PART II. Readings and Recitations from the Most Celebrated Authors (continued 2)
Reading edition


THE YOUNG PATRIOT, ABRAHAM LINCOLN.

One Fourth of July, when Abraham Lincoln was a boy, he heard an oration by old ’Squire Godfrey. As in the olden days, the ’Squire’s oration was full of Washington; inspiring in the heart of young Lincoln an enthusiasm that sent him home burning with a desire to know more of the great man who heretofore had seemed more of a dream than a reality. Learning that a man some six miles up the creek owned a copy of Washington’s life, Abraham did not rest that night until he had footed the whole distance and begged the loan of the book.
“Sartin, sartin,” said the owner. “The book is fairly well worn, but no leaves are missin’, and a lad keen enough to read as to walk six miles to get a book, ought to be encouraged.”
It was a much-worn copy of Weem’s “Life of Washington,” and Abe, thanking the stranger for his kindness, walked back under the stars, stopping every little while to catch a glimpse of the features of the “Father of his Country” as shown in the frontispiece.
After reaching home, tired as he was, he could not close his eyes until, by the light of a pine knot, he had found out all that was recorded regarding the boyhood of the man who had so suddenly sprung into prominence in his mind. In that busy harvest season he had no time to read or study during the day, but every night, long after the other members of the family were sleeping peacefully, Abe lay, stretched upon the floor with his book on the hearth, reading, reading, reading, the pine knot in the fireplace furnishing all the light he needed, the fire within burning with such intense heat as to kindle a blaze that grew and increased until it placed him in the highest seat of his countrymen.
What a marvelous insight into the human heart did Abraham Lincoln get between the covers of that wonderful book. The little cabin grew to be a paradise as he learned from the printed pages the story of one great man’s life. The barefooted boy in buckskin breeches, so shrunken that they reached only halfway between the knee and ankle, actually asked himself whether there might not be some place—great and honorable, awaiting him in the future.
Before this treasured “Life of Washington” was returned to its owner, it met with such a mishap as almost to ruin it. The book, which was lying on a board upheld by two pegs, was soaked by the rain that dashed between the logs one night, when a storm beat with unusual force against the north end of the cabin. Abraham was heartbroken over the catastrophe, and sadly carried the book back to its owner, offering to work to pay for the damage done. The man consented, and the borrower worked for three days at seventy-five cents a day, and thus himself became the possessor of the old, faded, stained book—a book that had more to do with shaping his life, perhaps, than any one other thing.
Abe had not expected to take the book back with him, but merely to pay for the damage done, and was surprised when the man handed it to him when starting. He was very grateful, however, and when he gave expression to his feelings the old man said, patting him on the shoulder: “You have earned it, my boy, and are welcome to it. It’s a mighty fine thing to have a head for books, just as fine to have a heart for honesty, and if you keep agoin’ as you have started, maybe some day you’ll git to be President yourself. President Abraham Lincoln! That would sound fust rate, fust rate, now, wouldn’t it, sonny?”
“It’s not a very handsome name, to be sure,” Abe replied, looking as though he thought such an event possible, away off, in the future. “No, it’s not a very very handsome name, but I guess it’s about as handsome as its owner,” he added, glancing at the reflection of his homely features in the little old-fashioned, cracked mirror hanging opposite where he sat.
“Handsome is that handsome does,” said the old farmer, nodding his gray head in an approving style. “Yes, indeedy; handsome deeds make handsome men. We hain’t a nation of royal idiots, with one generation of kings passin’ away to make room for another. No, sir-ee. In this free country of ourn, the rich and poor stand equal chances, and a boy without money is just as likely to work up to the Presidential chair as the one who inherits from his parents lands and stocks and money and influence. It’s brains that counts in this land of liberty, and Abraham Lincoln has just as much right to sit in the highest seat in the land as Washington’s son himself, if he had had a son, which he hadn’t.”
Who knows but the future War President of this great Republic received his first aspirations from this kindly neighbor’s words?

COLUMBIA.
Columbia, Columbia, to glory arise; The queen of the world, and the child of the skies; Thy genius commands thee; with rapture behold, While ages on ages thy splendors unfold. Thy reign is the last and the noblest of time, Most fruitful thy soil, most inviting thy clime; Let the crimes of the east ne’er encrimson thy name, Be freedom, and science, and virtue, thy fame. To conquest and slaughter let Europe aspire, Whelm nations in blood, and wrap cities in fire; Thy heroes the rights of mankind shall defend, And triumph pursue them, and glory attend. A world is thy realm—for a world be thy laws— Enlarged as thine empire, and just as thy cause; On freedom’s broad basis thy empire shall rise, Extend with the main, and dissolve with the skies. Thy fleets to all regions thy power shall display, The nations admire, and the ocean obey; Each shore to thy glory its tribute unfold, And the east and the south yield their spices and gold. As the day-spring, unbounded, thy splendor shall flow, And earth’s little kingdoms before thee shall bow, While the ensigns of union, in triumph unfurled, Hush the tumult of war, and give peace to the world. Thus, as down a lone valley, with cedars o’erspread, From war’s dread confusion, I pensively strayed, The gloom from the face of fair heaven retired; The winds ceased to murmur; the thunder expired; Perfumes, as of Eden, flowed sweetly along, And a voice, as of angels, enchantingly sung, “Columbia, Columbia, to glory arise; The queen of the world, and the child of the skies.” Joel Barlow.


CAPTAIN MOLLY AT MONMOUTH.
One of the famous battles of the Revolution was that of Monmouth, New Jersey, which was fought on the 28th of June, 1778. General Washington was in command on the American side, and General Sir Henry Clinton was commander-in-chief of the British forces. The British troops met with a decisive defeat. The wife of an Irish gunner on the American side who went by the name of Molly had followed her husband to the battle. During the engagement he was shot down. With the most undaunted heroism Molly rushed forward and took his place at the gun and remained there throughout the thickest of the fight. In reciting this graphic account of her courageous deed you should show great spirit and animation, pointing her out as she takes her husband’s place, and in glowing manner describe her patriotism.
On the bloody field of Monmouth flashed the guns of Greene and Wayne; Fiercely roared the tide of battle; thick the sward was heaped with slain. Foremost, facing death and danger, Hessian horse and grenadier, In the vanguard, fiercely fighting, stood an Irish cannoneer. Loudly roared his iron cannon, mingling ever in the strife, And beside him, firm and daring, stood his faithful Irish wife; Of her bold contempt of danger, Greene and Lee’s brigade could tell, Every one knew “Captain Molly,” and the army loved her well. Surged the roar of battle round them; swiftly flew the iron hail; Forward dashed a thousand bayonets that lone battery to assail; From the foeman’s foremost columns swept a furious fusilade, Mowing down the massed battalions in the ranks of Greene’s brigade. Faster and faster worked the gunner, soiled with powder, blood and dust; English bayonets shone before him, shot and shell around him burst; Still he fought with reckless daring, stood and manned her long and well, Till at last the gallant fellow dead beside his cannon fell. With a bitter cry of sorrow, and a dark and angry frown, Looked that band of gallant patriots at their gunner stricken down. “Fall back, comrades! It is folly thus to strive against the foe.” “Not so!” cried Irish Molly, “we can strike another blow!” Quickly leaped she to the cannon in her fallen husband’s place, Sponged and rammed it fast and steady, fired it in the foeman’s face. Flashed another ringing volley, roared another from the gun; “Boys, hurrah!” cried gallant Molly, “for the flag of Washington!” Greene’s brigade, though shorn and shattered, slain and bleeding half their men, When they heard that Irish slogan, turned and charged the foe again; Knox and Wayne and Morgan rally, to the front they forward wheel, And before their rushing onset Clinton’s English columns reel. Still the cannon’s voice in anger rolled and rattled o’er the plain, Till they lay in swarms around it mingled heaps of Hessian slain. “Forward! charge them with the bayonet!” ’twas the voice of Washington; And there burst a fiery greeting from the Irishwoman’s gun. Monckton falls; against his columns leap the troops of Wayne and Lee, And before their reeking bayonets Clinton’s red battalions flee; Morgan’s rifles, fiercely flashing, thin the foe’s retreating ranks, And behind them, onward dashing, Ogden hovers on their flanks. Fast they fly, those boasting Britons, who in all their glory came, With their brutal Hessian hirelings to wipe out our country’s name. Proudly floats the starry banner; Monmouth’s glorious field is won; And, in triumph, Irish Molly stands besides her smoking gun. William Collins.


DOUGLAS TO THE POPULACE OF STIRLING.
Hear, gentle friends! ere yet, for me, Ye break the bands of fealty. My life, my honor, and my cause, I tender free to Scotland’s laws. Are these so weak as must require The aid of your misguided ire? Or, if I suffer causeless wrong, Is then my selfish rage so strong, My sense of public weal so low, That, for mean vengeance on a foe, Those cords of love I should unbind Which knit my country and my kind? Oh no! believe, in yonder tower It will not soothe my captive hour, To know those spears our foes should dread For me in kindred gore are red; To know, in fruitless brawl begun, For me, that mother wails her son; For me that widow’s mate expires, For me, that orphans weep their sires, That patriots mourn insulted laws, And curse the Douglas for the cause. O let your patience ward such ill, And keep your right to love me still. Sir Walter Scott.


