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Principles of literary criticism

Note * — Chapter XXIV · The Normality of the Artist

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Within racial* boundaries, and perhaps within the limits of certain very general types,* many impulses are common to all men. Their stimuli and the courses which they take seem to be uniform. At the same time there are many other impulses which are not uniform. It is difficult to give instances, since there are so few names for impulses, but sounds are fairly uniform while words used in isolation are fairly ambiguous stimuli. Impulses could, if we knew enough, be arranged in an order of general uniformity or stability. Some impulses remain the same, taking the same course on the same occasions, from age to age, from prehistoric times until to-day. Some change as fashions change. Between the two extremes are the vast majority; neither, when the nervous system is vigilant, very fixed nor very erratic; set off by a given stimulus and taking the course they do because other impulses are also active or have just been active.

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