Miscellaneous Poems.

NO HAY PÁJAROS EN LOS NIDOS DE ANTAÑO. Spanish Proverb.

The sun is bright, the air is clear, The darting swallows soar and sing, And from the stately elms I hear The blue-bird prophesying Spring. So blue yon winding river flows, It seems an outlet from the sky, Where, waiting till the west wind blows, The freighted clouds at anchor lie. All things are new;—the buds, the leaves, That gild the elm-tree’s nodding crest, And even the nest beneath the eaves;— There are no birds in last year’s nest! All things rejoice in youth and love, The fulness of their first delight! And learn from the soft heavens above The melting tenderness of night. Maiden, that read’st this simple rhyme, Enjoy thy youth, it will not stay; Enjoy the fragrance of thy prime, For O! it is not always May! Enjoy the Spring of Love and Youth, To some good angel leave the rest; For time will teach thee soon the truth, There are no birds in last year’s nest.

The day is cold, and dark, and dreary; It rains, and the wind is never weary; The vine still clings to the mouldering wall, But at every gust the dead leaves fall, And the day is dark and dreary. My life is cold, and dark, and dreary; It rains, and the wind is never weary; My thoughts still cling to the mouldering Past, But the hopes of youth fall thick in the blast, And the days are dark and dreary. Be still, sad heart! and cease repining; Behind the clouds is the sun still shining; Thy fate is the common fate of all, Into each life some rain must fall, Some days must be dark and dreary.

Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate’er he can, And looks the whole world in the face, For he owes not any man. Week in, week out, from morn till night, You can hear his bellows blow; You can hear him swing his heavy sledge, With measured beat and slow, Like a sexton ringing the village bell, When the evening sun is low. And children coming home from school Look in at the open door; They love to see the flaming forge, And hear the bellows roar, And catch the burning sparks that fly Like chaff from a threshing-floor. He goes on Sunday to the church, And sits among his boys; He hears the parson pray and preach, He hears his daughter’s voice, Singing in the village choir, And it makes his heart rejoice. It sounds to him like her mother’s voice, Singing in Paradise! He needs must think of her once more, How in the grave she lies; And with his hard, rough hand he wipes A tear out of his eyes. Toiling—rejoicing—sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night’s repose. Thanks, thanks to thee, my worthy friend, For the lesson thou hast taught! Thus at the flaming forge of life Our fortunes must be wrought; Thus on its sounding anvil shaped Each burning deed and thought.

The rising moon has hid the stars; Her level rays, like golden bars, Lie on the landscape green, With shadows brown between. And silver white the river gleams, As if Diana in her dreams, Had dropt her silver bow Upon the meadows low. On such a tranquil night as this, She woke Endymion with a kiss, When sleeping in the grove, He dreamed not of her love. Like Dian’s kiss, unasked, unsought, Love gives itself, but is not bought; Nor voice nor sound betrays Its deep, impassioned gaze. It comes—the beautiful, the free, The crown of all humanity— In silence and alone To seek the elected one. It lifts the boughs, whose shadows deep Are life’s oblivion, the soul’s sleep, And kisses the closed eyes Of him who slumbering lies. O, weary hearts! O, slumbering eyes! O, drooping souls whose destinies Are fraught with fear and pain, Ye shall be loved again! No one is so accursed by fate, No one so utterly desolate, But some heart, though unknown, Responds unto his own. Responds—as if with unseen wings An angel touched its quivering strings; And whispers, in its song, “Where hast thou stayed so long?”

I like that ancient Saxon phrase, which calls The burial-ground God’s-Acre! It is just; It consecrates each grave within its walls, And breathes a benison o’er the sleeping dust. God’s-Acre! Yes, that blessed name imparts Comfort to those who in the grave have sown The seed, that they had garnered in their hearts, Their bread of life—alas! no more their own. Into its furrows shall we all be cast, In the sure faith that we shall rise again At the great harvest, when the archangel’s blast Shall winnow, like a fan, the chaff and grain. Then shall the good stand in immortal bloom, In the fair gardens of that second birth; And each bright blossom mingle its perfume With that of flowers, which never bloomed on earth. With thy rude ploughshare, Death, turn up the sod, And spread the furrow for the seed we sow; This is the field and Acre of our God, This is the place where human harvests grow.

River! that in silence windest Through the meadows bright and free, Till at length thy rest thou findest In the bosom of the sea! Four long years of mingled feeling, Half in rest, and half in strife, I have seen thy waters stealing Onward, like the stream of life. Thou hast taught me, Silent River! Many a lesson, deep and long; Thou hast been a generous giver; I can give thee but a song. Oft in sadness and in illness, I have watched thy current glide, Till the beauty of its stillness Overflowed me, like a tide. And in better hours and brighter, When I saw thy waters gleam, I have felt my heart beat lighter, And leap onward with thy stream. Not for this alone I love thee, Nor because thy waves of blue From celestial seas above thee Take their own celestial hue. Where yon shadowy woodlands hide thee, And thy waters disappear, Friends I love have dwelt beside thee, And have made thy margin dear. More than this;—thy name reminds me Of three friends, all true and tried; And that name, like magic, binds me Closer, closer to thy side. Friends my soul with joy remembers! How like quivering flames they start, When I fan the living embers On the hearthstone of my heart! ’Tis for this, thou Silent River! That my spirit leans to thee; Thou hast been a generous giver, Take this idle song from me.