OUR COUNTRY.
Our country!—’tis a glorious land! With broad arms stretched from shore to shore, The proud Pacific chafes her strand, She hears the dark Atlantic roar; And, nurtured on her ample breast, How many a goodly prospect lies In Nature’s wildest grandeur drest, Enamelled with her loveliest dyes. Rich prairies, decked with flowers of gold, Like sunlit oceans roll afar; Broad lakes her azure heavens behold, Reflecting clear each trembling star, And mighty rivers, mountain-born, Go sweeping onward dark and deep, Through forests where the bounding fawn Beneath their sheltering branches leap. And, cradled mid her clustering hills, Sweet vales in dreamlike beauty hide, Where love the air with music fills; And calm content and peace abide; For plenty here her fulness pours In rich profusion o’er the land, And sent to seize her generous stores, There prowls no tyrant’s hireling band. Great God! we thank thee for this home— This bounteous birthland of the free; Where wanderers from afar may come, And breathe the air of liberty!— Still may her flowers untrampled spring, Her harvests wave, her cities rise; And yet, till Time shall fold his wing, Remain Earth’s loveliest paradise! W. G. Peabodie.


M’ILRATH OF MALATE.
Acting Sergeant J. A. McIlrath, Battery H, Third Artillery, Regulars; enlisted from New York; fifteen years’ service. The heroism of our brave Regulars in the War with Spain was the theme of universal admiration. Throw plenty of life and fire into this reading, and avoid a sing-song tone.
Yes, yes, my boy, there’s no mistake, You put the contract through! You lads with Shafter, I’ll allow, Were heroes, tried and true; But don’t forget the men who fought About Manila Bay, And don’t forget brave McIlrath Who died at Malaté. The night was black, save where the forks Of tropic lightning ran, When, with a long deep thunder-roar, The typhoon storm began. Then, suddenly above the din, We heard the steady bay Of volleys from the trenches where The Pennsylvanians lay. The Tenth, we thought, could hold their own Against the feigned attack, And, if the Spaniards dared advance, Would pay them doubly back. But soon we marked the volleys sink Into a scattered fire— And, now we heard the Spanish gun Boom nigher yet and nigher! Then, like a ghost, a courier Seemed past our picket tossed With wild hair streaming in his face— “We’re lost—we’re lost—we’re lost.” “Front, front—in God’s name—front!” he cried: “Our ammunition’s gone!” He turned a face of dazed dismay— And through the night sped on! “Men, follow me!” cried McIlrath, Our acting Sergeant then; And when he gave the word he knew He gave the word to men! Twenty there—not one man more— But down the sunken road We dragged the guns of Battery H, Nor even stopped to load! Sudden, from the darkness poured A storm of Mauser hail— But not a man there thought to pause, Nor any man to quail! Ahead, the Pennsylvanians’ guns In scattered firing broke; The Spanish trenches, red with flame, In fiercer volleys spoke! Down with a rush our twenty came— The open field we passed— And in among the hard-pressed Tenth We set our feet at last! Up, with a leap, sprang McIlrath, Mud-spattered, worn and wet, And, in an instant, there he stood High on the parapet! “Steady, boys! we’ve got ’em now— Only a minute late! It’s all right, lads—we’ve got ’em whipped. Just give ’em volleys straight!” Then, up and down the parapet With head erect he went, As cool as when he sat with us Beside our evening tent! Not one of us, close sheltered there Down in the trench’s pen, But felt that he would rather die Than shame or grieve him then! The fire, so close to being quenched In panic and defeat, Leaped forth, by rapid volleys sped, In one long deadly sheet! A cheer went up along the line As breaks the thunder-call— But, as it rose, great God! we saw Our gallant Sergeant fall! He sank into our outstretched arms Dead—but immortal grown; And Glory brightened where he fell, And valor claimed her own! John Jerome Rooney.


AFTER THE BATTLE.
If you should read or recite this tragic selection in a dull monotone, as most persons read poetry, the effect would be ludicrous. The brave captain is dying. With gasping utterance, signs of weakness and appealing looks, his words should be delivered. Some of the sentences should be whispered. Do not attempt to recite this piece until you have mastered it and can render it with telling effect. It demands the trained powers of a competent elocutionist.
“Brave captain! canst thou speak? What is it thou dost see? A wondrous glory lingers on thy face, The night is past; I’ve watched the night with thee. Knowest thou the place?” “The place? ’Tis San Juan, comrade. Is the battle over? The victory—the victory—is it won? My wound is mortal; I know I cannot recover— The battle for me is done! “I never thought it would come to this! Does it rain? The musketry! Give me a drink; ah, that is glorious! Now if it were not for this pain—this pain— Didst thou say victorious? “It would not be strange, would it, if I do wander? A man can’t remember with a bullet in his brain. I wish when at home I had been a little fonder— Shall I ever be well again? “It can make no difference whether I go from here or there. Thou’lt write to father and tell him when I am dead?— The eye that sees the sparrow fall numbers every hair Even of this poor head. “Tarry awhile, comrade, the battle can wait for thee; I will try to keep thee but a few brief moments longer; Thou’lt say good-bye to the friends at home for me?— If only I were a little stronger! “I must not think of it. Thou art sorry for me? The glory—is it the glory?—makes me blind; Strange, for the light, comrade, the light I cannot see— Thou hast been very kind! “I do not think I have done so very much evil— I did not mean it. ‘I lay me down to sleep, I pray the Lord my soul’—just a little rude and uncivil— Comrade, why dost thou weep? “Oh! if human pity is so gentle and tender— Good-night, good friends! ‘I lay me down to sleep!’— Who from a Heavenly Father’s love needs a defender? ‘My soul to keep!’ “‘If I should die before I wake’—comrade, tell mother, Remember—‘I pray the Lord my soul to take!’ My musket thou’lt carry back to my little brother For my dear sake! “Attention, company! Reverse arms! Very well, men; my thanks. Where am I? Do I wander, comrade,—wander again?— Parade is over. Company E, break ranks! break ranks! I know it is the pain. “Give me thy strong hand; fain would I cling, comrade to thee; I feel a chill air blown from a far-off shore; My sight revives; Death stands and looks at me. What waits he for? “Keep back my ebbing pulse till I be bolder grown; I would know something of the Silent Land; It’s hard to struggle to the front alone— Comrade, thy hand. “The reveille calls! be strong, my soul, and peaceful; The Eternal City bursts upon my sight! The ringing air with ravishing melody is full— I’ve won the fight! “Nay, comrade, let me go; hold not my hand so steadfast; I am commissioned—under marching orders— I know the Future—let the Past be past— I cross the borders.”


THE GREAT NAVAL BATTLE OF MANILA.

With the United States Flag Flying at all their mastheads, our ships moved to the attack in line ahead, with a speed of eight knots, first passing in front of Manila, where the action was begun by three batteries mounting guns powerful enough to send a shell over us at a distance of five miles. The Concord’s guns boomed out a reply to these batteries with two shots. No more were fired, because Admiral Dewey could not engage with these batteries without sending death and destruction into the crowded city.
As we neared Cavite two very powerful submarine mines were exploded ahead of the flagship. The Spaniards had misjudged our position. Immense volumes of water were thrown high in air by these destroyers, but no harm was done to our ships.
Admiral Dewey had fought with Farragut at New Orleans and Mobile Bay, where he had his first experience with torpedoes. Not knowing how many more mines there might be ahead, he still kept on without faltering. No other mines exploded, however, and it is believed that the Spaniards had only these two in place.
Only a few minutes later the shore battery at Cavite Point sent over the flagship a shot that nearly hit the battery in Manila, but soon the guns got a better range, and the shells began to strike near us, or burst close aboard from both the batteries and the Spanish vessels. The heat was intense. Men stripped off all clothing except their trousers.
As the Admiral’s flagship, the Olympia, drew nearer all was as silent on board as if the ship had been empty, except for the whirr of blowers and the throb of the engines. Suddenly a shell burst directly over us. From the boatswain’s mate at the after 5-inch gun came a hoarse cry. “Remember the Maine!” arose from the throats of five hundred men at the guns. This watchword was caught up in turrets and fire-rooms, wherever seaman or fireman stood at his post.
“Remember the Maine!” had rung out for defiance and revenge. Its utterance seemed unpremeditated, but was evidently in every man’s mind, and, now that the moment had come to make adequate reply to the murder of the Maine’s crew, every man shouted what was in his heart.
The Olympia was now ready to begin the fight. “You may fire when ready, Captain Gridley,” said the Admiral, and at nineteen minutes of six o’clock, at a distance of 5,500 yards, the starboard 8-inch gun in the forward turret roared forth a compliment to the Spanish forts. Presently similar guns from the Baltimore and the Boston sent 250-pound shells hurtling toward the Spanish ships Castilla and the Reina Christina for accuracy. The Spaniards seemed encouraged to fire faster, knowing exactly our distance, while we had to guess theirs. Their ship and shore guns were making things hot for us.
The piercing scream of shot was varied often by the bursting of time fuse shells, fragments of which would lash the water like shrapnel or cut our hull and rigging. One large shell that was coming straight at the Olympia’s forward bridge fortunately fell within less than one hundred feet away. One fragment cut the rigging exactly over the heads of some of the officers. Another struck the bridge gratings in line with it. A third passed just under Dewey and gouged a hole in the deck. Incidents like these were plentiful.
“Capture and destroy Spanish squadron,” were Dewey’s orders. Never were instructions more effectually carried out. Within seven hours after arriving on the scene of action nothing remained to be done. The Admiral closed the day by anchoring off the city of Manila and sending word to the Governor General that if a shot was fired from the city at the fleet he would lay Manila in ashes.
What was Dewey’s achievement? He steamed into Manila Bay at the dead hour of the night, through the narrower of the two channels, and as soon as there was daylight enough to grope his way about he put his ships in line of battle and brought on an engagement, the greatest in many respects in ancient or modern warfare. The results are known the world over—every ship in the Spanish fleet destroyed, the harbor Dewey’s own, his own ships safe from the shore batteries, owing to the strategic position he occupied, and Manila his whenever he cared to take it.
Henceforth, so long as ships sail and flags wave, high on the scroll that bears the names of the world’s greatest naval heroes will be written that of George Dewey.

