VOLUME IX SLICE VI English Language to Epsom Salts (continued 6)

The novel since 1881 has pursued a course curiously analogous to that of historical writing. Supported as it was by masters of the old régime such as Meredith and Hardy, and by those who then ranked even higher in popular esteem The novel. such as Wilkie Collins, Anthony Trollope, Besant and Rice, Blackmore, William Black and a monstrous rising regiment of lady novelists—Mrs Lynn Linton, Rhoda Broughton, Mrs Henry Wood, Miss Braddon, Mrs Humphry Ward, the type seemed securely anchored to the old formulas and the old ways. In reality, however, many of these popular workers were already moribund and the novel was being honeycombed by French influence.

This is perceptible in Hardy, but may be traced with greater distinctness in the best work of George Gissing, George Moore, Mark Rutherford, and later on of H.G. Wells, Arnold Bennett and John Galsworthy. The old novelists had left behind them a giant’s robe. Intellectually giants, Dickens and Thackeray were equally gigantic spendthrifts. They worked in a state of fervent heat above a glowing furnace, into which they flung lavish masses of unshaped metal, caring little for immediate effect or minute dexterity of stroke, but knowing full well that the emotional energy of their temperaments was capable of fusing the most intractable material, and that in the end they would produce their great downright effect. Their spirits rose and fell, but the case was desperate; copy had to be despatched at once or the current serial would collapse. Good and bad had to make up the tale against time, and revelling in the very exuberance and excess of their humour, the novelists invariably triumphed. It was incumbent on the new school of novelists to economize their work with more skill, to relieve their composition of irrelevancies, to keep the writing in one key, and to direct it consistently to one end—in brief, to unify the novel as a work of art and to simplify its ordonnance.

The novel, thus lightened and sharpened, was conquering new fields. The novel of the ’sixties remained not, perhaps, to win many new triumphs, but a very popular instrument in the hands of those who performed variations on the old masters, and much later in the hands of Mr William de Morgan, showing a new force and quiet power of its own. The novel, however, was ramifying in other directions in a way full of promise for the future. A young Edinburgh student, Robert Louis Stevenson, had inherited much of the spirit of the Pre-Raphaelitic virtuosos, and combined with their passion for the romance of the historic past a curiosity fully as strong about the secrets of romantic technique. A coterie which he formed with W.E. Henley and his cousin R.A.M. Stevenson studied words as a young art student studies paints, and made studies for portraits of buccaneers with the same minute drudgery that Rossetti had studied a wall or Morris a piece of figured tapestry. While thus forming a new romantic school whose work when wrought by his methods should be fit to be grafted upon the picturesque historic fiction of Scott and Dumas, Stevenson was also naturalizing the short story of the modern French type upon English ground. In this particular field he was eclipsed by Rudyard Kipling, who, though less original as a man of letters, had a technical vocabulary and descriptive power far in advance of Stevenson’s, and was able in addition to give his writing an exotic quality derived from Oriental colouring. This regional type of writing has since been widely imitated, and the novel has simultaneously developed in many other ways, of which perhaps the most significant is the psychological study as manipulated severally by Shorthouse, Mallock and Henry James.

The expansion of criticism in the same thirty years was not a whit less marked than the vast divagation of the novel. In the early ’eighties it was still tongue-bound by the hypnotic influence of one or two copy-book formulae—Arnold’s Criticism. “criticism of life” as a definition of poetry, and Walter Pater’s implied doctrine of art for art’s sake. That two dicta so manifestly absurd should have cast such an augur-like spell upon the free expression of opinion, though it may of course, like all such instances, be easily exaggerated, is nevertheless a curious example of the enslavement of ideas by a confident claptrap. A few representatives of the old schools of motived or scientific criticism, deduced from the literatures of past time, survived the new century in Leslie Stephen, Saintsbury, Stopford Brooke, Austin Dobson, Courthope, Sidney Colvin, Watts-Dunton; but their agreement is certainly not greater than among the large class of emancipated who endeavour to concentrate the attention of others without further ado upon those branches of literature which they find most nutritive. Among the finest appreciators of this period have been Pattison and Jebb, Myers, Hutton, Dowden, A.C. Bradley, William Archer, Richard Garnett, E. Gosse and Andrew Lang. Birrell, Walkley and Max Beerbohm have followed rather in the wake of the Stephens and Bagehot, who have criticized the sufficiency of the titles made out by the more enthusiastic and lyrical eulogists. In Arthur Symons, Walter Raleigh and G.K. Chesterton the new age possessed critics of great originality and power, the work of the last two of whom is concentrated upon the application of ideas about life at large to the conceptions of literature. In exposing palpable nonsense as such, no one perhaps did better service in criticism than the veteran Frederic Harrison.

In the cognate work of memoir and essay, the way for which has been greatly smoothed by co-operative lexicographical efforts such as the Dictionary of National Biography, the New English Dictionary, the Victoria County History and the like, some of the most dexterous and permeating work of the transition from the old century to the new was done by H.D. Traill, Gosse, Lang, Mackail, E.V. Lucas, Lowes Dickinson, Richard le Gallienne, A.C. Benson, Hilaire Belloc, while the open-air relief work for dwellers pent in great cities, pioneered by Gilbert White, has been expanded with all the zest and charm that a novel pursuit can endow by such writers as Richard Jefferies, an open-air and nature mystic of extraordinary power at his best, Selous, Seton Thompson, W.H. Hudson.

The age has not been particularly well attuned to the efforts of the newer poets since Coventry Patmore in the Angel in the House achieved embroidery, often extremely beautiful, upon the Tennysonian pattern, and since Edward Poetry. FitzGerald, the first of all letter-writing commentators on life and letters since Lamb, gave a new cult to the decadent century in his version of the Persian centoist Omar Khayyam. The prizes which in Moore’s day were all for verse have now been transferred to the prose novel and the play, and the poets themselves have played into the hands of the Philistines by disdaining popularity in a fond preference for virtuosity and obscurity. Most kinds of the older verse, however, have been well represented, descriptive and elegiac poetry in particular by Robert Bridges and William Watson; the music of the waters of the western sea and its isles by W.B. Yeats, Synge, Moira O’Neill, “Fiona Macleod” and an increasing group of Celtic bards; the highly wrought verse of the 17th-century lyrists by Francis Thompson, Lionel Johnson, Ernest Dowson; the simplicity of a more popular strain by W.H. Davies, of a brilliant rhetoric by John Davidson, and of a more intimate romance by Sturge Moore and Walter de la Mare. Light verse has never, perhaps, been represented more effectively since Praed and Calverley and Lewis Carroll than by Austin Dobson, Locker Lampson, W.S. Gilbert and Owen Seaman. The names of C.M. Doughty, Alfred Noyes, Herbert Trench and Laurence Binyon were also becoming prominent at the opening of the 20th century. For originality in form and substance the palm rests in all probability with A.E. Housman, whose Shropshire Lad opens new avenues and issues, and with W.E. Henley, whose town and hospital poems had a poignant as well as an ennobling strain. The work of Henry Newbolt, Mrs. Meynell and Stephen Phillips showed a real poetic gift. Above all these, however, in the esteem of many reign the verses of George Meredith and of Thomas Hardy, whose Dynasts was widely regarded by the best judges as the most remarkable literary production of the new century.

The new printed and acted drama dates almost entirely from the late ’eighties. Tom Robertson in the ’seventies printed nothing, and his plays were at most a timid recognition of the claims of the drama to represent reality and Drama. truth. The enormous superiority of the French drama as represented by Augier, Dumas fils and Sardou began to dawn slowly upon the English consciousness. Then in the ’eighties came Ibsen, whose daring in handling actuality was only equalled by his intrepid stage-craft. Oscar Wilde and A.W. Pinero were the first to discover how the spirit of these new discoveries might be adapted to the English stage. Gilbert Murray, with his fascinating and tantalizing versions from Euripides, gave a new flexibility to the expansion that was going on in English dramatic ideas. Bernard Shaw and his disciples, conspicuous among them Granville Barker, gave a new seasoning of wit to the absolute novelties of subject, treatment and application with which they transfixed the public which had so long abandoned thought upon entering the theatre. This new adventure enjoyed a succès de stupeur, the precise range of which can hardly be estimated, and the force of which is clearly by no means spent.

English literature in the 20th century still preserves some of the old arrangements and some of the consecrated phrases of patronage and aristocracy; but the circumstances of its production were profoundly changed during the 20th-century changes. 19th century. By 1895 English literature had become a subject of regular instruction for a special degree at most of the universities, both in England and America. This has begun to lead to research embodied in investigations which show that what were regarded as facts in connexion with the earlier literature can be regarded so no longer. It has also brought comparative and historical treatment of a closer kind and on a larger scale to bear upon the evolution of literary types. On the other hand it has concentrated an excessive attention perhaps upon the grammar and prosody and etymology of literature, it has stereotyped the admiration of lifeless and obsolete forms, and has substituted antiquarian notes and ready-made commentary for that live enjoyment, which is essentially individual and which tends insensibly to evaporate from all literature as soon as the circumstance of it changes. It is prone, moreover, to force upon the immature mind a rapt admiration for the mirror before ever it has scanned the face of the original. A result due rather to the general educational agencies of the time is that, while in the middle of the 19th century one man could be found to write competently on a given subject, in 1910 there were fifty. Books and apparatus for reading have multiplied in proportion. The fact of a book having been done quite well in a certain way is no longer any bar whatever to its being done again without hesitation in the same way. This continual pouring of ink from one bottle into another is calculated gradually to raise the standard of all subaltern writing and compiling, and to leave fewer and fewer books securely rooted in a universal recognition of their intrinsic excellence, power and idiosyncrasy or personal charm. Even then, of what we consider first-rate in the 19th century, for instance, but a very small residuum can possibly survive. The one characteristic that seems likely to cling and to differentiate this voluble century is its curious reticence, of which the 20th century has already made uncommonly short work. The new playwrights have untaught England a shyness which came in about the time of Southey, Wordsworth and Sir Walter Scott. That the best literature has survived hitherto is at best a pious opinion. As the area of experience grows it is more and more difficult to circumscribe or even to describe the supreme best, and such attempts have always been responsible for base superstition. It is clear that some limitation of the literary stock-in-trade will become increasingly urgent as time goes on, and the question may well occur as to whether we are insuring the right baggage. The enormous apparatus of literature at the present time is suitable only to a peculiar phasis and manner of existence. Some hold to the innate and essential aristocracy of literature; others that it is bound to develop on the popular and communistic side, for that at present, like machinery and other deceptive benefits, it is a luxury almost exclusively advantageous to the rich. But to predict the direction of change in literature is even more futile than to predict the direction of change in human history, for of all factors of history, literature, if one of the most permanent, is also one of the least calculable.

