MELODIES1
Reading edition
MELODIES1
Recorded on the phonograph by Washington Matthews, and noted from the cylinders by John C. Fillmore.
No. 1.
SONG OF THE APPROACH OF THE WAR GODS.
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![[Music notation]](/illustrations/0ade958f20b97ffc.png)
No. 2.
SONG OF THE WAR GODS.
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![[Music notation]](/illustrations/ff5f304bb4793abf.png)
No. 3.
TWELFTH YIKAÍGĬN OR DAYLIGHT SONG.
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![[Music notation]](/illustrations/74670c2cb2b4518c.png)
No. 4.
A SONG OF THE NAAKHAÍ, OR DANCE OF THE LAST NIGHT OF THE NIGHT CHANT.
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![[Music notation]](/illustrations/59d968425ed7519b.png)
No. 5.
A SONG OF THE NAAKHAÍ.
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Composed by Thomas Torlino.
![[Music notation]](/illustrations/6a24a479e2398076.png)
No. 6.
SEVENTH SONG IN THE FARM OF HASTSÉHOGAN.
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![[Music notation]](/illustrations/ade6527e1583645e.png)
No. 7.
TENTH AND ELEVENTH SONGS IN THE FARM OF HASTSÉHOGAN.
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![[Music notation]](/illustrations/823b1c13578c401f.png)
No. 8.
FIFTEENTH SONG IN THE FARM OF HASTSÉHOGAN.
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![[Music notation]](/illustrations/50d4b0e148b0776e.png)
This song offers some very curious metrical problems.
No. 9.
TWENTY-SECOND SONG IN THE FARM OF HASTSÉHOGAN.
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![[Music notation]](/illustrations/460f21444c478d81.png)
No. 10.
TWENTY-THIRD SONG IN THE FARM OF HASTSÉHOGAN.
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![[Music notation]](/illustrations/f66f344ed0b8dad4.png)
This Indian howls so that it is much more difficult than usual to be sure of the pitch-relations. Also it is hard to tell, in many places, whether he means a double or a triple rhythm.
No. 11.
TWENTY-FIFTH SONG IN THE FARM OF HASTSÉHOGAN.
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![[Music notation]](/illustrations/db49c3d90242df7c.png)