THE SINKING OF THE SHIPS.
This is an excellent selection for any one who can put dramatic force into its recital. Picture to your imagination the “Sinking of the Ships,” and then describe it to your hearers as though the actual scene were before you. You have command in these words, “Now, sailors, stand by,” etc.; rapid utterance in these words, “And the Oregon flew,” etc.; subdued tenderness in the words, “Giving mercy to all,” etc. In short, the whole piece affords an excellent opportunity for intense dramatic description.
Dark, dark is the night; not a star in the sky, And the Maine rides serenely; what danger is nigh? Our nation’s at peace with the Kingdom of Spain, So calmly they rest in the battleship Maine. But, hark to that roar! See, the water is red! And the sailor sleeps now with the slime for his bed. Havana then shook, like the leaves of the trees, When the tornado rides on the breast of the breeze; Then people sprang up from their beds in the gloom, As they’ll spring from their graves at the thunder of doom; And they rushed through the streets, in their terror and fear, Crying out as they ran, “Have the rebels come here?” “Oh, see how the flame lights the shores of the bay, Like the red rising sun at the coming of day; ’Tis a ship in a blaze! ’Tis the battleship Maine! What means this to us and the Kingdom of Spain? The eagle will come at that loud sounding roar, And our flag will fly free over Cuba no more.” Dark, dark is the night on the face of the deep, In the forts all is still; are the soldiers asleep? Oh, see how that ship glides along through the night; ’Tis the ghost of the Maine—she has come to the fight; A flash, and a roar, and a cry of despair; The eagle has come, for brave Dewey is there. Oh, Spaniards, come out, for the daylight has fled, And look on those ships—look with terror and dread; The eagle has come, and he swoops to his prey; Oh, fly, Spaniards, fly, to that creek in the bay! The eagle has come—“Remember the Maine!” And the water is red with the blood of the slain. They rest for a time—now they sail in again! Oh, woe, doom and woe, to the kingdom of Spain. Their ships are ablaze, they are battered and rent, By the death-dealing shells which our sailors have sent. Not a man have we lost; yet the battle is o’er, And their ships ride the bay of Manila no more. Dark, silent and dark, on the face of the deep, A ship glides in there; are the Spaniards asleep? The channel is mined! Oh, rash sailors beware! Or that death dealing fiend will spring up from his lair; He will tear you, and rend you, with wild fiendish roar, And cast you afar on the bay and the shore! They laugh at the danger; what care they for death? ’Tis only a shock and the ceasing of breath; Their souls to their Maker, their forms to the wave, What nation has sons like the home of the brave? That ship they would steer to the pit of despair, If duty cried “Onward!” and glory were there. The shore is ablaze, but the channel they gain; A word of command, and the rattle of chain; A flash—and the Merrimac’s sunk in the bay, And the Spaniard must leave in the light of the day. Santiago and Hobson remembered shall be, While waves the proud flag of the brave and the free. The Spaniards sail out—what a glorious sight! Now, sailors, stand by and prepare for the fight; O, Glo’ster, in there, pelt the Dons as they fly, Make us glorious news for the Fourth of July! And Wainwright remembered the Maine with a roar, And that shell-battered hulk is a terror no more. Then Schley and the Brooklyn were right in the way, But Sampson had gone to see Shafter, they say; And the Oregon flew like a fury from hell, Spreading wreckage and death with the might of her shell; Then Evans stood out, like a chivalrous knight, Giving mercy to all at the end of the fight. The Colon still flies, but a shell cleaves the air, Its number is fatal—a cry of despair— She turns to the shore, she bursts into flame, And down comes the flag of the kingdom of Spain; Men float all around, the battle is done, And their ships are all sunk for the sinking of one. Not ours is the hand that would strike in the night, With the fiendish intention to mangle and slay; We strike at obstruction to freedom and right, And strike when we strike in the light of the day. W. B. Collison.


PERRY’S CELEBRATED VICTORY ON LAKE ERIE.

Perry’s famous battle on Lake Erie raised the spirits of the Americans. The British had six ships, with sixty-three guns. The Americans had nine ships, with fifty-four guns, and the American ships were much smaller than the English. At this time Perry, the American commander, was but twenty-six years of age. His flagship was the Lawrence. The ship’s watchword was the last charge of the Chesapeake’s dying Commander—“Don’t give up the ship.” The battle was witnessed by thousands of people on shore.
At first the advantage seemed to be with the English. Perry’s flagship was riddled by English shots, her guns were dismounted and the battle seemed lost. At the supreme crisis Perry embarked in a small boat with some of his officers, and under the fire of many cannon passed to the Niagara, another ship of the fleet, of which he took command.
After he had left the Lawrence she hauled down her flag and surrendered, but the other American ships carried on the battle with such fierce impetuosity that the English battle-ship in turn surrendered, the Lawrence was retaken and all the English ships yielded with the exception of one, which took flight. The Americans pursued her, took her and came back with the entire British squadron. In the Capitol at Washington is a historical picture showing this famous victory.
In Perry’s great battle on Lake Erie was shown the true stuff of which American sailors are made. Perry was young, bold and dashing, but withal, he had the coolness and intrepidity of the veteran. History records few braver acts than his passage in an open boat from one ship to another under the galling fire of the enemy.
The grand achievements of the American navy are brilliant chapters in our country’s history. When the time comes for daring deeds, our gallant tars are equal to the occasion. Coolness in battle, splendid discipline, perfect marksmanship and a patriotism that glories in the victory of the Stars and Stripes, combine to place the officers and men of our navy in the front rank of the world’s greatest heroes.

THE CAPTURE OF QUEBEC.

General Wolfe, the English commander, saw that he must take Quebec by his own efforts or not at all. He attempted several diversions above the city in the hope of drawing Montcalm, the French commander, from his intrenchments into the open field, but Montcalm merely sent De Bougainville with fifteen hundred men to watch the shore above Quebec and prevent a landing. Wolfe fell into a fever, caused by his anxiety, and his despatches to his government created the gravest uneasiness in England for the success of his enterprise.
Though ill, Wolfe examined the river with eagle eyes to detect some place at which a landing could be attempted. His energy was rewarded by his discovery of the cove which now bears his name. From the shore at the head of this cove a steep and difficult pathway, along which two men could scarcely march abreast, wound up to the summit of the heights and was guarded by a small force of Canadians.
Wolfe at once resolved to effect a landing here and ascend the heights by this path. The greatest secrecy was necessary to the success of the undertaking, and in order to deceive the French as to his real design, Captain Cook, afterwards famous as a great navigator, was sent to take soundings and place buoys opposite Montcalm’s camp, as if that were to be the real point of attack. The morning of the thirteenth of September was chosen for the movement, and the day and night of the twelfth were spent in preparations for it.
At one o’clock on the morning of the thirteenth a force of about five thousand men under Wolfe, with Monckton and Murray, set off in boats from the fleet, which had ascended the river several days before, and dropped down to the point designated for the landing. Each officer was thoroughly informed of the duties required of him, and each shared the resolution of the gallant young commander, to conquer or to die. As the boats floated down the stream, in the clear, cool starlight, Wolfe spoke to his officers of the poet Gray, and of his “Elegy in a Country Churchyard.” “I would prefer,” said he, “being the author of that poem to the glory of beating the French to-morrow.” Then in a musing voice he repeated the lines:
“The boast of heraldry, the pomp of power, And all that beauty, all that wealth e’er gave, Await alike the inexorable hour; The paths of glory lead but to the grave.”
In a short while the landing-place was reached, and the fleet, following silently, took position to cover the landing if necessary. Wolfe and his immediate command leaped ashore and secured the pathway. The light infantry, who were carried by the tide a little below the path, climbed up the side of the heights, sustaining themselves by clinging to the roots and shrubs which lined the precipitous face of the hill. They reached the summit and drove off the picket-guard after a light skirmish. The rest of the troops ascended in safety by the pathway. Having gained the heights, Wolfe moved forward rapidly to clear the forest, and by daybreak his army was drawn up on the Heights of Abraham, in the rear of the city.
Montcalm was speedily informed of the presence of the English. “It can be but a small party come to burn a few houses and retire,” he answered incredulously. A brief examination satisfied him of his danger, and he exclaimed in amazement: “Then they have at last got to the weak side of this miserable garrison. We must give battle and crush them before mid-day.”
He at once despatched a messenger for De Bougainville, who was fifteen miles up the river, and marched from his camp opposite the city to the Heights of Abraham to drive the English from them. The opposing forces were about equal in numbers, though the English troops were superior to their adversaries in discipline, steadiness and determination.
The battle began about ten o’clock and was stubbornly contested. It was at length decided in favor of the English. Wolfe though wounded several times, continued to direct his army until, as he was leading them to a final charge, he received a musket ball in the breast. He tottered and called to an officer near him: “Support me; let not my brave fellows see me drop.” He was borne tenderly to the rear, and water was brought him to quench his thirst.
At this moment the officer upon whom he was leaning cried out: “They run! they run!” “Who run?” asked the dying hero, eagerly. “The French,” said the officer, “give way everywhere.” “What,” said Wolfe, summoning up his remaining strength, “do they run already? Go, one of you, to Colonel Burton; bid him march Webb’s regiment with all speed to Charles River to cut off the fugitives.” Then a smile of contentment overspreading his pale features, he murmured: “Now, God be praised, I die happy,” and expired. He had done his whole duty, and with his life had purchased an empire for his country.
James D. McCabe.

