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Principles of literary criticism

Note * — NOTES.

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A very interesting contemporary example in connection with which the problem arises perhaps more acutely than ever before is Mr Eliot’s The Waste Land already mentioned. The impatience of so many critics and the fact that they have complained of the presence and necessity of notes well illustrates the confusion which prevails upon this question. A more reasonable complaint would have been that Mr Eliot did not provide a larger apparatus of elucidation. (See Appendix).

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