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Journeys Through Bookland, Vol. 8

Act 2 — Scene I.—Another part of the Island.

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Enter Alonso, Sebastian, Antonio, Gonzalo, Adrian, Francisco, and Others.

Gonzalo speaks.

Beseech you, sir, be merry: you have cause— So have we all—of joy; for our escape Is much beyond our loss. Our hint of woe Is common; every day some sailor’s wife, The master of some merchant,394-1 and the merchant, Have just our theme of woe: but for the miracle— I mean our preservation—few in millions Can speak like us: then wisely, good sir, weigh Our sorrow with our comfort.

Alon. Pr’ythee, peace.

Sebas. He receives comfort like cold porridge.

Anto. The visitor395-2 will not give him o’er so.

Sebas. Look, he’s winding up the watch of his wit; by-and-by it will strike.

Gonza. Sir,—

Sebas. One:—tell.395-3

Gonza.—When every grief is entertained that’s offer’d, Comes to the entertainer—

Sebas. A dollar.

Gonza. Dolour395-4 comes to him, indeed; you have spoken truer than you purposed.

Sebas. You have taken it wiselier than I meant you should.

Gonza. Therefore, my lord,—

Anto. Fie, what a spendthrift is he of his tongue!

Alon. I pr’ythee, spare me.

Gonza. Well, I have done: but yet—

Sebas. He will be talking.

Anto. Which, of he or Adrian,395-5 for a good wager, first begins to crow?

Sebas. The old cock.395-6

Anto. The cockerel.

Sebas. Done! The wager?

Anto. A laughter.

Sebas. A match!395-7

Adri. Though this island seem to be desert,—

Sebas. Ha, ha, ha!—So, you’re paid.396-8

Adri.—uninhabitable, and almost inaccessible,—

Sebas. Yet—

Adri.—yet—

Anto. He could not miss’t.

Adri.—it must needs be of subtle, tender, and delicate temperance.396-9

Anto. Temperance was a delicate wench.396-10

Sebas. Ay, and a subtle; as he most learnedly delivered.

Adri. The air breathes upon us here most sweetly.

Sebas. As if it had lungs, and rotten ones.

Anto. Or as ’twere perfumed by a fen.

Gonza. Here is everything advantageous to life.

Anto. True; save means to live.

Sebas. Of that there’s none, or little.

Gonza. How lush396-11 and lusty the grass looks! how green!

Anto. The ground, indeed, is tawny.

Sebas. With an eye396-12 of green in’t.

Anto. He misses not much.

Sebas. No: he doth but mistake the truth totally.

Gonza. But the rarity of it is,—which is indeed almost beyond credit,—

Sebas. As many vouch’d rarities are.

Gonza.—that our garments, being, as they were, drenched in the sea, are now as fresh as when we put them on first in Afric, at the marriage of the King’s fair daughter Claribel to the King of Tunis.

Sebas. ’Twas a sweet marriage, and we prosper well in our return.

Adri. Tunis was never graced before with such a paragon to397-13 their Queen.

Gonza. Not since widow Dido’s time.397-14

Anto. Widow? a pox o’ that! How came that widow in? Widow Dido!

Sebas. What if he had said widower Æneas too? Good Lord, how you take it!

Adri. Widow Dido, said you? you make me study of that: she was of Carthage, not of Tunis.

Gonza. This Tunis, sir, was Carthage.

Adri. Carthage!

Gonza. I assure you, Carthage.

Anto. His word is more than the miraculous harp.397-15

Sebas. He hath raised the wall and houses too.

Anto. What impossible matter will he make easy next?

Sebas. I think he will carry this island home in his pocket, and give it his son for an apple.

Anto. And, sowing the kernels of it in the sea, bring forth more islands.

Alon. Ah!

Anto. Why, in good time.

Gonza. Sir, we were talking that our garments seem now as fresh as when we were at Tunis at the marriage of your daughter, who is now Queen.

Anto. And the rarest that e’er came there.

Sebas. Bate, I beseech you, widow Dido.

Anto. O, widow Dido! ay, widow Dido.

Gonza. Is not, sir, my doublet as fresh as the first day I wore it, at your daughter’s marriage?