LITTLE JEAN.
At the battle of the Pyramids, July 21st, A.D. 1798.
Burning sands, and isles of palm, and the Mamelukes’ fierce array, Under the solemn Pyramids, Napoleon saw that day; “Comrades,” he cried, “from those old heights, Fame watches the deeds you do, The eyes of forty centuries are fixed this day on you!” They answered him with ringing shouts, they were eager for the fray, Napoleon held their central square, in front was bold Desaix; They gave one glance to the Pyramids, one glance to the rich Cairo, And then they poured a rain of fire upon their charging foe. Only a little drummer boy, from the column of Dufarge, Tottered to where the “Forty-third” stood waiting for their “charge,” Bleeding—but beating still his call—he said, with tear-dimmed eye: “I’m but a baby, Forty-third, so teach me how to die!” Then Regnier gnawed his long gray beard, and Joubert turned away, The lad had been the pet of all, they knew not what to say; “I will not shame you, ‘Forty-third,’ though I am but a child!” Then Regnier stooped and kissed his face, and shouted loud and wild: “Forward! Why are we waiting here? Shall Mamelukes stop our way? Come, little Jean, and beat the ‘charge,’ and ours shall be the day; And we will show thee how to die, good boy! good boy! Be brave! It is not every ‘nine years’ old’ can fill a soldier’s grave!” It was as though a spirit spoke, the men to battle flew; Yet each in passing, cried aloud: “My little Jean, Adieu!” “Adieu, brave Forty-third, Adieu!” Then proudly beat his drum— “You’ve showed me how a soldier dies—and little Jean will come!” They found him ’mid the slain next day, amid the brave who fell, Said Regnier, proudly, “My brave Jean, thou learned thy lesson well!” They hung the medal round his neck, and crossed his childish hands, And dug for him a little grave in Egypt’s lonely sands. But, still, the corps his memory keep, and name with flashing eye, The hero whom the “Forty-third,” in Egypt, taught to die. Lillie E. Barr.


THE DEFEAT OF GENERAL BRADDOCK.

Washington, who, at this time, was a subordinate officer, was well convinced that the French and Indians were informed of the movements of the army and would seek to interfere with it before its arrival at Fort Duquesne, which was only ten miles distant, and urged Braddock to throw in advance the Virginia Rangers, three hundred strong, as they were experienced Indian fighters.
Braddock angrily rebuked his aide, and as if to make the rebuke more pointed, ordered the Virginia troops and other provincials to take position in the rear of the regulars.
In the meantime the French at Fort Duquesne had been informed by their scouts of Braddock’s movements, and had resolved to ambuscade him on his march. Early on the morning of the ninth a force of about two hundred and thirty French and Canadians and six hundred and thirty-seven Indians, under De Beaujeu, the commandant at Fort Duquesne, was despatched with orders to occupy a designated spot and attack the enemy upon their approach. Before reaching it, about two o’clock in the afternoon, they encountered the advanced force of the English army, under Lieutenant-Colonel Thomas Gage, and at once attacked them with spirit.
The English army at this moment was moving along a narrow road, about twelve feet in width, with scarcely a scout thrown out in advance or upon the flanks. The engineer who was locating the road was the first to discover the enemy, and called out: “French and Indians!” Instantly a heavy fire was opened upon Gage’s force, and his indecision allowed the French and Indians to seize a commanding ridge, from which they maintained their attack with spirit.
The regulars were quickly thrown into confusion by the heavy fire and the fierce yells of the Indians, who could nowhere be seen, and their losses were so severe and sudden that they became panic-stricken.
The only semblance of resistance maintained by the English was by the Virginia Rangers, whom Braddock had insulted at the beginning of the day’s march. Immediately upon the commencement of the battle, they had adopted the tactics of the Indians, and had thrown themselves behind trees, from which shelter they were rapidly picking off the Indians. Washington entreated Braddock to follow the example of the Virginians, but he refused, and stubbornly endeavored to form them in platoons under the fatal fire that was being poured upon them by their hidden assailants. Thus through his obstinacy many useful lives were lost.
The officers did not share the panic of the men, but behaved with the greatest gallantry. They were the especial marks of the Indian sharpshooters, and many of them were killed or wounded. Two of Braddock’s aides were seriously wounded, and their duties devolved upon Washington in addition to his own. He passed repeatedly over the field, carrying the orders of the commander and encouraging the men. When sent to bring up the artillery, he found it surrounded by Indians, its commander, Sir Peter Halket, killed, and the men standing helpless from fear.
Springing from his horse, he appealed to the men to save the guns, pointed a field-piece and discharged it at the savages and entreated the gunners to rally. He could accomplish nothing by either his words or example. The men deserted the guns and fled. In a letter to his brother, Washington wrote: “I had four bullets through my coat, two horses shot under me, yet escaped unhurt, though death was levelling my companions on every side around me.”
James D. McCabe.
Descriptive and Dramatic Recitations

QUICK! MAN THE LIFE-BOAT!
This selection demands great vivacity and intense dramatic expression. Each reference to the life-boat requires rapid utterance, elevated pitch and strong tones of command. Point to the life-boat; you are to see it, and make your audience see it. They will see it in imagination if you do; that is, if you speak and act as if you stood on the shore and actually saw the life-boat hurrying to the rescue.
Quick! man the life-boat! See yon bark That drives before the blast? There’s a rock ahead, the fog is dark, And the storm comes thick and fast. Can human power, in such an hour, Avert the doom that’s o’er her? Her mainmast’s gone, but she still drives on To the fatal reef before. The life-boat! Man the life-boat! Quick! man the life-boat! hark! the gun Booms through the vapory air; And see! the signal flags are on, And speak the ship’s despair. That forked flash, that pealing crash, Seemed from the wave to sweep her: She’s on the rock, with a terrible shock— And the wail comes louder and deeper, The life-boat! Man the life-boat! Quick! man the life-boat! See—the crew Gaze on their watery grave: Already, some, a gallant few, Are battling with the wave; And one there stands, and wrings his hand As thoughts of home come o’er him; For his wife and child, through the tempest wild, He sees on the heights before him. The life-boat! Man the life-boat! Speed, speed the life-boat! Off she goes! And, as they pulled the oar, From shore and ship a cheer arose, That startled ship and shore. Life-saving ark! yon fated bark Has human lives within her; And dearer than gold is the wealth untold, Thou’lt save if thou canst win her. On, life-boat! Speed thee, life-boat! Hurrah! the life-boat dashes on, Though darkly the reef may frown; The rock is there—the ship is gone Full twenty fathoms down. But cheered by hope, the seamen cope With the billows single-handed; They are all in the boat!—hurrah! they’re afloat; And now they are safely landed By the life-boat! Cheer the life-boat!


BEAUTIFUL HANDS.
As I remember the first fair touch Of those beautiful hands that I love so much, I seem to thrill as I then was thrilled Kissing the glove that I found unfilled— When I met your gaze and the queenly bow As you said to me laughingly, “Keep it now!” And dazed and alone in a dream I stand Kissing the ghost of your beautiful hand. When first I loved in the long ago, And held your hand as I told you so— Pressed and caressed it and gave it a kiss, And said, “I could die for a hand like this!” Little I dreamed love’s fullness yet Had I to ripen when eyes were wet, And prayers were vain in their wild demands For one warm touch of your beautiful hands. Beautiful hands! O, beautiful hands! Could you reach out of the alien lands Where you are lingering, and give me to-night Only a touch—were it ever so light— My heart were soothed, and my weary brain Would lull itself into rest again; For there is no solace the world commands Like the caress of your beautiful hands. James Whitcomb Riley.


THE BURNING SHIP.
The general character of this selection is intensely dramatic. It is a most excellent piece for any one who has the ability and training to do it full justice. The emotions of agony, horror and exultation are here, and should be made prominent. Let the cry of “Fire!” ring out in startling tones, and let your whole manner correspond with the danger and the excitement of the scene. The rate throughout should be rapid.
The figures in the text refer you to the corresponding numbers of Typical Gestures, at the beginning of Part II of this volume. Insert other gestures of your own.
The storm o’er the ocean flew furious and fast, And the waves rose in foam at the voice of the blast, And heavily2 labored the gale-beaten ship, Like a stout-hearted swimmer, the spray at his lip; And dark21 was the sky o’er the mariner’s path, Save when the wild lightning illumined in wrath, A young mother knelt in the cabin below, And pressing her babe to her bosom of snow, She prayed to her God,20 ’mid the hurricane wild, “O Father, have mercy, look down on my child!” It passed—the fierce whirlwind careered on its way, And the ship like an arrow25 divided the spray; Her sails glimmered white in the beams of the moon, And the wind up aloft seemed to whistle a tune—to whistle a tune. There was joy16 in the ship as she furrowed the foam, For fond hearts within her were dreaming of home. The young mother pressed her fond babe to her breast, And the husband sat cheerily down by her side, And looked with delight on the face of his bride. “Oh,16 happy,” said he, “when our roaming is o’er, We’ll dwell in our cottage that stands by the shore. Already in fancy its roof I descry, And the smoke of its hearth curling up to the sky; Its garden so green, and its vine-covered wall; The kind friends9 awaiting to welcome us all, And the children that sport by the old oaken tree.” Ah gently the ship glided over the sea! Hark!13 what was that? Hark! Hark to the shout! “Fire!”10 Then a tramp and a rout, and a tumult of voices uprose on the air;— And the mother knelt8 down, and the half-spoken prayer, That she offered to God in her agony wild, Was, “Father, have mercy, look down on my child!” She flew to her husband,1 she clung to his side, Oh there was her refuge whate’er might betide. “Fire!”10 “Fire!” It was raging above and below— And the cheeks of the sailors grew pale at the sight, And their eyes glistened wild in the glare of the light, ’Twas vain o’er the ravage the waters to drip; The pitiless flame was the lord of the ship, And the smoke in thick wreaths mounted higher and higher. “O God,20 it is fearful to perish by fire.” Alone with destruction, alone on the sea, “Great Father of mercy, our hope is in thee.” Sad at heart and resigned, yet undaunted and brave, They lowered the boat,2 a mere speck on the wave. First entered the mother, enfolding her child: It knew she caressed it, looked16 upward and smiled. Cold, cold was the night as they drifted away, And mistily dawned o’er the pathway the day— And they prayed for the light, and at noontide about, The sun16 o’er the waters shone joyously out. “Ho! a sail!7 Ho! a sail!” cried the man at the lee, “Ho! a sail!”7 and they turned their glad eyes o’er the sea. “They see us, they see us,21 the signal is waved! They bear down upon us, they bear down upon us: Huzza! we are saved.”


