PART II. Readings and Recitations from the Most Celebrated Authors (continued 3)

THE FUTURE.

THE POWER OF HABIT.

Adapted to the development of transition in pitch, and a very spirited utterance. When you are able to deliver this as Mr. Gough did, you may consider yourself a graduate in the art of elocution.

I remember once riding from Buffalo to the Niagara Falls. I said to a gentleman, “What river is that, sir?”

“That,” said he, “is Niagara River.”

“Well, it is a beautiful stream,” said I; “bright and fair and glassy. How far off are the rapids?”

“Only a mile or two,” was the reply.

“Is it possible that only a mile from us we shall find the water in the turbulence which it must show near the Falls?”

“You will find it so, sir.” And so I found it; and the first sight of Niagara I shall never forget.

Now, launch your bark on that Niagara River; it is bright, smooth, beautiful and glassy. There is a ripple at the bow; the silver wake you leave behind adds to your enjoyment. Down the stream you glide, oars, sails, and helm in proper trim, and you set out on your pleasure excursion.

Suddenly some one cries out from the bank, “Young men, ahoy!”

“What is it?”

“The rapids are below you!”

“Ha! ha! we have heard of the rapids; but we are not such fools as to get there. If we go too fast, then we shall up with the helm, and steer to the shore; we will set the mast in the socket, hoist the sail, and speed to the land. Then on, boys; don’t be alarmed, there is no danger.”

“Young men, ahoy there!”

“What is it?”

“The rapids are below you!”

“Ha! ha! we will laugh and quaff; all things delight us. What care we for the future? No man ever saw it. Sufficient for the day is the evil thereof. We will enjoy life while we may, will catch pleasure as it flies. This is enjoyment; time enough to steer out of danger when we are sailing swiftly with the current.”

“Young men, ahoy!”

“What is it?”

“Beware! beware! The rapids are below you!”

“Now you see the water foaming all around. See how fast you pass that point! Up with the helm! Now turn! Pull hard! Quick! quick! quick! pull for your lives! pull till the blood starts from your nostrils, and the veins stand like whip cords upon your brow! Set the mast in the socket! hoist the sail! Ah! ah! it is too late! Shrieking, blaspheming, over they go.”

Thousands go over the rapids of intemperance every year, through the power of habit, crying all the while, “When I find out that it is injuring me, I will give it up!”

John B. Gough.

DIED ON DUTY.

The following lines were written by a comrade, on the death of Engineer Billy Ruffin, who lost his life by an accident that occurred on the Illinois Central Railroad, in Mississippi.

MY FRIEND THE CRICKET AND I.

THE SNOW STORM.

PARRHASIUS AND THE CAPTIVE.

This is a picture of inordinate ambition. It should be represented by a voice of cold indifference to human suffering. The flame of selfish passion is wild and frenzied.

THE NINETY-THIRD OFF CAPE VERD.

The figures refer you to the Typical Gestures at the beginning of Part II. of this volume. Use other gestures of your own. A good recital for animated description.

A FELON’S CELL.

An intensely dramatic reading, requiring rapid changes of voice and gesture.

THE BATTLE OF WATERLOO.

This soul-stirring account of the historic battle where thrones and empires were staked, is from the pen of the great French author whose famous descriptions are unsurpassed by those of any other writer. In reciting this piece every nerve must be tense, and soul and body must be animated by the imaginary sight of the contending armies. Your utterance should be somewhat rapid, the tones of your voice round and full, the words of command given as a general would give them on the field of battle, and you must picture to your hearers the thrilling scene in such a way that it may appear to be almost a reality. Otherwise, this very graphic description will fall flat, and the verdict of your audience will be that you were not equal to the occasion.

The sky had been overcast all day. All at once, at this very moment—it was eight o’clock at night—the clouds in the horizon broke, and through the elms of the Nivelles road streamed the sinister red light of the setting sun.

Arrangements were speedily made for the final effort. Each battalion was commanded by a general. When the tall caps of the Grenadiers of the Guard with their large eagle plates appeared, symmetrical, drawn up in line, calm in the smoke of that conflict, the enemy felt respect for France. They thought they saw twenty victories entering upon the field of battle with wings extended, and those who were conquerors thinking themselves conquered recoiled; but Wellington cried: “Up, Guards, and at them!”

The red regiment of English Guards, lying behind the hedges, rose up; a shower of grape riddled the tricolored flag. All hurled themselves forward, and the final carnage began. The Imperial Guard felt the army slipping away around them in the gloom and the vast overthrow of the rout. There were no weak souls or cowards there. The privates of that band were as heroic as their general. Not a man flinched from the suicide.