Blind Bartimeus at the gates Of Jericho in darkness waits; He hears the crowd;—he hears a breath Say, “It is Christ of Nazareth!” And calls in tones of agony, Ἰηδοῦ, ἐλέηδόν υε! The thronging multitudes increase; Blind Bartimeus, hold thy peace! But still, above the noisy crowd, The beggar’s cry is shrill and loud; Until they say, “He calleth thee!” Θάξσει, ἔλξιζαι, φωνεἶ σε! Then saith the Christ, as silent stands The crowd, “What wilt thou at my hands?” And he replies, “O give me light! Rabbi, restore the blind man’s sight!” And Jesus answers, “Υπαγε Ἠ πίστις σον σέσωκέ σε!” Ye that have eyes, yet cannot see, In darkness and in misery, Recall those mighty Voices Three, Ἰηδοῦ, ἐλέηδόν υε! Θάξσει, ἔλξιζαι, Υπαγε! Ἠ πίστις σον σέσωκέ σε!”

Filled is Life’s goblet to the brim; And though my eyes with tears are dim, I see its sparkling bubbles swim, And chant a melancholy hymn With solemn voice and slow. No purple flowers,—no garlands green, Conceal the goblet’s shade or sheen, Nor maddening draughts of Hippocrene, Like gleams of sunshine, flash between Thick leaves of mistletoe. This goblet, wrought with curious art, Is filled with waters, that upstart, When the deep fountains of the heart, By strong convulsions rent apart, Are running all to waste. And as it mantling passes round, With fennel is it wreathed and crowned, Whose seed and foliage sun-imbrowned Are in its waters steeped and drowned, And give a bitter taste. Above the lowly plants it towers, The fennel, with its yellow flowers, And in an earlier age than ours Was gifted with the wondrous powers, Lost vision to restore. It gave new strength, and fearless mood; And gladiators, fierce and rude, Mingled it in their daily food; And he who battled and subdued, A wreath of fennel wore. Then in Life’s goblet freely press The leaves that give it bitterness, Nor prize the coloured waters less, For in thy darkness and distress New light and strength they give! And he who has not learned to know How false its sparkling bubbles show, How bitter are the drops of woe, With which its brim may overflow, He has not learned to live. The prayer of Ajax was for light; Through all that dark and desperate fight, The blackness of that noonday night, He asked but the return of sight, To see his foeman’s face. Let our unceasing, earnest prayer Be, too, for light,—for strength to bear Our portion of the weight of care, That crushes into dumb despair One half the human race. O suffering, sad humanity! O ye afflicted ones who lie Steeped to the lips in misery, Longing, and yet afraid to die, Patient, though sorely tried! I pledge you in this cup of grief, Where floats the fennel’s bitter leaf, The Battle of our Life is brief, The alarm,—the struggle,—the relief,— Then sleep we side by side.

My way is on the bright blue sea, My sleep upon the rocky tide; And many an eye has followed me, Where billows clasp the worn sea-side. My plumage bears the crimson blush, When ocean by the sun is kissed! When fades the evening’s purple flush, My dark wing cleaves the silver mist. Full many a fathom down beneath The bright arch of the splendid deep, My ear has heard the sea-shell breathe O’er living myriads in their sleep. They rested by the coral throne, And by the pearly diadem, Where the pale sea-grape had overgrown The glorious dwelling made for them. At night, upon my storm-drenched wing, I poised above a helmless bark, And soon I saw the shattered thing Had passed away and left no mark. And when the wind and storm had done, A ship, that had rode out the gale, Sunk down without a signal-gun, And none was left to tell the tale. I saw the pomp of day depart— The cloud resign its golden crown, When to the ocean’s beating heart The sailor’s wasted corse went down. Peace be to those whose graves are made Beneath the bright and silver sea! Peace that their relics there were laid, With no vain pride and pageantry.

In the ancient town of Bruges, In the quaint old Flemish city, As the evening shades descended, Low and loud and sweetly blended, Low at times and loud at times, And changing like a poet’s rhymes, Rang the beautiful wild chimes, From the Belfry in the market Of the ancient town of Bruges. Then, with deep sonorous clangour Calmly answering their sweet anger, When the wrangling bells had ended, Slowly struck the clock eleven, And, from out the silent heaven, Silence on the town descended. Silence, silence everywhere, On the earth and in the air, Save that footsteps here and there Of some burgher home returning, By the street lamps faintly burning, For a moment woke the echoes Of the ancient town of Bruges. But amid my broken slumbers Still I heard those magic numbers, As they loud proclaimed the flight And stolen marches of the night; Till their chimes in sweet collision Mingled with each wandering vision, Mingled with the fortune-telling Gipsy-bands of dreams and fancies, Which amid the waste expanses Of the silent land of trances Have their solitary dwelling. All else seemed asleep in Bruges, In the quaint old Flemish city. And I thought how like these chimes Are the poet’s airy rhymes, All his rhymes and roundelays, His conceits, and songs, and ditties, From the belfry of his brain, Scattered downward, though in vain, On the roofs and stones of cities! For by night the drowsy ear Under its curtains cannot hear, And by day men go their ways, Hearing the music as they pass, But deeming it no more, alas! Than the hollow sound of brass. Yet perchance a sleepless wight, Lodging at some humble inn In the narrow lanes of life, When the dusk and hush of night Shut out the incessant din Of daylight and its toil and strife, May listen with a calm delight To the poet’s melodies, Till he hears, or dreams he hears, Intermingled with the song, Thoughts that he has cherished long; Hears amid the chime and singing The bells of his own village ringing, And wakes, and finds his slumberous eyes Wet with most delicious tears. Thus dreamed I, as by night I lay In Bruges, at the Fleur-de-Blé, Listening with a wild delight To the chimes that, through the night, Rang their changes from the Belfry Of that quaint old Flemish city.

