Part 3 — INDEX

Alix, observation of animals, 123.

Allen, Grant, on beauty, 269.

Allin, play with physical pain, 159; teasing, 227; the comic, 280; imitation of animals, 203.

Altum, on sexual selection, 265; nursing play, 310.

Amaranthes, swinging, 71; trials of patience, 102.

Andree, drumming, 46; recognising pictures, 125; wagering, 192; gambling, 210; indecent drawings, 277.

Anstruther-Thomson, inner imitation, 328, 331.

Arabians, wagering, 208.

Aristotle, catharsis, 163.

Astragalus, 209.

Autenrieth, experimental play, 96.

Bain, imitation, 285.

Baldwin, repetition, 6; circular reaction, 34; persistent imitation, 39; righthandedness, 76; recognition, 122; imagination, 136; imitation, 282–291, 305–321; nursing play, 311; self-exhibition, 348; mass suggestion, 367; organic selection, 372; kinds of play, 396. See also the Editor’s Preface.

Bashkirtseff, the luxury of grief, 161.

Bastian, speech practice, 40; kite-flying, 97; throwing at a mark, 114; gaming, 208; tensing, 230; hide-and-seek, 243.

Beauregard, Egyptian caricature, 227.

Berlepsch, throwing play, 106; ring fighting, 178.

Biederman, repetition in poetry, 367.

Boas, figures in skating, 103.

Böhme, melodies of children’s songs, 230; sound imitation, 298.

Brehm, teasing, 280.

Bridgman, movement play, 76.

Bücher, work and rhythm, 25; songs of primitive peoples, 35; origin of instruments, 46.

Büttikofer, plays of women, 192.

Caine, oracles, 207.

Chamberlain, jumping, 85.

Chinese, effect of music, 30; games, 208; pitching quoits, 210.

Colozza, hearing ploys, 48; mental contests, 201; social plays, 335; dangers of the imagination, 406.

Compayré, play with taste, 9; kissing, 12; voice practice, 31; constructive play, 100; playful lying, 142; play with the reasoning powers, 154; teasing, 228.

Couturat, imitatation and æsthetic satisfaction, 328.

Curtmann, social influence, 335.

Darwin, art and sexual selection, 18–24; observation of movement, 164; the comic, 297.

Daudet, playful lying, 142.

Dickens, imagination, 138.

Dodge, the comic, 279.

Du Bos, intensive stimuli, 163, 383.

Eckstein, fighting play, 190.

Edler, play with taste, 12; hearing play, 24.

Ellendorf, sight play, 51.

Erdmann, gaming, 214.

Eskimos, ornamentation, 58; figure-skating, 119.

Eyre, Australian dance, 73.

Fedde, contest in Faust, 179.

Fénelon, play and judgment, 130.

Feuerbach, imagination, 158.

Fewkes, dolls and idols, 312.

Finsch, endurance plays, 102.

Fischart, destructive play, 98; ball play, 109; throwing, 114.

Fischer, wit, 158; on Schopenhauer, 162.

Flashar, social influence, 335.

Forbes, football, 109; goal plays, 114.

Fouquières, stloppus, 34; ancient drums, 46; Athenian feast, 93; throwing play, 107; the Gordian knot, 210; teasing, 222–224; hide-and-seek, 243.

Fritsch, love play, 259.

Froebel, learning to walk, 82; kindergarten, 402.

G. Marie, touch sensations, 8; taste, 15; hearing play, 22; poetic efforts, 35–39; pleasure in colour, 71; recognition, 125; exercise of reason, 129; speech imitation, 296; dramatic drawing, 318.

Gildemeister, 345.

Goethe, chain rhymes, 37; hearing plays, 43; praying to the light, 52; throwing play, 105; illusion, 132; playful lying, 142; the luxury of grief, 165; fighting play, 182.

Grasberger, divisions of play, 1–15; play with insects, 85; gymnastic play, 85; hustling things about, 97; ring games, 114; blind-man’s-buff, 128; hunting play, 240.

Grey, 229.

Grosse, primitive poetry, 35; instruments, 44; critique of Bücher, 47; display in the dance, 73; rhythm, 89; stories of Eskimos, 142; mental rivalry, 202; derisive songs, 229; primitive pictures, 315; dance feasts, 354.

Gurney, enjoyment of music in children, 20; hearing play, 23.

Gutsmuth, throwing plays, 107; teasing, 224.

Gutzmann, voice practice among children, 31–33.

Guyau, pleasure in warmth, 14; in pleasant odours, 17; playful lying, 142; theory of play, 388.

Hall, taste, 8; play with physical pain, 159; cruelty, 233; teasing, 288; the comic, 280; imitation of animals, 203.

Hanslick, pleasure in music, 27.