Bibliographical Note.—The Age of Wordsworth and The Age of Tennyson in Bell’s “Handbooks of English Literature” are of special value for this period. Prof. Dowden’s and Prof. Saintsbury’s 19th-century studies fill in interstices; and of the “Periods of European Literature,” the Romantic Revolt and Romantic Triumph are pertinent, as are the literary chapters in vols. x. and xi. of the Cambridge Modern History. Of more specific books George Brandes’s Literary Currents of the Nineteenth Century, Stedman’s Victorian Poets, Holman Hunt’s Pre-Raphaelite Brotherhood, R.H. Hutton’s Contemporary Thought (and companion volumes), Sir Leslie Stephen’s The Utilitarians, Buxton Forman’s Our Living Poets, Dawson’s Victorian Novelists, Thureau-Dangin’s Renaissance des idées catholiques en Angleterre, A. Chevrillon’s Sydney Smith et la renaissance des idées libérales en Angleterre, A.W. Benn’s History of English Thought in the Nineteenth Century, the publishing histories of Murray, Blackwood, Macvey Napier, Lockhart, &c., J.M. Robertson’s Modern Humanists, and the critical miscellanies of Lord Morley, Frederic Harrison, W. Bagehot, A. Birrell, Andrew Lang and E. Gosse, will be found, in their several degrees, illuminating. The chief literary lives are those of Scott by Lockhart, Carlyle by Froude, Macaulay by Trevelyan, Dickens by Forster and Charlotte Brontë by Mrs Gaskell.

(T. Se.)

1 Piers Plowman has been so long attributed as a whole to Langland (q.v.), that in spite of modern analytical criticism it is most conveniently discussed under that name.

ENGLISHRY (Englescherie), a legal name given, in the reign of William the Conqueror, to the presentment of the fact that a person slain was an Englishman. If an unknown man was found slain, he was presumed to be a Norman, and the hundred was fined accordingly, unless it could be proved that he was English. Englishry, if established, excused the hundred. Dr W. Stubbs (Constitutional History, i. 196) says that possibly similar measures were taken by King Canute. Englishry was abolished in 1340.

See Select Cases from the Coroners’ Rolls, 1265-1413, ed. C. Gross, Selden Society (London, 1896).

ENGRAVING, the process or result of the action implied by the verb “to engrave” or mark by incision, the marks (whether for inscriptive, pictorial or decorative purposes) being produced, not by simply staining or discolouring the material (as with paint, pen or pencil), but by cutting into or otherwise removing a portion of the substance. In the case of pictures, the engraved surface is reproduced by printing; but this is only one restricted sense of “engraving,” since the term includes seal-engraving (where a cast is taken), and also the chased ornamentation of plate or gems, &c.

The word itself is derived from an O. Fr. engraver (not to be confused with the same modern French word used for the running of a boat’s keel into the beach, or for the sticking of a cart’s wheels in the mud,—from grève, Provençal grava, sands of the sea or river shore; cf. Eng. “gravel”); it was at one time supposed that the Gr. γράφειν, to write, was etymologically connected, but this view is not now accepted, and (together with “grave,” meaning either to engrave, or the place where the dead are buried) the derivation is referred to a common Teutonic form signifying “to dig” (O. Eng. grafan, Ger. graben). The modern French graver, to engrave, is a later adoption. The idea of a furrow, by digging or cutting, is thus historically associated with an engraving, which may properly include the rudest marks cut into any substance. In old English literature it included carving and sculpture, from which it has become convenient to differentiate the terminology; and the ancients who chiselled their writing on slabs of stone were really “engraving.” The word is not applicable, therefore, either strictly to lithography (q.v.), nor to any of the photographic processes (see Process), except those in which the surface of the plate is actually eaten into or lowered. In the latter case, too, it is convenient to mark a distinction and to ignore the strict analogy. In modern times the term is, therefore, practically restricted—outside the spheres of gem-engraving and seal-engraving (see Gem), or the inscribing or ornamenting of stone, plate, glass, &c.—to the art of making original pictures (i.e. by the draughtsman himself, whether copies of an original painting or not), either by incised lines on metal plates (see Line-Engraving), or by the corrosion of the lines with acid (see Etching), or by the roughening of a metal surface without actual lines (see Mezzotint), or by cutting a wood surface away so as to leave lines in relief (see Wood-Engraving); the result in each case may be called generically an engraving, and in common parlance the term is applied, though incorrectly, to the printed reproduction or “print.”

Of these four varieties of engraving—line-engraving, etching, mezzotint or wood-engraving—the woodcut is historically the earliest. Line-engraving is now practically obsolete, while etching and mezzotint have recently come more and more to the front. To the draughtsman the difference in technical handling in each case has in most cases some relation to his own artistic impulse, and to his own feeling for beauty. A line engraver, as P.G. Hamerton said, will not see or think like an etcher, nor an etcher like an engraver in mezzotint. Each kind, with its own sub-varieties, has its peculiar effect and attraction. A real knowledge of engraving can only be attained by a careful study and comparison of the prints themselves, or of accurate facsimiles, so that books are of little use except as guides to prints when the reader happens to be unaware of their existence, or else for their explanation of technical processes. The value of the prints varies not only according to the artist, but also according to the fineness of the impression, and the “state” (or stage) in the making of the plate, which may be altered from time to time. “Proofs” may also be taken from the plate, and even touched up by the artist, in various stages and various degrees of fineness of impression.

The department of art-literature which classifies prints is called Iconography, and the classifications adopted by iconographers are of the most various kinds. For example, if a complete book were written on Shakespearian iconography it would contain full information about all prints illustrating the life and works of Shakespeare, and in the same way there may be the iconography of a locality or of a single event.

The history of engraving is a part of iconography, and various histories of the art exist in different languages. In England W.Y. Ottley wrote an Early History of Engraving, published in two volumes 4to (1816), and began what was intended to be a series of notices on engravers and their works. The facilities for the reproduction of engravings by the photographic processes have of late years given an impetus to iconography. One of the best modern writers on the subject was Georges Duplessis, the keeper of prints in the national library of France. He wrote a History of Engraving in France (1888), and published many notices of engravers to accompany the reproductions by M. Amand Durand. He is also the author of a useful little manual entitled Les Merveilles de la gravure (1871). Jansen’s work on the origin of wood and plate engraving, and on the knowledge of prints of the 15th and 16th centuries, was published at Paris in two volumes 8vo in 1808. Among general works see Adam Bartsch, Le Peintre-graveur (1803-1843); J.D. Passavant, Le Peintre-graveur (1860-1864); P.G. Hamerton, Graphic Arts (1882); William Gilpin, Essay on Prints (1781); J. Maberly, The Print Collector (1844); W.H. Wiltshire, Introduction to the Study and Collection of Ancient Prints (1874); F. Wedmore, Fine Prints (1897). See also the lists of works given under the separate headings for Line-engraving, Etching, Mezzotint and Wood-engraving.

ENGROSSING, a term used in two legal senses: (1) the writing or copying of a legal or other document in a fair large hand (en gros), and (2) the buying up of goods wholesale in order to sell at a higher price so as to establish a monopoly. The word “engross” has come into English ultimately from the Late Lat. grossus, thick, stout, large, through the A. Fr. engrosser, Med. Lat. ingrossare, to write in a large hand, and the French phrase en gros, in gross, wholesale. Engrossing and the kindred practices of forestalling and regrating were early regarded as serious offences in restraint of trade, and were punishable both at common law and by statute. They were of more particular importance in relation to the distribution of corn supplies. The statute of 1552 defines engrossing as “buying corn growing, or any other corn, grain, butter, cheese, fish or other dead victual, with intent to sell the same again.” The law forbade all dealing in corn as an article of ordinary merchandise, apart from questions of foreign import or export. The theory was that when corn was plentiful in any district it should be consumed at what it would bring, without much respect to whether the next harvest might be equally abundant, or to what the immediate wants of an adjoining province of the same country might be. The first statute on the subject appears to have been passed in the reign of Henry III., though the general policy had prevailed before that time both in popular prejudice and in the feudal custom. The statute of Edward VI. (1552) was the most important, and in it the offences were elaborately defined; by this statute any one who bought corn to sell it again was made liable to two months’ imprisonment with forfeit of the corn. A second offence was punished by six months’ imprisonment and forfeit of double the value of the corn, and a third by the pillory and utter ruin. Severe as this statute was, liberty was given by it to transport corn from one part of the country under licence to men of approved probity, which implied that there was to be some buying of corn to sell it again and elsewhere. Practically “engrossing” came to be considered buying wholesale to sell again wholesale. “Forestalling” was different, and the statutes were directed against a class of dealers who went forward and bought or contracted for corn and other provisions, and spread false rumours in derogation of the public and open markets appointed by law, to which our ancestors appear to have attached much importance, and probably in these times not without reason. The statute of Edward VI. was modified by many subsequent enactments, particularly by the statute of 1663, by which it was declared that there could be no “engrossing” of corn when the price did not exceed 48s. per quarter, and which Adam Smith recognized, though it adhered to the variable and unsatisfactory element of price, as having contributed more to the progress of agriculture than any previous law in the statute book. In 1773 these injurious statutes were abolished, but the penal character of “engrossing” and “forestalling” had a root in the common law of England, as well as in the popular prejudice, which kept the evil alive to a later period. As the public enlightenment increased the judges were at no loss to give interpretations of the common law consistent with public policy. Subsequent to the act of 1773, for example, there was a case of conviction and punishment for engrossing hops, R. v. Waddington, 1800, 1 East, 143, but though this was deemed a sound and proper judgment at the time, yet it was soon afterwards overthrown in other cases, on the ground that buying wholesale to sell wholesale was not in “restraint of trade” as the former judges had assumed.

In 1800, one John Rusby was indicted for having bought ninety quarters of oats at 41s. per quarter and selling thirty of them at 43s. the same day. Lord Kenyon, the presiding judge, animadverted strongly against the repealing act of 1773, and addressed the jury strongly against the accused. Rusby was heavily fined, but, on appeal, the court was equally divided as to whether engrossing, forestalling and regrating were still offences at common law. In 1844, all the statutes, English, Irish and Scottish, defining the offences, were repealed and with them the supposed common law foundation. In the United States there have been strong endeavours by the government to suppress trusts and combinations for engrossing. (See also Trusts; Monopoly.)

