MISCELLANIES, IN VERSE AND PROSE.
Reading edition
MISCELLANIES.
MR. WARD'S ALLEGORICAL PICTURE OF WATERLOO.[47]
We have the highest respect for the arts and for artists; we are perfectly aware of the numerous qualifications requisite for a painter—we know and feel the difficulty, and duly consider the quantity of talent necessary to the painting even of a bad picture. The years of probationary labour expended before even the palette comes into use, the days and nights of watching, and toil after it is assumed, and the variety of chemical, mechanical, and scientific knowledge which must be brought to bear upon a subject before the idea of the painter can be transferred to the canvas.
These feelings, and this respect for the art, and professors of painting, make us slow to censure; and, although we have long had our eyes upon some of the public exhibitions of the season, we have refrained from commenting upon them till the common curiosity of the town had repaid, in some measure, the care and anxiety of those in whose studies they had their origin.
Mr. Haydon, a sonnet-writing Cockney, ranking high in the administration of the smoky kingdom of Cockaigne, distinguished himself last year, by exhibiting a picture of the "Entry into Jerusalem," which, like Tom Thumb's Cow, was "larger than the largest size." Elated with the success of this immense performance, (of which one group only was at all finished,) Mr. Haydon, this year, put forth a work representing "the Agony in the Garden:" the divine subject saved the silly artist, and we were upon that account silent; else, for Mr. Haydon, who wears his shirt collars open, and curls his hair in long ringlets, because Rafaele did so, and who, if it did not provokingly turn down over his mouth, would turn up his nose at the Royal Academy, indeed we should have felt very little tenderness.
But with respect to Mr. Ward's allegorical picture of Waterloo, we had different feelings—the picture had good principle about it, and the weeks, months, and years which have been bestowed upon it demanded some recompense; the idlers of Piccadilly did not feel the occasional disbursement of a shilling. In pleasant society Ward's exhibition-room was as good a place wherein to "laugh a sultry hour away" as any other; and anxious that Mr. Ward, after having expended so much time, canvas, and colour, should get something by it, we have patiently let him draw his reward from the pockets of those good easy folks, who read newspaper puffs and believe them; and who go and vow all over London that a picture is wonderful and sublime, merely because the painter, at the trifling charge of seven shillings and sixpence, has thought proper to tell them that it is so, in the public journals.
But when we find that this picture was painted for the directors of the British Institution, founded "for the express purpose of encouraging the Fine Arts," and is about to be engraved and disseminated throughout the country, as a specimen of the works taken under the especial care of that Institution; it really becomes a duty to save the nation from a charge of bad taste so heavy as must arise out of the patronage of such a ludicrous daub.
This may be a picture painted for the Institution at their desire, and the execution of it is no proof of their want of judgment, because they desired to have such a picture, and they have got it, and we have thereby no proof of their approbation; but since they have got themselves into a scrape, they certainly should not allow a print to be made from it, even if they suffer the painting to remain in existence.
If it be possible to imagine one thing upon earth more irresistibly ridiculous than another, it is the composition of this enormous thing—the size of it is thirty-five feet by twenty-one—in the centre appears the Duke of Wellington in a pearl car—under his feet are legs and arms, and heads in glorious confusion—before him rides a pretty little naked boy upon a lion—over him in the clouds are a group of young gentlemen with wings, representing the Duke's victories, who look like Mrs. Wilkinson's Preparatory Academy turned out for a bathe; and amongst these pretty little dears are Peace and Plenty, and a great angel overshadowing the whole party.
But this very absurd jumble (at which, through a little hole, Blucher and Platoff are looking with some surprise,) is by no means the most ludicrous part of the affair—in the clouds are two persons, called by Mr. Ward, Ignorance and Error, (one of whom has a dirty handkerchief tied over his eyes,) beneath whom are dogs' heads with wings—a tipsy-looking cock-eyed owl trampling a heavy stone Osiris into the earth—a little calf without a head—a red night-cap—a watchman's rattle—an old crow—Paine's "Rights of Man"—Voltaire's works, a sick harpy—a devil sucking his fingers—a hobby-horse's head, and a heap of chains—here is the allegory—all of which we shall attempt to explain in Mr. Ward's own words, for he is an author as well as a painter, and, absurd as are the productions of his pencil, the nonsense of his pen is, of the two, the most exquisite.
In the foreground of the picture is a skeleton evidently afflicted with the head-ache, before whom runs a little wide-mouthed waddling frog with a long tail, and beyond these a group which defies description.
The horses (particularly the near wheeler) have a very droll and cunning expression about the eye; but the four persons leading them, whether considered as to their drawing or colouring, are beneath all criticism: a pupil of six months' standing ought to have been flogged for doing anything so bad.
In short, the whole thing in its kind closely resembles the overgrown transparencies painted to be stuck up at Vauxhall, or the Cumberland Gardens, or for public rejoicings, and ought, as soon as it has answered its purpose like those, be obliterated, and the stuff worked up for something else.
In a book published upon this performance, Mr. Ward modestly says, that he is not ambitious to be considered an author, and adds, that there exists some insuperable objection to his ever being one; but still, he professes to attempt in his own simple style an explanation of his own ideas. He feels quite confident of public favour and indulgence, and then gives us his view of the thing:—as a specimen of this said style, we shall quote his notions about envy—its beauty, we confess, is evident—its simplicity we are afraid is somewhat questionable.
"Where shall we find a safe retreat for envied greatness, from the miry breath or slander's feverish tongue; dark in the bosom of the ocean's fathomless abyss, on the cloud-cleaving Atlas, or at the extremity of east or west. High on the gilded dome, or palace pinnacle, should merit's fairest hard-earned honours shine, once seated there, the sickly eye of speckled Jealousy, or Envy's snaky tribe, with iron nerve, and cold in blood, well scan the mark, and the envenomed javelin cast, with secret but unerring aim, and what is to screen him from the foul attack? The shield of Worth intrinsic, bound about with truth, and conscious innocence, and where that lives, all other covering only tends to hide its blushing beauties from the rising sun, and dim the face of day.
"So the firm oak's deep roots, eccentric, winding through the heaving earth, fast bound and chasmed deep, with many a widening gap, by blazing Sol's mid ray, at summer's sultry noon, opposes strength to strength; or round the impervious rocks, in weighty balance to its broad branch, and highly-lifted head, up to the mountain's summit, shrinks not from the prospect of the blackening storm, and while it sends its sweeping arms around over the circling numerous acres, shadowing under its expanded greatness, fears not the threatening blast, nor for protection looks to man. Too great to need a screen; it were children's play to throw a mantle over its full broad majesty, to try to save its foliage luxuriant from the rude element. The attempt would be as weedy muslin's cobweb insipidity; its flimsy partial covering would only hide its full matured richness; and the first breeze of whirlwind's opening rising tempest, tear from the disdainful surface to streaming raggedness the feeble effort, and open to the eye the golden fruit, freshening by the tempest, and glittering in the storm."
We know very little of human nature, if Mr. Ward, in spite of his disclaiming any wish to be considered as an author, does not think all this very fine. By way of simply explaining his allegory, it is particularly useful;—of Mr. Ward's view of the necessity of such explanation we may assure ourselves by his very apposite allusion to Milton, Walter Scott, Homer, and Burn (as he calls him). This paragraph we must quote:—
"It is contended by some, that a picture should be made up only of such materials as are capable of telling its own story; such confinement would shut out the human mind from a depth of pursuit in every branch of art. Poetry requires prose fully to explain its meaning, and to create an interest; for who would be without the notes in Walter Scott's 'Lay of the Last Minstrel,' or a glossary to the poems of Burn, the argument to Milton or Homer? If then it be necessary to make use of language to explain poetry, should not the same medium be used to explain personification? It has been thought necessary on the stage to send a person between the acts as a comment on the past, and a preface to the future, and can we, I ask, understand what is going on even in nature, by dumb show? If we see a crowd of people assembled in the streets, do we expect that the action and expression should inform us the cause of their congregating in an unusual manner? Experience proves more than volumes of argument. We ask 'what does all this mean?'"
To which we most candidly reply, we really do not know.
Mr. Ward then proceeds in the following manner:—
"Wellington has his hand upon the tri-coloured cross, on the shield of Britannia, expressive of the Christian's emblem, and the three colours of which it is composed are the colours answerable to the three principles in Trinity!!!
Red is the first fiery principle in the Godhead; Blue the second in the Saviour, or Mediator; White the third in the Dove of Peace."
This ingenious explanation of the mysteries of the Union Jack must be highly satisfactory to every thinking Englishman: there is, indeed, but one drawback to the holy pleasure we feel at Mr. Ward's sublime discovery, which is, that the Revolutionary flag of France was composed of the same three colours.
The enlightened artist then informs us—speaking of Britannia, "that the twisted lock of hair laying in front upon her bosom, and over the right arm, is emblematic of"—what do you suppose, reader?—"of the spirit of justice."
"Justice, stern and unrelenting, whose sword is forward, and whose plaited hair is answerable to that sword, and makes in the person of Justice the number three, as expressive of the Trinity, or the whole of Godhead manifested in the awful administration of justice. That sword is serpentine, as expressive of flame, Deity in its principle of fire."
This is "finely confused, and very alarming;" but observe:—
"With the other hand she points through the medium of the Trident to the Trinity in Unity, commanding him to look up to Providence as alone able to give success to his efforts."
This puzzles us; pointing through the medium of "the Trident" appears to us to be something like looking at the Sun through the medium of a toasting-fork; but we may be wrong.
Mr. Ward then continues:—
"The cat and broken spear are emblems of rebellion and anarchy."—P. 11.