The army fell back rapidly from all sides at once. A disbanding army is a thaw. The whole bends, cracks, snaps, floats, rolls, falls, crashes, hurries, plunges. Ney borrows a horse, leaps upon him, and, without hat, cravat, or sword, plants himself in the Brussels road, arresting at once the English and the French. He endeavors to hold the army; he calls them back, he reproaches them, he grapples with the rout. He is swept away. The soldiers flee from him, crying, “Long live Ney!” Durutte’s two regiments come and go, frightened and tossed between the sabres of the Uhlans and the fire of the brigades of Kempt. Rout is the worst of all conflicts; friends slay each other in their flight; squadrons and battalions are crushed and dispersed against each other, enormous foam of the battle.

Napoleon gallops among the fugitives, harangues them, urges, threatens, entreats. The mouths which in the morning were crying “Long live the Emperor,” are now agape. He is hardly recognized. The Prussian cavalry, just come up, spring forward, fling themselves upon the enemy, sabre, cut, hack, kill, exterminate. Teams rush off; the guns are left to the care of themselves; the soldiers of the train unhitch the caissons and take the horses to escape; wagons upset, with their four wheels in the air, block up the road, and are accessories of massacre.

They crush and they crowd; they trample upon the living and the dead. Arms are broken. A multitude fills roads, paths bridges, plains, hills, valleys, woods, choked up by this flight of forty thousand men. Cries despair; knapsacks and muskets cast into the rye; passages forced at the point of the sword; no more comrades, no more officers, no more generals; an inexpressible dismay. Lions become kids. Such was this flight.

A few squares of the Guard, immovable in the flow of the rout as rocks in running water, held out until night. Night approaching and death also, they awaited this double shadow, and yielded unfaltering to its embrace. At every discharge the square grew less, but returned the fire. It replied to grape by bullets, narrowing in its four walls continually. Afar off, the fugitives, stopping for a moment out of breath, heard in the darkness this dismal thunder decreasing.

When this legion was reduced to a handful, when their flag was reduced to a shred, when their muskets, exhausted of ammunition, were reduced to nothing but clubs, when the pile of corpses was larger than the group of the living, there spread among the conquerors a sort of sacred terror about these sublime martyrs, and the English artillery, stopping to take breath, was silent. It was a kind of respite. These combatants had about them a swarm of spectres, the outlines of men on horseback, the black profile of the cannons, the white sky seen through the wheels and gun-carriages. The colossal death’s head, which heroes always see in the smoke of the battle, was advancing upon them and glaring at them.

They could hear in the gloom of the twilight the loading of the pieces. The lighted matches, like tigers’ eyes in the night, made a circle about their heads. All the linstocks of the English batteries approached the guns, when, touched by their heroism, holding the death-moment suspended over these men, an English general cried to them:

“Brave Frenchmen, surrender!”

The word “Never!” fierce and desperate came rolling back.

To this word the English general replied, “Fire!”

The batteries flamed, the hill trembled; from all those brazen throats went forth a final vomiting of grape, terrific. A vast smoke, dusky white in the light of the rising moon, rolled out, and when the smoke was dissipated, there was nothing left. That formidable remnant was annihilated—the Guard was dead! The four walls of the living redoubt had fallen. Hardly could a quivering be distinguished here and there among the corpses; and thus the French legions expired.

Victor Hugo.

A PIN.

A RELENTING MOB.

Translated from the French of Victor Hugo.

THE BLACK HORSE AND HIS RIDER.

Slow utterance, rapid utterance, loud tones, subdued tones, quick changes and intense dramatic force are all required in this reading. Lose yourself in your recitation. Never be self-conscious.

It was the 7th of October, 1777. Horatio Gates stood before his tent gazing steadfastly upon the two armies now arrayed in order of battle. It was a clear, bracing day, mellow with the richness of Autumn. The sky was cloudless; the foliage of the wood scarce tinged with purple and gold; the buckwheat in yonder fields frostened into snowy ripeness. But the tread of legions shook the ground; from every bush shot the glimmer of the rifle barrel; on every hillside blazed the sharpened bayonet. Gates was sad and thoughtful, as he watched the evolutions of the two armies.

But all at once, a smoke arose, a thunder shook the ground, and a chorus of shouts and groans yelled along the darkened air. The play of death had begun. The two flags, this of the stars, that of the red cross, tossed amid the smoke of battle, while the sky was clouded with leaden folds, and the earth throbbed with the pulsations of a mighty heart. Suddenly, Gates and his officers were startled. Along the height on which they stood, came a rider, upon a black horse, rushing toward the distant battle.

There was something in the appearance of this horse and his rider, that struck them with surprise. Look! he draws his sword, the sharp blade quivers through the air—he points to the distant battle, and lo! he is gone; gone through those clouds, while his shout echoes over the plains. Wherever the fight is the thickest, there through intervals of cannon smoke, you may see riding madly forward that strange soldier, mounted on his steed black as death. Look at him, as with face red with British blood he waves his sword and shouts to his legions. Now you may see him fighting in that cannon’s glare, and the next moment he is away off yonder, leading the forlorn hope up that steep cliff.