THE UNKNOWN SPEAKER.

It is the Fourth day of July, 1776.
In the old State House in the city of Philadelphia are gathered half a hundred men to strike from their limbs the shackles of British despotism. There is silence in the hall—every face is turned toward the door where the committee of three, who have been out all night penning a parchment, are soon to enter. The door opens, the committee appears. The tall man with the sharp features, the bold brow, and the sand-hued hair, holding the parchment in his hand, is a Virginia farmer, Thomas Jefferson. That stout-built man with stern look and flashing eye, is a Boston man, one John Adams. And that calm-faced man with hair drooping in thick curls to his shoulders, that is the Philadelphia printer, Benjamin Franklin.
The three advance to the table.
The parchment is laid there.
Shall it be signed or not? A fierce debate ensues, Jefferson speaks a few bold words. Adams pours out his whole soul. The deep-toned voice of Lee is heard, swelling in syllables of thunder like music. But still there is doubt, and one pale-faced man whispers something about axes, scaffolds and a gibbet.
“Gibbet?” echoed a fierce, bold voice through the hall. “Gibbet? They may stretch our necks on all the gibbets in the land; they may turn every rock into a scaffold; every tree into a gallows; every home into a grave, and yet the words of that parchment there can never die! They may pour our blood on a thousand scaffolds, and yet from every drop that dyes the axe a new champion of freedom will spring into birth. The British King may blot out the stars of God from the sky, but he cannot blot out His words written on that parchment there. The works of God may perish. His words never!
“The words of this declaration will live in the world long after our bones are dust. To the mechanic in his workshop they will speak hope; to the slave in the mines, freedom; but to the coward-kings, these words will speak in tones of warning they cannot choose but hear.
“They will be terrible as the flaming syllables on Belshazzar’s wall! They will speak in language startling as the trump of the Archangel, saying: ‘You have trampled on mankind long enough! At last the voice of human woe has pierced the ear of God, and called His judgment down! You have waded to thrones through rivers of blood; you have trampled on the necks of millions of fellow-beings. Now kings, now purple hangmen, for you come the days of axes and gibbets and scaffolds.’
“Such is the message of that declaration to mankind, to the kings of earth. And shall we falter now? And shall we start back appalled when our feet touch the very threshold of Freedom?
“Sign that parchment! Sign, if the next moment the gibbet’s rope is about your neck! Sign, if the next minute this hall rings with the clash of the falling axes! Sign by all your hopes in life or death as men, as husbands, as fathers, brothers, sign your names to the parchment, or be accursed forever!
“Sign, and not only for yourselves, but for all ages, for that parchment will be the textbook of freedom—the Bible of the rights of men forever. Nay, do not start and whisper with surprise! It is truth, your own hearts witness it; God proclaims it. Look at this strange history of a band of exiles and outcasts, suddenly transformed into a people—a handful of men weak in arms—but mighty in God-like faith; nay, look at your recent achievements, your Bunker Hill, your Lexington, and then tell me, if you can, that God has not given America to be free!
“It is not given to our poor human intellect to climb to the skies, and to pierce the councils of the Almighty One. But methinks I stand among the awful clouds which veil the brightness of Jehovah’s throne.
“Methinks I see the recording angel come trembling up to that throne to speak his dread message. ‘Father, the old world is baptized in blood. Father, look with one glance of thine eternal eye, and behold evermore that terrible sight, man trodden beneath the oppressor’s feet, nations lost in blood, murder and superstition walking hand in hand over the graves of their victims, and not a single voice to whisper hope to man!’
“He stands there, the angel, trembling with the record of human guilt. But hark! The voice of Jehovah speaks out from the awful cloud: ‘Let there be light again! Tell my people, the poor and oppressed, to go out from the old world, from oppression and blood, and build my altar in the new!’
“As I live, my friends, I believe that to be His voice! Yes, were my soul trembling on the verge of eternity, were this hand freezing in death, were this voice choking in the last struggle, I would still with the last impulse of that soul, with the last wave of that hand, with the last gasp of that voice, implore you to remember this truth—God has given America to be free! Yes, as I sank into the gloomy shadows of the grave, with my last faint whisper I would beg you to sign that parchment for the sake of the millions whose very breath is now hushed in intense expectation as they look up to you for the awful words, ‘You are free!’”
The unknown speaker fell exhausted in his seat; but the work was done.
A wild murmur runs through the hall. “Sign!” There is no doubt now. Look how they rush forward! Stout-hearted John Hancock has scarcely time to sign his bold name before the pen is grasped by another—another and another. Look how the names blaze on the parchment! Adams and Lee, Jefferson and Carroll, Franklin and Sherman.
And now the parchment is signed.
Now, old man in the steeple, now bare your arm and let the bell speak! Hark to the music of that bell! Is there not a poetry in that sound, a poetry more sublime than that of Shakespeare and Milton? Is there not a music in that sound that reminds you of those sublime tones which broke from angel lips when the news of the child Jesus burst on the hill-tops of Bethlehem? For the tones of that bell now come pealing, pealing, pealing, “Independence now and Independence forever.”

CHILD LOST.
It used to be a custom to have a man go through the town ringing a bell and “crying” any thing was lost. You should imitate the crier, at the same time swinging your hand as if ringing a bell. This selection requires a great variety in the manner, pitch of the voice and gestures of the reader.
“Nine,” by the Cathedral clock! Chill the air with rising damps; Drearily from block to block In the gloom the bellman tramps— “Child lost! Child lost! Blue eyes, curly hair, Pink dress—child lost!” Something in the doleful strain Makes the dullest listener start; And a sympathetic pain Shoot to every feeling heart. Anxious fathers homeward haste, Musing with paternal pride Of their daughters, happy-faced, Silken-haired and sparkling-eyed. Many a tender mother sees Younglings playing round her chair, Thinking, “If ’twere one of these, How could I the anguish bear?” “Ten,” the old Cathedral sounds; Dark and gloomy are the streets; Still the bellman goes his rounds, Still his doleful cry repeats— “Oh, yes! oh, yes! Child lost! Blue eyes, Curly hair, pink dress— Child lost! Child lost!” “Can’t my little one be found? Are there any tidings, friend?” Cries the mother, “Is she drowned? Is she stolen? God forfend! Search the commons, search the parks, Search the doorway and the halls, Search the alleys, foul and dark, Search the empty market stalls. Here is gold and silver—see! Take it all and welcome, man; Only bring my child to me, Let me have my child again.” Hark! the old Cathedral bell Peals “eleven,” and it sounds To the mother like a knell; Still the bellman goes his rounds. “Child lost! Child lost! Blue eyes, curly hair, Pink dress—child lost!” Half aroused from dreams of peace, Many hear the lonesome call, Then into their beds of ease Into deeper slumber fall; But the anxious mother cries, “Oh, my darling’s curly hair! Oh, her sweetly-smiling eyes! Have you sought her everywhere? Long and agonizing dread Chills my heart and drives me wild— What if Minnie should be dead? God, in mercy, find my child!” “Twelve” by the Cathedral clock; Dimly shine the midnight lamps; Drearily from block to block, In the rain the bellman tramps. “Child lost! Child lost! Blue eyes, curly hair, Pink dress—child lost!”


THE CAPTAIN AND THE FIREMAN.
Spin us a yarn of the sea, old man, About some captain bold, Who steered his ship and made her slip When the sea and the thunder rolled; Some tale that will stir the blood, you know, Like the pirate tales of old. “It was the old ‘tramp’ Malabar, With coal for Singapore; ‘The captain stood upon the bridge’ And loud the wind did roar, And far upon the starboard bow We saw the stormy shore. “The night came down as black as pitch; More loud the wind did blow; The waves made wreck around the deck And washed us to and fro; But half the crew, though wild it blew, Were sleeping down below. “‘The captain stood upon the bridge,’ And I was at the wheel; The waves were piling all around, Which made the old ‘tank’ reel, When—smash! there came an awful crash That shook the ribs of steel. “‘We’ve struck a wreck!’ ‘Stand by the pumps!’ Her plates were gaping wide; And out her blood streamed in the flood, The wreck had bruised her side; Her coal poured out—her inky blood— And stained the foaming tide. “‘The captain stood upon the bridge,’ The firemen down below; He saw and knew what he could do, While they but heard the blow. The bravest man is he that stands Against an unseen foe. “‘All hands on deck!’ was now the cry, ‘For we are sinking fast; Our boats were stove by that last wave— This night will be our last; There’s not a plank on board the tank, She’s steel, from keel to mast.’ “‘The captain stood upon the bridge;’ All hands were now on deck; The waves went down, the sun came up, We saw the drifting wreck, And there, upon the starboard bow, The land—a distant speck. “‘Who’ll go below and fire her up?” The captain loud did roar. ‘We’re dumping coal with every roll, But, see! the storm is o’er; And I will stand upon the bridge, And guide her to the shore.’ “‘I’ll go for one,’ said old ‘Tramp Jim,’ ‘And shovel in the coal. I’ll go,’ said Jim, all black and grim, ‘Though death be down that hole; I’ve heard a man who dies for men Is sure to save his soul. “‘So turn the steam into that mill, And let it spin around, And I will feed the old thing coal Till you be hard aground; I’ll go alone, there’s none to moan, If old ‘Tramp Jim’ be drowned!’ “He went below and fired her up, The steam began to roar; ‘The captain stood upon the bridge’ And steered her for the shore; The ship was sinking by the bow, Her race was nearly o’er. “The water rose around poor Jim, Down in the fire-room there. ‘I’ll shovel in the coal,’ he gasped, ‘’Till the water wets me hair— The Lord must take me as I am, I have no time for prayer.’ “‘The captain stood upon the bridge.’ (Oh, hang that phrase, I say! ‘The firemen bravely stood below,’ Suits more this time of day,) Old Jim kept shovelling in the coal, Though it was time to pray. “And every soul was saved, my lads, Why do I speak it low? The Lord took Jim, all black and grim, And made him white as snow. Some say, ‘the captain on the bridge,’ But I say, ‘Jim below!’” W. B. Collison.