"The British Lion is majestically observing the effects of his own operations; his countenance shows no symptom of the reign of passion—anger is alone signified by the movement of his tail."
For this illustration of natural history Mr. Ward appears to be indebted to Mathews, who, in his "At Home," told a capital story of a showman and one of the noble beasts in question, in which, while his head is in the lion's mouth, he anxiously inquires of a by-stander, "Doth he wag his tail?" That bit of waggery being indicative (as Mr. Ward has comically painted it) of the ire of lions generally.
Mr. Ward, as matter of information, tells us, page 19, that "the palm-tree grows to the height of five hundred feet, and bears the date and cocoa-nut." What date the trees Mr. Ward alludes to might have borne we cannot say; but certain it is, that modern palms have left off growing to the height of five hundred feet; which, considering it to be about three times the height of the Monument, and one hundred feet more than the height of St. Paul's, is not so very surprising.
The following information, conveyed in page 20, is likely to be very interesting from its importance:—
"Juvenile antagonists in the streets dare not strike an unfair blow, take the other by the hair, or maltreat him when fallen upon the ground. In such case, he not only loses his battle, but also—his character!!!"
At page 22 we have, perhaps, the most finished description of docking a horse that ever was put to paper; it is somewhat lengthy, but it will repay the lover of the sublime for his trouble in reading it:—
"Can any thing be so far from true taste, as to round the ears of a dog, or to cut them off; whatever may be the beauty, breed, or character, to cut off the thumb, or fifth toe, and call it a Dew claw, and consider it of no use! To chop off the tail of a waggon-horse, so necessary and useful to that class of creature; above all, to separate every joint of the tail, with all the misery attending upon it, in order to reverse the order of Nature, and make that turn up which ought to turn down, all equally show the want of taste, as the want of humanity? Who has ever witnessed the operation last alluded to, if not, pause; and in your imagination, behold a nobly-formed, and finely-tempered creature, led from the stable in all the pride of health, and all the playful confidence of being led out, and held by his master and his friend, view the hobbles fastened to his legs, his feet drawn to a point, and himself cast to the earth, so contrary to his expectations and his hopes; observe the commencement, and the lingering process; behold the wreathing of the lovely and as useful animal; how does his heaving breast manifest his astonishment, while his greatly oppressed and labouring heart beats high with resentment, at being thus tampered. His quivering flesh sends through every pore streams of sweat; his open nostrils are bursting with agony of body and spirit, while his strained eye-balls flash as with the fixed glare of expiring nature. Heard you that groan? poor animal. They have began the deed of barbarism! he faintly shrieks, 'tis as the piteous cry of the timid hare, when sinking under the deadly gripe of the fierce, agile, and ravenous greyhound. How he grinds his teeth, and bores his tightly-twitched and twisted lip, and smoking nostril, into the thick litter, or grovelling, rubs his aching forehead into the loose sand; now the sudden and convulsive effort! what a struggle! every nerve, sinew, tendon, stretched to its full bearing, with fearful energy! Oh! that he could now disencumber his fettered limbs, and spring from his tormentors. Those limbs, that would joyfully bound over the broad plain, or patient bear the cumbrous load, nor utter one complaint in the deep toil; or drag with unwearied submission, harnessed, galled, and parched with thirst, the lumbering machine to the very borders of his opening tomb. He groans again, the struggle's over, and he again lays down; while the hoarse breathing and his panting sides, prove that all his energies, his mighty energies, have failed: and the work goes on, still continues, and now another and another gash, and now the iron hook, to tear out from among the separated complicated bones, the tenacious ligament that binds the strong vertebræ; and lastly the burning steel to staunch the streaming blood. Tedious process!—but at length it ceases, and the noble, towering, majestic steed is led back, tottering, trembling, reeling, and dejected, to repose apparently in peace; but ah! another torment, the cord, the weight, the pulley, day o'er day, and week after week, to keep the lips of the gaping, throbbing, aching wounds asunder, to close no more for ever. Enough! enough! our country's shame, for cruelty is not our natural character, our country's vice."
We by no means intend to ridicule Mr. Ward's humanity; but, we confess, as throwing lights upon an allegorical picture of the Duke of Wellington's triumphs, we do not consider the passage quite as much to the purpose as it might be.
At page 29, Mr. Ward states (and with every appearance of believing it) that "Cicero was once a lisping infant, and Sampson, at one period, could not go alone;"—to which assertions we must beg to add, for Mr. Ward's satisfaction, that "Rome was not built in a day."
In his simple style, at page 30, Mr. Ward, speaking of ignorance, says,—
"Loose veins of thought, imaginative intellects, evaporation. As the school-boy's frothy bubble, rising from the turbid elements" soap and water, "its inflated globule exhibits in proud mimicry the Rainbow's gaily painted hues, and calls rude mirth to dance upon its glittering surface, when suddenly it bursts, and all is gone!"
We shall conclude our extracts from this explanatory pamphlet with the following:—
"Shapeless Forms of Death.—Perhaps no part of picturesque representation is so difficult as this. The poet here has much the advantage. Ossian may, by a language all understand, throw the imagination into a delirium, and there leave it bewildered and wandering, in all the confusion of material immateriality; but in painting it is necessary to give a substantial shape to a shapeless form, and substance to a vision. It is not for him to give the ghost of my father as a misty cloud covering a whole mountain, or enlarging itself to the broad expanse of the capacious plain, like the flaky layers of a thick fog, on the opening dawn of a mist-dispersing sunbeam. But the painter must embody disembodied beings, and give 'to airy nothingness a local habitation and a name.' Here the various shapes of blood and carnage are to be contemplated, in the imagery depicted, as cannon-balls, bomb-shells, fiery rockets, swords, spears, and bayonets, with all the horrible effects of their operations; as moving in the conflicted elements; from the head of death's gloomy tribes, the large death-bat, under the arm of the fell monster Death, who is grinning with savage pleasure at the havoc he is making. The monsters are breathing fire, and from their pestiferous dugs dropping streams of blood, as the milk of their nourishment."
Having given some of Mr. Ward's ideas as they were written, we leave those who have not seen his picture to judge what such ideas must be, upon canvas, with a clumsy hand, and the worst possible taste.
To say that Mr. Ward is mad, is not what we would pretend to say; but coupling his painting with the articles which we have caught and preserved, from his pen, we must believe that there are many very worthy persons at present in Bedlam, who could paint allegories full as well, and describe their meaning afterwards with infinitely more perspicuity.
All we have to do in this affair is to call upon the Directors of the British Institution, if they mean to patronise real merit, or to make their rewards honourable and of value, to disclaim all approbation of the most illustrious and full-sized specimen of pictorial Humbug that ever drew shillings out of the pockets of John Bull.
We have indeed been told that the Institution have (somewhat too late) discovered that they employed an animal painter, to paint them an allegorical picture—they were not aware of their mistake in the outset; but in order to rectify it and induce Mr. Ward to rub out his allegory, they have resolved, it is said, to give him an opportunity of showing his talents in his own line, by sitting to him for their likenesses,—it is added that the portrait of Mr. Richard Payne Knight is already in a high state of forwardness.
LETTER FROM A GOOSE.
To John Bull.
Farm Yard, Claremont, Friday, Sept. 27, 1822.
Sir,—These are the last words I shall ever have an opportunity of addressing to you; my doom, alas! is fixed. I am sentenced to die this evening; neither Alderman Waithman, nor Mr. Ex-Sheriff Parkins, can save me; I am waiting in the condemned coop, the coup-de-grace of my illustrious master's chicken-butcher.
Probably you anticipate the cause of my death: Sunday is the feast of St. Michael, my blood is required in the mysterious celebration of the ceremonies observed in all well-regulated families on that anniversary. This very day twelve-months my excellent and amiable mother, and my respectable father, perished on the same account.
At this critical juncture, I pick a quill from one of my wings to assure you of that resignation to my fate, which I truly feel:—that it is not unalloyed, Mr. Bull, I must, however, confess. Those who know our family know that we are patriots, that we have souls; and I cannot quit the world without regretting my future destiny. Brought up, sir, as I have been; educated upon the English system in the farm-yard of a Foreign Prince; fattened as I have been at the public expense; I did expect (as all patriots say they do) that the sacrifice of my life might have been of some utility to the country;—but, alas! no: pampered, fed, stuffed as it were by anticipation. What is my doom? Am I to be yielded as a tribute to the nation, whence I have derived my weight and flavour? Am I to gratify the palate of the illustrious Prince, my nominal patron? No; I am to be sold and eaten by some base venal hind in this neighbourhood, who, in these times of wretchedness, cannot dine on Michaelmas-day without me.
What my sensations are at the treatment I have met with you may, perhaps, comprehend. Will you believe it, sir, I have never seen the illustrious Personage in whose service I have wasted my days. I have never beheld the amiable Prince, to whom, for many reasons, I am warmly attached: first, because I am a goose; secondly, because, thanks to the generosity of the nation, I am his Royal Highness's goose; and, thirdly, because I am a goose of high feeling, honour, and, above all, of gratitude.
What a consolation it would have been to have seen his Royal countenance!—what a disgrace to my family to quit the world without having attained to such a favour! It is true I have received a great deal of pleasure in the occasional society of Sir Robert Gardiner, whose attentions have been very much devoted to our comfort and accommodation in our Royal Master's absence. I certainly found him in pens; which, as you know Sir Robert is fond of writing, was no small return for his civilities—civilities, which I begin shrewdly to suspect were, after all, interested, and more insidious than I apprehend at the moment.