Alon. You cram these words into mine ears against The stomach of my sense.398-16 Would I had never Married my daughter there! for, coming thence, My son is lost; and, in my rate,398-17 she too, Who is so far from Italy removed, I ne’er again shall see her. O thou mine heir Of Naples and of Milan, what strange fish Hath made his meal on thee?

Fran. Sir, he may live: I saw him beat the surges under him, And ride upon their backs; he trod the water, Whose enmity he flung aside, and breasted The surge most swoln that met him: his bold head ’Bove the contentious waves he kept, and oar’d Himself with his good arms in lusty stroke To th’ shore, that o’er his398-18 wave-worn basis bow’d, As398-19 stooping to relieve him: I not doubt He came alive to land.

Alon. No, no; he’s gone.

Sebas. Sir, you may thank yourself for this great loss, That would not bless our Europe with your daughter, But rather lose her to an African; Where she at least is banish’d from your eye, Who399-20 hath cause to wet the grief on’t.

Alon. Pr’ythee, peace.

Sebas. You were kneel’d to, and importuned otherwise, By all of us; and the fair soul herself Weigh’d, between loathness and obedience, at Which end the beam should bow.399-21 We’ve lost your son, I fear, for ever: Milan and Naples have More widows in them of this business’ making Than we bring men to comfort them: the fault’s Your own.

Alon. So is the dear’st399-22 o’ the loss.

Gonza. My lord Sebastian, The truth you speak doth lack some gentleness, And time to speak it in: you rub the sore, When you should bring the plaster.

Sebas. Very well.

Auto. And most chirurgeonly.399-23

Gonza. It is foul weather in us all, good sir, When you are cloudy.400-24

Sebas. Foul weather!

Anto. Very foul.

Gonza. Had I plantation400-25 of this isle, my lord,—

Anto. He’d sow’t with nettle-seed.

Sebas. Or docks, or mallows.

Gonza.—And were the King on’t, what would I do?

Sebas. ’Scape being drunk for want of wine.

Gonza. I’ the commonwealth I would by contraries Execute all things; for no kind of traffic Would I admit; no name of magistrate; Letters should not be known; riches, poverty, And use of service, none; contract, succession,400-26 Bourn,400-27 bound of land, tilth,400-28 vineyard, none; No use of metal, corn, or wine, or oil; No occupation; all men idle, all, And women too, but innocent and pure; No sovereignty:—

Sebas. Yet he would be king on’t.

Anto. The latter end of his commonwealth forgets the beginning.

Gonza. All things in common Nature should produce Without sweat or endeavour: treason, felony, Sword, pike, knife, gun, or need of any engine,401-29 Would I not have; but Nature should bring forth, Of its own kind, all foison,401-30 all abundance, To feed my innocent people.

Sebas. No marrying ’mong his subjects?

Anto. None, man; all idle.

Gonza. I would with such perfection govern, sir, T’ excel the golden age.401-31

Sebas. God save his Majesty!

Anto. Long live Gonzalo!

Gonza. And—do you mark me, sir?—

Alon. Pr’ythee, no more: thou dost talk nothing to me.

Gonza. I do well believe your Highness; and did it to minister occasion to these gentlemen, who are of such sensible401-32 and nimble lungs, that they always use to laugh at nothing.

Anto. ’Twas you we laugh’d at.

Gonza. Who in this kind of merry fooling am nothing to you:401-33 so you may continue, and laugh at nothing still.

Anto. What a blow was there given!

Sebas. An it had not fallen flat-long.401-34

Gonza. You are gentlemen of brave mettle; you would lift the Moon out of her sphere, if she would402-35 continue in it five weeks without changing.

Enter Ariel, invisible, playing solemn music.

Sebas. We would so, and then go a-bat-fowling.402-36

Anto. Nay, good my lord, be not angry.

Gonza. No, I warrant you; I will not adventure402-37 my discretion so weakly. Will you laugh me asleep? for I am very heavy.

Anto. Go sleep, and hear us not.

[All sleep402-38 but Alon., Sebas., and Anto.

Alon. What, all so soon asleep! I wish mine eyes Would, with themselves, shut up my thoughts: I find They are inclined to do so.

Sebas. Please you, sir, Do not omit402-39 the heavy offer of it: It seldom visits sorrow; when it doth, It is a comforter.