The Belfry of Bruges. In the market-place of Bruges stands the belfry old and brown; Thrice consumed and thrice rebuilded, still it watches o’er the town. As the summer morn was breaking, on that lofty tower I stood, And the world threw off the darkness, like the weeds of widowhood. Thick with towns and hamlets studded, and with streams and vapours grey, Like a shield embossed with silver, round and vast the landscape lay. At my feet the city slumbered. From its chimneys, here and there, Wreaths of snow-white smoke, ascending, vanished, ghost-like, into air. Not a sound rose from the city at that early morning hour, But I heard a heart of iron beating in the ancient tower. From their nests beneath the rafters sang the swallows wild and high, And the world, beneath me sleeping, seemed more distant than the sky. Then most musical and solemn, bringing back the olden times, With their strange, unearthly changes rang the melancholy chimes. Like the psalms from some old cloister, when the nuns sing in the choir; And the great bell tolled among them, like the chanting of a friar. Visions of the days departed, shadowy phantoms filled my brain; They who live in history only seemed to walk the earth again; All the Foresters of Flanders,⁠[2]—mighty Baldwin Bras de Fer,⁠[3] Lyderick du Bucq⁠[4] and Cressy, Philip, Guy de Dampierre.⁠[5] I beheld the pageants splendid, that adorned those days of old; Stately dames, like queens attended, knights who bore the Fleece of Gold; Lombard and Venetian merchants with deep-laden argosies; Ministers from twenty nations; more than royal pomp and ease. I beheld proud Maximilian,⁠[6] kneeling humbly on the ground; I beheld the gentle Mary,⁠[7] hunting with her hawk and hound; And her lighted bridal chamber, where a duke slept with the queen, And the armèd guard around them, and the sword unsheathed between.⁠[8] I beheld the Flemish weavers, with Namur and Juliers bold, Marching homeward from the bloody battle of the Spurs of Gold;⁠[9] Saw the fight at Minnewater,⁠[10] saw the White Hoods moving West, Saw great Artevelde victorious scale the Golden Dragon’s nest;⁠[11] And again the whiskered Spaniard all the land with terror smote; And again the wild alarum sounded from the tocsin’s throat; Till the bell of Ghent responded o’er lagoon and dike of sand, “I am Roland! I am Roland!⁠[12] there is victory in the land!” Then the sound of drums aroused me. The awakened city’s roar Chased the phantoms I had summoned back into their graves once more. Hours had passed away like minutes; and, before I was aware, Lo! the shadow of the belfry crossed the sun-illumined square.

Maiden! with the meek, brown eyes, In whose orbs a shadow lies, Like the dusk in evening skies! Thou whose locks outshine the sun, Golden tresses, wreathed in one, As the braided streamlets run! Standing, with reluctant feet, Where the brook and river meet, Womanhood and childhood fleet! Gazing, with a timid glance, On the brooklet’s swift advance, On the river’s broad expanse! Deep and still, that gliding stream Beautiful to thee must seem, As the river of a dream. Then why pause with indecision, When bright angels in thy vision Beckon thee to fields Elysian? Seest thou shadows sailing by, As the dove, with startled eye, Sees the falcon’s shadow fly? Hearest thou voices on the shore, That our ears perceive no more, Deafened by the cataract’s roar? O thou child of many prayers! Life hath quicksands,—Life hath snares! Care and age come unawares! Like the swell of some sweet tune, Morning rises into noon, May glides onward into June. Childhood is the bough, where slumbered Birds and blossoms many-numbered;— Age, that bough with snows encumbered. Gather, then, each flower that grows, When the young heart overflows, To embalm that tent of snows. Bear a lily in thy hand; Gates of brass cannot withstand One touch of that magic wand. Bear through sorrow, wrong, and ruth, In thy heart the dew of youth, On thy lips the smile of truth. O, that dew, like balm, shall steal Into wounds, that cannot heal, Even as sleep our eyes doth seal; And that smile, like sunshine, dart Into many a sunless heart, For a smile of God thou art.