Is it not a magnificent sight, to see that strange soldier and that noble black horse dashing like a meteor, down the long columns of battle? Let us look for a moment into those dense war-clouds. Over this thick hedge bursts a band of American militia-men, their rude farmer coats stained with blood, while scattering their arms by the way, they flee before that company of redcoat hirelings, who come rushing forward, their solid front of bayonets gleaming in the battle light.

In this moment of their flight, a horse comes crashing over the plains. The unknown rider reins his steed back on his haunches, right in the path of a broad-shouldered militia-man. “Now, cowards! advance another step and I’ll strike you to the heart!” shouts the unknown, extending a pistol in either hand. “What! are you Americans, men, and fly before British soldiers? Back again, and face them once more, or I myself will ride you down.”

This appeal was not without its effect. The militia-man turns; his comrades, as if by one impulse, follow his example. In one line, but thirty men in all, they confront thirty sharp bayonets. The British advance.

“Now upon the rebels, charge!” shouts the red-coat officer. They spring forward at the same bound. Look! their bayonets almost touch the muzzles of their rifles. At this moment the voice of the unknown rider was heard: “Now let them have it! Fire!” A sound is heard, a smoke is seen, twenty Britons are down, some writhing in death, some crawling along the soil, and some speechless as stone. The remaining ten start back. “Club your rifles and charge them home!” shouts the unknown.

That black horse springs forward, followed by the militia-men. Then a confused conflict—a cry for quarter, and a vision of twenty farmers grouped around the rider of the black horse, greeting him with cheers. Thus it was all the day long. Wherever that black horse and his rider went, there followed victory. At last, toward the setting of the sun, the crisis of the conflict came. That fortress yonder, on Bemiss’ Heights, must be won, or the American cause is lost! That cliff is too steep—that death is too certain. The officers cannot persuade the men to advance. The Americans have lost the field. Even Morgan, that iron man among iron men, leans on his rifle and despairs of the field.

But look yonder! In this moment when all is dismay and horror, here crashing on, comes the black horse and his rider. That rider bends upon his steed, his frenzied face covered with sweat and dust and blood; he lays his hand upon that brave rifleman’s shoulder, and as though living fire had been poured into his veins, he seized his rifle and started toward the rock. And now look! now hold your breath, as that black steed crashes up that steep cliff. That steed quivers! he totters! he falls! No! No! Still on, still up the cliff, still on toward the fortress.

The rider turns his face and shouts, “Come on, men of Quebec! come on!” That call is needless. Already the bold riflemen are on the rock. Now British cannon pour your fires, and lay your dead in tens and twenties on the rock. Now, red-coat hirelings, shout your battle-cry if you can! For look! there, in the gate of the fortress, as the smoke clears away, stands the Black Horse and his rider. That steed falls dead, pierced by an hundred balls; but his rider, as the British cry for quarter, lifts up his voice and shouts afar to Horatio Gates waiting yonder in his tent, “Saratoga is won!”

As that cry goes up to heaven, he falls with his leg shattered by a cannon ball. Who was the rider of the black horse? Do you not guess his name? Then bend down and gaze on that shattered limb, and you will see that it bears the marks of a former wound. That wound was received in the storming of Quebec. That rider of the Black Horse was Benedict Arnold.

Charles Sheppard.

THE UNFINISHED LETTER.

LEGEND OF THE ORGAN-BUILDER.

CAUGHT IN THE QUICKSAND.

It sometimes happens that a man, traveler or fisherman, walking on the beach at low tide, far from the bank, suddenly notices that for several minutes he has been walking with some difficulty. The strand beneath his feet is like pitch; his soles stick in it; it is sand no longer; it is glue.

The beach is perfectly dry, but at every step he takes, as soon as he lift his foot, the print which it leaves fills with water. The eye, however, has noticed no change; the immense strand is smooth and tranquil; all the sand has the same appearance; nothing distinguishes the surface which is solid from that which is no longer so; the joyous little crowd of sandflies continue to leap tumultuously over the wayfarer’s feet. The man pursues his way, goes forward, inclines to the land, endeavors to get nearer the upland.

He is not anxious. Anxious about what? Only he feels, somehow, as if the weight of his feet increases with every step he takes. Suddenly he sinks in.

He sinks in two or three inches. Decidedly he is not on the right road; he stops to take his bearings; now he looks at his feet. They have disappeared. The sand covers them. He draws them out of the sand; he will retrace his steps. He turns back, he sinks in deeper. The sand comes up to his ankles; he pulls himself out and throws himself to the left; the sand half leg deep. He throws himself to the right; the sand comes up to his shins.

Then he recognizes with unspeakable terror that he is caught in the quicksand, and that he has beneath him the terrible medium in which man can no more walk than the fish can swim. He throws off his load, if he has one, lightens himself as a ship in distress; it is already too late; the sand is above his knees. He calls, he waves his hat or his handkerchief; the sand gains on him more and more. If the beach is deserted, if the land is too far off, if there is no help in sight, it is all over.

