Part 3 — SCENE V.
Reading edition
Cinderella and the Prince, arm in arm, prepare to leave the stage, followed by the sisters.
LISTENERS HEAR NO GOOD OF THEMSELVES.
The scene is a parlor.—In the foreground are two young girls, one of whom holds a miniature out to the other, who puts it aside, with an expression of angry contempt. The first girl is laughing heartily, and pointing her finger at the second, as if teasing her about the picture.
Peeping out from behind a window-curtain is a young man, who, with an expression of perfect rage, is shaking his fist at the ladies.

IN MANILA BAY

COMIN’ THRO’ THE RYE

REMINISCENCES OF CHARLES DICKENS
1. THE BIRTHPLACE OF CHARLES DICKENS, COMMERCIAL ROAD, PORTSEA. 2. THE “DARK COURT” IN FLEET STREET, (JOHNSON’S COURT) WHERE DICKENS POSTED HIS FIRST SKETCH. 3. THE HOUSE IN FURNIVAL’S INN WHERE “PICKWICK” WAS WRITTEN. 4. CHARLES DICKENS EDITING “HOUSEHOLD WORDS.” 5. THE CHURCH IN WHICH DICKENS WAS MARRIED, ST. LUKE’S, CHELSEA. 6. GAD’S HILL PLACE, ROCHESTER, THE NOVELISTS’ LAST HOME. 7. THE MOAT, ROCHESTER CASTLE, WHERE DICKENS DESIRED TO BE BURIED.

FRANCIS WILSON
“It was all about a—ha! ha! and a—ho! ho! ho!—well really; It is—he! he! he!—I never could begin to tell you.”
(A Fine Study of Mirth)

THE DAUGHTER OF THE REGIMENT—Suggestion for a Tableau

CHARACTERS AND COSTUMES SUGGESTED FOR CHILDREN IN JUVENILE ENTERTAINMENTS

JOSEPH JEFFERSON and BLANCHE BENDER in “Rip Van Winkle.”
(Suggestion for Tableau.)

INDIAN COSTUME—Suggestion for a Tableau

THE SICK CHILD.
(Suggestion For Tableau.)
“Jessie tired, mamma; good-night, papa; Jessie see you in the morning.”

AN OLD TIME TEA
(Suggestion for Tableau)

CHERRY RIPE, RIPE, RIPE, I CRY, FULL AND FAIR ONES—COME AND BUY!

A STUDY IN ATTITUDES

THE GODDESS OF LIBERTY
(Suggestion For Tableau)

RECITATION IN COSTUME
WHOEVER WOULD BRING DOWN HER GAME, MUST STRING HER BOW AND TAKE SURE AIM.

A LITTLE CHILD’S PRAYER.
(Suggestion For Tableau.)
“Jesus I would be like thee, Look from heaven and pity me. Though so full of sin I am, Make me now thy little lamb.”

NOBODY’S CHILD
(Suggestion for Tableau)
“All day I wander to and fro Hungry and shivering and nowhere to go Oh! Why does the wind blow upon me so wild? Is it because I’m nobody’s child?”

SHE HAD SO MANY CHILDREN SHE DIDN’T KNOW WHAT TO DO

THEY TELL ME I MUST DO IT JUST SO, I WONDER IF THEY THINK THAT I DON’T KNOW.

OUR GREAT GRANDPARENTS WERE ONCE YOUNG, TOO, AND THIS IS THE WAY THEY USED TO DO.

“I’M NOT QUITE SURE I’LL TAKE YOU FOR MY MAID;” “WELL NOBODY ASKED YOU TO,” SHE SAID.

HOW PADEREWSKI PLAYS THE PIANO

GENERAL WHEELER AT SANTIAGO

ALAS, HOW LIGHT A CAUSE MAY MOVE DISSENSION BETWEEN HEARTS THAT LOVE

“Out swept the squadrons, fated three hundred Into the battle-line steady and full;”

ORIENTAL COSTUME

A FRENCH DANCER—SHOWING REVOLVING SKIRT
PHOTO. BY MORRISON, CHICAGO

RECITATION IN COSTUME
PHOTO. BY MORRISON, CHICAGO

Oh, Columbia, the gem of the ocean, The home of the brave and the free.

PLEASING ENTRANCE IN A SPIRITED DIALOGUE

SONG OF THE FLOWER GIRL
PHOTO. BY MORRISON, CHICAGO

THE DANCING LESSON

READY FOR THE OPENING SONG

THE BOY THAT LAUGHS

THREE FISHERS WENT SAILING

BRYANT. IRVING. WHITTIER. COOPER.

BYRON. TENNYSON. SCOTT. SHELLEY.

EDWARD EVERETT. BRET HARTE. H. W. LONGFELLOW. J. G. HOLLAND. R. H. STODDARD.

H. B. STOWE. ALICE CARY. ELIZ. PHELPS WARD.

With her waves of golden hair Floating free, Hilda ran along the shore, Gazing oft the waters o’er; And the fishermen replied: “He will come in with the tide,” As they saw her golden hair Floating free!

THE NEW COOK.
“‘Will you iver be done wid your graneness,’ she axed me wid a loud scrame.”

“DO YOU KNOW ME NOW?”
PHOTO. BY MORRISON, CHICAGO

“I’VE PUT THE SOUL OF LAUGHTER IN MY FACE.”
PHOTO. BY MORRISON, CHICAGO

A PASSING SALUTE
PHOTO. BY MORRISON, CHICAGO

“SOCIETY IS QUICK TO TRACE THE MAGIC OF A PLEASING FACE”

THE MASK REMOVED
PHOTO. BY MORRISON, CHICAGO

NO DECEPTION, NOW!
PHOTO. BY MORRISON, CHICAGO

A HUMOROUS RECITATION
PHOTO. BY MORRISON, CHICAGO

RECITAL WITH HARP ACCOMPANIMENT
PHOTO. BY MORRISON, CHICAGO