THE FACE ON THE FLOOR.
This is one of many recitations in this volume that have proved their popularity by actual test. “The Face on the Floor,” when well recited, holds the hearers spell-bound.
’Twas a balmy summer evening, and a goodly crowd was there That well nigh filled Joe’s barroom on the corner of the square, And as songs and witty stories came through the open door; A vagabond crept slowly in and posed upon the floor. “Where did it come from?” some one said; “The wind has blown it in.” “What does it want?” another cried, “Some whiskey, beer or gin?” “Here, Toby, seek him, if your stomach’s equal to the work, I wouldn’t touch him with a fork, he’s as filthy as a Turk.” This badinage the poor wretch took with stoical good grace, In fact, he smiled as if he thought he’d struck the proper place; “Come, boys, I know there’s kindly hearts among so good a crowd; To be in such good company would make a deacon proud. “Give me a drink! That’s what I want, I’m out of funds, you know, When I had cash to treat the gang, this hand was never slow; What? You laugh as if you thought this pocket never held a sou; I once was fixed as well, my boys, as any one of you. “There, thanks, that braced me nicely, God bless you, one and all, Next time I pass this good saloon I’ll make another call; Give you a song? No, I can’t do that, my singing days are past, My voice is cracked, my throat’s worn out and my lungs are going fast. “Say, give me another whiskey and I’ll tell you what I’ll do— I’ll tell you a funny story, and a fact, I promise, too; That I was ever a decent man, not one of you would think, But I was, some four or five years back, say, give us another drink. “Fill her up, Joe, I want to put some life into my frame— Such little drinks to a bum like me are miserably tame; Five fingers—there, that’s the scheme—and corking whiskey, too, Well, boys, here’s luck, and landlord, my best regards to you. “You’ve treated me pretty kindly and I’d like to tell you how I came to be the dirty sot you see before you now; As I told you, once I was a man, with muscle, frame and health, And, but for a blunder, ought to have made considerable wealth. “I was a painter—not one that daubed on bricks and wood. But an artist, and, for my age, was rated pretty good; I worked hard at my canvas, and was bidding fair to rise; For gradually I saw the star of fame before my eyes. “I made a picture, perhaps you’ve seen, ’tis called the Chase of Fame; It brought me fifteen hundred pounds, and added to my name; And then, I met a woman—now comes the funny part— With eyes that petrified my brain, and sunk into my heart. “Why don’t you laugh? ’Tis funny that the vagabond you see Could ever love a woman and expect her love for me; But ’twas so, and for a month or two her smile was freely given; And when her loving lips touched mine, it carried me to heaven. “Boys, did you ever see a girl for whom your soul you’d give, With a form like the Milo Venus, too beautiful to live, With eyes that would beat the Kohinoor and a wealth of chestnut hair? If so, ’twas she, for there never was another half so fair. “I was working on a portrait one afternoon in May, Of a fair-haired boy, a friend of mine who lived across the way, And Madeline admired it, and much to my surprise, Said that she’d like to know the man that had such dreamy eyes. “It didn’t take long to know him, and before the month had flown; My friend had stole my darling, and I was left alone; And ere a year of misery had passed above my head, The jewel I had treasured so had tarnished and was dead. “That’s why I took to drink, boys. Why, I never saw you smile, I thought you’d be amused and laughing all the while; Why, what’s the matter, friend? There’s a teardrop in your eye, Come, laugh like me, ’tis only babes and women that should cry. “Say, boys, if you’ll give me another whiskey, I’ll be glad, And I’ll draw right here, the picture of the face that drove me mad; Give me that piece of chalk with which you mark the base-ball score— And you shall see the lovely Madeline upon the bar-room floor.” Another drink, and with chalk in hand, the vagabond began To sketch a face that well might buy the soul of any man, Then, as he placed another lock upon the shapely head, With a fearful shriek he leaped and fell across the picture—dead. H. Antoine D’Arcy.


THE ENGINEER’S STORY.
Han’som, stranger? Yes, she’s purty an’ ez peart ez she can be. Clever? Wy! she ain’t no chicken, but she’s good enough fur me. What’s her name? ’Tis kind o’ common, yit I ain’t ashamed to tell, She’s ole “Fiddler” Filkin’s daughter, an’ her dad he calls her “Nell.” I wuz drivin’ on the “Central” jist about a year ago On the run from Winnemucca up to Reno in Washoe. There’s no end o’ skeery places. ’Taint a road fur one who dreams, With its curves an’ awful tres’les over rocks an’ mountain streams. ’Twuz an afternoon in August, we hed got behind an hour An’ wuz tearin’ up the mountain like a summer thunder-shower, Round the bends an’ by the hedges ’bout ez fast ez we could go, With the mountain-peaks above us an’ the river down below. Ez we come nigh to a tres’le ’cros’t a holler, deep an’ wild, Suddenly I saw a baby, ’twuz the stationkeeper’s child, Toddlin’ right along the timbers with a bold and fearless tread Right afore the locomotive, not a hundred rods ahead. I jist jumped an’ grabbed the throttle an’ I fa’rly held my breath, Fur I felt I couldn’t stop her till the child wuz crushed to death, When a woman sprang afore me like a sudden streak o’ light, Caught the boy and twixt the timbers in a second sank from sight. I jist whis’l’d all the brakes on. An’ we worked with might an’ main Till the fire flew from the drivers, but we couldn’t stop the train, An’ it rumbled on above her. How she screamed ez we rolled by An’ the river roared below us—I shall hear her till I die! Then we stop’t; the sun was shinin’; I ran back along the ridge An’ I found her—dead? No! livin’! She wuz hangin’ to the bridge Wher she drop’t down thro’ the cross-ties with one arm about a sill An’ the other round the baby, who wuz yellin’ fur to kill! So we saved ’em. She wuz gritty. She’s ez peart ez she kin be— Now we’re married; she’s no chicken, but she’s good enough fur me, An’ ef eny ask who owns her, wy! I ain’t ashamed to tell— She’s my wife. Ther’ ain’t none better than ole Filkin’s daughter “Nell.” Eugene J. Hall.


JIM.
He was jes’ a plain, ever’-day, all-round kind of a jour., Consumpted lookin’—but la! The jokeyest, wittyest, story-tellin’, song-singin’, laughin’est, jolliest Feller you ever saw! Worked at jes’ coarse work, but you kin bet he was fine enough in his talk, And his feelin’s, too! Lordy! ef he was on’y back on his bench again to-day, a carryin’ on Like he ust to do! Any shop-mate’ll tell you they never was on top o’dirt A better feller’n Jim! You want a favor, and couldn’t git it anywheres else— You could git it o’ him! Most free-heartedest man thataway in the world, I guess! Give ever’ nickel he’s worth— And, ef you’d a-wanted it, and named it to him, and it was his, He’d a-give you the earth! Allus a-reachin’ out, Jim was and a-helpin’ some Poor feller onto his feet— He’d a-never a-keered how hungry he was his se’f. So’s the feller got somepin to eat! Didn’t make no difference at all to him how he was dressed, He used to say to me: “You tog out a tramp purty comfortable in winter-time, And he’ll git along!” says he. Jim didn’t have, nor never could git ahead, so overly much O’ this world’s goods at a time— ’Fore now I’ve saw him, more’n onc’t lend a dollar and ha’f to Turn ’round and borry a dime! Mebby laugh and joke about hisse’f fer awhile—then jerk his coat, And kind o’ square his chin, Tie his apern, and squat hisse’f on his old shoe bench And go peggin’ agin. Patientest feller, too, I reckon, at every jes’ naturally Coughed hisse’f to death! Long enough after his voice was lost he’d laugh and say, He could git ever’thing but his breath— “You fellers,” he’d sort o’ twinkle his eyes and say, “Is pilin’ onto me A mighty big debt for that air little weak-chested ghost o’ mine to pack Through all eternity!” Now there was a man ’at jes’ ’peared like to me, ’At ortn’t a-never died! “But death hain’t a-showin’ no favors,” the old boss said, “On’y to Jim,” and cried: And Wigger, ’at put up the best sewed work in the shop, Er the whole blamed neighborhood, He says, “When God made Jim, I bet you He didn’t do anything else that day, But jes’ set around and feel good.” James Whitcomb Riley.