Hartmann, endurance play, 103; rivalry, 182; betting, 206; lottery, 208; apparent and real I, 388.

Hecker, the comic, 165.

Hellenes, drumming, 44; gymnastic play, 85; Livingston, 93; hustling things about, 97; board plays, 204; betting, 206.

Helmholtz, 129.

Herbart, the child as a plaything, 403.

Hudson, impulse for contact, 286; mass play by birds, 346; Lamarckian principle, 361.

Hugo, 17; enjoyment of the grotesque, 167.

Ibsen, J. G. Borkmann, 82; tragedy, 146.

Indian, 182; games of chance, 208.

Jacobson, Indian child feast, 304.

James, reverence for light, 52; collective impulse, 100; desire for knowledge, 147; hunting impulse, 240; social play, 352.

Jean Paul, social play, 396.

Jodl, sensory impulses, 3; teasing, 222; decapitation, 309.

Johnson, taste play, 11; hearing play, 34.

Jouffroy, inner imitation, 328.

Kant, colour perception, 60; the comic, 165.

Kaufmann, recognition in poetry, 127.

Keller, pleasure in colour, 72; destructive play, 98; love play, 255.

Kleist, the luxury of grief, 161.

Klutschak, skating figures, 103.

Köhler, the social sense in little children, 335.

Köstlin, tone, 28.

Kraepelin, rhyming, 38; sensation in play, 74.

Kraus, 343.

Kries, practice of the will, 172.

Külpe, 365; the reasoning powers, 329.

Kussmaul, taste in the infant, 14.

Lange, conscious self-deception, 130; value of illusion, 300;

aim in play, 379.

Lazarus, struggle with danger and difficulty, 174; card games, 195; recreation theory, 364; rivalry, 190.

Lee, æsthetic observation, 328.

Legras, movement play, 78.

Lenz, climbing impulse, 87.

Lessing, pleasure in strong excitement, 14; pleasure in learning, 130; effect of the tragic, 163; the task of poetry, 383.

Lewes, attention, 145.

Linde, chess games, 193.

Lindley, logical experimentation, 154.

Lippert, ecstatic condition, 25.

Lipps, the comic, 165; charm of forbidden fruit, 287; the Doric column, 323; æsthetic illusion, 388.

Livingstone, imitative play, 304.

Lombroso, imagination, 140; impulse to opposition, 187; destructiveness, 218.

Lotze, 129.

Lubbock, reduplication, 88.

Lukens, children’s drawings, 316.

Mantegazza, love play, 266.

Marcano, caricature, 227.

Marshall, art instinct, 345.

Marty, speech and sympathy, 341.

Meumann, rhythm, 35.

Mexico, 208.

Meyer, E. H., teasing, 230.

Meyer, R. M., refrain, 35, 127.

Mill, J., imitative impulse, 285.

Minor, imitation, 127.

Mörike, touch sensations, 13; sight play, 52.

Moll, repetition in hypnosis, 367.

Moller, on play, 399.

Monroe, comradeship and sex, 356.

Morgan, Lloyd, organic selection, 294.

Munkacsy, collective impulse, 101.

Nachtigal, plastic production by children, 320.

Nansen, sight play, 51; leaping, 85; curiosity, 147.

Necker de Saussure, destructive impulse, 218; social sense in children, 335.

Niebuhr, ball play, 113.

Nietzsche, intoxication and art, 24; tragedy, 252; low ideals, 90.

Nordenskiold, throwing play, 115.

Parkinson, swinging, 93; throwing play, 107; catching, 119; wagering, 206.

Perez, touch sensations, 6–11; smell, 15; hearing, 20, 22, 41; hustling things about, 96; playful lying, 142; curiosity, 157; teasing imitation, 227, 291; imitation of self, 322.

Petermann, 192; gaming, 209.

Pfänder, movement and will, 285.

Pfisterer, social sense in children, 335.

Pilo, smoking, 17; the comic, 238.

Plischke, reason play, 191.

Ploss, hearing play, 41; rocking, 93; throwing, 109; teasing, 225.

Preyer, touch sensations, 6; hearing play, 41; sensations of brightness, 50; perception of movement, 75; learning to walk, 81; dancing, 89; constructive play, 100; throwing, 103; recognition, 123; attention, 147; imitation, 291.

Rabelais, throwing play, 145; satire, 228.

Raehlmann, sight play, 48; sounding, 50.

Raydt, boxing, 180.

Reischel, prehistoric drums, 45; play and character building, 400.

Ribot, instinct, 34; gaming, 210; play with physical pain, 160; luxury of grief, 162; the comic, 230; pleasure in the tragic, 248.

Ricci, plastic art among children, 320.

Richepin, sympathy between artists, 345.

Richter, A., 114.