I ought to apologise for trespassing at such length upon your patience; but, having been for a considerable time a constant correspondent of the Morning Chronicle, I am habituated to what are vulgarly called long-winded letters; and when a goose prints his own grievances he is generally somewhat diffuse. My wrongs are now strongest in my recollection, and I am anxious that my family reputation should not suffer in my person, and therefore devote my last moments—my last words to you.
If you were a goose, Mr. Editor, how would you bear with indignities like those I have suffered? Sir, the Heralds' College could prove, and would prove, if they were sufficiently well paid for it, that I am lineally descended from the noble bird who saved the Roman Capitol; and it is in consequence a common observation amongst the poulterers at Kingston, that "there are Capitol geese at Claremont;" which classical saying of that erudite body has been garbled into the more vulgar observation, that "there are capital geese at Prince Leopold's;" inferring thereby that part of his Royal Highness's capital consists of geese!
It is needless to tell you, that the branch of my family which has settled itself in Norfolk is in the most flourishing state, and that at Holkham, at this present moment, there is an old Goose held in high estimation amongst the Whigs. At Woburn Abbey, another set of my connexions are in high force, and admirably calculated for cutting up and roasting; while in the North, the Grey Geese are reckoned invaluable as a cross breed, the head of that coop being the identical bird celebrated in the Fable of the Fox and Goose, to which the Tories have subjoined a very salutary if not pleasant moral. To the notice of these most honourable birds I may add one of the younger scions of our stock, the Goslings—who, as everybody knows, are a most excellent and respectable firm in the City of London.
These things disturb me. I have contributed to the funds of my Master, I am about to lay down my life for his advantage, and, I repeat, he has never seen me. There are thousands of geese, I am ready to grant, labouring under the same disadvantage, and thousands of human beings too, but to them the disappointment is not of the same nature as to us: none but geese would contribute to support an absentee as we do; and yet, supporting him, none but a goose would care about ever seeing him again.
I must cease—the poulterer's cart and my end approach. I have heard that the only modification of my sentence which I ventured to request—the change of strangling into decapitation—is refused me; His Royal Highness's ministers here declaring that I cannot be sent off the premises without a bill. It matters little, Mr. Bull, but I must say, it is not what I expected. Publish my letter, that my Prince may see how he is beloved and respected, and by whom;—he has been at Rome, but never thought of me or mine; perhaps he never heard of the story which connects us with that once mighty city. Adieu!—One of my sisters has already suffered: would I were a swan, I would sing my own elegy—they come nearer—they have seized my pens—I can only give—what we occasionally have here—a great quack, and subscribe myself,
Your affectionate Gander, Billy.
P.S.—No anser will reach me; but in making any further inquiries about me, be cautious, as there is a much greater Goose than myself of my name, living at Bagshot, which, being in this neighbourhood, might cause some confusion.
THE HUM-FUM GAMBOOGEE SOCIETY.[48]
The first general meeting of this excellent society took place on Thursday, at the residence of one of its most powerful supporters; and, considering the skeleton state of the metropolis, was satisfactorily attended. We have received an account of the proceedings, under a promise not to mention the names of the committee; and the word "confidential" written diagonally in one corner of our correspondent's letter, prevents our giving the report as fully and satisfactorily as we could wish.
The great Gamboogee himself, however, was present, and explained the nature and intention of the society very succinctly. It may perhaps be necessary to quote for our readers this account of their general views, as detailed by his Lordship.
In the first place, it appears to the excessively correct persons who compose this grave body, that a Christian should never be merry—that it is the bounden duty of all well-disposed persons to groan and sigh, and make themselves as uncomfortable as possible during their stay upon earth; and in order to render themselves apparently subservient to the regulations which they propose to lay down for others, the members have their seats provided on the hardest possible benches, the president being compelled to sit in very thin silk breeches, upon a horse-hair bottomed stool, without either arms or back, i.e., while they are in public!
Every member is bound, on similar occasions, to wear large worsted stockings, with the tightest possible shoes, stiff stocks, and hats considerably too small for their heads. Thus accoutred, it is their intention to effect, under the authority they very frequently have on their tongues, a total reformation in society.
They intend to begin with Brookes's and Boodle's, which are to be consigned forthwith to the superintendence of four respectable Dowagers; and the direction of Almack's is to be vested in the hands of six able ministers, to be selected by the great Gamboogee himself for that purpose, next May, previously to the commencement of the ensuing winter season.
In order to prevent the shameful impositions practised upon the credulity of minors of fashion and fortune, by unprincipled women of no property, the Hum-Fum Gamboogees have opened establishments for the reception of young gentlemen of worldly propensities, which are to be placed under the surveillance of most active and pious men.
Similar receptacles for young ladies, whose flagrant desires lead them into the abominable vices of dancing or singing, will be prepared, where, in rooms hung with black, and from which the much too comfortable glare of day will be excluded, they will be taught to see, in their proper colours, the enormity of those crimes of which they have been guilty, and which their sinful mothers, grandmothers, and great grandmothers, have been rash and vile enough to commit in a similar way.
It appearing to the Hum-Fum Gamboogees that the sun is by far too great a blessing for such wretched creatures as we are, they recommend a careful seclusion during the day, and suggest that wet or windy nights are the most suitable occasions for taking exercise.
A total abstinence from wine is earnestly desired to be observed by the young gentlemen of London, whose interests the Hum-Fums have very near their hearts; and they mention weak black tea as a substitute, or a proportion of that excellent succadaneum for Hyson, chopped hay, which was seriously recommended to the attention of the world, a short time since, through the columns of the Morning Post.
Several well-dressed and respectable elderly gentlemen, with umbrellas, will attend in Hyde Park every day, until the abomination of frequenting such places be utterly abolished, to escort young men to pious ordinaries, where it is recommended they should dine, in order to prevent those unnatural sins, flirting, dangling, and making the amiable.
A vast many devout minor agents of the society will be employed to divest the pockets of persons of snuff-boxes, it never having been required by nature to feed one's nose.
It is strongly recommended that every one should abstain from frequenting play-houses, and in order to effect this great object, or at all events to render the performances sufficiently disagreeable to be quite correct, it is suggested that the company of performers, who acted at the Haymarket Theatre last season, be the only persons licensed to exhibit in the metropolis.
The Hum-Fums will visit the houses of their neighbours, after the fashion of that most excellent brother corporation, the Bible Society, and will make it their business to enquire into the state of every man's domestic affairs; in order, if possible, to rescue from degradation the servants of London, whose subordination (although, by the active endeavours of similar unions, they are getting gradually independent of their masters and mistresses,) is derogatory to the dignity of the human character.
The Hum-Fums will distribute amongst the domestics such works as may tend to elevate their minds, open their intellects, make them dissatisfied with debasement, and enable them, by the blessing of Providence, to rise superior to that oppression by which the sinful luxuries of society have humiliated them. Several Hum-Fums of the highest character for dulness and gravity will attend in the kitchens and servants'-halls of each parish, to edify their tenants every evening from eight till twelve.
It will be the study of the Hum-Fums to impress upon the soldiers of this kingdom the sin and shame of carrying muskets and bayonets for pay, and of slaughtering their fellow-creatures for no cause whatever; and by the way in which they expect to be enabled to make their light shine, they hope to convince their brethren in arms that officers are but men, and that obedience from one man to another is by no means necessary to salvation.
The sailors they intend to leave entirely to the pious society called the Bethel Union, convinced that nothing the Hum-Fums can do will more effectually emasculate and sanctify at the same time the sea service, and purge it of its worldly power to do mischief, than the blessed exertions of that inestimable institution.
Riding in carriages, especially on Sundays, they most energetically denounce; and it is proposed to solicit the several lessees of the turnpike trusts round London to allow ministers, selected by a council of Hum-Fums, to be placed at the different toll-gates, to dissuade the infatuated people from enjoying the sun and air of heaven on the only day which they have to themselves, and on which, in obedience to the Decalogue, they do no manner of work.
Night agents of the society will be regularly posted at the doors of all public-houses within the bills of mortality, to check the ingress of sinners to such places; and in order more effectually to promote the devout intentions of the society, Messrs. Whitbread (whose very name inspires respect), Mr. Calvert, and Mr. Buxton have intimated a zealous desire to leave off brewing the liquor which the wretched sinners are so depraved as to swallow in those receptacles for vice.
No rank of society will be free from the surveillance of this pious body. At the Opera, a superior class of agents will be always in attendance to superintend the friendly intercourse of the best families, and by an assiduous watchfulness over the manners and conversations of the various parties, many of those heartrending divisions in society which shock morality will be doubtless prevented.
The Hum-Fums earnestly recommend frequent physicking and bleeding, with a view to the moderation of worldly appetites; and suggest, in the hope of keeping up an incessant feeling of the wretched state to which we are reduced, that all persons between the ages of fifteen and sixty should wear perpetual blisters.
The Hum-Fums earnestly request subscriptions to carry their spiritual benefits into effect, and they would impress upon the minds of those who are hastening to perdition in the same abominable and destructive road, which every one of their ancestors and relations have taken, that all things are subservient to the principles which the Hum-Fums teach, and that without money the Hum-Fums cannot exist.
After the proceedings in which this development of their views was made, the Hum-Fums nominated thirty-five treasurers and sixty-eight secretaries at respectable salaries. Most of the Hum-Fums being decidedly hostile to the establishment in State as well as Church, this was considered the only virtuous mode whereby to provide for those persons, who, though in humbler life had always relied upon the Hum-Fums for support, and whose laudable exertions in exciting a proper melancholy, and a substantial discontent, deserve the highest praise.
The Hum-Fums, after this part of the ceremony, proceeded to sing psalms and hymns, the productions of the Rev. Mr. Smith, of Penzance, whose meritorious conduct under his call, from the station of boatswain in His Majesty's service, to the ministry, demanded their warmest admiration.