Authorities.—D. Macpherson, Annals of Commerce (1805); J.S. Girdler, Observations on Forestalling, Regrating and Ingrossing (1800); W. Cunningham, Growth of English Industry and Commerce; W.J. Ashley, Economic History; Sir J. Stephen, History of Criminal Law; Murray, New English Dictionary.

ENGYON, an ancient town of the interior of Sicily, a Cretan colony, according to legend, and famous for an ancient temple of the Matres which aroused the greed of Verres. Its site is uncertain; some topographers have identified it with Gangi, a town 20 m. S.S.E. of Cefalu, but only on the ground of the similarity of the two names.

See C. Hülsen in Pauly-Wissowa, Realencyclopädie, v. 2568.

ENID, a city and the county-seat of Garfield county, Oklahoma, U.S.A., about 55 m. N.W. of Guthrie. Pop. (1900) 3444; (1907) 10,087 (355 of negro descent); (1910) 13,799. Enid is served by the St Louis & San Francisco, the Atchison, Topeka & Santa Fé, and the Chicago, Rock Island & Pacific railways, and by several branch lines, and is an important railway centre. It is the seat of the Oklahoma Christian University (1907; co-educational). Enid is situated in a flourishing agricultural and stock-raising region, of which it is the commercial centre, and has various manufactures, including lumber, brick, tile and flour. Natural gas was discovered near the city in 1907. Enid was founded in 1893 and was chartered as a city in the same year.

ENIGMA (Gr. αἴνιγμα), a riddle or puzzle, especially a form of verse or prose composition in which the answer is concealed by means of metaphors. Such were the famous riddle of the Sphinx and the riddling answers of the ancient oracles. The composition of enigmas was a favourite amusement in Greece and prizes were often given at banquets for the best solution of them (Athen. x. 457). In France during the 17th century enigma-making became fashionable. Boileau, Charles Rivière Dufresny and J.J. Rousseau did not consider it beneath their literary dignity. In 1646 the abbé Charles Cotier (1604-1682) published a Recueil des énigmes de ce temps. The word is applied figuratively to anything inexplicable or difficult of understanding.

ENKHUIZEN, a seaport of Holland in the province of North Holland, on the Zuider Zee, and a railway terminus, 11½ m. N.E. by E. of Hoorn, with which it is also connected by steam tramway. In conjunction with the railway service there is a steamboat ferry to Stavoren in Friesland. Pop. (1900) 6865. Enkhuizen, like its neighbour Hoorn, exhibits many interesting examples of domestic architecture dating from the 16th and 17th centuries, when it was an important and flourishing city. The façades of the houses are usually built in courses of brick and stone, and adorned with carvings, sculptures and inscriptions. Some ruined gateways belonging to the old city walls are still standing; among them being the tower-gateway called the Dromedary (1540), which overlooks the harbour. The tower contains several rooms, one of which was formerly used as a prison. Among the churches mention must be made of the Zuiderkerk, or South church, with a conspicuous tower (1450-1525); and the Westerkerk, or West church, which possesses a beautifully carved Renaissance screen and pulpit of the middle of the 16th century, and a quaint wooden bell-house (1519) built for use before the completion of the bell-tower. There are also a Roman Catholic church and a synagogue. The picturesque town hall (1688) contains some finely decorated rooms with paintings by Johan van Neck, a collection of local antiquities and the archives. Other interesting buildings are the orphanage (1616), containing some 17th and 18th century portraits and ancient leather hangings; the weigh-house (1559), the upper story of which was once used by the Surgeons’ Gild, several of the window-panes (dating chiefly from about 1640), being decorated with the arms of various members; the former mint (1611); and the ancient assembly-house of the dike-reeves of Holland and West Friesland. Enkhuizen possesses a considerable fishing fleet and has some shipbuilding and rope-making, as well as market traffic.

ENNEKING, JOHN JOSEPH (1841- ), American landscape painter, was born, of German ancestry, in Minster, Ohio, on the 4th of October 1841. He was educated at Mount St Mary’s College, Cincinnati, served in the American Civil War in 1861-1862, studied art in New York and Boston, and gave it up because his eyes were weak, only to return to it after failing in the manufacture of tinware. In 1873-1876 he studied in Munich under Schleich and Leier, and in Paris under Daubigny and Bonnat; and in 1878-1879 he studied in Paris again and sketched in Holland. Enneking is a “plein-airist,” and his favourite subject is the “November twilight” of New England, and more generally the half lights of early spring, late autumn, and winter dawn and evening.

ENNIS (Gaelic, Innis, an island; Irish, Ennis and Inish), the county town of Co. Clare, Ireland, in the east parliamentary division, on the river Fergus, 25 m. W.N.W. from Limerick by the Great Southern & Western railway. Pop. of urban district (1901) 5093. It is the junction for the West Clare line. Ennis has breweries, distilleries and extensive flour-mills; and in the neighbourhood limestone is quarried. The principal buildings are the Roman Catholic church, which is the pro-cathedral of the diocese of Killaloe; the parish church formed out of the ruins of the Franciscan Abbey, founded in 1240 by Donough Carbrac O’Brien; a school on the foundation of Erasmus Smith, and various county buildings. The abbey, though greatly mutilated, is full of interesting details, and includes a lofty tower, a marble screen, a chapter-house, a notable east window, several fine tombs and an altar of St Francis. On the site of the old court-house a colossal statue in white limestone of Daniel O’Connell was erected in 1865. The interesting ruins of Clare Abbey, founded in 1194 by Donnell O’Brien, king of Munster, are half-way between Ennis and the village of Clare Castle. O’Brien also founded Killone Abbey, beautifully situated on the lough of the same name, 3 m. S. of the town, possessing the unusual feature of a crypt and a holy well. Five miles N.W. of Ennis is Dysert O’Dea, with interesting ecclesiastical remains, a cross, a round tower and a castle. Ennis was incorporated in 1612, and returned two members to the Irish parliament until the Union, and thereafter one to the Imperial parliament until 1885.

ENNISCORTHY, a market town of Co. Wexford, Ireland, in the north parliamentary division, on the side of a steep hill above the Slaney, which here becomes navigable for barges of large size. Pop. of urban district (1901) 5458. It is 77½ m. S. by W. from Dublin by the Dublin & South-Eastern railway. There are breweries and flour-mills; tanning, distilling and woollen manufactures are also prosecuted to some extent, and the town is the centre of the agricultural trade for the district, which is aided by the water communication with Wexford. There are important fowl markets and horse-fairs. Enniscorthy was taken by Cromwell in 1649, and in 1798 was stormed and burned by the rebels, whose main forces encamped on an eminence called Vinegar Hill, which overlooks the town from the east. The old castle of Enniscorthy, a massive square pile with a round tower at each corner, is one of the earliest military structures of the Anglo-Norman invaders, founded by Raymond le Gros (1176). Ferns, the next station to Enniscorthy on the railway towards Dublin, was the seat of a former bishopric, and the modernized cathedral, and ruins of a church, an Augustinian monastery founded by Dermod Mac-Morrough about 1160, and a castle of the Norman period, are still to be seen. Enniscorthy was incorporated by James I., and sent two members to the Irish parliament until the Union.

ENNISKILLEN, WILLIAM WILLOUGHBY COLE, 3rd Earl of (1807-1886), British palaeontologist, was born on the 25th of January 1807, and educated at Harrow and Christ Church, Oxford. As Lord Cole he early began to devote his leisure to the study and collection of fossil fishes, with his friend Sir Philip de M.G. Egerton, and he amassed a fine collection at Florence Court, Enniskillen—including many specimens that were described and figured by Agassiz and Egerton. This collection was subsequently acquired by the British Museum. He died on the 21st of November 1886, being succeeded by his son (b. 1845) as 4th earl.

The first of the Coles (an old Devonshire and Cornwall family) to settle in Ireland was Sir William Cole (d. 1653), who was “undertaker” of the northern plantation and received a grant of a large property in Fermanagh in 1611, and became provost and later governor of Enniskillen. In 1760 his descendant John Cole (d. 1767) was created Baron Mountflorence, and the latter’s son, William Willoughby Cole (1736-1803), was in 1776 created Viscount Enniskillen and in 1789 earl. The 1st earl’s second son, Sir Galbraith Lowry Cole (1772-1842), was a prominent general in the Peninsular War, and colonel of the 27th Inniskillings, the Irish regiment with whose name the family was associated.

ENNISKILLEN [Inniskilling], a market town and the county town of county Fermanagh, Ireland, in the north parliamentary division, picturesquely situated on an island in the river connecting the upper and lower loughs Erne, 116 m. N.W. from Dublin by the Great Northern railway. Pop. of urban district (1901) 5412. The town occupies the whole island, and is connected with two suburbs on the mainland on each side by two bridges. It has a brewery, tanneries and a small manufactory of cutlery, and a considerable trade in corn, pork and flax. In 1689 Enniskillen defeated a superior force sent against it by James II. at the battle of Crom; and part of the defenders of the town were subsequently formed into a regiment of cavalry, which still retains the name of the Inniskilling Dragoons. The town was incorporated by James I., and returned two members to the Irish parliament until the Union; thereafter it returned one to the Imperial parliament until 1885. There are wide communications by water by the river and the upper and lower loughs Erne, and by the Ulster canal to Belfast. The loughs contain trout, large pike and other coarse fish. Two miles from Enniskillen in the lower lough is Devenish Island, with its celebrated monastic remains. The abbey of St Mary here was founded by St Molaise (Laserian) in the 6th century; here too are a fine round tower 85 ft. high, remains of domestic buildings, a holed stone and a tall well-preserved cross. The whole is carefully preserved by the commissioners of public works under the Irish Church Act of 1869. Steamers ply between Enniskillen and Belleek on the lower lake, and between Enniskillen and Knockninny on the upper lake.