This is the Arsenal. From floor to ceiling, Like a huge organ, rise the burnished arms; But from their silent pipes no anthem pealing Startles the villages with strange alarms. Ah! what a sound will rise, how wild and dreary, When the death-angel touches those swift keys! What loud lament and dismal Miserere Will mingle with their awful symphonies! I hear even now the infinite fierce chorus, The cries of agony, the endless groan, Which, through the ages that have gone before us, In long reverberations reach our own. On helm and harness rings the Saxon hammer, Through Cimbric forest roars the Norseman’s song, And loud, amid the universal clamour, O’er distant deserts sounds the Tartar gong. I hear the Florentine, who from his palace Wheels out his battle-bell with dreadful din, And Aztec priests upon their teocallis Beat the wild war-drums made of serpent’s skin; The tumult of each sacked and burning village; The shout that every prayer for mercy drowns; The soldier’s revels in the midst of pillage; The wail of famine in beleaguered towns; The bursting shell, the gateway wrenched asunder, The rattling musketry, the clashing blade; And ever and anon, in tones of thunder, The diapason of the cannonade. Is it, O man, with such discordant noises, With such accursèd instruments as these, Thou drownest Nature’s sweet and kindly voices, And jarrest the celestial harmonies? Were half the power that fills the world with terror, Were half the wealth bestowed on camps and courts, Given to redeem the human mind from error, There were no need of arsenals nor forts: The warrior’s name would be a name abhorrèd! And every nation that should lift again Its hand against a brother, on its forehead Would wear for evermore the curse of Cain! Down the dark future, through long generations, The echoing sounds grow fainter, and then cease; And like a bell, with solemn, sweet vibrations, I hear once more the voice of Christ say, “Peace!” Peace! and no longer from its brazen portals The blast of War’s great organ shakes the skies! But beautiful as songs of the immortals, The holy melodies of love arise.

This is the place. Stand still, my steed, Let me review the scene, And summon from the shadowy Past The forms that once have been. The Past and Present here unite Beneath Time’s flowing tide, Like footprints hidden by a brook, But seen on either side. Here runs the highway to the town; There the green lane descends, Through which I walked to church with thee, O gentlest of my friends! The shadow of the linden-trees Lay moving on the grass; Between them and the moving boughs, A shadow, thou didst pass. Thy dress was like the lilies, And thy heart as pure as they: One of God’s holy messengers Did walk with me that day. I saw the branches of the trees Bend down thy touch to meet, The clover-blossoms in the grass Rise up to kiss thy feet. “Sleep, sleep to-day, tormenting cares, Of earth and folly born!” Solemnly sang the village choir On that sweet Sabbath morn. Through the closed blinds the golden sun Poured in a dusty beam, Like the celestial ladder seen By Jacob in his dream. And ever and anon the wind, Sweet-scented with the hay, Turned o’er the hymn-book’s fluttering leaves That on the window lay. Long was the good man’s sermon, Yet it seemed not so to me; For he spake of Ruth the beautiful, And still I thought of thee. Long was the prayer he uttered, Yet it seemed not so to me; For in my heart I prayed with him, And still I thought of thee. But now, alas! the place seems changed; Thou art no longer here: Part of the sunshine of the scene With thee did disappear. Though thoughts, deep-rooted in my heart, Like pine-trees, dark and high, Subdue the light of noon, and breathe A low and ceaseless sigh; This memory brightens o’er the past, As when the sun, concealed Behind some cloud that near us hangs, Shines on a distant field.

In the valley of the Pegnitz, where across broad meadow-lands Rise the blue Franconian mountains, Nuremberg the ancient stands. Quaint old town of toil and traffic, quaint old town of art and song, Memories haunt thy pointed gables, like the rooks that round them throng: Memories of the Middle Ages, when the emperors, rough and bold, Had their dwelling in thy castle, time-defying, centuries old; And thy brave and thrifty burghers boasted, in their uncouth rhyme, That their great imperial city stretched its hand through every clime.⁠[13] In the court-yard of the castle, bound with many an iron band, Stands the mighty linden planted by Queen Cunigunde’s hand; On the square the oriel window, where in old heroic days Sat the poet Melchior⁠[14] singing Kaiser Maximilian’s praise. Everywhere I see around me rise the wondrous world of Art: Fountains wrought with richest sculpture standing in the common mart; And above cathedral doorways saints and bishops carved in stone, By a former age commissioned as apostles to our own. In the church of sainted Sebald sleeps enshrined his holy dust,⁠[15] And in bronze the Twelve Apostles guard from age to age their trust; In the church of sainted Lawrence stands a pix of sculpture rare, Like the foamy sheaf of fountains, rising through the painted air. Here, when Art was still religion, with a simple, reverent heart, Lived and laboured Albrecht Dürer, the Evangelist of Art; Hence in silence and in sorrow, toiling still with busy hand, Like an emigrant he wandered, seeking for the Better Land. Emigravit is the inscription on the tombstone where he lies; Dead he is not,—but departed,—for the artist never dies. Fairer seems the ancient city, and the sunshine seems more fair, That he once has trod its pavement, that he once has breathed its air! Through these streets so broad and stately, these obscure and dismal lanes, Walked of yore the Master-singers, chanting rude poetic strains. From remote and sunless suburbs, came they to the friendly guild, Building nests in Fame’s great temple, as in spouts the swallows build. As the weaver plied the shuttle, wove he too the mystic rhyme, And the smith his iron measures hammered to the anvil’s chime; Thanking God, whose boundless wisdom makes the flowers of poesy bloom In the forge’s dust and cinders, in the tissues of the loom. Here Hans Sachs,⁠[16] the cobbler-poet, laureate of the gentle craft, Wisest of the Twelve Wise Masters, in huge folios sang and laughed. But his house is now an alehouse, with a nicely sanded floor, And a garland in the window, and his face above the door; Painted by some humble artist, as in Adam Puschman’s song,⁠[17] As “the old man grey and dove-like,” with his great beard white and long. And at night the swart mechanic comes to drown his cark and care, Quaffing ale from pewter tankards, in the master’s antique chair. Vanished is the ancient splendour, and before my dreamy eye Wave these mingling shapes and figures, like a faded tapestry. Not thy Councils, not thy Kaisers, win for thee the world’s regard; But thy painter, Albrecht Dürer, and Hans Sachs, thy cobbler-bard. Thus, O Nuremberg, a wanderer from a region far away, As he paced thy streets and court-yards, sang in thought his careless lay: Gathering from the pavement’s crevice, as a floweret of the soil, The nobility of labour,—the long pedigree of toil.