QUEEN VASHTI’S LAMENT.
Is this all the love that he bore me, my husband, to publish my face To the nobles of Media and Persia, whose hearts are besotted and base? Did he think me a slave, me, Vashti, the Beautiful, me, Queen of queens, To summon me thus for a show to the midst of his bacchanal scenes? I stand like an image of brass, I, Vashti, in sight of such men! No, sooner, a thousand times sooner, the mouth of the lioness’ den, When she’s fiercest with hunger and love for the hungry young lions that tear Her teats with sharp, innocent teeth, I would enter, far rather than here! Did he love me, or is he, too, though the King, but a brute like the rest! I have seen him in wine, and I fancied ’twas then that he loved me the best; Though I think I would rather have one sweet, passionate word from the heart Than a year of caresses that may with the wine that creates them depart. But ever before, in his wine, toward me he showed honor and grace; He was King, I was Queen, and those nobles, he made them remember their place. But now all is changed; I am vile, they are honored, they push me aside, A butt for Memucan and Shethar and Meres, gone mad in their pride! Shall I faint, shall I pine, shall I sicken and die for the loss of his love? Not I; I am queen of myself, though the stars fall from heaven above. The stars! ha! the torment is there, for my light is put out by a star, That has dazzled the eyes of the King and his court and his captains of war. He was lonely, they say, and he looked, as he sat like a ghost at his wine, On the couch by his side, where, of yore his Beautiful used to recline. But the King is a slave to his pride, to his oath and the laws of the Medes, And he cannot call Vashti again though his poor heart is wounded and bleeds. So they sought through the land for a wife, while the King thought of me all the while— I can see him, this moment, with eyes that are lost for the loss of a smile, Gazing dreamily on while each maiden is temptingly passed in review, While the love in his heart is awake with the thought of a face that he knew! Then she came when his heart was grown weary with loving the dream of the past! She is fair—I could curse her for that, if I thought that this passion would last! But e’en if it last, all the love is for me, and, through good and through ill, The King shall remember his Vashti, shall think of his Beautiful still. Oh! the day is a weary burden, the night is a restless strife,— I am sick to the very heart of my soul, with this life—this death in life! Oh! that the glorious, changeless sun would draw me up in his might, And quench my dreariness in the flood of his everlasting light! What is it? Oft as I lie awake and my pillow is wet with tears, There comes—it came to me just now—a flash, then disappears; A flash of thought that makes this life a re-enacted scene, That makes me dream what was, will be, and what is now, has been. And I, when age on age has rolled, shall sit on the royal throne, And the King shall love his Vashti, his Beautiful, his own, And for the joy of what has been and what again will be, I’ll try to bear this awful weight of lonely misery! The star! Queen Esther! blazing light that burns into my soul! The star! the star! Oh! flickering light of life beyond control! O King! remember Vashti, thy Beautiful, thy own, Who loved thee and shall love thee still, when Esther’s light has flown! John Reade.


THE SKELETON’S STORY.
It will require all the dramatic power of which you are capable to recite this selection and do it full justice. Be wide-awake, quick in tone and gesture, shouting at one time, whispering at another, speaking with your whole body. The emotions of fear and horror are especially prominent.

It is two miles ahead to the foot-hills—two miles of parched turf and rocky space. To the right—the left—behind, is the rolling prairie. This broad valley strikes the Sierra Nevadas and stops as if a wall had been built across it.
Ride closer! What is this on the grass? A skull here—a rib there—bones scattered about as the wild beasts left them after the horrible feast. The clean-picked skull grins and stares—every bone and scattered lock of hair has its story of a tragedy. And what besides these relics? More bones—not scattered, but lying in heaps—a vertebra with ribs attached—a fleshless skull bleaching under the summer sun. Wolves! Yes. Count the heaps of bones and you will find nearly a score. Open boats are picked up at sea with neither life nor sign to betray their secret. Skeletons are found upon the prairie, but they tell a plain story to those who halt beside them. Let us listen:
Away off to the right you can see treetops. Away off to the left you can see the same sight. The skeleton is in line between the two points. He left one grove to ride to the other. To ride! Certainly; a mile away is the skeleton of a horse or mule. The beast fell and was left there.
It is months since that ride, and the trail has been obliterated. Were it otherwise, and you took it up from the spot where the skeleton horse now lies, you would find the last three or four miles made at a tremendous pace.
“Step! step! step!”
What is it? Darkness has gathered over mountain and prairie as the hunter jogs along over the broken ground. Overhead the countless stars look down upon him—around him is the pall of night. There was a patter of footsteps on the dry grass. He halts and peers around him, but the darkness is too deep for him to discover any cause for alarm.
“Patter! patter! patter!”
There it is again! It is not fifty yards from where he last halted. The steps are too light for those of an Indian.
“Wolves!” whispers the hunter, as a howl suddenly breaks upon his ear.
Wolves! The gaunt, grizzly wolves of the foot-hills—thin and poor and hungry and savage—the legs tireless—the mouth full of teeth which can crack the shoulder-bone of a buffalo. He can see their dark forms flitting from point to point—the patter of their feet upon the parched grass proves that he is surrounded.
Now the race begins. A line of wolves spread out to the right and left, and gallops after—tongues out—eyes flashing—great flakes of foam flying back to blotch stone and grass and leave a trail to be followed by the cowardly coyotes.
Men ride thus only when life is the stake. A horse puts forth such speed only when terror follows close behind and causes every nerve to tighten like a wire drawn until the scratch of a finger makes it chord with a wail of despair. The line is there—aye! it is gaining! Inch by inch it creeps up, and the red eye takes on a more savage gleam as the hunter cries out to his horse and opens fire from his revolvers. A wolf falls on the right—a second on the left. Does the wind cease blowing because it meets a forest! The fall of one man in a mad mob increases the determination of the rest.
With a cry so full of the despair that wells up from the heart of the strong man when he gives up his struggle for life that the hunter almost believes a companion rides beside him, the horse staggers—recovers—plunges forward—falls to the earth. It was a glorious struggle; but he has lost.
There is a confused heap of snarling, fighting, maddened beasts, and the line rushes forward again. Saddle, bridle, and blanket are in shreds—the horse a skeleton. And now the chase is after the hunter. He has half a mile the start, and as he runs the veins stand out, the muscles tighten, and he wonders at his own speed. Behind him are the gaunt bodies and the tireless legs. Closer, closer, and now he is going to face fate like a brave man should. He has halted. In an instant a circle is formed about him—a circle of red eyes, foaming mouths, and yellow fangs which are to meet in his flesh.
There is an interval—a breathing spell. He looks up at the stars—out upon the night. It is his last hour, but there is no quaking—no crying out to the night to send him aid. As the wolves rest, a flash blinds their eyes—a second—a third—and a fourth, and they give before the man they had looked upon as their certain prey. But it is only for a moment. He sees them gathering for the rush, and firing his remaining bullets among them he seizes his long rifle by the barrel and braces to meet the shock. Even a savage would have admired the heroic fight he made for life. He sounds the war-cry and whirls his weapon around him, and wolf after wolf falls disabled. He feels a strange exultation over the desperate combat, and as the pack give way before his mighty blows a gleam of hope springs up in his heart.
It is only for a moment; then the circle narrows. Each disabled beast is replaced by three which hunger for blood. There is a rush—a swirl—and the cry of despair is drowned in the chorus of snarls as the pack fight over the feast.
The gray of morning—the sunlight of noonday—the stars of evening will look down upon grinning skull and whitening bones, and the wolf will return to crunch them again. Men will not bury them. They will look down upon them as we look, and ride away with a feeling that ’tis but another dark secret of the wonderful prairie.

THE LADY AND THE EARL.
The figures in the text of this piece indicate the gestures to be made, as shown in Typical Gestures, at the beginning of Part II. of this volume.
I saw her in the festive halls, in scenes of pride and16 glee, ’Mongst many beautiful and fair, but none so fair as she; Hers was the most attractive2 form that mingled in the scene, And all who saw her said she moved a goddess and a queen. The diamond blazed in her dark hair and bound her polished brow, And precious gems were clasped around her swan-like neck of snow; And Indian looms had lent their stores to form her sumptuous dress, And art with nature joined to grace her passing loveliness. I looked upon her and I said, who6 is so blessed as she? A creature she all light and life, all beauty and all glee; Sure,5 sweet content blooms on her cheek and on her brow a pearl, And she was1 young and innocent, the Lady of the Earl. But as I looked more carefully, I saw that radiant smile Was but assumed in mockery, the unthinking to beguile. Thus have I seen a summer rose in all its beauty bloom, When it has24 shed its sweetness o’er a cold and lonely tomb. She struck the harp, and when they praised her skill she turned aside, A rebel tear of conscious woe20 and memory to hide; But when she raised her head she looked so13 lovely, so serene, To gaze in her proud eyes you’d think a tear had seldom been. The humblest maid in rural life can5 boast a happier fate Than she, the beautiful and good, in all her rank and state; For she was sacrificed,20 alas! to cold and selfish pride When her young lips had breathed the vow to be a soldier’s bride. Of late I viewed her move along,2 the idol of the crowd; A few short months elapsed, and then,12 I kissed her in her shroud! And o’er her splendid monument I saw the hatchment wave, But there was one proud heart5 which did more honor to her grave. A warrior dropped his plumed head upon her place of rest, And with his feverish lips the name of Ephilinda pressed; Then breathed a prayer, and checked the groan of parting pain, And as he left the tomb he said,11 “Yet we shall meet again.”


MY VESPER SONG.
Filled with weariness and pain, Scarcely strong enough to pray, In this twilight hour I sit, Sit and sing my doubts away. O’er my broken purposes, Ere the coming shadows roll, Let me build a bridge of song: “Jesus, lover of my soul.” “Let me to Thy bosom fly!” How the words my thoughts repeat: To Thy bosom, Lord, I come, Though unfit to kiss Thy feet. Once I gathered sheaves for Thee, Dreaming I could hold them fast: Now I can but faintly sing, “Oh! receive my soul at last.” I am weary of my fears, Like a child when night comes on: In the shadow, Lord, I sing, “Leave, oh, leave me not alone.” Through the tears I still must shed, Through the evil yet to be, Though I falter while I sing, “Still support and comfort me.” “All my trust on Thee is stayed;” Does the rhythm of the song Softly falling on my heart, Make its pulses firm and strong? Or is this Thy perfect peace, Now descending while I sing, That my soul may sleep to-night “’Neath the shadow of Thy wing? “Thou of life the fountain art;” If I slumber on Thy breast, If I sing myself to sleep, Sleep and death alike are rest. Not impatiently I sing, Though I lift my hands and cry “Jesus, lover of my soul, Let me to Thy bosom fly.”