Anto. We two, my lord, Will guard your person while you take your rest, And watch your safety.

Alon. Thank you.—Wondrous heavy.403-40

[Alonso sleeps. Exit Ariel.

Sebas. What a strange drowsiness possesses them!

ANTONIO AND SEBASTIAN PLOTTING

A man whispering in another man’s ear
A man whispering in another man’s ear

Anto. It is the quality o’ the climate.

Sebas. Why Doth it not, then, our eyelids sink? I find not Myself disposed to sleep.

Anto. Nor I; my spirits are nimble. They404-41 fell together all, as by consent; They dropp’d, as by a thunder-stroke. What might, Worthy Sebastian, O, what might!404-42 No more: And yet methinks I see it in thy face, What thou shouldst be: th’ occasion speaks thee;404-43 and My strong imagination sees a crown Dropping upon thy head.

Sebas. What, art thou waking?

Anto. Do you not hear me speak?

Sebas. I do: and surely It is a sleepy language, and thou speak’st Out of thy sleep. What is it thou didst say? This is a strange repose, to be asleep With eyes wide open; standing, speaking, moving, And yet so fast asleep.

Anto. Noble Sebastian, Thou lett’st thy fortune sleep,—die rather; wink’st Whiles thou art waking.404-44

Sebas. Thou dost snore distinctly; There’s meaning in thy snores.

Anto. I am more serious than my custom: you Must be so too, if heed404-45 me; which to do Trebles thee o’er.404-46

Sebas. Well, I am standing water.405-47

Anto. I’ll teach you how to flow.

Sebas. Do so: to ebb Hereditary sloth instructs me.

Anto. O, If you but knew how you the purpose cherish Whiles thus you mock it! how, in stripping it, You more invest it!405-48 Ebbing men,405-49 indeed, Most often do so near the bottom run By their own fear or sloth.

Sebas. Pr’ythee, say on: The setting of thine eye and cheek proclaim A matter405-50 from thee; and a birth indeed Which throes thee much to yield.405-51

Anto. Thus, sir: Although this lord405-52 of weak remembrance, this Who shall be of as little memory405-53 When he is earth’d,405-54 hath here almost persuaded— For he’s a spirit of persuasion, only Professes to persuade—the King his son’s alive, ’Tis as impossible that he’s undrown’d As he that sleeps here swims.

Sebas. I have no hope That he’s undrown’d.

Anto. O, out of that no hope What great hope have you! no hope that way is Another way so high a hope, that even Ambition cannot pierce a wink406-55 beyond— But doubt discovery there.406-56 Will you grant with me That Ferdinand is drown’d?

Sebas. He’s gone.

Anto. Then, tell me, Who’s the next heir of Naples?

Sebas. Claribel.

Anto. She that is queen of Tunis; she that dwells Ten leagues beyond man’s life;406-57 she that from Naples Can have no note,406-58 unless the Sun were post,—406-59 The Man-i’-the-moon’s too slow,—till new-born chins Be rough and razorable. She ’twas for whom we All were sea-swallow’d, though some cast again;406-60 And, by that destiny, to perform an act Whereof what’s past is prologue; what to come406-61 In yours and my discharge.

Sebas. What stuff is this! How say you? ’Tis true, my brother’s daughter’s Queen of Tunis; So is she heir of Naples; ’twixt which regions There is some space.

Anto. A space whose every cubit Seems to cry out, How shall thou, Claribel, Measure us back407-62 to Naples? Keep in Tunis, And let Sebastian wake! Say, this were death That now hath seized them; why, they were no worse Than now they are. There be407-63 that can rule Naples As well as he that sleeps; lords that can prate As amply and unnecessarily As this Gonzalo: I myself could make A chough407-64 of as deep chat.407-65 O, that you bore The mind that I do! what a sleep were this For your advancement! Do you understand me?

Sebas. Methinks I do.

Anto. And how does your content Tender your own good fortune?407-66

Sebas. I remember You did supplant your brother Prospero.

Anto. True: And look how well my garments sit upon me; Much feater407-67 than before: my brother’s servants Were then my fellows; now they are my men.