ENNIUS, QUINTUS (239-170 B.C.), ancient Latin poet, was born at Rudiae in Calabria. Familiar with Greek as the language in common use among the cultivated classes of his district, and with Oscan, the prevailing dialect of lower Italy, he further acquired a knowledge of Latin; to use his own expression (Gellius xvii. 17), he had three “hearts” (corda), the Latin word being used to signify the seat of intelligence. He is said (Servius on Aen. vii. 691) to have claimed descent from one of the legendary kings of his native district, Messapus the eponymous hero of Messapia, and this consciousness of ancient lineage is in accordance with the high self-confident tone of his mind, with his sympathy with the dominant genius of the Roman republic, and with his personal relations to the members of her great families. Of his early years nothing is directly known, and we first hear of him in middle life as serving during the Second Punic War, with the rank of centurion, in Sardinia, in the year 204, where he attracted the attention of Cato the elder, and was taken by him to Rome in the same year. Here he taught Greek and adapted Greek plays for a livelihood, and by his poetical compositions gained the friendship of the greatest men in Rome. Amongst these were the elder Scipio and Fulvius Nobilior, whom he accompanied on his Aetolian campaign (189). Through the influence of Nobilior’s son, Ennius subsequently obtained the privilege of Roman citizenship (Cicero, Brutus, 20. 79). He lived plainly and simply on the Aventine with the poet Caecilius Statius. He died at the age of 70, immediately after producing his tragedy Thyestes. In the last book of his epic poem, in which he seems to have given various details of his personal history, he mentions that he was in his 67th year at the date of its composition. He compared himself, in contemplation of the close of the great work of his life, to a gallant horse which, after having often won the prize at the Olympic games, obtained his rest when weary with age. A similar feeling of pride at the completion of a great career is expressed in the memorial lines which he composed to be placed under his bust after death,—“Let no one weep for me, or celebrate my funeral with mourning; for I still live, as I pass to and fro through the mouths of men.” From the impression stamped on his remains, and from the testimony of his countrymen, we think of him as a man of a robust, sagacious and cheerful nature (Hor. Epp. ii. 1. 50; Cic. De sen. 5); of great industry and versatility; combining imaginative enthusiasm and a vein of religious mysticism with a sceptical indifference to popular beliefs and a scorn of religious imposture; and tempering the grave seriousness of a Roman with a genial capacity for enjoyment (Hor. Epp. i. 19. 7).

Till the appearance of Ennius, Roman literature, although it had produced the epic poem of Naevius and some adaptations of Greek tragedy, had been most successful in comedy. Naevius and Plautus were men of thoroughly popular fibre. Naevius suffered for his attacks on members of the aristocracy, and, although Plautus carefully avoids any direct notice of public matters, yet the bias of his sympathies is indicated in several passages of his extant plays. Ennius, on the other hand, was by temperament in thorough sympathy with the dominant aristocratic element in Roman life and institutions. Under his influence literature became less suited to the popular taste, more especially addressed to a limited and cultivated class, but at the same time more truly expressive of what was greatest and most worthy to endure in the national sentiment and traditions. He was a man of many-sided activity. He devoted attention to questions of Latin orthography, and is said to have been the first to introduce shorthand writing in Latin. He attempted comedy, but with so little success that in the canon of Volcacius Sedigitus he is mentioned, solely as a mark of respect “for his antiquity,” tenth and last in the list of comic poets. He may be regarded also as the inventor of Roman satire, in its original sense of a “medley” or “miscellany,” although it was by Lucilius that the character of aggressive and censorious criticism of men and manners was first imparted to that form of literature. The word satura was originally applied to a rude scenic and musical performance, exhibited at Rome before the introduction of the regular drama. The saturae of Ennius were collections of writings on various subjects, written in various metres and contained in four (or six) books. Among these were included metrical versions of the physical speculations of Epicharmus, of the gastronomic researches of Archestratus of Gela (Hedyphagetica), and, probably, of the rationalistic doctrines of Euhemerus. It may be noticed that all these writers whose works were thus introduced to the Romans were Sicilian Greeks. Original compositions were also contained in these saturae, and among them the panegyric on Scipio, unless this was a drama. The satire of Ennius seems to have resembled the more artistic satire of Horace in its record of personal experiences, in the occasional introduction of dialogue, in the use made of fables with a moral application, and in the didactic office which it assumed.

But the chief distinction of Ennius was gained in tragic and narrative poetry. He was the first to impart to the Roman adaptations of Greek tragedy the masculine dignity, pathos and oratorical fervour which continued to animate them in the hands of Pacuvius and Accius, and, when set off by the acting of Aesopus, called forth vehement applause in the age of Cicero. The titles of about twenty-five of his tragedies are known to us, and a considerable number of fragments, varying in length from a few words to about fifteen lines, have been preserved. These tragedies were for the most part adaptations and, in some cases, translations from Euripides. One or two were original dramas, of the class called praetextae, i.e. dramas founded on Roman history or legend; thus, the Ambracia treated of the capture of that city by his patron Nobilior, the Sabinae of the rape of the Sabine women. The heroes and heroines of the Trojan cycle, such as Achilles, Ajax, Telamon, Cassandra, Andromache, were prominent figures in some of the dramas adapted from the Greek. Several of the more important fragments are found in Cicero, who expresses a great admiration for their manly fortitude and dignified pathos. In these remains of the tragedies of Ennius we can trace indications of strong sympathy with the nobler and bolder elements of character, of vivid realization of impassioned situations, and of sagacious observation of life. The frank bearing, fortitude and self-sacrificing heroism of the best type of the soldierly character find expression in the persons of Achilles, Telamon and Eurypylus; and a dignified and passionate tenderness of feeling makes itself heard in the lyrical utterances of Cassandra and Andromache. The language is generally nervous and vigorous, occasionally vivified with imaginative energy. But it flows less smoothly and easily than that of the dialogue of Latin comedy. It shows the same tendency to aim at effect by alliterations, assonances and plays on words. The rudeness of early art is most apparent in the inequality of the metres in which both the dialogue and the “recitative” are composed.

But the work which gained him his reputation as the Homer of Rome, and which called forth the admiration of Cicero and Lucretius and frequent imitation from Virgil, was the Annales, a long narrative poem in eighteen books, containing the record of the national story from mythical times to his own. Although the whole conception of the work implies that confusion of the provinces of poetry and history which was perpetuated by later writers, and especially by Lucan and Silius Italicus, yet it was a true instinct of genius to discern in the idea of the national destiny the only possible motive of a Roman epic. The execution of the poem (to judge from the fragments, amounting to about six hundred lines), although rough, unequal and often prosaic, seems to have combined the realistic fidelity and freshness of feeling of a contemporary chronicle with the vivifying and idealizing power of genius. Ennius prided himself especially on being the first to form the strong speech of Latium into the mould of the Homeric hexameter in place of the old Saturnian metre. And although it took several generations of poets to beat their music out to the perfection of the Virgilian cadences, yet in the rude adaptation of Ennius the secret of what ultimately became one of the grandest organs of literary expression was first discovered and revealed. The inspiring idea of the poem was accepted, purified of all alien material, and realized in artistic shape by Virgil in his national epic. He deliberately imparted to that poem the charm of antique associations by incorporating with it much of the phraseology and sentiment of Ennius. The occasional references to Roman history in Lucretius are evidently reminiscences of the Annales. He as well as Cicero speaks of him with pride and affection as “Ennius noster.” Of the great Roman writers Horace had least sympathy with him; yet he testifies to the high esteem in which he was held during the Augustan age. Ovid expresses the grounds of that esteem when he characterizes him as

“Ingenio maximus, arte rudis.”

A sentence of Quintilian expresses the feeling of reverence for his genius and character, mixed with distaste for his rude workmanship, with which the Romans of the early empire regarded him: “Let us revere Ennius as we revere the sacred groves, hallowed by antiquity, whose massive and venerable oak trees are not so remarkable for beauty as for the religious awe which they inspire” (Inst. or. x. 1. 88).

Editions of the fragments by L. Müller (1884), L. Valmaggi (1900, with notes), J. Vahlen (1903); monographs by L. Müller (1884 and 1893), C. Pascal, Studi sugli scrittori Latini (1900); see also Mommsen, History of Rome, bk. iii. ch. 14. On Virgil’s indebtedness to Ennius see V. Crivellari, Quae praecipue hausit Vergilius ex Naevio et Ennio (1889).

ENNODIUS, MAGNUS FELIX (A.D. 474-521), bishop of Pavia, Latin rhetorician and poet. He was born at Arelate (Arles) and belonged to a distinguished but impecunious family. Having lost his parents at an early age, he was brought up by an aunt at Ticinum (Pavia); according to some, at Mediolanum (Milan). After her death he was received into the family of a pious and wealthy young lady, to whom he was betrothed. It is not certain whether he actually married this lady; she seems to have lost her money and retired to a convent, whereupon Ennodius entered the Church, and was ordained deacon (about 493) by Epiphanius, bishop of Pavia. From Pavia he went to Milan, where he continued to reside until his elevation to the see of Pavia about 515. During his stay at Milan he visited Rome and other places, where he gained a reputation as a teacher of rhetoric. As bishop of Pavia he played a considerable part in ecclesiastical affairs. On two occasions (in 515 and 517) he was sent to Constantinople by Theodoric on an embassy to the emperor Anastasius, to endeavour to bring about a reconciliation between the Eastern and Western churches. He died on the 17th of July 521; his epitaph still exists in the basilica of St Michael at Pavia (Corpus Inscriptionum Latinarum, v. pt. ii. No. 6464).

Ennodius is one of the best representatives of the twofold (pagan and Christian) tendency of 5th-century literature, and of the Gallo-Roman clergy who upheld the cause of civilization and classical literature against the inroads of barbarism. But his anxiety not to fall behind his classical models—the chief of whom was Virgil—his striving after elegance and grammatical correctness, and a desire to avoid the commonplace have produced a turgid and affected style, which, aggravated by rhetorical exaggerations and popular barbarisms, makes his works difficult to understand. It has been remarked that his poetry is less unintelligible than his prose.

