INDEX
Reading edition
Abraham: statue, 10, 30 Alberti, L.B.: on Art, 22 Ambras: entombment, 177 Ammanati: sculptor, 102 Amorino: bronze, Bargello, 113, 114 Ancona: Baptist for, 59 André (Madame) Collection: Prophet, 7; St. John, 57; profile warrior, 98; bronze children, 114; marble boy, 115; Gonzaga bust, 127; St. Sebastian, 177 Andrew, St.: statue (lost), 199 Annunciation: Sta. Croce, 49, 113, 154 Anselm, St.: projected shrine, 199 Antonio, St.: at Padua, bronze, 153 Aquila, Andrea del: sculptor, 191 Aragazzi: see Tombs Architect: Donatello as, 59, 65 Arduino: engineer, 143 Aretino: letter from, 76 Assistants, Donatello's: Moscatello, 64, 168; Giovanni da Pisa, 75, 168, 190, 203; Nani, G., 167; Cocaro, N., 168; Meo of Florence, 168; Pipo of Florence, 168; Antonio of Lugano, 168; Bartolommeo of Ferrara, 168; Jacomo, goldsmith, 168; Squarcione, 150; Giovanni da Becato, 168; Francesco del Mayo, 168; Andrea delle Caldiere, 168; Urbano da Cortona, 168, 169; Francesco Valente, 168, 203; Antonio of Pisa, 168; Bellano, 170, 190; Bertoldo, 189, 191 Assumption: Brancacci tomb, 80 Assyrian low relief, 81 Athos, Mount: conventionalised art, 22 Aurelius, M.: equestrian statue, 173 Banco, Nanni di: sculptor, 30, 190 Bandinelli, 46, 102, 186 Baptist, St. John: see St. John Baptistery gates, 2; competition, 3; Magdalen, 144; Coscia tomb, 72 Bardini Collection: Madonna, 54, 185; fountain, 66; tomb slab, 85; Crucifixion, 178 Bas-relief: its limitations, 137 Bastianini, 182 Battoni, P.: painter, 145 Becchi: shield, 68 Beckerath: Madonna, 182 Bellano, 170, 189, 190 Benda Collection: bust, 118 Benedetto da Maiano, 191 Bentivoglio: medal of, 82 Bergamo: Madonna, 183 Berlin Museum: bust, terra cotta, 120; Gonzaga, bronze, 127; bronze head of old man, 128; St. John, bronze, 147; putto, bronze, from Siena, 114; Flagellation, marble, 178; David, bronze, 52; Madonnas, 180 Bernardino, St.: projected statue, 146, 199 Bertoldo, 189, 191 Blondius, F., 193 Bocchi: passim Bologna: sculpture at, 9, 85, 143 Boni: shield, 68 Boniface VIII.: statues of, 9 Borso d'Este: projected statue, 199 Botticelli, 99 Bramantino: drawings, 90 Brancacci: see Tombs Bronzino, 52, 102 Brosses, des: criticisms, 138, 144 Brunellesco: model for gates, 3; co-operation with Donatello, 37, 200 Buggiano, 191 Busts: Benda Collection, 118; Dreyfus Collection, 118; Duke of Westminster's Collection, 118; Hainauer Collection, 119; Faenza St. John, 119; Martelli St. John, 118; San Lorenzo, Florence, 126; St. Cecilia, London, 126; Gonzaga bronze, 127; old man's head, bronze, 128; Gattamelata, 99, 129; Vanchettoni, 118; Vecchio Barbuto, Florence, 130; Roman Emperor, Florence, 130; old woman, bronze, 130; San Rossore, 130, 201; Niccolò da Uzzano, 121 Caldiere, Andrea, Donatello's bronze caster, 168 Camondo, Comte de: Crucifixion, 178 Canigiani: Palazzo, sculpture, 191 Canon of Art, 20 Cantoria: San Lorenzo, 64; Cathedral, 103, 107, 199; Luca della Robbia's, 106-8 Capodalista: horse, 175 Castiglione: Sabba del, 119, 193 Cecilia, St. (London), 126; ditto, Lord Wemyss, 172 Cellini, B., 141, 193 Charge to Peter (London), 95 Chartres Cathedral: statuary, 41 Cherichini, supposed portrait of, 20 Childhood, Donatello's representation of, 103 Chimæra: Etruscan, 69 Choristers of bronze, Padua, 163 Cinelli: passim Ciuffagni: sculptor, 60, 66 Civitali, M., sculptor, 13 Classical influences, 4, 90, 103, 104; architecture, 160 Cocaro, Donatello's assistant, 168 Colle, Simone da: sculptor, 3 Colleone: equestrian statue, 150 Colossi, 34 Coronation window, 60 Coscia: see Tombs Cozzarelli: sculptor, 192 Criticism on Donatello, early, 193; later, 93 Croce, Santa, sculpture in, 49, 113, 38 Crowds: Donatello's treatment of, 156 Crucifix: Santa Croce, 47, 156 Crucifixion: Bargello bronze, 178; Camondo, bronze, 178; Berlin, 178 Cyriac of Ancona, 194 Daniel: statue, 10 St., at Padua, bronze, 154 Dante, 45, 90 Davanzati: shield, 68 David: marble statue, 16; Martelli's statue, 52; bronze, 99; Berlin, 52 Dello: his epitaph, 13 Denunzia, 1, 76, 201 Desiderio, 133, 191 Doni, A.: criticism of Ghiberti, 138 Dovizia: statue, 142, 199 Drapery: Donatello's treatment of, 31 Drawings by Donatello, 60 Dreyfus Collection: marble bust, 118; Christ and St. John, relief, 133; St. Jerome, bronze, 170; Madonna bronze, 177; Verrocchio, putto, 105 Eagle: the Walpole, 162 Entombment: Vienna, 177 Padua: marble, 161 Eremitani altar, 169 Evangelist symbols at Padua, 161 Siena, 169 Eve: bas-relief, 142 Faenza: bust of St. John, 119; St. Jerome, 148 Faith: statuette at Siena, 71 Fazio, B., 193 Filarete, 91 Flagellation: London, 62; Paris, 177; Berlin, 177 Flaxman's criticism, 93 Florence: Cathedral façade, 6, 8, 9; cupola, 65; cantoria, 107; sacristy carving, 115; window, 60; colossi, 34; gates, 200, 202 Font: Siena, 70, 105, 201; at Pietra Santa, 191 Fontainebleau: Madonna, 184 Fountains, 66, 70 Francis, St.: at Padua, 153 Fulgosio: monument, Padua, 168 Gagini: sculptors, 131 Gattamelata: bust, 99, 129; tombs, 171; equestrian statue, 173 Gauricus, 60, 73, 193 Gems: employment of, 97-99, 129 George, St.: statue, 39; relief, 42, 72 Ghiberti: bronze gates, 3, 137; relation with Donatello, 190; classical ideas, 89, 91 Ghiberti, Vettorio: drawings, 63, 74 Ghini: Simone, 88 Giacomone da Faenza: drawings, 155 Gianfigliazzi: shield, 68 Gilbert, Alfred, R.A., 82 Giovanni da Pisa, 75, 168, 190, 203 Giuliano: Donatello's nephew, 2, 202 Goliath: statue (lost), 199 Gonzaga, Louis of: bust, 127 Gori: criticisms, 93 Gothic Art: Donatello's relations with, 5, 42; survivals of, 91 Gozzoli, Benozzo, 9 Grouping: Donatello's ideas of, 30, 138, 142, 161 Guidarelli: monument, 171 Habakkuk: statue, 23 Hands: Donatello's treatment of, 31 Henry VII.: tomb of, 136 Heraldic sculpture, 67 Hertford House: reliefs, 110 Hope: statuettes, 71, 75 Horse of Colleone, 174; Gattamelata, 173; Capodalista, 174 Horse's head: Naples, 175 Horses of St. Mark's, Venice, 173; of Monte Cavallo, 189 Icarus in Greek Art, 165 Ilaria del Caretto: tomb, 82 Intarsia, 161 Isotta da Rimini, 163 Jeremiah: statue, 20 Jerome, St.: Faenza, 148 John XXIII.: see Tombs, Coscia St. John Bapt.: Campanile statue, 18; Martelli statue, 56; Bargello statue, 57, 58; Dilke Collection, 57; Orvieto, 59, 147; Ancona, 59; Rome, 56, 57; Faenza, 119; Louvre, 120; Berlin, bronze, 146; Berlin, terra-cotta, 120; Siena, 146; Venice, 146; Hainauer Collection, 149 St. John Ev.: statue, 14; reliefs, 134 Judith, 140 Justina, St.: at Padua, 154 Kaufmann: Madonna, 182; statuette, 189 Lafreri: engraver, 189 Lasca, 193 Lavabo, San Lorenzo, 67 Laurana, F.: sculptor, 131 Leopardi, 175 Ligorio: architect, 90 Lille relief, 5, 72, 113 Lions in Florence, 67-9 London collection: Flagellation, 62; charge to Peter, 95; St. Cecilia, 126; marble relief of woman, 132; Magdalen, 149; lamentation over dead Christ, 165; shrine of St. Justina, 171; Martelli patera, 176; Deposition, bronze, 178; oval Madonna, 184; bronze boy, 115 Lorenzo, San: pulpits, 107, 186; sacristy, 133, 139; bronze doors, 135; lavabo, 191; statues perished, 199 Lorenzetti; early paintings, 145 Louis, St.: bronze Santa Croce, 38; bronze at Padua, 155, 202 Louvre collection: Pot tomb, 79; bronze by Valadier, 97; marble Baptist, 120; drawings, 61; Madonnas, 181-185; painting of St. John, 120; portrait of Donatello, 195; Flagellation, 177 Lucca, Siege of, 65 Luke, St.: statue, 124 Lytton, Earl of, medallion portrait, 82 Madonnas: Bardini, 54, 178, 181; Beckerath, 182; Berlin, Pazzi, marble, 181; Orlandini, marble, 181; S.M.M. dei Pazzi, 185; Brancacci, 80; Capella Medici, group, 185; Courajod, 185; Dreyfus Desiderio, 81, 177; delle Treppe, 192; Eremitani, Paris, 184; Fontainebleau, 184; Kaufmann, 182; London-Weisbach, oval, 184; Milan, Pierino da Vinci, 81; Madonna of the Rose, London, 183; Padua, large bronze, 152; small relief, 180; Pietra Piana, 182; Piot, Louvre, 55, 183; Quincy Shaw, 81; Siena Cathedral, 181; Verona, 182; Wemyss, Earl of, 81 Magdalen: Florence baptistery, 144; London, 149; Berlin, 149 Malatesta Annalena: bust, 130 Mandorla door: prophets, 7 profile heads, 34 Manetti: biographer, 63, 195; supposed portrait, 11 Mantegna: relation to Donatello, 96, 150, 161, 187 Mark, St.: statue, 37 Martelli, David, 52, 113; patera, 176; shield, 68; St. John, 118 Martin V.: tomb of, 88 Marzocco, 67 Masaccio: paintings by, 161, 164, 195 Mataloni: horse's head, 175 Medallions in Medici palace, 97 Medallists, 59, 82 Medici: fountain, 166; exile, 88, 97; medallions, 97; Lorenzo de', 175 Medici, Capella, 185 Mengs, R.: criticism by, 27, 93 Meo: Donatello's assistant, 168 Michael Angelo: Moses, 15; technique, 53, 101; San Petronio, 71; relation to Donatello's art, 192; Bacchus, 192 Michelozzo, 39, 43, 48; partnership with Donatello, 72, 201; Brancacci tomb, 77; Aragazzi tomb, 76; Prato pulpit, 109; work at Milan, 115; statues of St. John, 149 Mino da Fiesole, 53, 191 Miracle reliefs at Padua, 156 Mocenigo: tomb, 14, 41 Montepulciano, Pasquino da, 75 Montorsoli, 46 Morosini: medallion, 97, 199 Moses: statue, 15 Nani: Donatello's assistant, 167 Nanni di Banco, 30, 190 Naples: Brancacci tomb, 77; bronze horse's head, 175 Narni: see Gattamelata Neroccio: sculptor, 70, 180, 192 Niccolò da Uzzano: bust, 121 Niccolo Niccoli, 194 Nollekens, 62 Nude: studies from, 101 Obadiah: statue, 18 d'Olanda, Francesco, 193 Orcagna, 6 Orlandini, Madonna, Berlin, 181 Orsa: Donatello's mother, 2, 202 Or san Michele: niche, 63, 104 Orvieto: Baptist for, 59 Padua in 1443, 149; work for altar, 149-176, 202 Pagno di Lapo, 78, 83 Painter: Donatello as, 59 Parthenon, 25, 105, 122 Pasquino da Montepulciano, 75 Patera Martelli, 176 Pazzi, Madonna, Berlin, 181 Pazzi: fountain, 66; shield, 68; frieze, 135 Pellegrini: chapel, 135, 184 Perseus, by Cellini, 141 Perugino: drawing by, 60 Peruzzi: drawings by, 60 Peter, St.: statue, 36 Petrarch, 90 Piero, Niccolo di; sculptor, 