Miss Rebecca Engleheart presented the society with a small pasteboard windmill, in the hopper of which were three shillings and ninepence halfpenny, which she had collected by the exhibition of her little toy.
The great Hum-Fum Gamboogee was extremely gratified by this specimen of pious ingenuity, and put the sails of the model into rapid motion, which excited great gratitude and applause.
Two Otaheitean watermen and a New Zealand coppersmith were elected Hum-Fums: they spoke at length of the benefits which their respective nations had received from the exertions of the society, and the latter presented to the society the heads of his elder brother and his sister-in-law, which he had cut off since his notions of property had been matured under its benign influence.
At this period of the proceedings an interruption took place which threatened the unanimity of the society; this, considering the society, as we do, to be one, of which all the members ought to hang together, created a very unpleasant feeling.
One of the members, more lukewarm than the rest, inquired by what authority the Hum-Fums were to take upon themselves the charge of correcting their neighbours, and setting the world in general to rights; adding a doubt as to the obedience of a nation like England, famed for its independence, and envied for the blessings of religious toleration, to the dicta of a committee of Hum-Fums. "For," said the pious member, "although I speak under correction, and with all due deference to the great Hum-Fum Gamboogee and my sanctified brethren, I do not see the right by which we, being only men like themselves, are, in a country of liberty, to control our fellow-creatures in their recreations and amusements; seeing, that if they are to go to perdition for doing that, which has been ordinarily done in Great Britain for the last four or five centuries, we are to conclude that all our forefathers have forfeited their hopes of happiness hereafter, because the system of Hum-Fumism did not exist; which reflection is not only melancholy, but, as I am bound to trust, not founded in fact. Moreover, sir," added the brother, addressing himself to the most venerable Gamboogee, "your Lordship must know, that in Roman Catholic countries the Sunday is universally a day of gaiety; that dances, and even plays, are performed on that day; and since, I believe, many of the great Hum-Fums who now hear me, voted in another place in favour of the Roman Catholics, they should be cautious, while they cry for the admission of such levities with one breath, not to condemn, with another, to eternal punishment the Protestants, who, although it must be confessed they contrive, even in these times of distress, to enjoy themselves on Sundays, confine themselves to a walk or drive into the country, with their wives and children, and a harmless regale of their pipes and their pots, their buggies and their bottles, or their carriages and their claret, as the case may be——"
"Harmless!" said the great Hum-Fum, the buckles of his wig standing on end!
"And I doubt much," continued the former speaker, "whether the very proceedings we are about to adopt will not sicken those of moderately pious lives, and——"
"Sicken, sir!" interrupted the great Hum-Fum—"look at the navy, sir! Do you not perceive that the blessed institution, the Bethel Union, of which Master Phillips and myself are the main props, has taken the navy under its care—that we are to control the pleasures of the sailors—to correct their propensities—dock them of their girls and their grog—and allowance them even in pig-tail? If this experiment succeed—if the navy submit to this most proper control and purification, why should not the army and the laity generally submit to it too? What did Oliver Cromwell do, sir? Had not he a preaching army?——"
Here a considerable noise of coughing took place; for though the ultra Hum-Fums were too much involved in zeal to think of analogies, the designing and radical Hums, who had merely joined the society for political purposes, felt that the mention of old Noll might throw the more moderate into a train of thoughts for which they had not as yet been sufficiently prepared.
The confusion caused the great Gamboogee to cease; when a servant entered and whispered his Lordship. What the communication was we were unable to learn, as an adjournment was immediately moved and carried. The fact is—dinner was ready.
MORAL THEATRICALS.[49]
We have once or twice alluded to a scheme (forwarded to us by the Author) for rendering theatrical entertainments strictly moral; and, it appears to us, that no season can be better suited to its development than the present.
The gentleman, to whose exertions in the behalf of virtue and decency, the public are even now greatly indebted, and whose plan, if carried into effect, will entitle him to the gratitude of the nation at large, is the Rev. Mr. Plumptree, who has published a volume of dramatic pieces illustrative of his purpose, which blend with deep interest a purity of thought and propriety of language rarely to be met with in the theatrical works of the day.
The first of the dramas is called "Royal Beneficence, or the Emperor Alexander," and is founded on an event which occurred to his Russian Majesty, on the banks of the Wilna, where he restored a drowning young man by the means prescribed by the Humane Society, which means of restoration are published with the play—evidently with the best intentions. Mr. Plumptree offered this piece to Covent Garden and to Drury Lane, but it was by both rejected; then Mr. Hindes, the manager of the Norwich playhouse, had the refusal of it; but he, like the London proprietors, objected to its appearance because a living character was introduced.
Mr. Plumptree reasons very fairly upon the futility of this excuse, and prints the detail of the Emperor's indefatigable exertions, upon which his play is founded, together with many other interesting documents concerning the valuable charity to which the piece is dedicated.
The drama is full of interest and good feeling; and although, in the present state of the stage, there is, perhaps, a want of bustle, still the affecting incident at the end of the first act, where the dead body of the hero is dragged out of the water, and stripped upon the stage, under the immediate inspection of the Emperor, who says,—
"Lose no time in fruitless ceremony: this is our duty now; strip off his clothes; wipe him dry, and rub about his heart, his temples, wrists, and everywhere,"—
appears to us likely to have produced a great sensation in a British audience.
We must say, that the rejection of such a piece by the London managers reflects equally upon their taste and delicacy.
The next drama is called "Winter," and is founded upon the story of Elizabeth Woodcock, who was buried in the snow for upwards of a week, and is extremely pretty. "The Force of Conscience," a tragedy, follows, which ends with the execution of Mr. Morris, a blacksmith, on the new drop, during which awful ceremony he is assisted in prayer by the Rev. Mr. Jones; the spectators make comments, and the culprit his last dying speech, when the drop, or rather the curtain, falls, which ends "the strange eventful history."
The next play is called "Mrs. Jordan and the Methodist," and is founded upon a benevolent action (one of many) performed by that incomparable actress. We have too much affection for her memory to make a single comment upon Mr. Plumptree's delicate attempt to commemorate her good qualities.
The next is a comedy, called "The Salutary Reproof, or the Butcher!" from which we intend to make a few extracts, in order to give a fair specimen of Mr. Plumptree's dramatic talent and virtuous intentions; and we certainly do hope that one of the London theatres will afford the town an opportunity of judging for themselves the benefits likely to arise to their morals by such representations, without any curtailment of their amusement.
The play opens with a view of a country village; a public-house—sign the Salutation, on one side; on the other side, a baker's house and shop, and next door a butcher's house and shop; trees and a seat before it.
Enter the Rev. Mr. Shepherd—goes to the inn, and is shut out—he tries the baker, who will not give him a lodging—whereupon he proceeds to the butcher's. As he advances, he hears a hymn sung by the butcher's family, accompanied on the oboe. He is shortly after received by the butcher, and the scene changes to the inside of the butcher's house, where, as it is described, there is "everything remarkably neat, and even elegant in a plain way."
Enter Mrs. Goodman, George, and Ruth—then Goodman and the Rev. Mr. Shepherd.
The following conversation occurs:—
Goodman. Mary, here is a gentleman will lodge here to-night. Muggins is in one of his surly fits, and has denied him. Put clean sheets on the bed, and you shall sleep with Ruth, and I with—George!
Mrs. G. What will the gentleman be pleased to have? Pray, be seated, sir—take this great chair. Shall I do you a mutton chop, sir?
Goodman. Bring the ease-and-comfort, George.
In a long note Mr. Plumptree elaborately describes this machine, and benevolently observes, that no house should be without at least one of them.
Mr. Shepherd. I thank you—if it will not be giving you too much trouble, I should prefer tea before everything—nothing refreshes me after fatigue like tea.
Mrs. G. By all means, sir; the fire is not out in the back-house. Ruth, put on the kettle; it is hot; and get the tea-things.
George. (Bringing the ease-and-comfort.) Here, father.
Goodman. Will you rest your legs on this, sir? we call it ease and comfort.
Mr. Shepherd. 'Tis ease and comfort, indeed. I know it by the name of rest-and-be-thankful. I will beg, if you please, when I go to bed, the patriarchal hospitality of water for my feet, and that warm.
This conversation, which is quite refreshing from its naturalness, continues till it takes a turn in this manner:—
It will be observed that Goodman is a butcher.
Goodman. It is said that our laws do not allow a butcher to serve upon a jury in a case of life and death—supposing, from his business, that he must have less humanity than others.
Mr. Shepherd. But that, I believe, is not the case; and within my own confined experience I have known several truly respectable and humane butchers. Our laws themselves are sanguinary; and they do not make the same exception to the military or naval characters, both which professions have too much to do with the effusion of blood.
Goodman. What do you think, sir, of the post-boy who cuts and over-drives his horses?
Mr. Shepherd. What do I think of the gentleman who sits behind him, and permits it—nay, encourages him, and pays him extra for distressing them, merely to bring him a few minutes sooner to the end of his stage?
Goodman. Sir, I had rather be what I am.
Mr. Shepherd. And so had I—it is a consolation to me often, in my journeys on foot, that no beast suffers for my accommodation.
The vein of morality which runs through the dialogue is exquisitely touching, and in the hands of Terry or Macready we think Goodman might be made highly effective—Young would be excellent in the "Rev." Mr. Shepherd, and in the latter part of the act, where Goodman discovers in the clergyman a friend who "put up at the Wheat Sheaf, at Blessbury, twenty-five years before," would make a decided hit—when pushing away his ease and comfort, the Reverend Gentleman returns thanks for having made the butcher what he finds him.