He is condemned to that appalling burial, long, infallible, implacable and impossible to slacken or to hasten, which endures for hours, which seizes you erect, free and in full health, and which draws you by the feet; which, at every effort that you attempt, at every shout you utter, drags you a little deeper, sinking you slowly into the earth while you look upon the horizon, the sails of the ships upon the sea, the birds flying and singing, the sunshine and the sky. The victim attempts to sit down, to lie down, to creep; every movement he makes inters him; he straightens up, he sinks in; he feels that he is being swallowed. He howls, implores, cries to the clouds, despairs.

Behold him waist deep in the sand. The sand reaches his breast; he is now only a bust. He raises his arms, utters furious groans, clutches the beach with his nails, would hold by that straw, leans upon his elbows, to pull himself out of this soft sheath; sobs frenziedly; the sand rises; the sand reaches his shoulders; the sand reaches his neck; the face alone is visible now.

The mouth cries, the sand fills it—silence. The eyes still gaze—the sand shuts them; night. Now the forehead decreases, a little hair flutters above the sand; a hand come to the surface of the beach, moves, and shakes, disappears. It is the earth-drowning man. The earth filled with the ocean becomes a trap. It presents itself like a plain, and opens like a wave.

Victor Hugo.

THE LITTLE QUAKER SINNER.

THE TELL-TALE HEART.

The emotions of horror and dismay are vividly brought out in this selection, which is characteristic of some of the writings of Edgar A. Poe. He had a morbid fancy for the weird, the gruesome and startling, all of which appear in this ghastly description from his pen. The piece is an excellent one of its kind. It requires the ability of a tragedian to properly deliver it.

With a loud yell I threw open the lantern and leaped into the room. He shrieked once—once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gayly to find the deed so far done. But for many minutes the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If you still think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered the corpse.

I then took up three planks from the flooring of the chamber and deposited all between the scantlings. I then replaced the boards so cleverly, so cunningly, that no human eye—not even his—could have detected anything wrong.

When I had made an end of these labors it was four o’clock—still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart—for what had I now to fear? Then entered three men who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbor during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled—for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search—search well. I led them at length to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My manner had convinced them. I was singularly at ease. But ere long I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears; but still they sat and still chatted. The ringing became more distinct; it continued and gained definitiveness—until at length I found that the noise was not within my ears.

No doubt I now grew very pale; but I talked more fluently and with a heightened voice. Yet the sound increased—and what could I do. It was a low, dull, quick sound—much such a sound as a watch makes when enveloped in cotton. I gasped for breath—and yet the officers heard it not. I talked more quickly—more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men—but the noise steadily increased. O God! what could I do? I foamed—I raved—I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder—louder—louder. And still the men chatted pleasantly and smiled. Was it possible they heard not?

They heard!—they suspected!—they knew!—they were making a mockery of my horror! this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I can bear those hypocritical smiles no longer! I felt that I must scream or die!—and now—again!—hark! louder! louder! louder! louder!

“Villains!” I shrieked, “dissemble no more! I admit the deed—tear up the planks! here! here! it is the beating of his hideous heart!”

Edgar Allan Poe.

THE LITTLE MATCH-GIRL.

A CHRISTMAS STORY.

It was terribly cold; it snowed and was already almost dark and evening coming on—the last evening of the year. In the cold and gloom a little girl, bareheaded and barefooted, was walking through the streets. When she left her own house she certainly had slippers on, slippers, but of what use were they? They were very big slippers, and her mother had used them until then. So big were they the little maid lost them as she slipped across the road, where two carriages were rattling by terribly fast. One slipper was not to be found again, and a boy had seized the other and ran away with it. So now the little girl went with naked feet, which were quite red and blue with the cold. In an old apron she carried a number of matches and a bundle of them in her hand. No one had bought anything of her all day, and no one had given her a farthing.

Shivering with cold and hunger she crept along, a picture of misery, poor little girl! The snowflakes covered her long, fair hair, which fell in pretty curls over her neck, but she did not think of that now. In all the windows lights were shining and there was a glorious smell of roast goose, for it was Christmas Eve. Yes, she thought of that!

In a corner formed by two houses, one of which projected beyond the other, she sat down, cowering. She had drawn up her little feet, but she was still colder, and she did not dare go home, for she had sold no matches, and did not therefore have a farthing of money. From her father she would certainly receive a beating, and, besides, it was cold at home, for they had nothing over them but a roof, through which the wind whistled, though the largest rents had been stopped with straw and rags.

Her hands were almost benumbed with the cold. Ah! a match might do her good if she could only draw one from the bundle and rub it against the wall and warm her hands at it. She draws one out. R-r-atch! How it sputtered and burned! It was a warm, bright flame, like a candle, when she held her hands over it; it was a wonderful little light! It really seemed to the child as if she sat before a great polished stove with bright brass feet and a brass cover. How the fire burned! How comfortable it was! but the little flame went out, the stove vanished, and she had only the remains of the burnt match in her hand.