Sebas. But, for your conscience—

Anto. Ay, sir; and where lies that? if ’twere a kibe,408-68 ’Twould put me to my slipper: but I feel not This deity in my bosom: twenty consciences, That stand ’twixt me and Milan, candied408-69 be they, And melt, ere they molest! Here lies your brother, No better than the earth he lies upon, If he were that which now he’s like; whom I, With this obedient steel, three inches of it, Can lay to bed for ever; whiles you, doing thus, To the perpetual wink408-70 for aye might put This ancient morsel, this Sir Prudence, who Should not upbraid our course. For all the rest, They’ll take suggestion408-71 as a cat laps milk; They’ll tell the clock to any business that We say befits the hour.408-72

Sebas. Thy case, dear friend, Shall be my precedent; as thou gott’st Milan, I’ll come by Naples. Draw thy sword: one stroke Shall free thee from the tribute which thou pay’st; And I the King shall love thee.

Anto. Draw together;408-73 And when I rear my hand, do you the like, To fall it on Gonzalo.

Sebas. O, but one word.

[They converse apart.

Music. Re-enter Ariel, invisible.

Ari. My master through his art foresees the danger That you, his friend, are in; and sends me forth— For else his project dies—to keep thee living.

[Sings in Gonzalo’s ear.

While you here do snoring lie, Open-eyed conspiracy His time doth take. If of life you keep a care, Shake off slumber, and beware: Awake! Awake!

Anto. Then let us both be sudden.

Gonza. [Waking.] Now, good angels Preserve the King!—[To Sebas. and Anto.] Why, how now!—[To Alon.] Ho, awake!— [To Sebas. and Anto.] Why are you drawn?409-74 wherefore this ghastly looking?409-75

Alon. [Waking.] What’s the matter?

Sebas. Whiles we stood here securing your repose, Even now, we heard a hollow burst of bellowing Like bulls, or rather lions: did’t not wake you? It struck mine ear most terribly.

Alon. I heard nothing.

Anto. O, ’twas a din to fright a monster’s ear, To make an earthquake! sure, it was the roar Of a whole herd of lions.

Alon. Heard you this, Gonzalo?

Gonza. Upon mine honour, sir, I heard a humming, And that a strange one too, which did awake me: I shaked you, sir, and cried: as mine eyes open’d, I saw their weapons drawn: there was a noise, That’s verity. ’Tis best we stand upon our guard, Or that we quit this place: let’s draw our weapons.

Alon. Lead off this ground; and let’s make further search For my poor son.

Gonza. Heavens keep him from these beasts! For he is, sure, i’ the island.

Alon. Lead away.

[Exit with the others.

Ari. Prospero my lord shall know what I have done:— So, King, go safely on to seek thy son. [Exit.