The conclusion of the first act is happily imagined, and highly theatrical:—
Mr. Shepherd. If you please, I will retire to rest—I heard your evening hymn, and interrupted your prayer in the hope of joining in it. Of whose devotions do you make use?
Goodman. Bishop Wilson's, sir—but you will be so good as to lead for us.
Mr. Shepherd. If you please—but in general I know not that you can do better than make use of the pious bishop.
Goodman. George, bring the book.
Mr. Shepherd. I will have it in my hand, if you please, but our own peculiar circumstances require our own peculiar thanks and petitions.
[George brings the book, and gives it to Mr. S., and whilst they are looking at him, as if waiting for his kneeling first, the curtain drops.]
It is impossible not to feel such a scene deeply—its dramatic quality and the powerful effect that such a style of representation could not fail to have upon a thinking audience.
In the second act Goodman dispatches a leg of mutton to Lord Orwell's, and puts up a prayer—Mrs. Goodman inquires if the gentleman's shoes are cleaned, and mentions that she must go and look at the rolls in the camp oven: subsequently to which we are presented with a scene at his Lordship's, who desires the butcher to sit down, and enters into conversation about "Fiorin grass," which Goodman says will produce six ton per acre. His Lordship then recommends a work called "The Experienced Butcher," published by Darton and Harvey, Gracechurch Street, price 6s.—in return for which Goodman mentions the arrival of Mr. Shepherd, and recommends him for the curacy of Gladford, the new rector having refused to countenance him. Whereupon Lord Orwell says to the butcher (taking his hand), "Mr. Goodman, this, like every part of your conduct, raises you in my esteem; depend upon my services wherever they can be useful."
Goodman. Your Lordship is too condescending—too good—to me too.
[Exit, putting his hand to his eyes, to wipe away the tears.
Lord Orwell. No profession, I see, however rude, can prevent the growth of humanity, where religion affords its kindly influence. Even conversation with this butcher I perceive to improve my humanity!
Enter Sir William Rightly.
Good morning to you, Sir William; you rested well, I hope?
Sir W. Quite so, I thank you; your Lordship is well this morning, I hope? You have been sending your butcher away in tears, I see. I passed him in the hall; he gave me a look that spoke I know not what; I felt it at my heart.
Lord Orwell. I think you must have heard me mention this butcher before; he is not only the best butcher for many miles round, but one of the best men!
His Lordship then characterises Goodman thus:—
I have a great regard for him. In addition to all I have said, there is a civility and gentleness in his manner—an ease and frankness—civil without servility—ease without familiarity, and gentle, with much animation!
Sir William. It seems, then, that the butcher, if not a gentleman has much of the gentleman about him.
Lord Orwell. Exactly so. But let us join the breakfast party.
[Exeunt.
There is so much genuine nature in all this, that we certainly should have no hesitation in foretelling the reception it would meet with on the stage, if acted. The dénoûment may easily be anticipated; Mr. Shepherd, instead of being continued as curate, gets the rectory at Gladford; and Lord Orwell and Sir William Rightly having walked down to the butcher's, there conclude the play thus:
[Lord Orwell and Sir William alternately shake hands with Mrs. Shepherd and Mrs. Goodman; Mr. Shepherd and Goodman then take each other cordially by the hand, in the centre, while Lord Orwell takes Goodman's hand and Mrs. Goodman's; Sir William takes Mrs. Shepherd's and Ruth's; Mrs. Goodman takes Muggins's, and Muggins George's; Ruth takes Crusty's, and Crusty his wife's. The curtain drops.]
As we have already said, the great charm of these pieces is the perfect representation which they give of real life. The intimate knowledge of human nature, and of society, which shines throughout all of them; and, above all, that consummate skill which, while it affords the richest dramatic treat, conveys the purest moral lesson.
It certainly is not for us to prescribe to Mr. Elliston; but we do think that if the play, whence we have made the above extracts, were acted at Drury Lane, the effect produced would be extraordinary. To Mr. Plumptree we return our thanks for his volume, which having read with admiration, we lay down with infinite satisfaction; and if every author were to pursue his plan and publish the piece, which managers have refused, it would very soon put an end to all doubts as to the cabals and intrigues which agitate, divide, and govern theatrical cabinets.
PRIVATE CORRESPONDENCE OF PUBLIC MEN.
With considerable exertion, and at a great expense of capital and research, we have been fortunately enabled to gratify the prevalent taste for diaries and correspondence; a gentleman of the highest literary character, moving in the first circles as well of the political as fashionable world, has been kind enough to furnish us with no less than twenty-four volumes of MS. letters and memoranda, the production of all the leading personages of the last and present century.
It is from the unreserved communication of their thoughts and feelings that the characters of great men are to be justly appreciated; and with the addition of the notes, explanatory and critical, of our highly-gifted friend, we think we shall do the world a service, and our readers a pleasure, by submitting portions of the great collection entrusted to our care.
It must be observed that the whole of the correspondence of which we are possessed is strictly of a private nature, and certainly has never appeared in print before. We give a few specimens:—
No. I.
"From the Right Hon. William Pitt to Mr. Smith.
"Mr. Pitt will be glad to see Mr. Smith to-morrow at twelve.
"Downing-street, April 4, 1800."
I have not been able to ascertain precisely who this Mr. Smith was, and the envelope, which possibly might have shewn the address, has been unfortunately lost—the name of Smith is by no means an uncommon one; it is possible that this note might have been written to a relation of Lord Carrington, who was created a Baron on the 15th of July, 1796. His Lordship married a Miss Bernard, by whom he has had one son and eleven daughters.—Ed.
No. II.
"From David Garrick, Esq., to Dr. Goldsmith.
"Southampton-street, April 9, 1775.
"Dear Goldsmith,—Mrs. Garrick will be glad to see you here at dinner to-day, at three o'clock.
"Yours, D. G."
The authenticity of this short letter is unquestionable; for although the initials of this British Roscius only are affixed to it, the date, and the known intimacy which existed between Garrick and Goldsmith, put all doubt at rest as to the real writer. It is a curious transcript of the times, as it marks the hour of dining in the year 1775, in what may be considered the best authority. Garrick retired from the stage in 1777, and died in 1779; his widow survived him nearly half a century. The house at Hampton was purchased by a Mr. Carr, Solicitor, as I believe, to the Excise, one of whose daughters was married to Dr. Lushington.—Ed.
No. III.
"From Mrs. Letitia Barbauld to Miss Higginbotham.
"Mrs. Barbauld will thank Miss Higginbotham to let her have the silk gown home by Saturday night at latest.
"Thursday evening."
This interesting remain is without date, but it bears the evidence of truth on its face. Mrs. Barbauld, who was the daughter of Dr. Aikin, was a highly-talented lady; her "Beggar's Petition" itself is enough to immortalize her. The desire to have home a new gown on Saturday night, in order that she might wear it at church the next day, has a naturalness in it which is quite refreshing—a feminine anxiety operating upon a masculine mind.
I have endeavoured by every possible means to ascertain who the Miss Higginbotham was, to whom the letter is addressed, but hitherto in vain. By reference to the files of newspapers kept at the Chapter Coffee House, in St. Paul's Churchyard, I see that in the year 1870, a Mrs. Hickenbotham kept a milliner's shop in Hanway-yard, as it was then called. But I can hardly fancy it the same person, because in the first place Mrs. Barbauld distinctly calls her Miss, whereas the person in question was married; and secondly, because the name of the milliner to whom the newspaper refers, is spelt Hickenbotham, whereas Mrs. Barbauld makes the Hick, Hig, and spells her bottom, botham, after the manner of the landlord of the Windmill Inn, at Salt-hill, near Eton in Buckinghamshire.
No. IV.
"From the Right Hon. Edmund Burke to Mr. Burns.
"Burns,—Get something for dinner by four o'clock to-morrow, and tell Simmons to have a fire lighted in my bed-room early in the day."
"E. B."
The Right Hon. Edmund Burke, one of the most distinguished of our British worthies, was born at Limerick on New Year's Day, 1730; he was educated by a Quaker, got into Parliament in 1765, and died at Beaconsfield, July 8, 1797. Burns I imagine to have been a servant of his, but I have no particular reason for believing it, beyond the evidence of the letter before us. The direction to get dinner ready, comes evidently in the way of a command; and the unadorned style of address quite justifies my suspicions. Simmons is unquestionably a domestic servant, and a female. In the registry of marriages in Beaconsfield church, I find an entry of a marriage between Thomas Hopkins and Mary Anne Simmons, spinster; which Mary Anne I take to be the individual referred to by Burke. The date of that marriage is June 15, 1792. Now, although this letter is without date, it is fair to infer from the reference to "making a fire in his bed-room," that it was written much earlier in the year than the month of June; so that even if we were able to fix the date of the letter in the same year, it is quite within the range of possibility that the marriage did not take place till several months after the servant was spoken of, by her maiden name of Simmons. I took occasion to visit Beaconsfield twice, concerning this little doubt, and I think it but justice to make my acknowledgments to Mr. Thomas Fagg, the deputy-sexton of the parish, for his urbane attention to me, and the readiness with which he afforded me all the information of which he was possessed.—Ed.
No. V.
"From Sir Philip Francis to Mr. Perkins.
"My dear Sir,—The weather is so hot, and town so dull, that I intend flying from all its ills and inconveniences to-morrow; I shall be happy, therefore, to join your pleasant party.—Yours,
"P. F."
