Volume 5 / Book 8 — The Fine Arts.

Kaulbach's picture of the Destruction of Jerusalem is at last finished, in fresco, upon the walls of the New Museum in Berlin. It is worth a journey thither to see it. Nor is it alone. The other parts of the series of pictures which adorn the great stairway of that edifice, are rapidly advancing to completion. The five broad pilasters, which separate the main pictures, are nearly done, many of the chief figures being finished in color, while others are drawn in their places. They will exhaust the history of the early religious and intellectual development of humanity. The Egyptian, Indian, Persian, Greek, Hebrew, and Roman religions, are all illustrated with that masterly genius, comprehensiveness and fertility of imagination, for which Kaulbach is without a peer among the artists of the age. Each religion is depicted in the persons of its divinities and early teachers and heroes. Thoroughly to understand the whole scope of these pictures, requires as much learning in the theology and mythology of these antique races as the artist has employed in painting them, not to speak of skill in deciphering allegories; but to be impressed with their wonderful richness, grandeur, and beauty, requires no learning, beyond a true eye and a mind capable of feeling. Besides, these mythological pictures, the symbolical men of history are introduced, such as Moses and Solon. The Grecian mythological part is not yet completed, the artist having reserved that to be done next summer; in it he intends to lay himself out as on a favorite and congenial subject.

The works of Ingres, the eminent French painter, have been published in splendid style by the great house of Didot at Paris.