The numerous writings of this versatile ecclesiastic may be divided into (1) letters, (2) miscellanies, (3) discourses, (4) poems. The letters on a variety of subjects, addressed to high church and state officials, are valuable for the religious and political history of the period. Of the miscellanies, the most important are: The Panegyric of Theodoric, written to thank the Arian prince for his tolerance of Catholicism and support of Pope Symmachus (probably delivered before the king on the occasion of his entry into Ravenna or Milan); like all similar works, it is full of flattery and exaggeration, but if used with caution is a valuable authority; The Life of St Epiphanius, bishop of Pavia, the best written and perhaps the most important of all his writings, an interesting picture of the political activity and influence of the church; Eucharisticon de Vita Sua, a sort of “confessions,” after the manner of St Augustine; the description of the enfranchisement of a slave with religious formalities in the presence of a bishop; Paraenesis didascalica, an educational guide, in which the claims of grammar as a preparation for the study of rhetoric, the mother of all the sciences, are strongly insisted on. The discourses (Dictiones) are sacred, scholastic, controversial and ethical. The discourse on the anniversary of Laurentius, bishop of Milan, is the chief authority for the life of that prelate; the scholastic discourses, rhetorical exercises for the schools, contain eulogies of classical learning, distinguished professors and pupils; the controversial deal with imaginary charges, the subjects being chiefly borrowed from the Controversiae of the elder Seneca; the ethical harangues are put into the mouth of mythological personages (e.g. the speech of Thetis over the body of Achilles). Amongst the poems mention may be made of two Itineraria, descriptions of a journey from Milan to Brigantium (Briançon) and of a trip on the Po; an apology for the study of profane literature; an epithalamium, in which Love is introduced as execrating Christianity; a dozen hymns, after the manner of St Ambrose, probably intended for church use; epigrams on various subjects, some being epigrams proper—inscriptions for tombs, basilicas, baptisteries—others imitations of Martial, satiric pieces and descriptions of scenery.

There are two excellent editions of Ennodius by G. Hartel (vol. vi. of Corpus scriptorum ecclesiasticorum Latinorum, Vienna, 1882) and F. Vogel (vol. vii. of Monumenta Germaniae historica, 1885, with exhaustive prolegomena). On Ennodius generally consult M. Fertig, Ennodius und seine Zeit (1855-1860); A. Dubois, La Latinité d’Ennodius (1903); F. Magani, Ennodio (Pavia, 1886); A. Ebert, Allgemeine Geschichte der Litt. des Mittelalters im Abendlande, i. (1889); M. Manitius, Geschichte der christlich-lateinischen Poesie (1891); Teuffel, Hist. of Roman Literature, § 479 (Eng. tr., 1892). French translation by the abbé S. Léglise (Paris, 1906 foll.).

ENNS, a town of Austria, in upper Austria, 11 m. by rail S.E. of Linz. Pop. (1900) 4371. It is situated on the Enns near its confluence with the Danube and possesses a 15th-century castle, an old Gothic church, and a town hall erected in 1565. Three miles to the S.W. lies the Augustinian monastery of St Florian, one of the oldest and largest religious houses of Austria. Founded in the 7th century, it was occupied by the Benedictines till the middle of the 11th century. It was established on a firm basis in 1071, when it passed into the hands of the Augustinians. The actual buildings, which are among the most magnificent in Austria, were constructed between 1686 and 1745. Its library, with over 70,000 volumes, contains valuable manuscripts and also a fine collection of coins. Enns is one of the oldest towns in Austria, and stands near the site of the Roman Laureacum. The nucleus of the actual town was formed by a castle, called Anasiburg or Anesburg, erected in 900 by the Bavarians as a post against the incursions of the Hungarians. It soon attained commercial prosperity, and by a charter of 1212 was made a free town. In 1275 it passed into the hands of Rudolph of Habsburg. An encounter between the French and the Austrian troops took place here on the 5th of November 1805.

ENOCH (חנוך, חנך, Ḥănōkh, Teaching or Dedication). (1) In Gen. iv. 17, 18 (J), the eldest son of Cain, born while Cain was building a city, which he named after Enoch; nothing is known of the city. (2) In Gen. v. 24, &c. (P), seventh in descent from Adam in the line of Seth; he “walked with God,” and after 365 years “was not for God took him.” [(1) and (2) are often regarded as both corruptions of the seventh primitive king Evedorachos (Enmeduranki in cuneiform inscriptions), the two genealogies, Gen. iv. 16-24, v. 12-17, being variant forms of the Babylonian list of primitive kings. Enmeduranki is the favourite of the sun-god, cf. Enoch’s 365 years.1] Heb. xi. 5 says Enoch “was not found, because God translated him.” Later Jewish legends represented him as receiving revelations on astronomy, &c., and as the first author; apparently following the Babylonian account which makes Enmeduranki receive instruction in all wisdom from the sun-god.1 Two apocryphal works written in the name of Enoch are extant, the Book of Enoch, compiled from documents written 200-50 B.C., quoted as the work of Enoch, Jude 14 and 15; and the Book of the Secrets of Enoch, A.D. 1-50. Cf. 1 Chron. i. 3; Luke iii. 37; Wisdom iv. 7-14; Ecclus. xliv. 16, xlix. 14. (3) Son, i.e. clan, of Midian, in Gen. xxv. 4; 1 Chron. i. 33. (4) Son, i.e. clan, of Reuben, E.V. Hanoch, Henoch, in Gen. xlvi. 9; Exod. vi. 14; Num. xxvi. 5; 1 Chron. v. 3. There may have been some historical connexion between these two clans with identical names.

1 Eberhard Schrader, Die Keilinschriften und das A.T., 3rd ed., pp. 540 f.

ENOCH, BOOK OF. The Book of Enoch, or, as it is sometimes called, the Ethiopic Book of Enoch, in contradistinction to the Slavonic Book of Enoch (see later), is perhaps the most important of all the apocryphal or pseudapocryphal Biblical writings for the history of religious thought. It is not the work of a single author, but rather a conglomerate of literary fragments which once circulated under the names of Enoch, Noah and possibly Methuselah. In the Book of the Secrets of Enoch we have additional portions of this literature. As the former work is derived from a variety of Pharisaic writers in Palestine, so the latter in its present form was written for the most part by Hellenistic Jews in Egypt.

The Book of Enoch was written in the second and first centuries B.C. It was well known to many of the writers of the New Testament, and in many instances influenced their thought and diction. Thus it is quoted by name as a genuine production of Enoch in the Epistle of Jude, 14 sq., and it lies at the base of Matt. xix. 28 and John v. 22, 27, and many other passages. It had also a vast indirect influence on the Palestinian literature of the 1st century of our era. Like the Pentateuch, the Psalms, the Megilloth, the Pirke Aboth, this work was divided into five parts, with the critical discussion of which we shall deal below. With the earlier Fathers and Apologists it had all the weight of a canonical book, but towards the close of the 3rd and the beginning of the 4th century it began to be discredited, and finally fell under the ban of the Church. Almost the latest reference to it in the early church is made by George Syncellus in his Chronography about A.D. 800. The book was then lost sight of till 1773, when Bruce discovered the Ethiopic version in Abyssinia.

Original Language.—That the Book of Enoch was written in Semitic is now accepted on all hands, but scholars are divided as to whether the Semitic language in question was Hebrew or Aramaic. Only one valuable contribution on this question has been made, and that by Halévy in the Journal Asiatique, Avril-Mai 1867, pp. 352-395. This scholar is of opinion that the entire work was written in Hebrew. Since this publication, however, fresh evidence bearing on the question has been discovered in the Greek fragment (i.-xxxii.) found in Egypt. Since this fragment contains three Aramaic words transliterated in the Greek, some scholars, and among them Schürer, Lévi and N. Schmidt, have concluded that not only are chapters i.-xxxvi. derived from an Aramaic original, but also the remainder of the book. In support of the latter statement no evidence has yet been offered by these or any other scholars, nor yet has there been any attempt to meet the positive arguments of Halévy for a Hebrew original of xxxvii.-civ., whose Hebrew reconstructions of the text have been and must be adopted in many cases by every editor and translator of the book. A prolonged study of the text, which has brought to light a multitude of fresh passages the majority of which can be explained by retranslation into Hebrew, has convinced the present writer1 that, whilst the evidence on the whole is in favour of an Aramaic original of vi.-xxxvi., it is just as conclusive on behalf of the Hebrew original of the greater part of the rest of the book.

Versions—Greek, Latin and Ethiopic.—The Semitic original was translated into Greek. It is not improbable that there were two distinct Greek versions. Of the one, several fragments have been preserved in Syncellus (A.D. 800), vi.-x. 14, viii. 4-ix. 4, xv. 8-xvi. 1; of the other, i.-xxxii. in the Giza Greek fragment discovered in Egypt and published by Bouriant (Fragments grecs du livre d’Enoch); in 1892, and subsequently by Lods, Dillmann, Charles (Book of Enoch, 318 sqq.), Swete, and finally by Radermacher and Charles (Ethiopic Text, 3-75). In addition to these fragments there is that of lxxxix. 42-49 (see Gildemeister in the ZDMG, 1855, pp. 621-624, and Charles, Ethiopic Text, pp. 175-177). Of the Latin version only i. 9 survives, being preserved in the Pseudo-Cyprian’s Ad Novatianum, and cvi. 1-18 discovered by James in an 8th-century MS. of the British Museum (see James, Apoc. anecdota, 146-150; Charles, op. cit. 219-222). This version is made from the Greek.

The Ethiopic version, which alone preserves the entire text, is a very faithful translation of the Greek. Twenty-eight MSS. of this version are in the different libraries of Europe, of which fifteen are to be found in England. This version was made from an ancestor of the Greek fragment discovered at Giza. Some of the utterly unintelligible passages in this fragment are literally reproduced in the Ethiopic. The same wrong order of the text in vii.-viii. is common to both. In order to recover the original text, it is from time to time necessary to retranslate the Ethiopic into Greek, and the latter in turn into Aramaic or Hebrew. By this means we are able to detect dittographies in the Greek and variants in the original Semitic. The original was written to a large extent in verse. The discovery of this fact is most helpful in the criticism of the text. This version was first edited by Laurence in 1838 from one MS., in 1851 by Dillmann from five, in 1902 by Flemming from fifteen MSS., and in 1906 by the present writer from twenty-three.

Translations and Commentaries.—Laurence, The Book of Enoch (Oxford, 1821); Dillmann, Das Buch Henoch (1853); Schodde, The Book of Enoch (1882); Charles, The Book of Enoch (1893); Beer, “Das Buch Henoch,” in Kautzsch’s Apok. u. Pseud. des A.T. (1900), ii. 217-310; Flemming and Radermacher, Das Buch Henoch (1901); Martin, Le Livre d’Henoch (1906). Critical Inquiries.—The bibliography will be found in Schürer, Gesch. d. jüdischen Volkes³, iii. 207-209, and a short critical account of the most important of these in Charles, op. cit. pp. 9-21.

