Paper Making.
Reading edition
THE DYEING OF PAPER PULP. A Practical Treatise for the use of Papermakers, Paperstainers. Students and others. By JULIUS ERFURT, Manager of a Paper Mill. Translated into English and Edited with Additions by JULIUS HÜBNER, F.C.S., Lecturer on Papermaking at the Manchester Municipal Technical School. With Illustrations and 157 patterns of paper dyed in the pulp. Royal 8vo, 180 pp. 1901. Price 15s.; India and Colonies, 16s.; Other Countries, 20s.; strictly net. Limited edition.
Contents.
I., Behaviour of the Paper Fibres during the Process of Dyeing, Theory of the Mordant—Cotton: Flax and Hemp; Esparto; Jute; Straw Cellulose: Chemical and Mechanical Wood Pulp; Mixed Fibres: Theory of Dyeing.—II., Colour Fixing Mediums (Mordants)—Alum: Aluminium Sulphate; Aluminium Acetate; Tin Crystals (Stannous Chloride); Copperas (Ferrous Sulphate); Nitrate of Iron (Ferric Sulphate); Pyrolignite of Iron (Acetate of Iron); Action of Tannic Acid; Importance of Materials containing Tannin; Treatment with Tannic Acid of Paper Pulp intended for dyeing; Blue Stone (Copper Sulphate): Potassium Bichromate: Sodium Bichromate; Chalk (Calcium Carbonate); Soda Crystals (Sodium Carbonate): Antimony Potassium Tartrate (Tartar Emetic).—III., Influence of the Quality of the Water Used.—IV., Inorganic Colours—1. Artificial Mineral Colours: Iron Buff; Manganese Bronze: Chrome Yellow (Chromate of Lead): Chrome Orange (Basic Chromate of Lead): Red Lead; Chrome Green: Blue with Yellow Prussiate: Prussian Blue: Method for Producing Prussian Blue free from Acid: Ultramarine—2. Natural Mineral Colours (Earth Colours): Yellow Earth Colours: Red Earth Colours; Brown Earth Colours; Green, Grey and Black Earth Colours: White Earth Colours: White Clay (China Clay): White Gypsum; Baryta: Magnesium Carbonate: Talc, Soapstone.—V., Organic Colours—1. Colours of Vegetable and Animal Origin: (a) Substantive (Direct Dyeing) Colouring Matters: Annatto; Turmeric: Safflower; (b) Adjective (Indirect Dyeing) Colouring Matters: Redwood; Cochineal; Weld: Persian Berries; Fustic Extract; Quercitron: Catechu (Cutch); Logwood Extract—2. Artificial Organic (Coal Tar) Colours: Acid Colours; Basic Colours: Substantive (Direct Dyeing) Colours; Dissolving of the Coal Tar Colours: Auramine O O; Naphthol Yellow S O; Quinoline Yellow O: Metanil Yellow O: Paper Yellow O: Azoflavine RS O, S O; Cotton Yellow G X X and R X X: Orange 11 O: Chrysoidine A O O, RL O O: Vesuvine Extra O O; Vesuvine BC O O; Fast.
Brown O, Naphthylamine Brown O; Water Blue IN O; Water Blue TB O; Victoria Blue B O O; Methylene Blue MD O O; Nile Blue R O O; New Blue S O O; Indoine Blue BB O O; Eosine 442 Nx; Phloxine B B N; Rhodamine B O O; Rhodamine 6G O O: Naphthylamine Red G O; Fast Red A O; Cotton Scarlet O; Erythrine RR O; Erythrine X O; Erythrine P O; Ponceau 2 R O; Fast Ponceau G O and B O; Paper Scarlet P O O; Saffranine PP O O; Magenta Powder A O O; Acetate of Magenta O O; Cerise D 10 O O; Methyl Violet BB O O; Crystal Violet O O; Acid Violet 3 BN O, 4 R O; Diamond Green B O O; Nigrosine WL O; Coal Black O O; Brilliant Black B O.—VI., Practical Application of the Coal Tar Colours according to their Properties and their Behaviour towards the Different Paper Fibres—Coal Tar Colours, which rank foremost, as far as their fastness to light is concerned; Colour Combinations with which colourless or nearly colourless Backwater is obtained; Colours which do not bleed into White Fibres, for Blotting and Copying Paper Pulp; Colours which produce the best results on Mechanical Wood and on Unbleached Sulphite Wood; Dyeing of Cotton, Jute and Wool Half-stuff for Mottling White or Light Coloured Papers; Colours suitable for Cotton; Colours specially suitable for Jute Dyeing; Colours suitable for Wool Fibres.—VII., Dyed Patterns on Various Pulp Mixtures—Placard and Wrapping Papers; Black Wrapping and Cartridge Papers; Blotting Papers; Mottled and Marbled Papers made with Coloured Linen, Cotton and Union Rags, or with Cotton, Jute, Wool and Sulphite Wood Fibres, dyed specially for this purpose; Mottling with Dark Blue Linen; Mottling with Dark Blue Linen and Dark Blue Cotton; Mottling with Dark Blue Cotton; Mottling with Dark Blue and Red Cotton; Mottling with Dark Red Cotton; Mottling of Bleached Stuff, with 3 to 4 per cent. of Dyed Cotton Fibres; Mottling with Dark Blue Union (Linen and Wool or Cotton Warp with Wool Weft); Mottling with Blue Striped Red Union; Mottling of Bleached Stuff with 3 to 4 per cent. of Dyed Wool Fibres; Mottling of Bleached Stuff with 3 to 4 per cent. of Dyed Jute Fibres; Mottling of Bleached Stuff with 3 to 4 per cent. of Dyed Sulphite Wood Fibres: Wall Papers; Packing Papers.—VIII., Dyeing to Shade—Index.
Press Opinions.
"The book is one that is of value to every one connected with the colouring of paper."—Paper Trade Journal.
"The great feature of the volume is undoubtedly the series of actual patterns of dyed papers, 157 in all—twelve of which, made in England, have been added to the original German series. Detailed formulæ are given for the preparation of the pulp for each, and the tints of the samples practically form a key, by means of which the accuracy of the student's or practitioner's experiments can be tested.... On the whole the publication is one of distinct importance to the trade, and will no doubt speedily become a standard work of reference amongst papermakers, both in the 'lab.' and the office, as well as being an excellent text-book for the use of students in the increasing number of technical institutes in which papermaking is taught."—World's Paper Trade Review.