This very curious letter is not more valuable on account of the matter it contains, than as conducing to throw additional light upon the mystery of Junius—it would occupy too much space in a note to enter into a disquisition concerning the various conflicting opinions upon this subject, but as far as a comparison of hand-writing with some portions of the MS. of Junius's Letters, which I had an opportunity of seeing, and a strong similarity of style in the writing, go, I have no hesitation in settling the authorship upon Sir Philip—there is such vigorous imagination displayed in the description, in nine words, of the state of the weather and the metropolis, and such a masculine resolution evinced in the declared determination to "fly from all its ills and inconveniences" the very next day, that one cannot but pause to admire the firmness which could plan such a measure, and the taste which could give such a determination in such language. The cautious concealment of the place to which the supposed party of pleasure was to go, is another evidence of the force of habit—I have reason to believe it to have been Twickenham, or as Pope spells it, Twitnam, but I have no particular datum whereon to found this suspicion, except, indeed, that I think it quite as probable to have been Twickenham, or Twitnam, as any other of the agreeable villages round London.—Ed.
No. VI.
"From Sir Joshua Reynolds to Caleb Whitefoord, Esq.
"Leicester Fields, Saturday.
"My dear Sir,—I have received your witty note, and am extremely obliged to you for your present of venison. I trust you will favour me with your company on Tuesday, to meet some of your friends, to join them in discussing it.—Yours, very truly,
"J. Reynolds."
There can be little doubt that the note referred to by Sir Joshua was full of those quibbles and quaintnesses for which Whitefoord was so well known. Whitefoord was a man of considerable attainments, and was distinguished by the peculiarity of his dress; a French grey coat with black frogs, a small cocked hat and an umbrella—he was the constant frequenter of auctions, and has the credit of being the inventor of the now hacknied concit called "Cross readings." It is certain, that in his note sent with the venison, he called Sir Joshua his deer friend, hoped it would suit his pallate, recommended him to take some cuts from it and transfer them to plates, spoke of the current sauce being jelly, and perhaps signed himself his Buck friend (for at that period the words Buck and Maccaroni were the distinctive appellations of two classes of persons in London). I surmise this, because he was a confirmed punster, a character somewhat prized in those days. Goldsmith said it was impossible to keep company with him without being infected with the itch of punning. He is celebrated in the postscript to "Retaliation:"—
"Merry Whitefoord, farewell! for thy sake I admit That a Scot may have humour, I'd almost said, wit. This debt to thy memory I cannot refuse, Thou best-temper'd man, with the worst-temper'd muse."—Ed.
It is impossible for us to spare more room to-day, but we think we have offered a specimen of a work which will be found at least equal to many others whose pretensions are much more formidable, and which, after all, do not exhibit so faithfully the peculiar characteristics of the private lives of public men.
THE COCKNEY'S LETTER.
The following letter has been transmitted to us, as written by a Cockney gentleman late in the train of Lord Byron,[50] but now discarded—we are not sufficiently acquainted with the style of the writer to vouch for its genuineness, but we give it as we have received it:—
My dear ——, —I am astonished at what you write me. So then, notwithstanding all the strong articles in our last Liberal Magazine, neither Government nor people has made a stir; England is still a monarchy, England is still a monarchy, and not even a single change in the ministry has been effected! Jeffrey, (Byron's new friend,) who is always sanguine, thinks the next Number must do it, but I begin to despair; and the worry-one's soul-out, as it were, effect of the disappointment on my health is very visible. I pine, and grow thinner and paler every day. My appearance, by the way, is very interesting and Tasso-like, and I think an engraving of me would sell well in England, where a "how-does-he-look" sort of inquiry must be in everybody's mouth just now. But let that pass for the present, I have matter of still greater moment for you.
The only subject of conversation now in England, and indeed in all those parts of Europe where tyrants are not as yet allowed to send in fellows with bayonets to stop people's mouths whenever they mention my name, must be the coolness between me and Byron, and it is proper the rights of it should be known, which is better than folks going about with a he-said-this—and then-he-said-t'other sort of report of it. The fact is, that Byron is the aggressor, for he began first, as the children say, and all about a piece of patrician pride, very unbecoming among us radicals. Some time ago, seeing him in conversation with the Earl of——, at the end of the Strada di——, I hopped down the street, and, just to shew the intimacy which subsisted between us, slapped him on the back with a "Ha! Byron, my boy!" He darted at me one of his look-you-through sort of glances, and turned from me without speaking; and it was not till after a decided cut of eight or ten days that, wanting something done, he sent for me. I went; he began by a tread-you to-dirtish, as it were taking of me to task, said something about the "coarse familiarity of your radicals;" and then told me that I might stop and dine with him that day, which I did. You will gather from this that these lords are not to be depended upon, they are but a half and half sort of radicals—the cloven foot of nobility is perpetually peeping out, they won't give altogether into that hail-fellow-well-metishness, which we expect from them. Again: at dinner that day, happening to say to him, "I and you, Byron, who are called the Satanic School:" he cut me short unceremoniously, and said, "Who the h—ll ever called you Satanic?—Cockney, if you please and reminded me of the fable of the apples swimming. Now, putting radicalism out of the question, this was very ungenteel from one great poet to another—then he is jealous of me. We have had a disagreement about which of us should have the most room to write in the Liberal Magazine. He wanted all; which (though I never contradict him, or he'd have cut me long ago.) I almost remonstrated against, so he allowed me a corner here and there, as it were. Thus he flatly attributes our slow sale to my poetry—then to my prose—and in short, he was lately so insulting that I had "ever such a mind" (as we used to say at school) to tell him the fault was all his own; for between ourselves he has grown as stupid and as vulgar as the best of us. But worst of all, I find he has been making a mere tool of me, and he quizzes me to my very face. Some weeks ago I told him I had thoughts of writing his life, to which he replied with a smile, "Do;" but when I added that he ought in return to write mine, he exclaimed with a sneer "Pooh!" and went away in a turn-on-the-heel sort of fashion. But this is of a piece with his refusing to call me Tasso and Ariosto in exchange for my calling him Dante in our next poems.
Doubtless you have heard of the verses I addressed to him; I suppose there is an I-wish-I-could-get-'em sort of anxiety about them in England, so I send you a copy:—
"LINES TO MY FRIEND BYRON.
"Dear Byron, while you're out walking, I'll just say Something about ourselves in my off-hand way, Easy and Chaucer-like; in that free rhyme They used to warble in the olden time, And which you so chucklingly listen to when I Pour out a strain of it, as 'twere, chirpingly; Full of all sorts of lovely, graceful things, Smacking of fancy, pretty imaginings, Which I trick out with a Titian-like sort of air, And a touch of Michael Angelo here and there; For though the graceful's wherein I excel, I dash off the sublime, too, pretty well. "Now, let me see—I have it—I'll suppose, (Though you're there in the garden plucking a rose,) That, after travelling many and many a day, You are wandering in some country far away, When, being tired, you stretch beneath a tree, And take from your pocket my Rimini, And read it through and through, and think of me; And then you take some other work of mine, And con it daintily, tasting it line by line, Pausing 'tween whiles, as one does drinking port, And smack your lips, saying, 'This is your right sort.' And when it has grown too dark for you to see, You close the book and wish for your dear Leigh: Then comes a little bird, fluttering near, And perches, fairy like, on the tip of your ear; Then up you jump and would hunch it away; But, spite of all, the little bird will stay, And then——(But what I'm writing all this while Is a fancy in my wild Ariosto style)— And thus this little bird turns into me, And you rush forward to me in ecstasy, And grasp my hand, as it were, clutchingly, And call me your 'dear Leigh;' while I, e'en bolder, Cry, 'Ah, my dear Byron!' clapping you on the shoulder, E'en just as I might be supposed to do, If this were not a Poet's dream, but true."
Now, I expected this would have procured me a sonnet at least in return, but he did not even deign ever once to notice it, spite of all my attempts to draw him out about it. You, who know what an excessively sensitive creature I am, will easily conceive the heart-in-one's-mouthishness of my sensations, when I found out his real opinion of me. It happened one day that he left me alone in his study. He had no sooner turned his back than I began to fumble among his books and papers. What I most earnestly sought was the copy I gave him of my "Story of Rimini," thinking to find it full of notes in his own hand-writing. It was not even half cut open! A proof he had not half read it. Against "my dear Byron," in the dedication (for you know I dedicated it to him) I found written "Familiar Cockney," and in the last leaf cut—that is as far as I presume he had read,—was written the following critique:—
"O! Crimini, Crimini! What a mimini, pimini, Story of Rimini!"
This you will say was sufficiently cut-one-to-the-heartish, but this was little compared with what follows. Among other things, I found the MS. of the Twelfth Canto of Don Juan, which will shortly appear. By the way, it is rather unfair in him, to say no less of it, to throw "Cockney" in my teeth at every turn, considering that I have now quite given up talking of Highgate and Primrose Hill, ever since I have seen the Apennines—and to a friend, too! But it is my friend Byron's way; he calls and uncalls all his friends round, once in every four or five years, or so. But to my extract from his next canto:—
"Filthy scum! These Hunts, Hones, Despards, Thistlewoods, and Ings! These worms with which we politicians angle, We leave at last on Ketch's line to dangle. Poor drivelling dupes! and can they think that we By birth ennobled, and no little proud Of our nobility, would stoop to be Companion'd with the base, plebeian crowd; Or that the crack-brain'd Bysshe, or Cockney Leigh, Or Gentle Johnny[51] e'er had been allow'd To sicken us with their familiarity, Forgetful of their distance and disparity, But that we turn'd them to our dirty uses? My tool I've lately placed upon the shelf, So patronize my Cockney now who chooses; I've ta'en to do my dirty work myself. I find, too, that in fashion my abuse is, And brings—not that I value it—the pelf; But, let me hint, there's need of cash to victual ye E'en in this cheapest of all countries—Italy. I've turn'd him off! He's gone! I've made the ninny stir His stumps! For on my stomach his pathetic, His Cockney rurals, drivellings, phrases sinister, And affectations act as an emetic. Besides, he thinks he's fit to be prime minister! The whimpering, simpering, Horsemonger ascetic![52] And there, he's grown so horribly familiar, And paws and 'dears' one so—I vow 'twould kill you."