A second one was rubbed against the wall. It burned up, and when the light fell upon the wall it became transparent, like a thin veil, and she could see through it into the room. On the table a snow-white cloth was spread; upon it stood a shining dinner service; the roast goose smoked gloriously, stuffed with apples and dried plums. And what was still more splendid to behold, the goose hopped down from the dish and waddled along the floor, with a knife and fork in its breast, to the little girl.

Then the match went out, and only the thick, damp, cold wall was before her. She lighted another match. Then she was sitting under a beautiful Christmas tree; it was greater and more ornamented than the one she had seen through the glass door at the rich merchant’s. Thousands of candles burned upon its green branches and lighted up the pictures in the room. The girl stretched forth her hand toward them; then the match went out. The Christmas lights mounted higher. She saw them now as stars in the sky; one of them fell down, forming a long line of fire.

“Now some one is dying,” thought the little girl, for her old grandmother, the only person who had loved her and who was now dead, had told her that when a star fell down a soul mounted up to God.

She rubbed another match against the wall; it became bright again, and in the brightness the old grandmother stood clear and shining, mild and lovely.

“Grandmother!” cried the child, “oh! take me with you! I know you will go when the match is burned out. You will vanish like the warm fire, the warm food, and the great, glorious Christmas tree!”

And she hastily rubbed the whole bundle of matches, for she wished to hold her grandmother fast. And the matches burned with such a glow that it became brighter than in the middle of the day; grandmother had never been so large or so beautiful. She took the child in her arms and both flew in brightness and joy above the earth, very, very high; and up there was neither cold nor hunger nor care—they were with God.

But in the corner, leaning against the wall, sat the poor girl with red cheeks and smiling mouth, frozen to death. “She wanted to warm herself,” the people said. No one imagined what a beautiful thing she had seen and in what glory she had gone in with her grandmother on that Christmas night.

Hans Christian Andersen.

THE MONK’S VISION.

THE BOAT RACE

The Algonquins rowed up and down a few times before the spectators. They appeared in perfect training, mettlesome as colts, steady as draught horses, deep breathed as oxen, disciplined to work together as symmetrically as a single sculler pulls his pair of oars.

Five minutes passed, and all eyes were strained to the south, looking for the Atalanta. A clumb of trees hid the edge of the lake along which the Corinna’s boat was stealing toward the starting point. Presently the long shell swept into view, with its blooming rowers. How steadily the Atalanta came on! No rocking, no splashing, no apparent strain; the bow oar turning to look ahead every now and then, and watching her course, which seemed to be straight as an arrow, the beat of the strokes as true and regular as the pulse of the healthiest rower among them all.

If the sight of the other boat and its crew of young men was beautiful, how lovely was the look of this: eight young girls—all in the flush of youth, all in vigorous health; every muscle taught its duty; each rower alert not to be a tenth of a second out of time, or let her oar dally with the water so as to lose an ounce of its propelling virtue; every eye kindling with the hope of victory. Each of the boats was cheered as it came in sight, but the cheers for the Atalanta were naturally the loudest, as the gallantry of one sex and the clear, high voices of the other gave it his and vigor.

“Take your places!” shouted the umpire, five minutes before the half-hour. The two boats felt their way slowly and cautiously to their positions. After a little backing and filling they got into line, and sat motionless, the bodies of the rowers bent forward, their arms outstretched, their oars in the water, waiting for the word. “Go!” shouted the umpire. Away sprang the Atalanta, and far behind her leaped the Algonquin, her oars bending like long Indian bows as their blades flashed through the water.

“A stern chase is a long chase,” especially when one craft is a great distance behind the other. It looked as if it would be impossible for the rear boat to overcome the odds against it. Of course, the Algonquin kept gaining, but could it possibly gain enough? As the boats got farther and farther away, it became difficult to determine what change there was in the interval between them.

But when they came to rounding the stake it was easier to guess at the amount of space which had been gained. Something like half the distance—four lengths as nearly as could be estimated—had been made up in rowing the first three-quarters of a mile. Could the Algonquins do a little better than this in the second half of the race-course they would be sure of winning.

The boats had turned the stake and were coming in rapidly. Every minute the University boat was getting nearer the other.

“Go it, ’Quins!” shouted the students.

“Pull away, ’Lantas!” screamed the girls, who were crowding down to the edge of the water.

Nearer, nearer—the rear boat is pressing the other more and more closely—a few more strokes and they will be even. It looks desperate for the Atalantas. The bow oar of the Algonquin turns his head. He sees the little coxswain leaning forward at every stroke, as if her trivial weight were of such mighty consequence—but a few ounces might turn the scale of victory. As he turned he got a glimpse of the stroke oar of the Atalanta; what a flash of loveliness it was! Her face was like the reddest of June roses, with the heat and the strain and passion of expected triumph.

