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Principles of literary criticism

Note † — Chapter XXXIII · Truth and Revelation Theories

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We may most conveniently begin by considering a range of representative doctrines chosen from the writings of famous critics with a view to illustrating chiefly their differences. Some, it is true, will hardly repay investigation. It is far too easy to write, with Carlyle “All real art is the disimprisonment of the soul of fact†” or “The infinite is made to blend itself with the finite; to stand visible, and, as it were, attainable there. Of this sort are all true works of art; in this (if we know a work of art from the daub of artifice) we discern eternity looking through time, the God-like rendered visible†”.

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