There, my dear friend—and this is from one radical to another!—the root of all this is, that I did once hint to him that I thought myself a better poet than he; more antique and to-the-heartish, giving my verses an Italian twang, and so forth. As to his allusion to my thinking myself fit to be prime minister, I merely threw out an idea that way, once when we were re-modelling. No. V. of our Liberal Magazine shortly. Let tyrants tremble!—Yours ever.
BYRONIANA.[53]
By favour of a friend just arrived from the Mediterranean we have received exclusively some most interesting papers relative to Lord Byron; they consist of anecdotes, which have never been known, and some original letters, which have never been out of the hands of the individual by whom we are favoured. Some of his Lordship's more recent conversations are detailed, which will be found highly amusing and characteristic. We submit a few extracts, which we trust will prove acceptable to our readers.
"Lord Byron," says our correspondent, "had several peculiarities; he reduced himself from corpulency to the contrary extreme, by eating raisins, and occasionally sipping brandy. He used frequently to observe that brandy was a very ardent spirit, and remarked that to persons anxious to conceal the strength of their potations, hollands was better adapted, inasmuch as being of a similar colour with the water, the quantity mixed with that liquid was less easily detectable by the eye.
"Lord Byron was perhaps more sensible of approaching changes in the weather than any other man living. One day, on a voyage to Athens to eat beef-steaks, a dark cloud appeared to windward of the vessel; his Lordship regarded it steadily for some time, until at length, feeling a few drops of rain fall, he called to Fletcher to bring his cloak, so certain he was of an approaching shower. Byron always slept with his eyes closed, and if by any accident he lay on his back, snored remarkably loud; he was very particular in his toothpicks, and generally used those of a peculiar kind of wood, in preference to quills.
"In writing letters of an ordinary cast, his style was plain, clear, and perspicuous; a specimen follows, it is addressed to a friend:—
Tuesday.
'Dear ——,
Will you dine with me to-morrow?— Yours truly, Noel Byron.'
The next is to a person who had been recommended to his notice, and whom he felt it necessary to invite. We suppress the name of the party, lest Mr. Hobhouse should get an injunction.
'Lord Byron's compliments to Mr. ——, requests the pleasure of his company at dinner on Wednesday next.'
"These sort of notes he would secure indiscriminately with wafers or wax, as the case might be.
"One day conversing with him upon the state of Greece, and the great struggle in which we were all engaged, he observed to me, 'that a very small proportion of the population of London had been in the Archipelago.' When I assented, he said—with a sigh which went to my heart, and in a tone which I shall never forget—'It would be very strange if they had.'
"He had a strong antipathy to pork when underdone or stale, and nothing could induce him to partake of fish which had been caught more than ten days—indeed, he had a singular dislike even to the smell of it; some of his observations upon this subject will be given in a new quarto work about to be published by a very eminent bookseller.
"He spoke of Harrow with strong feelings of affection, and of the lovely neighbours of Dr. Bowen—(who they were he carefully concealed from us)—they were tenants of the same house with the late Duke of Dorset, who was Byron's fag. To a lady of the name of Enoch, who lived in a cottage at Roxeth, he had addressed some of his early productions, but had destroyed them. He used to ask me why Mr. Procter called himself Cornwall? 'he might as well call himself Cumberland,' said Byron, with his accustomed acumen.
"It has been remarked that Byron spoke of his own child with affection. Strange and unnatural as this may appear, it is literally the fact. It seems, however, to have excited so much surprise, that it is absolutely necessary to be particular in impressing the truth upon the British nation, who are so deeply interested in everything which relates to the immortal poet departed.
"The poem which he wrote upon the close of his thirty-sixth year has been published and republished so often, that we do not think it worth printing here. But the observation made by its great author to our correspondent is curious and striking:—
"'I have written these verses on closing my thirty-sixth year,' said Byron. 'I was always superstitious—thirty-six is an ominous number—four times nine are thirty-six; three times twelve are thirty-six; the figures thirty-six are three and six—six and three make nine, so do five and four'—he paused and said—'Mrs. Williams, the old lady who told my fortune, is right. The chances are, I shall not live six and thirty years more.' The fact has proved that he was not ungifted with the power of divination.
"Byron died, as I have just said, in his thirty-sixth year. What makes this coincidence the more curious is, that if he had lived till January, 1844, he would have completed his fifty-sixth, a circumstance which, curious as it is, we believe has not been noticed by any of his biographers.
"I once proposed to him to take a companion on a tour he was about to make; he answered me snappishly—'No; Hobhouse once went with me on a tour—I had enough of him. No more travelling companions for me.'
"He used frequently to compare himself to Buonaparte—so did we, to please him. Buonaparte had a head, so had Byron, so has Mr. Hayne of Burderop Park, Wilts, so has a pin; he was tickled with the comparison, and we lived with him, and swallowed toads at discretion.
"Moore, the author of the 'Fudge Family,' was a great favourite of Byron's; he had not discovered that it was Moore who persuaded Hunt—the man who made Rimini—that he was a mighty clever fellow, and that if he set up a periodical work, he (Moore) would contribute to it: Moore constantly abused Hunt to Byron at the same time—called him a stupid Cockney, and swore that Byron was ruining himself by associating with him. This was kind and liberal, and justifies what Douglas Kinnaird and everybody else indeed say of Moore just now—Byron would not have liked Moore the better for this—poor Hunt had a wife and children, and was in needy circumstances, and Byron did them great service—and what harm could Hunt do Byron, or anybody else?
"The Greeks think Byron will come to life again after a while, and one poet in the Chronicle, probably Moore, talks of having seen his manes in George-street, Westminster, and of the possibility of his yet wandering about Greece, in a white dressing-gown, singing 'Liberty Hall;' but I, who know Byron well, and all his expectations, doubt the fact. I was surprised to find, considering how right and fashionable it is to praise my departed friend, that his wife declined seeing his body, and all his family declined attending his funeral.
"He told me one night that —— told —— that if —— would only —— him ——. She would —— without any compunction; for her ——, who though an excellent man, was no ——, and that she never ——, and this she told —— and —— as well as Lady —— herself. Byron told me this in confidence, and I may be blamed for repeating it; but —— can corroborate it if he happens not to be gone to ——."
LORD WENABLES.[54]
To those who are in the habit of recurring with a feeling of devotion to the golden gone-by times of our forefathers, and who "track back" upon antiquity to hunt out subjects for admiration, it must be in some degree consolatory to discover, that even in these degenerate days there still exist amongst us men capable of recording the noble deeds of the "mighty living;" and that one of the most important occurrences of modern date has found an historian worthy of the subject which it has been made his duty to transmit to posterity.
To such of our readers as are generally conversant with the history, political or statistical, of the City of London, it may perhaps be needless to observe, that it affords, by virtue of its charter and constitution, power and authority, might and majesty, for one year at a time, to one illustrious individual (made, indeed, illustrious by his office), and that this illustrious individual is pre-eminently distinguished above all others of God's creatures (within his special jurisdiction) by the title of Lord Mayor. Having been a Liveryman, he proceeds to Sheriff and Alderman, and in time, being an Alderman, he becomes Mayor, and being Mayor of London, becomes a Lord!—that he is not a Peer, arises only from the difficulty of finding any to compare with him.
Thus, then, it being conceded that there is, and always will be, a Lord Mayor of London, so long as London stands—for the constitution of Cornhill and the majesty of the Mansion House remain unshaken by the storms of treason or the efforts of rebellion, and shine in all their native excellence with equal purity and brightness, whether under the gentle sway of an amiable Mary, the gloomy troubles of a martyred Charles, the plain dominion of a protecting Oliver, or the glorious sway of a liberating William—it being then, we say, conceded that the Lord Mayor, officially, never dies, we seek to show the imperative necessity which presses upon every Lord Mayor while in office, personally so to distinguish himself from the long line of his predecessors and those who are to follow him, by some striking deed, either bodily or mental, political or financial, literary or scientific, so that when he shall have returned from the pinnacle of earthly splendour at the corner of Walbrook into the softer retirement of his patrimonial shop in Pudding-lane or Fish-street-hill, children yet unborn may learn to lisp the name of their great ancestor mingled with their prayers, never forgetting to singularise him especially from all the other Figginses, Wigginses, Bumpuses, and Snodgrasses of their respective houses, by prefixing in their minds to the patronymic, the deed, or work, or act, or book, as it may be, by which that particular branch of their family has so flourished into virid immortality.
By observing this system, an association is formed in the mind of men and deeds highly refreshing, at once useful and agreeable. Who ever hears of Walworth without thinking of Wat Tyler?—who ever reads of Whittington without having a Cat in his eye?—who speaks of Wood without thinking of Whittington?—who of Waithman without recollecting Knightsbridge foot-path? Thus it is that these illustrious men are distinguished, not only from all other Lord Mayors, but from all other Whittingtons, Walworths, Woods, and Waithmans, in the world.
With such examples before him, was it unnatural, or not to be expected, that the late Lord Mayor, Venables, should be contented to sink back into the shades of Queenhithe from the Civic throne without leaving something behind him which might entitle him to fill a niche in the Temple of Fame? We think not; and we have no hesitation in saying that his Lordship's well-directed ambition, blending as it has done the eminently-useful with the strikingly-agreeable, has produced results which will hand him down to future ages with as much grace, certainty, and propriety as his Lordship ever exhibited in his late great life-time in handing down an Alderman's lady to dinner.