When the summer harvest was gathered in, And the sheaf of the gleaner grew white and thin, And the ploughshare was in its furrow left, Where the stubble land had been lately cleft, An Indian hunter, with unstrung bow, Looked down where the valley lay stretched below. He was a stranger there, and that day Had been out on the hills, a perilous way, But the foot of the deer was far and fleet, And the wolf kept aloof from the hunter’s feet, And bitter feelings passed o’er him then, As he stood by the populous haunts of men. The winds of autumn came over the woods, As the sun stole out from their solitudes; The moss was white on the maple’s trunk, And dead from its arms the pale vine shrunk, And ripened the mellow fruit hung, and red Where the trees’ withered leaves around it shed. The foot of the reaper moved slow on the lawn, And the sickle cut down the yellow corn; The mower sang loud by the meadow side, Where the mists of evening were spreading wide; And the voice of the herdsman came up the lea, And the dance went round by the greenwood tree. Then the hunter turned away from that scene, Where the home of his fathers once had been, And heard, by the distant and measured stroke, That the woodman hewed down the giant oak— And burning thoughts flashed over his mind, Of the white man’s faith, and love unkind. The moon of the harvest grew high and bright, As her golden horn pierced the cloud of white,— A footstep was heard in the rustling brake, Where the beech overshadowed the misty lake, A mourning voice, and a plunge from shore, And the hunter was seen on the hills no more. When years had passed on, by that still lake side, The fisher looked down through the silver tide, And there, on the smooth yellow sand displayed, A skeleton wasted and white was laid, And ’twas seen, as the waters moved deep and slow, That the hand was still grasping a hunter’s bow.

In his chamber, weak and dying, Was the Norman baron lying; Loud, without, the tempest thundered, And the castle-turret shook. In this fight was Death the gainer, Spite of vassal and retainer, And the lands his sires had plundered, Written in the Doomsday Book. By his bed a monk was seated, Who in a humble voice repeated Many a prayer and pater-noster, From the missal on his knee; And, amid the tempest pealing, Sounds of bells came faintly stealing, Bells that, from the neighbouring kloster, Rang for the Nativity. In the hall, the serf and vassal Held, that night, their Christmas wassail; Many a carol, old and saintly, Sang the minstrels and the waits. And so loud these Saxon gleemen Sang to slaves the songs of freemen, That the storm was heard but faintly, Knocking at the castle-gates. Till at length the lays they chanted Reached the chamber terror-haunted, Where the monk, with accents holy, Whispered at the baron’s ear. Tears upon his eyelids glistened, As he paused awhile and listened, And the dying baron slowly Turned his weary head to hear. “Wassail for the kingly stranger Born and cradled in a manger! King, like David, priest, like Aaron, Christ is born to set us free!” And the lightning showed the sainted Figures on the casement painted, And exclaimed the shuddering baron, “Miserere, Domine!” In that hour of deep contrition, He beheld, with clearer vision, Through all outward show and fashion, Justice, the Avenger, rise. All the pomp of earth had vanished, Falsehood and deceit were banished, Reason spake more loud than passion, And the truth wore no disguise. Every vassal of his banner, Every serf born to his manor, All those wronged and wretched creatures, By his hand were freed again. And, as on the sacred missal He recorded their dismissal, Death relaxed his iron features, And the monk replied, “Amen!” Many centuries have been numbered Since in death the baron slumbered By the convent’s sculptured portal, Mingling with the common dust: But the good deed, through the ages Living in historic pages, Brighter grows and gleams immortal, Unconsumed by moth or rust.

