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Kulóskap the master, and other Algonkin poems

Kulóskap the Master

Charles Godfrey Leland translation

And Other Algonkin Poems

And bade the little creature come to him; Back smiled the baby, but it did not budge. (See page 108.)

Watercolor in shades of brown and grey set inside a wigwam. To the right is an Indian man sitting on his knees with his left hand extended. A small pot sits on top of a low fire in the lower left corner. Opposite the man, sitting cross-legged on a blanket, is an Indian woman. She is looking down at a small child, seated in front of her. The child, wearing only a necklace, looks at the man.
Watercolor in shades of brown and grey set inside a wigwam. To the right is an Indian man sitting on his knees with his left hand extended. A small pot sits on top of a low fire in the lower left corner. Opposite the man, sitting cross-legged on a blanket, is an Indian woman. She is looking down at a small child, seated in front of her. The child, wearing only a necklace, looks at the man.

Kulóskap the Master

And Other Algonkin Poems

Translated Metrically by

CHARLES GODFREY LELAND, Hon. F.R.S.L.; M.A.

(Harvard)

Author of “The Algonquin Legends of New England”

AND

JOHN DYNELEY PRINCE, Ph.D. (Johns Hopkins)

Professor in Columbia University and author of various articles on Algonkin dialects

Icon of an open book with the letter F on the verso and W on the recto. The book is surrounded by a laurel wreath.
Icon of an open book with the letter F on the verso and W on the recto. The book is surrounded by a laurel wreath.

FUNK & WAGNALLS COMPANY

New York and London

1902

Copyright, 1902 By FUNK & WAGNALLS COMPANY New York

Registered at Stationers’ Hall, London, England

Printed in the United States of America

Published November, 1902

ILLUSTRATIONS IN THE VOLUME

Half-tone Text Illustrations by F. BERKELEY SMITH Ten Tracings after Indian Designs by CHARLES GODFREY LELAND Frontispiece by EDWIN WILLARD DEMING

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