The different Elements in the Book, with their respective Characteristics and Dates.—We have remarked above that the Book of Enoch is divided into five parts—i.-xxxvi., xxxvii.-lxxi., lxxii.-lxxxii., lxxxiii.-xc., xci-cviii. Some of these parts constituted originally separate treatises. In the course of their reduction and incorporation into a single work they suffered much mutilation and loss. From an early date the compositeness of this work was recognized. Scholars have varied greatly in their critical analyses of the work (see Charles, op. cit. 6-21, 309-311). The analysis which gained most acceptation was that of Dillmann (Herzog’s Realencyk.² xii. 350-352), according to whom the present books consist of—(1) the groundwork, i.e. i.-xxxvi., lxxii.-cv., written in the time of John Hyrcanus; (2) xxxvii.-lxxi., xvii.-xix., before 64 B.C.; (3) the Noachic fragments, vi. 3-8, viii. 1-3, ix. 7, x. 1, 11, xx., xxxix. 1, 2a, liv. 7-lv. 2, lx., lxv.-lxix. 25, cvi.-cvii.; and (4) cviii., from a later hand. With much of this analysis there is no reason to disagree. The similitudes are undoubtedly of different authorship from the rest of the book, and certain portions of the book are derived from the Book of Noah. On the other hand, the so-called groundwork has no existence unless in the minds of earlier critics and some of their belated followers in the present. It springs from at least four hands, and may be roughly divided into four parts, corresponding to the present actual divisions of the book.

A new critical analysis of the book based on this view was given by Charles (op. cit. pp. 24-33), and further developed by Clemen and Beer. The analysis of the latter (see Herzog, Realencyk.³ xiv. 240) is very complex. The book, according to this scholar, is composed of the following separate elements from the Enoch tradition:—(1) Ch. i.-v.; (2) xii-xvi.; (3) xvii.-xix.; (4) xx.-xxxvi.; (5) xxxvii.-lxix. (from diverse sources); (6) lxx.-lxxi.; (7) lxxii.-lxxxii.; (8) lxxxiii.-lxxxiv.; (9) lxxxv.-xc.; (10) xciii., cxi. 12-17; (11) xci. 1-11, 18, 19, xcii., xciv.-cv.; (12) cviii., and from the Noah tradition; (13) vi.-xi.; (14) xxxix. 1-2a, liv. 7-lv. 2, lx., lxv.-lxix. 25; (15) cvi.-cvii. Thus while Clemen finds eleven separate sources, Beer finds fifteen. A fresh study from the hand of Appel (Die Composition des äthiopischen Henochbuchs, 1906) seeks to reach a final analysis of our book. But though it evinces considerable insight, it cannot escape the charge of extravagance. The original book or ground-work of Enoch consisted of i.-xvi., xx.-xxxvi. This work called forth a host of imitators, and a number of their writings, together with the groundwork, were edited as a Book of Methuselah, i.e. lxxii.-cv. Then came the final redactor, who interpolated the groundwork and the Methuselah sections, adding two others from his own pen. The Similitudes he worked up from a series of later sources, and gave them the second place in the final work authenticating them with the name of Noah. The date of the publication of the entire work Appel assigns to the years immediately following the death of Herod.

We shall now give an analysis of the book, with the dates of the various sections where possible. Of these we shall deal with the easiest first. Chap. lxxii.-lxxxii. constitutes a work in itself, the writer of which had very different objects before him from the writers of the rest of the book. His sole aim is to give the law of the heavenly bodies. His work has suffered disarrangements and interpolations at the hands of the editor of the whole work. Thus lxxvi.-lxxvii., which are concerned with the winds, the quarters of the heaven, and certain geographical matters, and lxxxi., which is concerned wholly with ethical matters, are foreign to a work which professes in its title (lxxii. 1) to deal only with the luminaries of the heaven and their laws. Finally, lxxxii. should stand before lxxix.; for the opening words of the latter suppose it to be already read. The date of this section can be partially established, for it was known to the author of Jubilees, and was therefore written before the last third of the 2nd century B.C.

Chaps. lxxxiii.-xc.—This section was written before 161 B.C., for “the great horn,” who is Judas the Maccabee, was still warring when the author was writing. (Dillmann, Schürer and others take the great horn to be John Hyrcanus, but this interpretation does violence to the text.) These chapters recount three visions: the first two deal with the first-world judgment; the third with the entire history of the world till the final judgment. An eternal Messianic kingdom at the close of the judgment is to be established under the Messiah, with its centre in the New Jerusalem set up by God Himself.

Chaps. xci.-civ.—In the preceding section the Maccabees were the religious champions of the nation and the friends of the Hasidim. Here they are leagued with the Sadducees, and are the declared foes of the Pharisaic party. This section was written therefore after 134 B.C., when the breach between John Hyrcanus and the Pharisees took place and before the savage massacres of the latter by Jannaeus (95 B.C.); for it is not likely that in a book dealing with the sufferings of the Pharisees such a reference would be omitted. These chapters indicate a revolution in the religious hopes of the nation. An eternal Messianic kingdom is no longer anticipated, but only a temporary one, at the close of which the final judgment will ensue. The righteous dead rise not to this kingdom but to spiritual blessedness in heaven itself—to an immortality of the soul. This section also has suffered at the hands of the final editor. Thus xci. 12-17, which describe the last three weeks of the Ten-Weeks Apocalypse, should be read immediately after xciii. 1-10, which recount the first seven weeks of the same apocalypse. But, furthermore, the section obviously begins with xcii. “Written by Enoch the scribe,” &c. Then comes xci. 1-10 as a natural sequel. The Ten-Weeks Apocalypse, xciii. 1-10, xci. 12-17, if it came from the same hand, followed, and then xciv. The attempt (by Clemen and Beer) to place the Ten-Weeks Apocalypse before 167, because it makes no reference to the Maccabees, is not successful; for where the history of mankind from Adam to the final judgment is despatched in sixteen verses, such an omission need cause little embarrassment, and still less if the author is the determined foe of the Maccabees, whom he would probably have stigmatized as apostates, if he had mentioned them at all, just as he similarly brands all the Sadducean priesthood that preceded them to the time of the captivity. This Ten-Weeks Apocalypse, therefore, we take to be the work of the writer of the rest of xci.-civ.

Chaps. i.-xxxvi.—This is the most difficult section of the book. It is very composite. Chaps. vi.-xi. is apparently an independent fragment of the Enoch Saga. It is itself compounded of the Semjaza and Azazel myths, and in its present composite form is already presupposed by lxxxviii.-lxxxix. 1; hence its present form is earlier than 166 B.C. It represents a primitive and very sensuous view of the eternal Messianic kingdom on earth, seeing that the righteous beget 1000 children before they die. These chapters appear to be from the Book of Noah; for they never refer to Enoch but to Noah only (x. 1). Moreover, when the author of Jubilees is clearly drawing on the Book of Noah, his subject-matter (vii. 21-25) agrees most closely with that of these chapters in Enoch (see Charles’ edition of Jubilees, pp. lxxi. sq. 264). xii.-xvi., on the other hand, belong to the Book of Enoch. These represent for the most part what Enoch saw in a vision. Now whereas vi.-xvi. deal with the fall of the angels, their destruction of mankind, and the condemnation of the fallen angels, the subject-matter now suddenly changes and xvii.-xxxvi. treat of Enoch’s journeyings through earth and heaven escorted by angels. Here undoubtedly we have a series of doublets; for xvii.-xix. stand in this relation to xx.-xxxvi., since both sections deal with the same subjects. Thus xvii. 4 = xxiii.; xvii. 6 = xxii.; xviii. 1 = xxxiv.-xxxvi.; xviii. 6-9 = xxiv.-xxv., xxxii. 1-2; xviii. 11, xix. = xxi. 7-10; xviii. 12-16 = xxi. 1-6. They belong to the same cycle of tradition and cannot be independent of each other. Chap. xx. appears to show that xx.-xxxvi. is fragmentary, since only four of the seven angels mentioned in xx. have anything to do in xxi.-xxxvi. Finally, i.-v. seems to be of a different date and authorship from the rest.

Chaps. xxxvii.-lxxi.—These constitute the well-known Similitudes. They were written before 64 B.C., for Rome was not yet known to the writer, and after 95 B.C., for the slaying of the righteous, of which the writer complains, was not perpetrated by the Maccabean princes before that date. This section consists of three similitudes—xxxviii.-xliv., xlv.-lvii., lviii.-lxix. These are introduced and concluded by xxxvii. and lxx. There are many interpolations—lx., lxv.-lxix. 25 confessedly from the Book of Noah; most probably also liv. 7-lv. 2. Whence others, such as xxxix. 1, 2a, xli. 3-8, xliii. sq., spring is doubtful. Chaps. 1, lvi. 5-lvii. 3a are likewise insertions.

In R.H. Charles’s edition of Enoch, lxxi. was bracketed as an interpolation. The writer now sees that it belongs to the text of the Similitudes though it is dislocated from its original context. It presents two visits of Enoch to heaven in lxxi. 1-4 and lxxi. 5-17. The extraordinary statement in lxxi. 14, according to which Enoch is addressed as “the Son of Man,” is seen, as Appel points out, on examination of the context to have arisen from the loss of a portion of the text after verse 13, in which Enoch saw a heavenly being with the Head of Days and asked the angel who accompanied him who this being was. Then comes ver. 14, which, owing to the loss of this passage, has assumed the form of an address to Enoch: “Thou art the Son of Man,” but which stood originally as the angel’s reply to Enoch: “This is the Son of Man,” &c. Ver. 15, then, gives the message sent to Enoch by the Son of Man. In the next verse the second person should be changed into the third. Thus we recover the original text of this difficult chapter. The Messianic doctrine and eschatology of this section is unique. The Messiah is here for the first time described as the pre-existent Son of Man (xlviii. 2), who sits on the throne of God (xlv. 3; xlvii. 3), possesses universal dominion (lxii. 6), and is the Judge of all mankind (lxix. 27). After the judgment there will be a new heaven and a new earth, which will be the abode of the blessed.

The Book of the Secrets or Enoch, or Slavonic Enoch. This new fragment of the Enochic literature has only recently come to light through five MSS. discovered in Russia and Servia. Since about A.D. 500 it has been lost sight of. It is cited without acknowledgment in the Book of Adam and Eve, the Apocalypses of Moses and Paul, the Sibylline Oracles, the Ascension of Isaiah, the Epistle of Barnabas, and referred to by Origen and Irenaeus (see Charles, The Book of the Secrets of Enoch, 1895, pp. xvii-xxiv). For Charles’s editio princeps of this work, in 1895, Professor Morfill translated two of the best MSS., as well as Sokolov’s text, which is founded on these and other MSS. In 1896 Bonwetsch issued his Das slavische Henochbuch, in which a German translation of the above two MSS. is given side by side, preceded by a short introduction.