Richter, W., fisticuff, 180; gaming, 209.

Rochholz, children’s rhymes, 39; hustling things about, 97; throwing play, 114; finger play, 170; gaming, 208.

Rötteken, pleasure in strong emotion, 163; poetic enjoyment, 330.

Romanes, play with temperature sensations, 14, 51; endurance play, 102; throwing, 181; instinct, 372.

Rousseau, meaning of youth, 121.

Rudeck, self-exhibition, 263.

Rückert, riddle contest, 190.

Sand, fear, 166; imaginative play, 406.

Scaino, football, 108.

Schaller, chance games, 193–204; card games, 194; wagering, 213.

Schellong, hearing play, 43.

Schiller, dancing, 89; superfluous energy, 339; courage, 392.

Schliemann, Trojan instruments, 46.

Schneegan, teasing, 222.

Schneider, the hunting impulse, 230; Lamarckian principle, 370.

Scholz, destructive impulse, 220.

Schopenhauer, effect of rhythm, 25–28; power and will, 384.

Schultz, hearing play, 46; fighting play, 186–201; seeking, 244.

Schuster, 204, 205; gaming, 191–211.

Schweinfurth, throwing play, 114.

Seidel, riddles, 157; animal stories, 205.

Selenka, singing apes, 19; rhythmical movement, 89.

Semon, play with taste, 16; hunting play, 238.

Semper, imitative dancing, 312.

Shinn, hearing, 21; recognition, 125; imitation, 295; dancing by children, 302; drawing, 314.

Siebeck, musical enjoyment, 28.

Sighele, destructive impulse, 220.

Sigismund, rhythm, 20; sight play, 50; learning to walk, 80; hustling things about, 96; throwing, 104; recognition, 123; teasing, 225; imitation, 294.

Sikorski, sense of taste, 9; recognition, 123; attention, 145.

Sittl, teasing, 231.

Slatin, cruelty, 225.

Smyth, Brough, 402.

Sommer, 377.

Souriau, æsthetics and suggestion, 24; illusion, 131; pleasure in movement, 93, 361; throwing, 104; fear, 166.

Spencer, superfluous energy, 362; art and sexual selection, 18; rhythm, 89; curiosity, 148.

Spengel, Lamarckian principle, 372.

Spinoza, rivalry, 197.

Steinen, v. d., swinging, 93; hustling things about, 97; recognition, 125; curiosity, 147; ring fighting, 176; the comic, 274; origin of drawing, 314; beginnings of plastic art, 42; dancing, 353; exclusion of women from feasts, 355.

Steinthal, recreation, 365.

Stern, L. W., perception of movement, 145.

Stern, P., sympathy and association, 325.

Sticker, righthandedness, 76.

Stöckel, the nude in art, 276.

Stoll, hypnotism, 25; dancing dervishes, 369.

Stricker, inner imitation, 329.

Strümpell, touch sensations, 8; hearing play, 41; endurance play, 102; counting, 136.

Strutt, old English snowshoeing, 95; endurance play, 102; ball play, 120; fighting play, 185; hunting impulse, 238.

Stumpf, a prodigy, 129.

Sully, hearing play, 20, 41; recognition, 123; memory, 128; playful lying, 142; fear, 167; opposition, 186; the comic, 230; voluntary submission, 338.

Svoboda, fighting play, 182; play of children, 397; dancing, 350.

Tarde, imitation and repetition, 282; obedience as imitation, 348.

Tiedemann, curiosity, 150.

Töllner, on play, 398.

Tracy, beginnings of imitation, 291.

Tylor, backgammon, 194; wagering and soothsaying, 207, 208; counting games, 210; drawing by deaf-mutes, 230.

Vierordt, movement in children, 75; righthandedness, 76.

Vischer, 279; inner imitation, 328.

Volkett, enjoyment of tragedy, 246; inner sympathy, 322.

Wagner, F. v., Lamarckian principle, 372.

Wagner, H., top spinning, 111; ball games, 120; experimentation, 169.

Wagner, L., shipwreck, 222; April fool, 225.

Wagner, R., recognition, 126.

Wallaschek, rhythm and melody, 26; critique of Spencer, 29.

Weinhold, K., leaping play, 86; dancing, 89; snowshoeing, 95; throwing play, 181, 203; gaming, 186, 191.

Weismann, germinal selection, 373.

Werner, poetic rivalry, 189.

Westermarck, courtship contest, 263.

Wetz, province of the drama, 247.

Wölfflin, touch sensations, 10.

Wünsche, betting among the Arabians, 208.

Wundt, love plays, 253; eye movements, 328; criterion of play, 379.

Zettler, tests of strength, 178.

Zingerle, sense of taste, 9; chain rhymes, 36; sight plays, 50.

Zola, 136.

THE END