Dear child! how radiant on thy mother’s knee, With merry-making eyes and jocund smiles, Thou gazest at the painted tiles, Whose figures grace, With many a grotesque form and face, The ancient chimney of thy nursery! The lady with the gay macaw, The dancing girl, the brave bashaw With bearded lip and chin; And, leaning idly o’er his gate, Beneath the imperial fan of state, The Chinese mandarin. With what a look of proud command Thou shakest in thy little hand The coral rattle with its silver bells, Making a merry tune! Thousands of years in Indian seas That coral grew, by slow degrees, Until some deadly and wild monsoon Dashed it on Coromandel’s sand! Those silver bells Reposed of yore, As shapeless ore, Far down in the deep sunken wells Of darksome mines, In some obscure and sunless place, Beneath huge Chimborazo’s base, Or Potosí’s o’erhanging pines! And thus for thee, O little child, Through many a danger and escape, The tall ships passed the stormy cape; For thee in foreign lands remote, Beneath the burning, tropic clime, The Indian peasant, chasing the wild goat, Himself as swift and wild, In falling, clutched the frail arbute, The fibres of whose shallow root, Uplifted from the soil, betrayed The silver veins beneath it laid, The buried treasures of the miser, Time. But, lo! thy door is left ajar! Thou hearest footsteps from afar! And, at the sound, Thou turnest round With quick and questioning eyes, Like one who, in a foreign land, Beholds on every hand Some source of wonder and surprise! And, restlessly, impatiently, Thou strivest, strugglest, to be free. The four walls of thy nursery Are now like prison walls to thee. No more thy mother’s smiles, No more the painted tiles, Delight thee, nor the playthings on the floor That won thy little, beating heart before; Thou strugglest for the open door. Through these once solitary halls Thy pattering footstep falls. The sound of thy merry voice Makes the old walls Jubilant, and they rejoice With the joy of thy young heart, O’er the light of whose gladness No shadows of sadness From the sombre background of memory start. Once, ah, once, within these walls, One whom memory oft recalls, The Father of his Country, dwelt. And yonder meadows broad and damp The fires of the besieging camp Encircled with a burning belt. Up and down these echoing stairs, Heavy with the weight of cares, Sounded his majestic tread; Yes, within this very room Sat he in those hours of gloom, Weary both in heart and head. But what are these grave thoughts to thee? Out, out! into the open air! Thy only dream is liberty, Thou carest little how or where. I see thee eager at thy play, Now shouting to the apples on the tree, With cheeks as round and red as they; And now among the yellow stalks, Among the flowering shrubs and plants, As restless as the bee. Along the garden walks, The tracks of thy small carriage-wheels I trace; And see at every turn how they efface Whole villages of sand-roofed tents, That rise like golden domes Above the cavernous and secret homes Of wandering and nomadic tribes of ants. Ah, cruel little Tamerlane, Who, with thy dreadful reign, Dost persecute and overwhelm These hapless Troglodytes of thy realm! What! tired already! with those suppliant looks, And voice more beautiful than a poet’s books, Or murmuring sound of water as it flows, Thou comest back to parley with repose! This rustic seat in the old apple-tree, With its o’erhanging golden canopy Of leaves illuminate with autumnal hues, And shining with the argent light of dews, Shall for a season be our place of rest. Beneath us, like an oriole’s pendent nest, From which the laughing birds have taken wing, By thee abandoned, hangs thy vacant swing. Dreamlike the waters of the river gleam; A sailless vessel drops adown the stream, And like it, to a sea as wide and deep, Thou driftest gently down the tides of sleep. O child! O new-born denizen Of life’s great city! on thy head The glory of the morn is shed, Like a celestial benison! Here at the portal thou dost stand, And with thy little hand Thou openest the mysterious gate Into the future’s undiscovered land, I see its valves expand, As at the touch of Fate! Into those realms of love and hate, Into that darkness blank and drear, By some prophetic feeling taught, I launch the bold, adventurous thought, Freighted with hope and fear; As upon subterranean streams, In caverns unexplored and dark, Men sometimes launch a fragile bark, Laden with flickering fire, And watch its swift-receding beams, Until at length they disappear, And in the distant dark expire. By what astrology of fear or hope Dare I to cast thy horoscope! Like the new moon thy life appears; A little strip of silver light, And widening outward into night The shadowy disk of future years; And yet upon its outer rim, A luminous circle, faint and dim, And scarcely visible to us here, Rounds and completes the perfect sphere; A prophecy and intimation, A pale and feeble adumbration, Of the great world of light, that lies Behind all human destinies. Ah! if thy fate, with anguish fraught, Should be to wet the dusty soil With the hot tears and sweat of toil,— To struggle with imperious thought, Until the overburdened brain, Weary with labour, faint with pain, Like a jarred pendulum, retain Only its motion, not its power,— Remember, in that perilous hour, When most afflicted and oppressed, From labour there shall come forth rest. And if a more auspicious fate On thy advancing steps await, Still let it ever be thy pride To linger by the labourer’s side; With words of sympathy or song To cheer the dreary march along Of the great army of the poor, O’er desert sand, o’er dangerous moor. Nor to thyself the task shall be Without reward; for thou shalt learn The wisdom early to discern True beauty in utility; As great Pythagoras of yore, Standing beside the blacksmith’s door, And hearing the hammers, as they smote The anvils with a different note, Stole from the varying tones, that hung Vibrant on every iron tongue, The secret of the sounding wire, And formed the seven-chorded lyre. Enough! I will not play the Seer; I will no longer strive to ope The mystic volume, where appear The herald Hope, forerunning Fear, And Fear, the pursuivant of Hope. Thy destiny remains untold; For, like Acestes’ shaft of old, The swift thought kindles as it flies, And burns to ashes in the skies.