Analysis.—Chaps. i.-ii. Introduction: life of Enoch: his dream, in which he is told that he will be taken up to heaven: his admonitions to his sons. iii.-xxxvi. What Enoch saw in heaven. iii.-vi. The first heaven: the rulers of the stars: the great sea and the treasures of snow, &c. vii. The second heaven: the fallen angels. viii.-x. The third heaven: Paradise and place of punishment. xi.-xvii. The fourth heaven: courses of the sun and moon: phoenixes. xviii. The fifth heaven: the watchers mourning for their fallen brethren. xix. The sixth heaven: seven bands of angels arrange and study the courses of the stars, &c.: others set over the years, the fruits of the earth, the souls of men. xx.-xxxvi. The seventh heaven. The Lord sitting on His throne with the ten chief orders of angels. Enoch is clothed by Michael in the raiment of God’s glory and instructed in the secrets of nature and of man, which he wrote down in 366 books. God reveals to Enoch the history of the creation of the earth and the seven planets and circles of the heaven and of man, the story of the fallen angels, the duration of the world through 7000 years, and its millennium of rest. xxxviii.-lxvi. Enoch returns to earth, admonishes his sons: instructs them on what he had seen in the heavens, gives them his books. Bids them not to swear at all nor to expect any intercession of the departed saints for sinners. lvi.-lxiii. Methuselah asks Enoch’s blessing before he departs, and to all his sons and their families Enoch gives fresh instruction. lxiv.-lxvi. Enoch addressed the assembled people at Achuszan. lxvii.-lxviii. Enoch’s translation. Rejoicings of the people on behalf of the revelation given them through Enoch.

Language and Place of Writing.—A large part of this book was written for the first time in Greek. This may be inferred from such statements as (1) xxx. 13, “And I gave him a name (i.e. Adam) from the four substances: the East, the West, the North and the South.” Thus Adam’s name is here derived from the initial letters of the four quarters: ἀνατολή, δύσις, ἄρκτος, μεσημβρία. This derivation is impossible in Semitic. This context is found elsewhere in the Sibyllines iii. 24 sqq. and other Greek writings. (2) Again our author uses the chronology of the Septuagint and in 1, 4 follows the Septuagint text of Deuteronomy xxxii. 35 against the Hebrew. On the other hand, some sections may wholly or in part go back to Hebrew originals. There is a Hebrew Book of Enoch attributed to R. Ishmael ben Elisha who lived at the close of the 1st century and the beginning of the 2nd century B.C. This book is very closely related to the Book of the Secrets of Enoch, or rather, to a large extent dependent upon it. Did Ishmael ben Elisha use the Book of the Secrets of Enoch in its Greek form, or did he find portions of it in Hebrew? At all events, extensive quotations from a Book of Enoch are found in the rabbinical literature of the middle ages, and the provenance of these has not yet been determined. See Jewish Encyc. i. 676 seq.

But there is a stronger argument for a Hebrew original of certain sections to be found in the fact that the Testaments of the XII. Patriarchs appears to quote xxxiv. 2, 3 of our author in T. Napth. iv. 1, T. Benj. ix.

The book in its present form was written in Egypt. This may be inferred (1) from the variety of speculations which it holds in common with Philo and writings of a Hellenistic character that circulated mainly in Egypt. (2) The Phoenixes are Chalkydries (ch. xii.)—monstrous serpents with the heads of crocodiles—are natural products of the Egyptian imagination. (3) The syncretistic character of the creation account (xxv.-xxvi.) betrays Egyptian elements.

Relation to Jewish and Christian Literature.—The existence of a kindred literature in Neo-Hebrew has been already pointed out. We might note besides that it is quoted in the Book of Adam and Eve, the Apocalypse of Moses, the Apocalypse of Paul, the anonymous work De montibus Sina et Sion, the Sibylline Oracles ii. 75, Origen, De princip. i. 3, 2. The authors of the Ascension of Isaiah, the Apoc. of Baruch and the Epistle of Barnabas were probably acquainted with it. In the New Testament the similarity of matter and diction is sufficiently strong to establish a close connexion, if not a literary dependence. Thus with Matt. v. 9, “Blessed are the peacemakers,” cf. lii. 11, “Blessed is he who establishes peace”: with Matt. v. 34, 35, 37, “Swear not at all,” cf. xlix. 1, “I will not swear by a single oath, neither by heaven, nor by earth, nor by any other creature which God made—if there is no truth in man, let them swear by a word yea, yea, or nay, nay.”

Date and Authorship.—The book was probably written between 30 B.C. and A.D. 70. It was written after 30 B.C., for it makes use of Sirach, the (Ethiopic) Book of Enoch and the Book of Wisdom. It was written before A.D. 70; for the temple is still standing: see lix. 2.

The author was an orthodox Hellenistic Jew who lived in Egypt. He believed in the value of sacrifices (xlii. 6; lix. 1, 2, &c), but is careful to enforce enlightened views regarding them (xlv. 3, 4; lxi. 4, 5.) in the law, lii. 8, 9; in a blessed immortality, I. 2; lxv. 6, 8-10, in which the righteous should be clothed in “the raiment of God’s glory,” xxii. 8. In questions relating to cosmology, sin, death, &c, he is an eclectic, and allows himself the most unrestricted freedom, and readily incorporates Platonic (xxx. 16), Egyptian (xxv. 2) and Zend (lviii. 4-6) elements into his system of thought.

Anthropological Views.—All the souls of men were created before the foundation of the world (xxiii. 5) and likewise their future abodes in heaven or hell (xlix. 2, lviii. 5). Man’s name was derived, as we have already seen, from the four quarters of the world, and his body was compounded from seven substances (xxx. 8). He was created originally good: freewill was bestowed upon him with instruction in the two ways of light and darkness, and then he was left to mould his own destiny (xxx. 15). But his preferences through the bias of the flesh took an evil direction, and death followed as the wages of sin (xxx. 16).

Literature.—Morfill and Charles, The Book of the Secrets of Enoch (Oxford, 1896); Bonwetsch, “Das slavische Henochbuch,” in the Abhandlungen der königlichen gelehrten Gesellschaft zu Göttingen (1896). See also Schürer in loc. and the Bible Dictionaries.

(R. H. C.)

1 The evidence is given at length in R.H. Charles’ Ethiopic Text of Enoch, pp. xxvii-xxxiii.

ENOMOTO, BUYO, Viscount (1839-1909), Japanese vice-admiral, was born in Tokyo. He was the first officer sent by the Tokugawa government to study naval science in Europe, and after going through a course of instruction in Holland he returned in command of the frigate “Kaiyō Maru,” built at Amsterdam to order of the Yedo administration. The salient episode of his career was an attempt to establish a republic at Hakodate. Finding himself in command of a squadron which represented practically the whole of Japan’s naval forces, he refused to acquiesce in the deposition of the Shōgun, his liege lord, and, steaming off to Yezo (1867), proclaimed a republic and fortified Hakodate. But he was soon compelled to surrender. The newly organized government of the empire, however, instead of inflicting the death penalty on him and his principal followers, as would have been the inevitable sequel of such a drama in previous times, punished them with imprisonment only, and four years after the Hakodate episode, Enomoto received an important post in Hokkaido, the very scene of his wild attempt. Subsequently (1874), as his country’s representative in St Petersburg, he concluded the treaty by which Japan exchanged the southern half of Saghalien for the Kuriles. He received the title of viscount in 1885, and afterwards held the portfolios of communications, education and foreign affairs. He died at Tokyo in 1909.

ENOS (anc. Aenos), a town of European Turkey, in the vilayet of Adrianople; on the southern shore of the river Maritza, where its estuary broadens to meet the Aegean Sea in the Gulf of Enos. Pop. (1905) about 8000. Enos occupies a ridge of rock surrounded by broad marshes. It is the seat of a Greek bishop, and the population is mainly Greek. It long possessed a valuable export trade, owing to its position at the mouth of the Maritza, the great natural waterway from Adrianople to the sea. But its commerce has declined, owing to the unhealthiness of its climate, to the accumulation of sandbanks in its harbour, which now only admits small coasters and fishing-vessels, and to the rivalry of Dédéagatch, a neighbouring seaport connected with Adrianople by rail.

ENRIQUEZ GOMEZ, ANTONIO (c. 1601-c. 1661), Spanish dramatist, poet and novelist of Portuguese-Jewish origin, was known in the early part of his career as Enrique Enriquez de Paz. Born at Segovia, he entered the army, obtained a captaincy, was suspected of heresy, fled to France about 1636, assumed the name of Antonio Enriquez Gomez, and became majordomo to Louis XIII., to whom he dedicated Luis dado de Dios á Anna (Paris, 1645). Some twelve years later he removed to Amsterdam, avowed his conversion to Judaism, and was burned in effigy at Seville on the 14th of April 1660. He is supposed to have returned to France, and to have died there in the following year. Three of his plays, El Gran Cardenal de España, don Gil de Albornoz, and the two parts of Fernan Mendez Pinto were received with great applause at Madrid about 1629; in 1635 he contributed a sonnet to Montalban’s collection of posthumous panegyrics on Lope de Vega, to whose dramatic school Enriquez Gomez belonged. The Academias morales de las Musas, consisting of four plays (including A lo que obliga el honor, which recalls Calderon’s Médico de su honra), was published at Bordeaux in 1642; La Torre de Babilonia, containing the two parts of Fernan Mendez Pinto, appeared at Rouen in 1647; and in the preface to his poem, El Samson Nazareno (Rouen, 1656), Enriquez Gomez gives the titles of sixteen other plays issued, as he alleges, at Seville. There is no foundation for the theory that he wrote the plays ascribed to Fernando de Zárate. His dramatic works, though effective on the stage, are disfigured by extravagant incidents and preciosity of diction. The latter defect is likewise observable in the mingled prose and verse of La Culpa del primer peregrino (Rouen, 1644) and the dialogues entitled Politica Angélica (Rouen, 1647). Enriquez Gomez is best represented by El Siglo Pitagórico y Vida de don Gregorio Guadaña (Rouen, 1644), a striking picaresque novel in prose and verse which is still reprinted.

ENSCHEDE, a town in the province of Overysel, Holland, near the Prussian frontier, and a junction station 5 m. by rail S.E. of Hengelo. Pop. (1900) 23,141. It is important as the centre of the flourishing cotton-spinning and weaving industries of the Twente district; while by the railway via Gronau and Koesfeld to Dortmund it is in direct communication with the Westphalian coalfields. Enschede possesses several churches, an industrial trade school, and a large park intended for the benefit of the working classes. About two-thirds of the town was burnt down in 1862.