124 Pietà at Padua, bronze, 164 Piot: Madonna, 65 Pisa: Donatello at, 59, 78 Pisano Niccolo, 91 Pistoja: silver altar, 191 Plaquettes, 176 Pocetti, B.: drawing of façade of Duomo, 10 Poggio: statue, 12; on Rome, 90 Politics, influence of, 143 Pollaiuolo: his battle-piece, 179 Polychromacy, 121 Portrait of Donatello, 195 Pot tomb, Louvre, 79 Prato pulpit, 109 Procdocimus, St.: at Padua, bronze, 155 Pulpit Prato, 109 San Lorenzo, 186 Quaratesi: shield, 68 Quercia: Jacopo della, 3, 70, 53; his school, 191; Siena font, 70 Realism, 26 Reymond, Marcel: criticism, 108 Reynolds, Sir J.: on drapery, 31; on Gothic art, 45 Riccio, 191 Robbia: Andrea della, 104; Donatello's pall bearer, 194 Robbia: Luca della, 73; cantoria, 106, 108; portraits by, 125; bronze doors, 135, 202; lunettes, 151 Rome: Donatello's first journey to, 4; statue of St. John at, 57; Crivelli tomb, 83; Donatello's second journey to, 88; Rome in 1433, 88; tabernacle in St. Peter's, 94 Rossellino, 66, 91, 119, 191 Rosso: sculptor, 18, 191 Rossore, San: bust, 130, 201 Savonarola, 21 Sebastian, St.: bronze, M. André, 177 wood (now lost), 199 Sense of distance, 23 light and shade, 29 proportion, 30 nature, 27 Sermoneta: Duca di, 9 Shields: heraldic, 67; Martelli, 68 Siena: cathedral font, 70, 201; figures from font, 114, 105; Pecci tomb, 84; marble Madonna, 181; St. John Baptist, 146; statues on façade, 175 Simone: sculptor, 2, 88, 191 Soderini: supposed portrait of, 20 Sogliani, T.: work on Magdalen, 144 Sportello Venice, 177 Siena, 71 Squarcione, 150 Stiacciato, 80 Strabo: on marble, 78 Strozzi Filippo, 91 Strozzi Palla, 150 Summonte, 194 Sword hilt at Turin, 176 Symbols of Evangelists: Padua, 161 Tabernacle in Rome, 94 Technique: Donatello's, 53 Tita: Donatello's sister, 2, 202 Tombs: Coscia, drawings for, 61; history of, 72; Brancacci, 73, 77; Assumption, 80; Martin V., 88; Aragazzi, 73, 76; Medici Giovanni de', 72; Caretto, 82; Sixtus IV., 82; Albizzi, 83; Chellini, 83; Accaiuoli, 83; Crivelli, 83; Pecci, 84; Scaligers, 86; Rococo style, 87; Saltarello, 109; Fulgosio, 168; Gattamelata, 171; Roycelli, 170 Torrigiano, 80, 136 Turin sword hilt, 176 Turini, 70, 192 Ucello, Paolo: painter, 69, 195 Uffizzi gallery: drawings, 60 Urbano da Cortona, 191 Uzzano, Niccolò da: bust, 121 Valadier: sculptor, 97 Valente: Donatello's assistant, 168, 203 Vandalism, 8 in Rome, 88 Vasari: passim Vecchietta: sculptor, 191 Venice: horses of St. Mark's, 173 statue of St. John, 146 Sportello, 177 Verdiana, St.: reliquary, 200 Verona: Madonna, 182; sculpture on cathedral, 124; sculpture on San Zeno, 124 Verrocchio, 73, 99, 101, 105, 174 Vienna: entombment, 177 Vinci: Leonardo da, 22, 29, 66 Visconti, Marquise A.: Collection, 132, 185 Wallace Collection: reliefs, 110 Warfare: Donatello and, 65 Weisbach: Madonna, 184 Wemyss, Earl of, collection: Madonna, 81; St. Cecilia, 172; Walpole eagle, 162 Wood: employment in sculpture, 148 Zeno, San: Verona, 124 Zuccone: statue, 26, 96
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Uniform with this Volume
MICHAEL ANGELO BUONARROTI
BY
CHARLES HOLROYD
CURATOR OF THE NATIONAL GALLERY OF BRITISH ART
With Fifty-two Illustrations
"Mr. Holroyd has done excellent service. This story of a marvellous career is full of human charm.... Valuable book."—Standard.
