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Principles of literary criticism

Note * — Chapter XXXII · The Imagination

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(vi) Finally we come to the sense of imagination with which we are here most concerned. The original formulation* was Coleridge’s greatest contribution to critical theory, and except in the way of interpretation, it is hard to add anything to what he has said, though, as we have already noted in Chapter XXIV, some things might be taken away from it with advantage.

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