THE VOLUNTEER ORGANIST.
With distinct enunciation give the dialect in this piece, and assume the character of a countryman who is telling this story. Guard against being vulgar or too commonplace.
The gret big church wuz crowded full uv broadcloth an’ of silk, An’ satins rich as cream thet grows on our ol’ brindle’s milk; Shined boots, biled shirts, stiff dickeys, an’ stove-pipe hats were there, An’ dudes ’ith trouserloons so tight they couldn’t kneel down in prayer. The elder in his poolpit high said, as he slowly riz: “Our organist is kep’ to hum, laid up ’ith roomatiz, An’ as we hev no substitoot, as brother Moore ain’t here, Will some ’un in the congregation be so kind ’s to volunteer?” An’ then a red-nosed, blear-eyed tramp, of low-toned, rowdy style, Give an interductory hiccup, an’ then swaggered up the aisle. Then thro’ that holy atmosphere there crep’ a sense er sin, An’ thro’ thet air of sanctity the odor uv ol’ gin. Then Deacon Purington he yelled, his teeth all set on edge: “This man perfanes the house er God! W’y, this is sacrilege!” The tramp didn’ hear a word he said, but slouched ’ith stumblin’ feet, An’ stalked an’ swaggered up the steps, an’ gained the organ seat. He then went pawin’ thro’ the keys, an’ soon there rose a strain Thet seemed to jest bulge out the heart, an’ ’lectrify the brain; An’ then he slapped down on the thing ’ith hands an’ head an’ knees, He slam-dashed his hull body down kerflop upon the keys. The organ roared, the music flood went sweepin’ high an’ dry, It swelled into the rafters, an’ bulged out into the sky; The ol’ church shook and staggered, an’ seemed to reel an’ sway, An’ the elder shouted “Glory!” an’ I yelled out “Hooray!” An’ then he tried a tender strain thet melted in our ears, Thet brought up blessed memories and drenched ’em down ’ith tears; An’ we dreamed uv ol’ time kitchens, ’ith Tabby on the mat, Tu home an’ luv an’ baby days, an’ mother, an’ all that! An’ then he struck a streak uv hope—a song from souls forgiven— Thet burst from prison bars uv sin, an’ stormed the gates uv heaven; The morning stars together sung—no soul wuz left alone— We felt the universe wuz safe, an’ God was on His throne! An’ then a wail of deep despair an’ darkness come again, An’ long, black crape hung on the doors uv all the homes uv men; No luv, no light, no joy, no hope, no songs of glad delight, An’ then—the tramp, he swaggered down an’ reeled out into the night! But we knew he’d tol’ his story, tho’ he never spoke a word, An’ it was the saddest story thet our ears had ever heard; He hed tol’ his own life history, an’ no eye was dry thet day, W’en the elder rose an’ simply said: “My brethren, let us pray.” S. W. Foss.


COMIN’ THRO’ THE RYE.
If a body meet a body Comin’ thro’ the rye, If a body kiss a body, Need a body cry? Ev’ry lassie has her laddie, Nane they say ha’e I, Yet all the lads they smile at me When comin’ thro’ the rye. If a body meet a body, Comin’ frae the town; If a body meet a body, Need a body frown? Ev’ry lassie has her laddie, Nane they say ha’e I, Yet all the lads they smile at me When comin’ thro’ the rye. Amang the train there is a swain, I dearly love mysel’, But what’s his name, or where’s his hame I dinna choose to tell. Ev’ry lassie has her laddie, Nane they say ha’e I, Yet all the lads they smile at me When comin’ thro’ the rye. Robert Burns.


JOAN OF ARC.
Twas in the days of chivalry, when steel-clad warriors swore To bear their ladies’ favors amidst the battle’s roar, To right the wrongs of injured maids, the lance in rest to lay, And nobly fall in honor’s cause or triumph in the fray. But not to-day a lance is couched, no waving plume is there, No war-horse sniffs the trumpet’s breath, no banner woos the air; No crowding chiefs the tilt-yard throng to quench the thirst of fame, Though chiefs are met, intent to leave their names eternal shame! A still and solemn silence reigned, deep darkness veiled the skies, And Nature, shuddering, shook to see the impious sacrifice! Full in the centre of the lists a dreadful pile is reared, Awaiting one whose noble soul death’s terrors never feared, Gaul’s young Minerva, who had led her countrymen to fame, And foremost in the battle rent that conquered country’s chain; Who, when the sun of fame had set that on its armies shone, Its broken ranks in order set, inspired and led them on; The low-born maid that, clad in steel, restored a fallen king, Who taught the vanquished o’er their foes triumphal songs to sing; Whose banner in the battle’s front the badge of conquest streamed, And built again a tottering throne, a forfeit crown redeemed! But when her glorious deeds were done, Fate sent a darker day, The blaze of brightness faded in murkiest clouds away; And France stood looking idly on, nor dared to strike a blow, Her guardian angel’s life to save, but gave it to the foe! Ungrateful France her saviour’s fate beheld with careless smile, While Superstition, hiding hate and vengeance, fired the pile! What holy horror of her crime is looked by yonder priest, Like that grim bird that hovers nigh, and scents the funeral feast! Is this the maiden’s triumph, won in battle’s dreadful scenes, Whose banner so triumphant flew before thy walls, Orleans! Hark to the trumpet’s solemn sound! Low roll the muffled drums As slowly through the silent throng the sad procession comes; Wrapp’d in the garments of the grave, the corselet laid aside, Still with Bellona’s step she treads, through all her woes descried. As beautiful her features now as when inspired she spoke Those oracles that slumbering France to life and action woke: The majesty yet haunts her looks, that late so dreadful beamed In war, when o’er her burnished arms the long rich tresses streamed, She gazes on the ghastly pile, tho’ pale as marble stone; ’Twas not with fear, for from her lips escaped no sigh nor groan; But she, her country’s saviour, thus to render up her breath— That was a pang far worse than all the bitterness of death! ’Twas done; the blazing pile is fired, the flames have wrapped her round; The owlet shrieked, and circling flew with dull, foreboding sound; Fate shuddered at the ghastly sight, and smiled a ghostly smile; And fame and honor spread their wings above the funeral pile. But, phœnix-like, her spirit rose from out the burning flame, More beautiful and bright by far than in her days of fame. Peace to her spirit! Let us give her memory to renown, Nor on her faults or failings dwell, but draw the curtain down. Clare S. McKinley.


THE VULTURE OF THE ALPS.
This selection is narrative, yet it is narrative intensely dramatic. Imagine the feelings of a parent who sees the “youngest of his babes” torn away from his embrace by a vulture and carried away in mid-air. Let your tones, attitudes and gestures all be strong. Picture the flight of a mountain eagle with uplifted arm, and depict with an expression of agony the grief of the parent.
I’ve been among the mighty Alps, and wandered through their vales, And heard the honest mountaineers relate their dismal tales, As round the cottage blazing hearth, when their daily work was o’er, They spake of those who disappeared, and ne’er were heard of more. And there I from a shepherd heard a narrative of fear, A tale to rend a mortal heart, which mothers might not hear: The tears were standing in his eyes, his voice was tremulous. But, wiping all those tears away he told his story thus:— “It is among these barren cliffs the ravenous vulture dwells, Who never fattens on the prey which from afar he smells; But, patient, watching hour on hour upon a lofty rock, He singles out some truant lamb, a victim, from the flock. “One cloudless Sabbath summer morn, the sun was rising high, When from my children on the green, I heard a fearful cry, As if some awful deed were done, a shriek of grief and pain, A cry, I humbly trust in God, I ne’er may hear again. “I hurried out to learn the cause; but, overwhelmed with fright, The children never ceased to shriek, and from my frenzied sight I missed the youngest of my babes, the darling of my care, But something caught my searching eyes, slow sailing through the air. “Oh! what an awful spectacle to meet a father’s eye! His infant made a vulture’s prey, with terror to descry! And know, with agonizing breast, and with a maniac rave, That earthly power could not avail, that innocent to save! “My infant stretched his little hands imploringly to me, And struggled with the ravenous bird, all vainly to get free, At intervals, I heard his cries, as loud he shrieked and screamed: Until, upon the azure sky, a lessening spot he seemed. “The vulture flapped his sail-like wings, though heavily he flew, A mote upon the sun’s broad face he seemed unto my view: But once I thought I saw him stoop, as if he would alight; ’Twas only a delusive thought, for all had vanished quite. “All search was vain, and years had passed; that child was ne’er forgot, When once a daring hunter climbed unto a lofty spot, From whence, upon a rugged crag the chamois never reached, He saw an infant’s fleshless bones the elements had bleached! “I clambered up that rugged cliff; I could not stay away; I knew they were my infant’s bones thus hastening to decay; A tattered garment yet remained, though torn to many a shred, The crimson cap he wore that morn was still upon the head.” That dreary spot is pointed out to travelers passing by, Who often stand, and, musing, gaze, nor go without a sigh. And as I journeyed, the next morn, along my sunny way, The precipice was shown to me, whereon the infant lay.


THE OLD-FASHIONED GIRL.
There’s an old-fashioned girl in an old-fashioned street, Dressed in old-fashioned clothes from her head to her feet, And she spends all her time in the old-fashioned way, Of caring for poor people’s children all day. She never has been to cotillion or ball, And she knows not the styles of the spring or the fall. Two hundred a year will suffice for her needs, And an old-fashioned Bible is all that she reads. And she has an old-fashioned heart that is true To a fellow who died in an old coat of blue, With its buttons all brass—who is waiting above For the woman who loved him with old-fashioned love. Tom Hall.


NATHAN HALE, THE MARTYR SPY.
After the disastrous defeat of the Americans on Long Island, Washington desired information respecting the British position and movements. Captain Nathan Hale, but twenty-one years old, volunteered to procure the information. He was taken and hanged as a spy the day after his capture, September 22, 1776. His patriotic devotion, and the brutal treatment he received at the hands of his captors, have suggested the following. Put your whole soul into this piece, especially Hale’s last speech. It rises to the sublime.