Note * — Chapter XXXV · Poetry and Beliefs
Reading edition
The chief difficulty of all Revelation Doctrines has always been to discover what it is which is revealed. If these states of mind are knowledge it should be possible to state what it is that they know. It is often easy enough to find something which we can suppose to be what we know. Belief feelings, we have seen, are parasitic, and will attach themselves to all kinds of hosts. In literature it is especially easy to find hosts. But in music, in the non-representative arts of design, in architecture or ceramics, for example, the task of finding something to believe, or to believe in, is not so easy. Yet the ‘feeling of significance’ is as common* in these other arts as in literature. Denial of this is usually proof only of an interest limited to literature.