"A serviceable and competent biography which many will be glad to see.... Numerous and excellent illustrations."—Literary World.
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"Mr. Holroyd's comprehensive study will be found useful and interesting. The illustrations are numerous and good."—Manchester Guardian.
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"This excellent work ... is as suited to the general reader as to the artist. We do not find those deserts of literary speculation so common to the lives of artists."—Spectator.
"The volume gives in a convenient form almost everything that the student for whom it is intended will need to know about Michael Angelo, and will prove a safe guide to his works. The illustrations are well chosen.... We are especially grateful for the engravings of those frescoes in the Pauline Chapel which every one writes about and no one publishes."—New York Evening Post.
THE PUBLISHERS HAVE ARRANGED TO ISSUE A
LIBRARY OF ART
IN STYLE SIMILAR TO THIS VOLUME
ALL SCHOOLS AND PERIODS will be represented, but only the Greatest Masters will emerge as Biographies. The rest will be treated in relation to their fellows and forerunners as incidents of a development.
The Series will, it is hoped, reflect the subject in its true proportions more closely than has been attempted hitherto. At the same time, the scope of the Series will admit of occasional monographs on little-known artists, when some specialist has been able to throw light by new researches on an obscure period. The æsthetic side will not be neglected, but the aim will be to make the Series a store-house of that positive knowledge which must form the basis of all opinion.
The following is a List of the Volumes now arranged for
THE CRITICISM OF ART
By A.J. FINBERG
SIX GREEK SCULPTORS
MYRON, PHEIDIAS POLYKLEITOS, SKOPAS, PRAXITELES, AND LYSIPPOS
By ERNEST GARDNER
Professor of Greek Archæology at University College, London
ROMAN ART, FROM AUGUSTUS TO CONSTANTINE
By Mrs. ARTHUR STRONG (Eugènie Sellers), LL.D.
MEDIÆVAL ART, TO GIOTTO
By W.R. LETHABY
DUCCIO, AND THE BEGINNINGS OF ITALIAN PAINTING
By PROFESSOR LANGTON DOUGLAS
GIOTTO
By B. DE SELINCOURT
GHIRLANDAJO AND THE EARLIER FLORENTINES
By BECKWITH SPENCER
Assistant Professor at the South Kensington School of Art
DONATELLO
By LORD BALCARRES
[Ready.
PISANELLO
By G.F. HILL
Of the Department of Coins and Medals in the British Museum
THE THREE BELLINI AND THE EARLIER VENETIANS
By G. McNEIL RUSHFORTH
Late Director of the British School at Rome
MICHAEL ANGELO BUONARROTI
By CHARLES HOLROYD
[Ready.
RAPHAEL AND HIS SCHOOL IN ROME
By C. RICKETTS
TITIAN
By DR. GEORG GRONAU
DÜRER
By T. STURGE MOORE
CORREGGIO
By T. STURGE MOORE
FRENCH PAINTING IN THE SIXTEENTH CENTURY
By L. DIMIER
[Immediately.