 37NOTES. · Note 38NOTES. · Note 39NOTES. · Note 40NOTES. · Note 41NOTES. · Note 42NOTES. · Note 43NOTES. · Note 44NOTES. · Note 45NOTES. · Note 46NOTES. · Note 47NOTES. · Note 48NOTES. · Note 49NOTES. · Note 50NOTES. · Note 51NOTES. · Note 52NOTES. · Note 53NOTES. · Note 54NOTES. · Note 55NOTES. · Note 56NOTES. · Note 57NOTES. · Note 58NOTES. · Note 59NOTES. · Note 60NOTES. · Note 61NOTES. · Note 62NOTES. · Note 63NOTES. · Note 64NOTES. · Note 65NOTES. · Note 66NOTES. · Note 67NOTES. · Note 68CHAPTER XXVIII The Allusiveness of Modern Poetry · Note 1NOTES. · Note 69NOTES. · Note 70NOTES. · Note 71NOTES. · Note 72NOTES. · Note 73NOTES. · Note 74NOTES. · Note 75NOTES. · Note 76NOTES. · Note 77NOTES. · Note 78NOTES. · Note 79NOTES. · Note 80NOTES. · Note 81NOTES. · Note 82NOTES. · Note 83NOTES. · Note 84NOTES. · Note 85NOTES. · Note 86NOTES. · Note 87NOTES. · Note 88NOTES. · Note 89NOTES. · Note 90NOTES. · Note 91NOTES. · Note 92NOTES. · Note 93NOTES. · Note 94NOTES. · Note 95NOTES. · Note 96NOTES. · Note 97NOTES. · Note 98NOTES. · Note 99NOTES. · Note 100CHAPTER II The Phantom Æsthetic State · Note 1CHAPTER II The Phantom Æsthetic State · Note 2CHAPTER II The Phantom Æsthetic State · Note 3CHAPTER II The Phantom Æsthetic State · Note 4CHAPTER II The Phantom Æsthetic State · Note 5CHAPTER II The Phantom Æsthetic State · Note 6CHAPTER III The Language of Criticism · Note 1CHAPTER III The Language of Criticism · Note 2CHAPTER IV Communication and the Artist · Note 1CHAPTER IV Communication and the Artist · Note 2CHAPTER IV Communication and the Artist · Note 3CHAPTER VI Value as an Ultimate Idea · Note 1CHAPTER VI Value as an Ultimate Idea · Note 2CHAPTER VI Value as an Ultimate Idea · Note 3CHAPTER VI Value as an Ultimate Idea · Note 4CHAPTER VII A Psychological Theory of Value · Note 1CHAPTER VII A Psychological Theory of Value · Note 2CHAPTER VII A Psychological Theory of Value · Note 3CHAPTER VII A Psychological Theory of Value · Note 4CHAPTER VII A Psychological Theory of Value · Note 5CHAPTER VII A Psychological Theory of Value · Note 6CHAPTER VII A Psychological Theory of Value · Note 7CHAPTER IX Actual and Possible Misapprehensions · Note 1CHAPTER IX Actual and Possible Misapprehensions · Note 2CHAPTER IX Actual and Possible Misapprehensions · Note 3CHAPTER X Poetry for Poetry’s Sake · Note 1CHAPTER X Poetry for Poetry’s Sake · Note 2CHAPTER X Poetry for Poetry’s Sake · Note 3CHAPTER X Poetry for Poetry’s Sake · Note 4CHAPTER XI A Sketch for a Psychology · Note 1CHAPTER XI A Sketch for a Psychology · Note 2CHAPTER XI A Sketch for a Psychology · Note 3CHAPTER XI A Sketch for a Psychology · Note 4CHAPTER XI A Sketch for a Psychology · Note 5CHAPTER XI A Sketch for a Psychology · Note 6CHAPTER XII Pleasure · Note 1CHAPTER XII Pleasure · Note 2CHAPTER XII Pleasure · Note 3CHAPTER XII Pleasure · Note 4CHAPTER XIII Emotion and the Cœnesthesia · Note 1CHAPTER XV Attitudes · Note 1CHAPTER XVI The Analysis of a Poem · Note 1CHAPTER XVI The Analysis of a Poem · Note 2CHAPTER XVII Rhythm and Metre · Note 1CHAPTER XVII Rhythm and Metre · Note 2CHAPTER XVIII On Looking at a Picture · Note 1CHAPTER XVIII On Looking at a Picture · Note 2CHAPTER XVIII On Looking at a Picture · Note 3CHAPTER XIX Sculpture and the Construction of Form · Note 1CHAPTER XX The Impasse of Musical Theory · Note 1CHAPTER XXI A Theory of Communication · Note 1CHAPTER XXII The Availability of the Poet’s Experience · Note 1CHAPTER XXIII Tolstoy’s Infection Theory · Note 1CHAPTER XXIII Tolstoy’s Infection Theory · Note 2CHAPTER XXIV The Normality of the Artist · Note 1CHAPTER XXIV The Normality of the Artist · Note 2CHAPTER XXIV The Normality of the Artist · Note 3CHAPTER XXIV The Normality of the Artist · Note 4CHAPTER XXIV The Normality of the Artist · Note 5CHAPTER XXV Badness in Poetry · Note 1CHAPTER XXVI Judgment and Divergent Readings · Note 1CHAPTER XXVI Judgment and Divergent Readings · Note 2CHAPTER XXVII Levels of Response and the Width of Appeal · Note 1CHAPTER XXVIII The Allusiveness of Modern Poetry · Note 2CHAPTER XXVIII The Allusiveness of Modern Poetry · Note 3CHAPTER XXIX Permanence as a Criterion · Note 1CHAPTER XXX The Definition of a Poem · Note 1CHAPTER XXXI Art, Play, and Civilisation · Note 1CHAPTER XXXI Art, Play, and Civilisation · Note 2CHAPTER XXXI Art, Play, and Civilisation · Note 3CHAPTER XXXII The Imagination · Note 1CHAPTER XXXII The Imagination · Note 2CHAPTER XXXII The Imagination · Note 3CHAPTER XXXII The Imagination · Note 4CHAPTER XXXII The Imagination · Note 5CHAPTER XXXII The Imagination · Note 6CHAPTER XXXIII Truth and Revelation Theories · Note 1CHAPTER XXXIII Truth and Revelation Theories · Note 2CHAPTER XXXIII Truth and Revelation Theories · Note 3CHAPTER XXXIII Truth and Revelation Theories · Note 4CHAPTER XXXIII Truth and Revelation Theories · Note 5CHAPTER XXXIII Truth and Revelation Theories · Note 6CHAPTER XXXIII Truth and Revelation Theories · Note 7CHAPTER XXXIII Truth and Revelation Theories · Note 8CHAPTER XXXIV The Two Uses of Language · Note 1CHAPTER XXXIV The Two Uses of Language · Note 2CHAPTER XXXIV The Two Uses of Language · Note 3CHAPTER XXXIV The Two Uses of Language · Note 4CHAPTER XXXIV The Two Uses of Language · Note 5CHAPTER XXXV Poetry and Beliefs · Note 1CHAPTER XXXV Poetry and Beliefs · Note 2CHAPTER XXXV Poetry and Beliefs · Note 3CHAPTER XXXV Poetry and Beliefs · Note 4CHAPTER XXXV Poetry and Beliefs · Note 5