When we say, "late life-time," we mean official life—Venables the man, is alive and merry—but, alas! Venables the mayor, is dead.
It now becomes our duty to explain what it is that has so decidedly stamped the greatness of Lord Wenables—so he was called by the majority of his subjects—and in doing so, we have to divide (although not in equal parts) the fame and glory of the enterprise between his Lordship and his Lordship's Chaplain, who, upon this special occasion, and at his Lordship's special desire, was the historian of his Lordship's exploits.
It seems, that in the course of last summer, the Lord Wenables having over-eaten himself, brought upon himself a fever and rash, and during his confinement to the house the disorder took an ambitious turn, and his Lordship's organ of locomotiveness having been considerably enlarged and inflamed by his Lordship's having accidentally bumped his noble head against the corner of the bedstead, his Lordship was seized with a desire to glorify and immortalise himself by foreign travel the moment he got better of his green-fat fever—and having sent for his Chaplain to consult upon some sort of expedition which might answer his purpose, his Lordship and the Divine deliberated accordingly.
At one time he suggested going down the shaft of Brunel's tunnel at Rotherhithe, but the work was not far enough advanced to render it even commonly hazardous—that was abandoned. Going up in a balloon was suggested, but there was no utility blended with the risk. The dreadful dangers of Chelsea reach had already been encountered, and a colony established by his Lordship on the east end of Stephenson's Island, beyond Teddington—something even more daring must be tried; and, as it happened that a first cousin of my Lady Wenables had been reading to his Lordship, who was not able to read himself (from illness, not from want of learning), "Travels undertaken in order to discover the Source of the Nile," his Lordship at once resolved to signalise himself by undertaking a journey to discover, if possible, the "Source of the Thames." His Lordship was greatly excited to the undertaking upon being told that Mungo Park had been carried into Africa by a similar desire—and he observed with wonderful readiness, that if it were possible to remove a whole Park into Africa, there could be no insurmountable obstacle to transporting Lady Wenables to the source of the Thames.
When Lord Wenables was first put upon the project, he was rather of opinion that the source of the Thames was at its mouth—"a part which," as his Lordship observed, "is in man the source of all pleasure;" and he suggested going by land to Gravesend, to look out for the desired object. But the Chaplain informed his Lordship that rivers began at the other end—upon which his Lordship, not having gone so far into the study of geography as to ascertain the exact course of the river beyond Stephenson's Island, hinted his intention of going with Lady Wenables by land as far as Dunstable, and then proceeding in the search.
The Chaplain, it seems, although not quite sure enough of his experience to give Lord Wenables a downright negative to his suggestion, deemed it necessary forthwith to consult a map of Europe, in which the relative courses of the River Thames and the Dunstable turnpike-road are laid down in different degrees of latitude, and having ascertained that Dunstable was an inland town, proceeded to examine his charts until he discovered Oxford to be a more likely point to start from with any reasonable hopes of success; this he mentioned to Lord Wenables, and when his Lordship arose convalescent from his calipash fever, he mentioned his design to the Court of Aldermen on Midsummer Day, and the last week of July was ultimately and unanimously fixed upon for the expedition.
"Instructions," says the author of the history of the expedition, "were, accordingly, agreed to be given to the Town Clerk, to secure such accommodation at an inn in Oxford, Reading, and Windsor, as might be adequate for the civic party; and to make every other necessary arrangement."
And here, before we go any further, it may be necessary to state, that the work of which we are about to speak has actually been written by command of Lord Wenables, by his ci-devant Lordship's ci-devant Chaplain, and published by Messieurs Longman, Rees, Orme, Brown, and Green, embellished with two beautiful engravings; all we should add is, that the author is perfectly serious in his details, and that our extracts are made from his work, correctly verbatim et literatim.
Scarce had the Lord Wenables and his Council decided upon going to Oxford, when the Corporation of that City sent them a letter inviting them to dinner on the 26th. This unexpected and welcome letter puzzled the Lord and his Council, inasmuch as they had fixed only to stay one day at Oxford—that day the 26th, and on that day to entertain (as no doubt they would) the heads of houses at dinner.
That the Lord Wenables and his Aldermen could have arranged the matter satisfactorily to all parties by eating two dinners in one day is evident, but not at the same time, and upon this dilemma the reverend author makes this communication:—
"From this difficulty," says he, "they were happily released by the question, 'Could not your Lordship go a day sooner to Oxford?' It was immediately seen that this slight alteration of the plan first intended would obviate every difficulty: it would allow them the opportunity of showing their respect to the Mayor and Magistrates of Oxford by dining with them on the Tuesday; and would also give them the honour of having the University and City to dinner on the Wednesday."
The quickness of perception in the Lord Wenables and his Aldermen, which gave them the advantage of "immediately seeing" that by going to Oxford on the 25th, they could dine there on the 26th, and by staying till the 28th they might also dine there on the 27th, if they liked, is well worthy of praise; and the liberality of inviting the University and City to dine at the Star Inn, cannot fail to impress upon the reader the magnificence of Lord Wenables' mind. Suffice it to say, the Mayor of Oxford accepted the Mayor of London's invitation, and that the Mayor of London adopted the Mayor of Oxford's proposition.
The reverend author then says:—
"Every preliminary arrangement being completed, and ample accommodation having been secured at the Star Inn, Oxford, for his Lordship and suite, to the number of about thirty persons, the civic party began to lay their plans for the journey!
"It had been previously understood that while his Lordship and friends should return together, in the City state barge, they should yet go to Oxford in such a way, and at such a time, as best comported with their own convenience. Mr. Alderman Atkins, accompanied by two of his daughters, Miss Atkins and Miss Sarah Jane, left his seat, Halstead Place, in Kent, on Monday, the 24th of July, and set out from London for Oxford in the cool of the following morning. On the same day, Mr. Alderman and Mrs. Lucas, with their daughters, Miss Charlotte and Miss Catharine, left their house, at Lee, in Kent, and went by land as far as Boulter's Lock, near Maidenhead, where they embarked on board the Navigation shallop, and proceeded by water to Reading; thus selecting some of the finest views on the river."
Lord Wenables himself was, however, not so rash; for having satisfied himself of the actual existence of Oxford by receiving a letter from one of the natives, he resolved to proceed thither by land. See we then from his reverend chaplain's history the mode of his Lordship's setting forth:—
"On the morning of the 25th, the Lord Mayor, accompanied by the Lady Mayoress, and attended by the Chaplain, left the Mansion House, soon after eight o'clock.
"The private state-carriage, drawn by four beautiful bays, had driven to the door at half-past seven. The coachman's countenance was reserved and thoughtful, indicating full consciousness of the test by which his equestrian skill would this day be tried, in having the undivided charge of four high-spirited and stately horses—a circumstance somewhat unusual; for, in the Lord Mayor's carriage, a postillion usually guides the first pair of horses. These fine animals were in admirable condition for the journey. Having been allowed a previous day of unbroken rest, they were quite impatient of delay, and chafed and champed exceedingly on the bits, by which their impetuosity was restrained.
"The murmur of expectation, which had lasted for more than half an hour, amongst the crowd who had gathered around the carriage, was at length hushed by the opening of the hall-door. The Lord Mayor had been filling up this interval with instructions to the femme de menage! and other household officers, who were to be left in residence, to attend, with their wonted fidelity and diligence, to their respective departments of service during his absence, and now appeared at the door. His Lordship was accompanied by the Lady Mayoress, and followed by the Chaplain.
"As soon as the female attendant of the Lady Mayoress had taken her seat, dressed with becoming neatness, at the side of the well-looking coachman, the carriage drove away; not, however, with that violent and extreme rapidity which rather astounds than gratifies the beholders; but at that steady and majestic pace, which is always an indication of REAL GREATNESS!
"Passing along Cheapside and Fleet Street—those arteries, as Dr. Johnson somewhere styles them, through which pours the full tide of London population—and then along the Strand and Piccadilly, the carriage took the Henley-road to Oxford.
"The weather was delightful; the sun, as though it had been refreshed by the copious and seasonable showers that had fallen very recently, seemed to rise more bright and clear than usual, and streamed in full glory all around. The dust of almost a whole summer had been laid by the rain; the roads were, of consequence, in excellent order, and the whole face of creation gleamed with joy!"
In fact, creation was so delighted with the appearance of Lord Wenables, that "Nature wore an universal grin."
The reverend gentleman then describes the blowing up of a powder-mill as they reached Hounslow, which at first startled Lord Wenables, who imagined fondly that he had accidentally set fire to the great river whose source he was seeking; but Lady Wenables concurred with the reverend writer in assuring his Lordship that he might make himself perfectly easy upon that particular point.
"At Cranford-bridge," says the reverend author, "which is about thirteen miles from Hyde Park Corner, the Lord Mayor staid only long enough to change horses. For, his Lordship intending to travel post from Cranford-bridge to Oxford, his own fine horses were, after a proper interval of rest, to return to town under the coachman's care.
"These noble animals, however, seemed scarcely to need the rest which their master's kindness now allotted them. For though they had drawn a somewhat heavy carriage a distance of nearly seventeen miles, they yet appeared as full of life as ever; arching their stately necks, and dashing in all directions the white foam from their mouths, as if they were displeased that they were to go no farther!
"Just as the carriage was about to drive away, Mr. Alderman Magnay, accompanied by his lady and daughter, arrived in a post-chaise! After an interchange of salutations, the Lady Mayoress—observing that they must be somewhat crowded in the chaise—invited Miss Magnay to take the fourth seat, which had as yet been vacant in the carriage. As the day was beginning to be warm, this courteous offer of her Ladyship was readily accepted."