The upper button of her close-fitting flannel suit had strangled her as her bosom heaved with exertion, and it had given way before the fierce clutch she made at it. The bow oar was a staunch and steady rower, but he was human. The blade of his oar lingered in the water; a little more and he would have caught a crab, and perhaps lost the race by his momentary bewilderment.

The boat, which seemed as if it had all the life and nervousness of a three-year-old colt, felt the slight check, and all her men bent more vigorously to their oars. The Atalanta saw the movement, and made a spurt to keep their lead and gain upon it if they could. It was no use. The strong arms of the young men were too much for the young maidens; only a few lengths remained to be rowed, and they would certainly pass the Atalanta before she could reach the line.

The little coxswain saw that it was all up with the girls’ crew if she could not save them by some strategic device. As she stooped she lifted the handkerchief at her feet and took from it a flaming bouquet. “Look!” she cried, and flung it just forward of the track of the Algonquin.

The captain of the University boat turned his head, and there was the lovely vision which had, a moment before, bewitched him. The owner of all that loveliness must, he thought, have flung the bouquet. It was a challenge; how could he be such a coward as to decline accepting it? He was sure he could win the race now, and he would sweep past the line in triumph with the great bunch of flowers at the stern of his boat, proud as Van Tromp in the British Channel with the broom at his masthead.

He turned the boat’s head a little by backing water, and came up with the floating flowers, near enough to reach them. He stooped and snatched them up, with the loss perhaps of a second, no more. He felt sure of his victory.

The bow of the Algonquin passes the stern of the Atalanta! The bow of the Algonquin is on a level with the middle of the Atalanta—three more lengths and the college crew will pass the girls!

“Hurrah for the ’Quins!” The Algonquin ranges up alongside of the Atalanta!

“Through with her!” shouts the captain of the Algonquin.

“Now, girls!” shrieks the captain of the Atalanta.

They near the line, every rower straining desperately, almost madly. Crack goes the oar of the Atalanta’s captain, and up flash its splintered fragments as the stem of her boat springs past the line, eighteen inches at least ahead of the Algonquin.

“Hooraw for the ’Lantas! Hooraw for the girls! Hooraw for the Institoot!” shout a hundred voices.

And there is loud laughing and cheering all round.

The pretty little captain had not studied her classical dictionary for nothing. “I have paid off an old ‘score,’” she said. “Set down my damask roses against the golden apples of Hippomenes!” It was that one second lost in snatching up the bouquet which gave the race to the Atalantas!

PHILLIPS OF PELHAMVILLE.

POOR LITTLE JIM.

Orations by Famous Orators.

An oration, strictly speaking, is an elaborate discourse delivered on some special occasion, and in a somewhat formal and dignified manner. As this class of recitations stands by itself and is quite different from the other selections contained in this volume, I have grouped together here a number of Famous Orations, all of which have given their authors celebrity. These are well suited for public delivery by those who prefer this kind of recitation and have the oratorical ability required for reciting them.

TRUE MORAL COURAGE.

BY HENRY CLAY.

When reference is made to America’s greatest orators it is customary to mention the name of Henry Clay among the very first. He was frequently called “The Mill Boy of the Slashes,” from the fact that he was a poor boy and was born in a district in Virginia called “the Slashes.” Mr. Clay was tall and slender and had a voice of wonderful range and sympathy, was remarkably easy and graceful in manner, and few orators who ever lived possessed such persuasive power.

The opening part of this fine selection should be delivered in a rather quiet, slightly satirical tone; but in the later passages the speaker should grow warm and enthusiastic, and voice and gesture should express a full appreciation of the lofty sentiments he is uttering.

There is a sort of courage, which, I frankly confess it, I do not possess—a boldness to which I dare not aspire, a valor which I cannot covet. I cannot lay myself down in the way of the welfare and happiness of my country. That, I cannot—I have not the courage to do. I cannot interpose the power with which I may be invested—a power conferred, not for my personal benefit, nor for my aggrandizement, but for my country’s good—to check her onward march to greatness and glory. I have not courage enough. I am too cowardly for that.

I would not, I dare not, in the exercise of such a threat, lie down, and place my body across the path that leads my country to prosperity and happiness. This is a sort of courage widely different from that which a man may display in his private conduct and personal relations. Personal or private courage is totally distinct from that higher and nobler courage which prompts the patriot to offer himself a voluntary sacrifice to his country’s good.

Apprehensions of the imputation of the want of firmness sometimes impel us to perform rash and inconsiderate acts. It is the greatest courage to be able to bear the imputation of the want of courage.

But pride, vanity, egotism, so unamiable and offensive in private life, are vices which partake of the character of crimes in the conduct of public affairs. The unfortunate victim of these passions cannot see beyond the little, petty, contemptible circle of his own personal interests. All his thoughts are withdrawn from his country, and concentrated on his consistency, his firmness, himself.