ENSENADA, CENON DE SOMODEVILLA, Marques de la (1702-1781), Spanish statesman, was born at Alesanco near Logroño on the 2nd of June 1702. When he had risen to high office it was said that his pedigree was distinguished, but nothing is known of his parents—Francisco de Somodevilla and his wife Francisca de Bengoechea,—nor is anything known of his own life before he entered the civil administration of the Spanish navy as a clerk in 1720. He served in administrative capacities at the relief of Ceuta in that year and in the reoccupation of Oran in 1731. His ability was recognized by Don Jose Patiños, the chief minister of King Philip V. Somodevilla was much employed during the various expeditions undertaken by the Spanish government to put the king’s sons by his second marriage with Elizabeth Farnese, Charles and Philip, on the thrones of Naples and Parma. In 1736 Charles, afterwards King Charles III. of Spain, conferred on him the Neapolitan title of Marques de la Ensenada. The name can be resolved into the three Spanish words “en se nada,” meaning “in himself nothing.” The courtly flattery of the time, and the envy of the nobles who disliked the rise of men of Ensenada’s class, seized upon this poor play on words; an Ensenada is, however, a roadstead or small bay. In 1742 he became secretary of state and war to Philip, duke of Parma. In the following year (11th of April 1743), on the death of Patiños’s successor Campillo, he was chosen by Philip V. as minister of finance, war, the navy and the Indies (i.e. the Colonies). Ensenada met the nomination with a becoming nolo episcopari, professing that he was incapable of filling the four posts at once. His reluctance was overborne by the king, and he became in fact prime minister at the age of forty-one. During the remainder of the king’s reign, which lasted till the 11th of July 1746, and under his successor Ferdinand VI. until 1754, Ensenada was the effective prime minister. His administration is notable in Spanish history for the vigour of his policy of internal reform. The reports on the finances and general condition of the country, which he drew up for the new king on his accession, and again after peace was made with England at Aix-la-Chapelle on the 18th of October 1748, are very able and clear-sighted. Under his direction the despotism of the Bourbon kings became paternal. Public works were undertaken, shipping was encouraged, trade was fostered, numbers of young Spaniards were sent abroad for education. Many of them abused their opportunity, but on the whole the prosperity of the country revived, and the way was cleared for the more sweeping innovations of the following reign. Ensenada was a strong partizan of a French alliance and of a policy hostile to England. Sir B. Keene, the English minister, supported the Spanish court party opposed to him, and succeeded in preventing him from adding the foreign office to others which he held. Ensenada would probably have fallen sooner but for the support he received from the Portuguese queen, Barbara. In 1754 he offended her by opposing an exchange of Spanish and Portuguese colonial possessions in America which she favoured. On the 20th of July of that year he was arrested by the king’s order, and sent into mild confinement at Granada, which he was afterwards allowed to exchange for Puerto de Santa Maria. On the accession of Charles III. in 1759, he was released from arrest and allowed to return to Madrid. The new king named him as member of a commission appointed to reform the system of taxation. Ensenada could not renounce the hope of again becoming minister, and entered into intrigues which offended the king. On the 18th of April 1766 he was again exiled from court, and ordered to go to Medina del Campo. He had no further share in public life, and died on the 2nd of December 1781. Ensenada acquired wealth in office, but he was never accused of corruption. Though, like most of his countrymen, he suffered from the mania for grandeur, and was too fond of imposing schemes out of all proportion with the resources of the state, he was undoubtedly an able and patriotic man, whose administration was beneficial to Spain.

For his administration see W. Coxe, Memoirs of the Kings of Spain of the House of Bourbon (London, 1815), but the only complete account of Ensenada is by Don Antonio Rodriguez Villa, Don Cenon de Somodevilla, Marques de la Ensenada (Madrid, 1878).

(D. H.)

ENSIGN (through the Fr. enseigne from the Latin plural insignia), a distinguishing token, emblem or badge such as symbols of office, or in heraldry, the ornament or sign, such as the crown, coronet or mitre borne above the charge or arms. The word is more particularly used of a military or naval standard or banner. In the British navy, ensign has a specific meaning, and is the name of a flag having a red, white or blue ground, with the Union Jack in the upper corner next the staff. The white ensign (which is sometimes further distinguished by having the St George’s Cross quartered upon it) is only used in the royal navy and the royal yacht squadron, while the blue and red ensigns are the badges of the naval reserve, some privileged companies, and the merchant service respectively (see Flag). Until 1871 the lowest grade of commissioned officers in infantry regiments of the British army had the title of ensign (now replaced by that of second lieutenant). It is the duty of the officers of this rank to carry the colours of the regiment (see Colours, Military). In the 16th century ensign was corrupted into “ancient,” and was used in the two senses of a banner and the bearer of the banner. In the United States navy, the title ensign superseded in 1862 that of passed midshipman. It designates an officer ranking with second lieutenant in the army.

ENSILAGE, the process of preserving green food for cattle in an undried condition in a silo (from Gr. σιρός, Lat. sirus, a pit for holding grain), i.e. a pit, an erection above ground, or stack, from which air has been as far as possible excluded. The fodder which is the result of the process is called silage. In various parts of Germany a method of preserving green fodder precisely similar to that used in the case of Sauerkraut has prevailed for upwards of a century. Special attention was first directed to the practice of ensilage by a French agriculturist, Auguste Goffart of the district of Sologne, near Orleans, who in 1877 published a work (Manuel de la culture et de l’ensilage des maïs et autres fourrages verts) detailing the experiences of many years in preserving green crops in silos. An English translation of Goffart’s book by J.B. Brown was published in New York in 1879, and, as various experiments had been previously made in the United States in the way of preserving green crops in pits, Goffart’s experience attracted considerable attention. The conditions of American dairy farming proved eminently suitable for the ensiling of green maize fodder; and the success of the method was soon indisputably demonstrated among the New England farmers. The favourable results obtained in America led to much discussion and to the introduction of the system in the United Kingdom, where, with different conditions, success has been more qualified.

It has been abundantly proved that ensilage forms a wholesome and nutritious food for cattle. It can be substituted for root crops with advantage, because it is succulent and digestible; milk resulting from it is good in quality and taste; it can be secured largely irrespective of weather; it carries over grass from the period of great abundance and waste to times when none would otherwise be available; and a larger number of cattle can be supported on a given area by the use of ensilage than is possible by the use of green crops.

Early silos were made of stone or concrete either above or below ground, but it is recognized that air may be sufficiently excluded in a tightly pressed stack, though in this case a few inches of the fodder round the sides is generally useless owing to mildew. In America round erections made of wood and 35 or 40 ft. in depth are most commonly used. The crops suitable for ensilage are the ordinary grasses, clovers, lucerne, vetches, oats, rye and maize, the latter being the most important silage crop in America; various weeds may also be stored in silos with good results, notably spurrey (Spergula arvensis), a most troublesome plant in poor light soils. As a rule the crop should be mown when in full flower, and deposited in the silo on the day of its cutting. Maize is cut a few days before it is ripe and is shredded before being elevated into the silo. Fair, dry weather is not essential; but it is found that when moisture, natural and extraneous, exceeds 75% of the whole, good results are not obtained. The material is spread in uniform layers over the floor of the silo, and closely packed and trodden down. If possible, not more than a foot or two should be added daily, so as to allow the mass to settle down closely, and to heat uniformly throughout. When the silo is filled or the stack built, a layer of straw or some other dry porous substance may be spread over the surface. In the silo the pressure of the material, when chaffed, excludes air from all but the top layer; in the case of the stack extra pressure is applied by means of planks or other weighty objects in order to prevent excessive heating.

The closeness with which the fodder is packed determines the nature of the resulting silage by regulating the chemical changes which occur in the stack. When closely packed, the supply of oxygen is limited; and the attendant acid fermentation brings about the decomposition of the carbohydrates present into acetic, butyric and lactic acids. This product is named “sour silage.” If, on the other hand, the fodder be unchaffed and loosely packed, or the silo be built gradually, oxidation proceeds more rapidly and the temperature rises; if the mass be compressed when the temperature is 140°-160° F., the action ceases and “sweet silage” results. The nitrogenous ingredients of the fodder also suffer change: in making sour silage as much as one-third of the albuminoids may be converted into amino and ammonium compounds; while in making “sweet silage” a less proportion is changed, but they become less digestible. In extreme cases, sour silage acquires a most disagreeable odour. On the other hand it keeps better than sweet silage when removed from the silo.

ENSTATITE, a rock-forming mineral belonging to the group of orthorhombic pyroxenes. It is a magnesium metasilicate, MgSiO3, often with a little iron replacing the magnesium: as the iron increases in amount there is a transition to bronzite (q.v.), and with still more iron to hypersthene (q.v.). Bronzite and hypersthene were known long before enstatite, which was first described by G.A. Kenngott in 1855, and named from ἐνστάτης, “an opponent,” because the mineral is almost infusible before the blowpipe: the material he described consisted of imperfect prismatic crystals, previously thought to be scapolite, from the serpentine of Mount Zdjar near Schönberg in Moravia. Crystals suitable for goniometric measurement were later found in the meteorite which fell at Breitenbach in the Erzgebirge, Bohemia. Large crystals, a foot in length and mostly altered to steatite, were found in 1874 in the apatite veins traversing mica-schist and hornblende-schist at the apatite mine of Kjörrestad, near Brevig in southern Norway. Isolated crystals are of rare occurrence, the mineral being usually found as an essential constituent of igneous rocks; either as irregular masses in plutonic rocks (norite, peridotite, pyroxenite, &c.) and the serpentines which have resulted by their alteration, or as small idiormorphic crystals in volcanic rocks (trachyte, andesite). It is also a common constituent of meteoric stones, forming with olivine the bulk of the material: here it often forms small spherical masses, or chondrules, with an internal radiated structure.

Enstatite and the other orthorhombic pyroxenes are distinguished from those of the monoclinic series by their optical characters, viz. straight extinction, much weaker double refraction and stronger pleochroism: they have prismatic cleavages (with an angle of 88° 16′) as well as planes of parting parallel to the planes of symmetry in the prism-zone. Enstatite is white, greenish or brown in colour; its hardness is 5½, and sp. gr. 3.2-3.3.

(L. J. S.)