Notes in this chapter

Note 1 · This word means a ship—the merchantman.Note 2 · A visitor in this sense is one who visits the sick to comfort them. Antonio and Sebastian are ridiculing Gonzalo for his efforts to cheer anNote 3 · Tell means keep tally. Sebastian means that the clock of Gonzalo’s wit has struck one.Note 4 · Dolour means grief or sadness.Note 5 · Instead of of he or Adrian, we would say merely he or Adrian. Antonio offers to bet a good sum on which will speak first, Gonzalo or Adrian.Note 6 · Gonzalo.Note 7 · A match means I take the bet.Note 8 · Sebastian has lost his bet, and he pays with a laugh.Note 9 · Adrian means temperature when he says temperance.Note 10 · People often named their girls Temperance, Prudence, Faith, etc. It is to this fact that Antonio jokingly alludes.Note 11 · Lush means juicy.Note 12 · Eye here means tint or shade.Note 13 · We would now say for instead of to.Note 14 · Tunis is near the supposed site of Carthage. The story of Dido and Æneas is told in Virgil’s Æneid.Note 15 · One of the stories of the god Mercury is that he gave to Amphion, King of Thebes, a magic harp upon which the king played and so charmed theNote 16 · The meaning of stomach in this line is appetite or desire. Alonso says they crowd their words into his ears when his feelings do not relish Note 17 · Rate means estimation.Note 18 · His is used for its and refers to shore.Note 19 · For as, read as if.Note 20 · Who is used for which. This is but another illustration of the changes that have taken place in the use of words since Shakespeare’s time.Note 21 · Sebastian tells the King that he alone is responsible for the loss. Even his daughter weighed her wish to be obedient against her loathing oNote 22 · Dearest here means the same as heaviest or worst.Note 23 · Chirurgeon is the old word for surgeon. Antonio says, “And in the most surgeon-like manner.”Note 24 · Gonzalo says, literally. “When you are sad, we all share your sorrow.”Note 25 · “Had I the colonizing” is what Gonzalo means. Antonio makes it appear that Gonzalo was speaking of planting the island.Note 26 · Succession means inheritance, as a son succeeds to his father’s property.Note 27 · Bourn means brook, hence boundary, as of land.Note 28 · Tilth means tillage or cultivation, as of land.Note 29 · He probably means any engine of war.Note 30 · Foison means plenty of grain or fruits.Note 31 · The Golden Age is that period of the world’s history when there was no sin, sorrow or suffering, and when all mankind was so good that thereNote 32 · Sensible is here used for sensitive.Note 33 · Gonzalo admits that in witty talk he is nothing in comparison to Antonio and Sebastian.Note 34 · A blow with the flat of a sword is harmless: so is Gonzalo’s wit.Note 35 · We would say should instead of would in this case.Note 36 · When they used to hunt birds in the night, they called it bat-fowling. Sometimes at night they took a light into the woods, and while one ofNote 37 · Adventure here means put in peril.Note 38 · Ariel is at work again, and in carrying out the plans of Prospero, he causes some to fall asleep that the others may plot.Note 39 · Omit here means neglect. Sebastian suggests that it will be better for Alonso to go to sleep while he can. He has reasons for wishing the KiNote 40 · Alonso grows more sleepy under Ariel’s influence, and in these words alludes to what Sebastian has just said—“It is a wondrous heavy offer oNote 41 · They refers to the other men.Note 42 · Probably we must understand Antonio to mean, “What might you be!” In this way Antonio begins to tempt Sebastian, whom he finds ready to listNote 43 · Speaks means proclaims.Note 44 · Antonio says in effect, “You close your eyes when you are awake. You are blind to your opportunity.”Note 45 · “If you heed me.”Note 46 · Antonio means, “Which if you do, you shall be three times as great as you are now.”Note 47 · By I am standing water, Sebastian means that he is like the ocean standing between tides, ready to ebb or flow. That is, he is ready to acceNote 48 · Antonio says in effect, “The more you ridicule the purpose I suggest, the more you welcome it.”Note 49 · Ebbing men, that is, men whose fortunes are at a low ebb.Note 50 · Matter means something of great importance.Note 51 · “It is difficult or painful for you to say what you think.” While both have about the same idea in their minds, neither is quite willing to Note 52 · Francisco.Note 53 · That is, “this lord who remembers little of the favors done him, and will be remembered no better.”Note 54 · Earth’d means buried.Note 55 · A wink here means the least distance.Note 56 · It is difficult to say just what But doubt discovery there means. Antonio says, “But out of your certainty that Ferdinand is drowned, you haNote 57 · This means ten leagues farther away than a man can travel in his life.Note 58 · Can have no note means can receive no word.Note 59 · This clause means unless the sun carried the mail.Note 60 · Though some were cast up again.Note 61 · This sentence means, you and I can manage what is to come.Note 62 · “Measure us back,” etc., means the same as Return to us.Note 63 · The word others may be understood after there be.Note 64 · A chough is a bird of the jackdaw kind.Note 65 · This clause means, I myself could breed a bird to talk as sensibly.Note 66 · This is difficult to understand. Perhaps it means. “And how does your present contentment advance or care for your interest?”Note 67 · Feater means more fittingly or more becomingly.Note 68 · A kibe is a sore on the heel.Note 69 · Candied means here the same as crystallized.Note 70 · This means, while you, doing the same thing, might put Gonzalo to continuous sleep forever.Note 71 · Suggestion here means temptation.Note 72 · They’ll tell the clock to any business, etc., means they will speak any words we tell them to.Note 73 · Draw together is let us draw our swords together.Note 74 · That is, Why are your swords drawn?Note 75 · This means, Why do you look so ghastly?
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