The high, the exalted, the sublime emotions of a patriotism which, soaring toward heaven, rises far above all mean, low, or selfish things, and is absorbed by one soul-transporting thought of the good and the glory of one’s country, are never felt in his impenetrable bosom. That patriotism which, catching its inspiration of the immortal God, and, leaving at an immeasurable distance below all lesser, groveling, personal interests and feelings, animates and prompts to deeds of self-sacrifice, of valor, of devotion, and of death itself—that is public virtue; that is the noblest, the sublimest of all public virtues!

THE STRUGGLE FOR LIBERTY.

BY JOSIAH QUINCY.

An American orator and patriot, born in Massachusetts in 1744, Mr. Quincy, by his fervid and convincing eloquence, was one of the most powerful champions of the popular cause of independence.

Be not deceived, my countrymen. Believe not these venal hirelings, when they would cajole you by their subtleties into submission, or frighten you by their vaporings into compliance. When they strive to flatter you by the terms “moderation and prudence,” tell them that calmness and deliberation are to guide the judgment; courage and intrepidity command the action. When they endeavor to make us “perceive our inability to oppose our mother country,” let us boldly answer—In defence of our civil and religious rights, we dare oppose the world; with the God of armies on our side, even the God who fought our fathers’ battles, we fear not the hour of trial, though the hosts of our enemies should cover the field like locusts. If this be enthusiasm, we will live and die enthusiasts.

Blandishments will not fascinate us, nor will threats of a “halter” intimidate. For, under God, we are determined, that wheresoever, whensoever, or howsoever we shall be called to make our exit, we will die freemen. Well do we know that all the regalia of this world can not dignify the death of a villain, nor diminish the ignominy with which a slave shall quit existence.

Neither can it taint the unblemished honor of a son of freedom though he should make his departure on the already prepared gibbet, or be dragged to the newly-erected scaffold for execution. With the plaudits of his country, and what is more, the plaudits of his conscience, he will go off the stage. The history of his life, his children shall venerate. The virtues of their sires shall excite their emulation.

Is the debt we owe posterity paid? Answer me, thou coward, who hidest thyself in the hour of trial! If there is no reward in this life, no prize of glory in the next, capable of animating thy dastard soul, think and tremble, thou miscreant! at the whips and stripes thy master shall lash thee with on earth—and the flames and scorpions thy second master shall torment thee with hereafter!

Oh my countrymen! what will our children say, when they read the history of these times, should they find that we tamely gave way, without one noble struggle for the most invaluable of earthly blessings! As they drag the galling chain, will they not execrate us? If we have any respect for things sacred, any regard to the dearest treasure on earth; if we have one tender sentiment for posterity; if we would not be despised by the world; let us, in the most open, solemn manner, and with determined fortitude, swear—we will die if we cannot live freemen. While we have equity, justice, and God on our side, tyranny, spiritual or temporal, shall never ride triumphant in a land inhabited by Englishmen.

CENTENNIAL ORATION.

BY HENRY ARMITT BROWN.

From the oration delivered upon the occasion of the Centennial Anniversary of the meeting of the first Colonial Congress in Carpenters’ Hall, Philadelphia. This oration is the masterpiece of a young orator who died when but little past the age of thirty, having already gained a wide celebrity for scholarly attainments and commanding eloquence. It is remarkable for boldness of thought and fervor of expression.

The conditions of life are always changing, and the experience of the fathers is rarely the experience of the sons. The temptations which are trying us are not the temptations which beset their footsteps, nor the dangers which threaten our pathway the dangers which surrounded them. These men were few in number; we are many. They were poor, but we are rich. They were weak, but we are strong. What is it, countrymen, that we need to-day? Wealth? Behold it in your hands. Power? God hath given it you. Liberty? It is your birthright. Peace? It dwells amongst you.

You have a Government founded in the hearts of men, built by the people for the common good. You have a land flowing with milk and honey; your homes are happy, your workshops busy, your barns are full. The school, the railway, the telegraph, the printing press, have welded you together into one. Descend those mines that honeycomb the hills! Behold that commerce whitening every sea! Stand by your gates and see that multitude pour through them from the corners of the earth, grafting the qualities of older stocks upon one stem; mingling the blood of many races in a common stream, and swelling the rich volume of our English speech with varied music from an hundred tongues.

You have a long and glorious history, a past glittering with heroic deeds, an ancestry full of lofty and imperishable examples. You have passed through danger, endured privation, been acquainted with sorrow, been tried by suffering. You have journeyed in safety through the wilderness and crossed in triumph the Red Sea of civil strife, and the foot of Him who led you hath not faltered nor the light of His countenance been turned away.

It is a question for us now, not of the founding of a new government, but of the preservation of one already old; not of the formation of an independent power, but of the purification of a nation’s life; not of the conquest of a foreign foe, but of the subjection of ourselves. The capacity of man to rule himself is to be proven in the days to come, not by the greatness of his wealth; not by his valor in the field; not by the extent of his dominion, nor by the splendor of his genius.

