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Principles of literary criticism

Note * — Chapter XXIV · The Normality of the Artist

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There is nothing peculiarly mysterious about imagination. It is no more marvellous than any other of the ways of the mind. Yet it has so often been treated as an arcanum that we naturally approach it with caution. It is desirable at least to avoid part of the fate which befell Coleridge,* and our account will be devoid of theological implications.

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