Notes to Shakespeare's Roman plays and their background — Reading edition
309 notes · Reading edition
CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 1CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 2CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 3CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 4CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 5CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 6CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 7CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 8CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 9CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 10CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 11CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 12CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 13CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 14CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 15CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 16CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 17CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 18CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 19CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 20CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 21CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 22CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 23CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 24CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 25CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 26CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 27CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 28CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 29CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 30CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 31CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 32CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 33CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 34CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 35CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 36CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 37CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 38CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 39CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 40CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 41CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 42CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 43CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 44CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 45CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 46CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 47CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 48CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 49CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 50CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 51CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 52CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 53CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 54CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 55CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 56CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 57CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 58CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 59CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 60CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 61CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY · Note 62CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 1CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 2CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 3CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 4CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 5CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 6CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 7CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 8CHAPTER I ROMAN PLAYS IN THE SIXTEENTH CENTURY (continued 2) · Note 9CHAPTER II SHAKESPEARE’S TREATMENT OF HISTORY · Note 1CHAPTER II SHAKESPEARE’S TREATMENT OF HISTORY · Note 2CHAPTER II SHAKESPEARE’S TREATMENT OF HISTORY · Note 3CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 1CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 2CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 3CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 4CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 5CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 6CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 7CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 8CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 9CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 10CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 11CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 12CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 13CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 14CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 15CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 16CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 17CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 18CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 19CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 20CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 21CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 22CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 23CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 24CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 25CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 26CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 27CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 28CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 29CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 30CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 31CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 32CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 33CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 34CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 35CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 36CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 37CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 38CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 39CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 40CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 41CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 42CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 43CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 44CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 45CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS · Note 46CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 1CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 2CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 3CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 4CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 5CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 6CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 7CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 8CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 9CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 10CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 11CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 12CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 13CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 14CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 15CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 16CHAPTER III ANCESTRY OF SHAKESPEARE’S ROMAN PLAYS (continued 2) · Note 17CHAPTER I · Note 1CHAPTER I · Note 2CHAPTER I · Note 3CHAPTER I · Note 4CHAPTER I · Note 5CHAPTER I · Note 6CHAPTER I · Note 7CHAPTER I · Note 8CHAPTER I · Note 9CHAPTER I · Note 10CHAPTER I · Note 11CHAPTER I · Note 12CHAPTER I · Note 13CHAPTER I · Note 14CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 1CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 2CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 3CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 4CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 5CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 6CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 7CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 8CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 9CHAPTER II SHAKESPEARE’S TRANSMUTATION OF HIS MATERIAL · Note 10CHAPTER III THE TITULAR HERO OF THE PLAY · Note 1CHAPTER III THE TITULAR HERO OF THE PLAY · Note 2CHAPTER III THE TITULAR HERO OF THE PLAY · Note 3CHAPTER III THE TITULAR HERO OF THE PLAY · Note 4CHAPTER III THE TITULAR HERO OF THE PLAY · Note 5CHAPTER III THE TITULAR HERO OF THE PLAY · Note 6CHAPTER III THE TITULAR HERO OF THE PLAY · Note 7CHAPTER III THE TITULAR HERO OF THE PLAY · Note 8CHAPTER III THE TITULAR HERO OF THE PLAY · Note 9CHAPTER III THE TITULAR HERO OF THE PLAY · Note 10CHAPTER III THE TITULAR HERO OF THE PLAY · Note 11CHAPTER III THE TITULAR HERO OF THE PLAY · Note 12CHAPTER III THE TITULAR HERO OF THE PLAY · Note 13CHAPTER IV THE EXCELLENCES AND ILLUSIONS OF BRUTUS · Note 1CHAPTER IV THE EXCELLENCES AND ILLUSIONS OF BRUTUS · Note 2CHAPTER IV THE EXCELLENCES AND ILLUSIONS OF BRUTUS · Note 3CHAPTER IV THE EXCELLENCES AND ILLUSIONS OF BRUTUS · Note 4CHAPTER V THE DISILLUSIONMENT OF BRUTUS. PORTIA · Note 1CHAPTER V THE DISILLUSIONMENT OF BRUTUS. PORTIA · Note 2CHAPTER VI THE REMAINING CHARACTERS · Note 1CHAPTER VI THE REMAINING CHARACTERS · Note 2CHAPTER VI THE REMAINING CHARACTERS · Note 3CHAPTER VI THE REMAINING CHARACTERS · Note 4CHAPTER VI THE REMAINING CHARACTERS · Note 5CHAPTER VI THE REMAINING CHARACTERS · Note 6CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 1CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 2CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 3CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 4CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 5CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 6CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 7CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 8CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 9CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 10CHAPTER I POSITION OF THE PLAY AFTER THE GREAT TRAGEDIES. SHAKESPEARE’S INTEREST IN THE SUBJECT · Note 11CHAPTER II ANTONY AND CLEOPATRA, A HISTORY, TRAGEDY, AND LOVE POEM; AS SHOWN BY ITS RELATIONS WITH PLUTARCH · Note 1CHAPTER II ANTONY AND CLEOPATRA, A HISTORY, TRAGEDY, AND LOVE POEM; AS SHOWN BY ITS RELATIONS WITH PLUTARCH · Note 2CHAPTER II ANTONY AND CLEOPATRA, A HISTORY, TRAGEDY, AND LOVE POEM; AS SHOWN BY ITS RELATIONS WITH PLUTARCH · Note 3CHAPTER II ANTONY AND CLEOPATRA, A HISTORY, TRAGEDY, AND LOVE POEM; AS SHOWN BY ITS RELATIONS WITH PLUTARCH · Note 4CHAPTER II ANTONY AND CLEOPATRA, A HISTORY, TRAGEDY, AND LOVE POEM; AS SHOWN BY ITS RELATIONS WITH PLUTARCH · Note 5CHAPTER III THE ASSOCIATES OF ANTONY · Note 1CHAPTER III THE ASSOCIATES OF ANTONY · Note 2CHAPTER IV THE POLITICAL LEADERS · Note 1CHAPTER IV THE POLITICAL LEADERS · Note 2CHAPTER IV THE POLITICAL LEADERS · Note 3CHAPTER V MARK ANTONY · Note 1CHAPTER V MARK ANTONY · Note 2CHAPTER V MARK ANTONY · Note 3CHAPTER V MARK ANTONY · Note 4CHAPTER V MARK ANTONY · Note 5CHAPTER V MARK ANTONY · Note 6CHAPTER VI CLEOPATRA · Note 1CHAPTER VI CLEOPATRA · Note 2CHAPTER VI CLEOPATRA · Note 3CHAPTER VI CLEOPATRA · Note 4CHAPTER VI CLEOPATRA · Note 5CHAPTER VI CLEOPATRA · Note 6CHAPTER VI CLEOPATRA · Note 7CHAPTER VI CLEOPATRA · Note 8CHAPTER VI CLEOPATRA · Note 9CHAPTER VI CLEOPATRA · Note 10CHAPTER VI CLEOPATRA · Note 11CHAPTER VII ANTONY AND CLEOPATRA · Note 1CHAPTER VII ANTONY AND CLEOPATRA · Note 2CHAPTER VII ANTONY AND CLEOPATRA · Note 3CHAPTER VII ANTONY AND CLEOPATRA · Note 4CHAPTER VII ANTONY AND CLEOPATRA · Note 5CHAPTER VII ANTONY AND CLEOPATRA · Note 6CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 1CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 2CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 3CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 4CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 5CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 6CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 7CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 8CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 9CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 10CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 11CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 12CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 13CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 14CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 15CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 16CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 17CHAPTER I POSITION OF THE PLAY BEFORE THE ROMANCES. ITS POLITICAL AND ARTISTIC ASPECTS · Note 18CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 1CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 2CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 3CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 4CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 5CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 6CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 7CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 8CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 9CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 10CHAPTER II PARALLELS AND CONTRASTS WITH PLUTARCH · Note 11CHAPTER III THE GRAND CONTRAST. SHAKESPEARE’S CONCEPTION OF THE SITUATION IN ROME · Note 1CHAPTER III THE GRAND CONTRAST. SHAKESPEARE’S CONCEPTION OF THE SITUATION IN ROME · Note 2CHAPTER IV THE KINSFOLK AND FRIENDS OF CORIOLANUS · Note 1CHAPTER VI THE DISASTERS OF CORIOLANUS AND THEIR CAUSES · Note 1APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 1APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 2APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 3APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 4APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 5APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 6APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 7APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 8APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 9APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 10APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 11APPENDIX A NEAREST PARALLELS BETWEEN GARNIER’S CORNELIE, IN THE FRENCH AND ENGLISH VERSIONS, AND JULIUS CAESAR · Note 12APPENDIX B · Note 1APPENDIX B · Note 2APPENDIX B · Note 3APPENDIX B · Note 4APPENDIX B · Note 5APPENDIX B · Note 6APPENDIX B · Note 7APPENDIX B · Note 8APPENDIX B · Note 9APPENDIX B · Note 10APPENDIX B · Note 11APPENDIX B · Note 12APPENDIX B · Note 13APPENDIX B · Note 14APPENDIX B · Note 15APPENDIX B · Note 16APPENDIX B · Note 17APPENDIX B · Note 18APPENDIX B · Note 19APPENDIX B · Note 20APPENDIX B · Note 21APPENDIX B · Note 22APPENDIX B · Note 23APPENDIX B · Note 24APPENDIX B · Note 25APPENDIX B · Note 26APPENDIX B · Note 27APPENDIX B · Note 28APPENDIX C · Note 1APPENDIX C · Note 2APPENDIX D · Note 1APPENDIX D · Note 2APPENDIX E · Note 1APPENDIX F · Note 1