I saw, as in a dream sublime, The balance in the hand of Time. O’er East and West its beam impended; And day, with all its hours of light, Was slowly sinking out of sight, While, opposite, the scale of night Silently with the stars ascended. Like the astrologers of eld, In that bright vision I beheld Greater and deeper mysteries. I saw, with its celestial keys, Its chords of air, its frets of fire, The Samian’s great Æolian lyre, Rising through all its sevenfold bars, From earth unto the fixèd stars. And through the dewy atmosphere, Not only could I see, but hear, Its wondrous and harmonious strings, Its sweet vibration, sphere by sphere, From Dian’s circle light and near, Onward to vaster and wider rings, Where, chanting through his beard of snows, Majestic, mournful, Saturn goes, And down the sunless realms of space Reverberates the thunder of his bass. Beneath the sky’s triumphal arch This music sounded like a march, And with its chorus seemed to be Preluding some great tragedy. Sirius was rising in the east; And, slow ascending one by one, The kindling constellations shone. Begirt with many a blazing star, Stood the great giant Algebar, Orion, hunter of the beast! His sword hung gleaming by his side. And, on his arm, the lion’s hide Scattered across the midnight air The golden radiance of its hair. The moon was pallid, but not faint, And beautiful as some fair saint, Serenely moving on her way In hours of trial and dismay. As if she heard the voice of God, Unharmed with naked feet she trod Upon the hot and burning stars, As on the glowing coals and bars That were to prove her strength, and try Her holiness and her purity. Thus moving on, with silent pace, And triumph in her sweet, pale face, She reached the station of Orion. Aghast he stood in strange alarm! And suddenly from his outstretched arm Down fell the red skin of the lion Into the river at his feet. His mighty club no longer beat The forehead of the bull; but he Reeled as of yore beside the sea, When, blinded by Œnopion, He sought the blacksmith at his forge, And, climbing up the mountain gorge, Fixed his blank eyes upon the sun. Then, through the silence overhead, An angel with a trumpet said, “For evermore, for evermore, The reign of violence is o’er!” And like an instrument that flings Its music on another’s strings, The trumpet of the angel cast Upon the heavenly lyre its blast, And on from sphere to sphere the words Re-echoed down the burning chords,— “For evermore, for evermore, The reign of violence is o’er!”

How beautiful is the rain! After the dust and heat, In the broad and fiery street, In the narrow lane, How beautiful is the rain! How it clatters along the roofs, Like the tramp of hoofs! How it gushes and struggles out From the throat of the overflowing spout! Across the window pane It pours and pours; And swift and wide, With a muddy tide, Like a river down the gutter roars The rain, the welcome rain! The sick man from his chamber looks At the twisted brooks; He can feel the cool Breath of each little pool; His fevered brain Grows calm again, And he breathes a blessing on the rain. From the neighbouring school Come the boys, With more than their wonted noise And commotion; And down the wet streets Sail their mimic fleets, Till the treacherous pool Engulfs them in its whirling And turbulent ocean. In the country, on every side Where far and wide, Like a leopard’s tawny and spotted hide, Stretches the plain, To the dry grass and the drier grain How welcome is the rain! In the furrowed land The toilsome and patient oxen stand; Lifting the yoke-encumbered head, With their dilated nostrils spread, They silently inhale The clover-scented gale, And the vapours that arise From the well-watered and smoking soil. For this rest in the furrow after toil Their large and lustrous eyes Seem to thank the Lord, More than man’s spoken word. Near at hand, From under the sheltering trees, The farmer sees His pastures, and his fields of grain, As they bend their tops To the numberless beating drops Of the incessant rain. He counts it as no sin That he sees therein Only his own thrift and gain. These, and far more than these, The Poet sees! He can behold Aquarius old Walking the fenceless fields of air, And from each ample fold Of the clouds about him rolled Scattering everywhere The showery rain, As the farmer scatters his grain. He can behold Things manifold That have not yet been wholly told, Have not been wholly sung or said. For his thought, that never stops, Follows the water-drops Down to the graves of the dead, Down through chasms and gulfs profound, To the dreary fountain-head Of lakes and rivers underground; And sees them, when the rain is done, On the bridge of colours seven Climbing up once more to heaven, Opposite the setting sun. Thus the Seer, With vision clear, Sees forms appear and disappear, In the perpetual round of strange, Mysterious change From birth to death, from death to birth, From earth to heaven, from heaven to earth; Till glimpses more sublime Of things, unseen before, Unto his wondering eyes reveal The Universe, as an immeasurable wheel Turning for evermore In the rapid and rushing river of Time.