The dangers of to-day come from within. The worship of self, the love of power, the lust for gold, the weakening of faith, the decay of public virtue, the lack of private worth—these are the perils which threaten our future; these are the enemies we have to fear; these are the traitors which infest the camp; and the danger was far less when Catiline knocked with his army at the gates of Rome, than when he sat smiling in the Senate House. We see them daily face to face; in the walk of virtue; in the road to wealth; in the path to honor; on the way to happiness. There is no peace between them and our safety. Nor can we avoid them and turn back. It is not enough to rest upon the past. No man or nation can stand still. We must mount upward or go down. We must grow worse or better. It is the Eternal Law—we cannot change it.

My countrymen: this anniversary has gone by forever, and my task is done. While I have spoken, the hour has passed from us; the hand has moved upon the dial, and the old century is dead. The American Union hath endured an hundred years! Here, on this threshold of the future, the voice of humanity shall not plead to us in vain. There shall be darkness in the days to come; danger for our courage; temptation for our virtue; doubt for our faith; suffering for our fortitude. A thousand shall fall before us, and tens of thousands at our right hand. The years shall pass beneath our feet, and century follow century in quick succession. The generations of men shall come and go; the greatness of yesterday shall be forgotten; to-day and the glories of this noon shall vanish before to-morrow’s sun; but America shall not perish, but endure while the spirit of our fathers animates their sons.

SPEECH OF SHREWSBURY BEFORE QUEEN ELIZABETH.

BY FREDERIC VON SCHILLER.

God whose most wondrous hand has four times protected you, and who to-day gave the feeble arm of gray hairs strength to turn aside the stroke of a madman, should inspire confidence. I will not now speak in the name of justice: this is not the time. In such a tumult, you cannot hear her still small voice. Consider this only: you are fearful now of the living Mary; but I say it is not the living you have to fear. Tremble at the dead—the beheaded. She will rise from the grave a fiend of dissension. She will awaken the spirit of revenge in your kingdom, and wean the hearts of your subjects from you. At present she is an object of dread to the British; but when she is no more, they will revenge her.

No longer will she then be regarded as the enemy of their faith; her mournful fate will cause her to appear as the grand-daughter of their king, the victim of man’s hatred, and woman’s jealousy. Soon will you see the change appear! Drive through London after the bloody deed has been done; show yourself to the people, who now surround you with joyful acclamations: then will you see another England, another people! No longer will you then walk forth encircled by the radiance of heavenly justice which now binds every heart to you. Dread the frightful name of tyrant which will precede you through shuddering hearts, and resound through every street where you pass. You have done the last irrevocable deed. What head stands fast when this sacred one has fallen?

THE PROSPECTS OF THE REPUBLIC.

BY EDWARD EVERETT.

This, then, is the theatre on which the intellect of America is to appear, and such the motives to its exertion, such the mass to be influenced by its energies, such the crowd to witness its efforts, such the glory to crown its success. If I err in this happy vision of my country’s fortunes, I thank God for an error so animating. If this be false may I never know the truth. Never may you, my friends, be under any other feeling than that a great, a growing, an immeasurably expanding country is calling upon you for your best services.

The most powerful motives call on us for those efforts which our common country demands of all her children. Most of us are of that class who owe whatever of knowledge has shone into our minds, to the free and popular institutions of our native land. There are few of us, who may not be permitted to boast, that we have been reared in an honest poverty or a frugal competence, and owe everything to those means of education which are equally open to all.

We are summoned to new energy and zeal by the high nature of the experiment we are appointed in Providence to make, and the grandeur of the theatre on which it is to be performed. When the Old World afforded no longer any hope, it pleased Heaven to open this last refuge of humanity. The attempt has begun, and is going on, far from foreign corruption, on the broadest scale, and under the most benignant prospects; and it certainly rests with us to solve the great problem in human society, to settle, and that forever, that momentous question—whether mankind can be trusted with a purely popular system?

One might almost think, without extravagance, that the departed wise and good of all places and times are looking down from their happy seats to witness what shall now be done by us; that they who lavished their treasures and their blood of old, who labored and suffered, who spake and wrote, who fought and perished, in the one great cause of freedom and truth, are now hanging from their orbs on high, over the last solemn experiment of humanity.

As I have wandered over the spots, once the scene of their labors, and mused among the prostrate columns of their senate houses and forums, I have seemed almost to hear a voice from the tombs of departed ages; from the sepulchers of the nations, which died before the sight. They exhort us, they adjure us, to be faithful to our trust.

They implore us, by the long trials of struggling humanity, by the blessed memory of the departed; by the dear faith, which has been plighted by pure hands, to the holy cause of truth and man; by the awful secrets of the prison houses, where the sons of freedom have been immured; by the noble heads which have been brought to the block; by the wrecks of time, by the eloquent ruins of nations, they conjure us not to quench the light which is rising on the world. Greece cries to us, by the convulsed lips of her poisoned, dying Demosthenes; and Rome pleads with us, in the mute persuasion of her mangled Tully.