I stood on the bridge at midnight, As the clocks were striking the hour, And the moon rose o’er the city, Behind the dark church-tower. I saw her bright reflection In the waters under me, Like a golden goblet falling And sinking into the sea. And far in the hazy distance Of that lovely night in June, The blaze of the flaming furnace Gleamed redder than the moon. Among the long, black rafters The wavering shadows lay, And the current that came from the ocean Seemed to lift and bear them away; As, sweeping and eddying through them, Rose the belated tide, And, streaming into the moonlight, The sea-weed floated wide. And like those waters rushing Among the wooden piers, A flood of thoughts came o’er me That filled my eyes with tears. How often, oh, how often, In the days that had gone by, I had stood on that bridge at midnight, And gazed on that wave and sky! How often, oh, how often, I had wished that the ebbing tide Would bear me away on its bosom O’er the ocean wild and wide! For my heart was hot and restless, And my life was full of care, And the burden laid upon me Seemed greater than I could bear. But now it has fallen from me, It is buried in the sea; And only the sorrow of others Throws its shadow over me. Yet whenever I cross the river, On its bridge with wooden piers, Like the odour of brine from the ocean Comes the thought of other years. And I think how many thousands Of care-encumbered men, Each bearing his burden of sorrow, Have crossed the bridge since then! I see the long procession Still passing to and fro, The young heart hot and restless, And the old subdued and slow. And for ever and for ever, As long as the river flows, As long as the heart has passions, As long as life has woes; The moon and its broken reflection And its shadows shall appear, As the symbol of love in heaven, And its wavering image here.

The shades of night were falling fast, As through an Alpine village passed A youth, who bore, ’mid snow and ice, A banner, with the strange device, Excelsior! His brow was sad; his eye beneath Flashed like a falchion from its sheath, And like a silver clarion rung The accents of that unknown tongue, Excelsior! In happy homes he saw the light Of household fires gleam warm and bright; Above, the spectral glaciers shone, And from his lips escaped a groan, Excelsior! “Try not the Pass!” the old man said; “Dark lowers the tempest overhead, The roaring torrent is deep and wide!” And loud that clarion voice replied, Excelsior! “O stay,” the maiden said, “and rest Thy weary head upon this breast!” A tear stood in his bright blue eye, But still he answered, with a sigh, Excelsior! “Beware the pine-tree’s withered branch! Beware the awful avalanche!” This was the peasant’s last Good-night, A voice replied, far up the height, Excelsior! At break of day, as heavenward The pious monks of Saint Bernard Uttered the oft-repeated prayer, A voice cried through the startled air, Excelsior! A traveller, by the faithful hound, Half-buried in the snow was found, Still grasping in his hand of ice That banner with the strange device, Excelsior! There in the twilight cold and grey, Lifeless, but beautiful, he lay, And from the sky, serene and far, A voice fell, like a falling star, Excelsior!

Gloomy and dark art thou, O chief of the mighty Omahas; Gloomy and dark, as the driving cloud, whose name thou hast taken! Wrapt in thy scarlet blanket, I see thee stalk through the city’s Narrow and populous streets, as once by the margin of rivers Stalked those birds unknown, that have left us only their footprints. What, in a few short years, will remain of thy race but the footprints? How canst thou walk these streets, who hast trod the green turf of the prairies? How canst thou breathe this air, who hast breathed the sweet air of the mountains? Ah! ’tis in vain that with lordly looks of disdain thou dost challenge Looks of disdain in return, and question these walls and these pavements, Claiming the soil for thy hunting-grounds, while down-trodden millions Starve in the garrets of Europe, and cry from its caverns that they, too, Have been created heirs of the earth, and claim its division! Back, then, back to thy woods in the regions west of the Wabash! There as a monarch thou reignest. In autumn the leaves of the maple Pave the floors of thy palace-halls with gold, and in summer Pine-trees waft through its chambers the odorous breath of their branches. There thou art strong and great, a hero, a tamer of horses! There thou chasest the stately stag on the banks of the Elk-horn, Or by the roar of the Running-Water, or where the Omawhaw Calls thee, and leaps through the wild ravine like a brave of the Blackfeet! Hark! what murmurs arise from the heart of those mountainous deserts? Is it the cry of the Foxes and Crows, or the mighty Behemoth, Who, unharmed, on his tusks once caught the bolts of the thunder, And now lurks in his lair to destroy the race of the red man? Far more fatal to thee and thy race than the Crows and the Foxes, Far more fatal to thee and thy race than the tread of Behemoth, Lo! the big thunder-canoe, that steadily breasts the Missouri’s Merciless current! and yonder, afar on the prairies, the camp-fires Gleam through the night; and the cloud of dust in the grey of the daybreak Marks not the buffalo’s track, nor the Mandan’s dexterous horse-race; It is a caravan, whitening the desert where dwell the Camanches! Ha! how the breath of these Saxons and Celts, like the blast of the east-wind, Drifts evermore to the west the scanty smokes of thy wigwams!

I. Solemnly, mournfully, Dealing its dole, The Curfew Bell Is beginning to toll. Cover the embers, And put out the light; Toil comes with the morning, And rest with the night. Dark grow the windows, And quenched is the fire, Sound fades into silence,— All footsteps retire. No voice in the chambers, No sound in the hall! Sleep and oblivion Reign over all. II. The book is completed, And closed, like the day; And the hand that has written it Lays it away. Dim grow its fancies, Forgotten they lie; Like coals in the ashes, They darken and die. Song sinks into silence, The story is told, The windows are darkened, The hearthstone is cold. Darker and darker The black shadows fall; Sleep and oblivion Reign over all.