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The Humorous Poetry of the English Language; from Chaucer to Saxe

Part 4 — THE BITER BIT. WILLIAM AYTOUN.

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The sun is in the sky, mother, the flowers are springing fair, And the melody of woodland birds is stirring in the air; The river, smiling to the sky, glides onward to the sea, And happiness is everywhere, oh, mother, but with me!

They are going to the church, mother—I hear the marriage bell It booms along the upland—oh! it haunts me like a knell; He leads her on his arm, mother, he cheers her faltering step, And closely to his side she clings—she does, the demirep!

They are crossing by the stile, mother, where we so oft have stood, The stile beside the shady thorn, at the corner of the wood; And the boughs, that wont to murmur back the words that won my ear, Wave their silver branches o'er him, as he leads his bridal fere.

He will pass beside the stream, mother, where first my hand he pressed, By the meadow where, with quivering lip, his passion he confessed; And down the hedgerows where we've strayed again and yet again; But he will not think of me, mother, his broken-hearted Jane!

He said that I was proud, mother, that I looked for rank and gold, He said I did not love him—he said my words were cold; He said I kept him off and on, in hopes of higher game— And it may be that I did, mother; but who hasn't done the same?

I did not know my heart, mother—I know it now too late; I thought that I without a pang could wed some nobler mate; But no nobler suitor sought me—and he has taken wing, And my heart is gone, and I am left a lone and blighted thing.

You may lay me in my bed, mother—my head is throbbing sore; And, mother, prithee, let the sheets be duly aired before; And, if you'd please, my mother dear, your poor desponding child, Draw me a pot of beer, mother, and, mother, draw it mild!

A MIDNIGHT MEDITATION. BY SIR E———- B———- L———-. WILLIAM AYTOUN

Fill me once more the foaming pewter up! Another board of oysters, ladye mine! To-night Lucullus with himself shall sup. These mute inglorious Miltons are divine; And as I here in slippered ease recline, Quaffing of Perkins' Entire my fill, I sigh not for the lymph of Aganippe's rill. A nobler inspiration fires my brain, Caught from Old England's fine time-hallowed drink, I snatch the pot again and yet again, And as the foaming fluids shrink and shrink, Fill me once more, I say, up to the brink! This makes strong hearts—strong heads attest its charm— This nerves the might that sleeps in Britain's brawny arm!

But these remarks are neither here nor there. Where was I? Oh, I see—old Southey's dead! They'll want some bard to fill the vacant chair, And drain the annual butt—and oh, what head More fit with laurel to be garlanded Than this, which, curled in many a fragrant coil, Breathes of Castalia's streams, and best Macassar oil?

I know a grace is seated on my brow, Like young Apollo's with his golden beams; There should Apollo's bays be budding now: And in my flashing eyes the radiance beams That marks the poet in his waking dreams. When as his fancies cluster thick and thicker, He feels the trance divine of poesy and liquor.

They throng around me now, those things of air, That from my fancy took their being's stamp: There Pelham sits and twirls his glossy hair, There Clifford leads his pals upon the tramp; Their pale Zanoni, bending o'er his lamp, Roams through the starry wilderness of thought, Where all is every thing, and every thing is naught.

Yes, I am he, who sung how Aram won The gentle ear of pensive Madeline! How love and murder hand in hand may run, Cemented by philosophy serene, And kisses bless the spot where gore has been! Who breathed the melting sentiment of crime, And for the assassin waked a sympathy sublime!

Yes, I am he, who on the novel shed Obscure philosophy's enchanting light! Until the public, wildered as they read, Believed they saw that which was not in sight— Of course 'twas not for me to set them right; For in my nether heart convinced I am, Philosophy's as good as any other bam.

Novels three-volumed I shall write no more— Somehow or other now they will not sell; And to invent new passions is a bore— I find the Magazines pay quite as well. Translating's simple, too, as I can tell, Who've hawked at Schiller on his lyric throne, And given the astonished bard a meaning all my own.

Moore, Campbell, Wordsworth, their best days are grassed, Battered and broken are their early lyres. Rogers, a pleasant memory of the past, Warmed his young hands at Smithfield's martyr fires, And, worth a plum, nor bays, nor butt desires. But these are things would suit me to the letter, For though this Stout is good, old Sherry's greatly better.

A fice for your small poetic ravers, Your Hunts, your Tennysons, your Milnes, and these! Shall they compete with him who wrote "Maltravers," Prologue to "Alice or the Mysteries?" No! Even now, my glance prophetic sees My own high brow girt with the bays about. What ho, within there, ho! another pint of STOUT!

THE DIRGE OF THE DRINKER. BY W——— E——— A———, ESQ. WILLIAM AYTOUN.

Brothers, spare awhile your liquor, lay your final tumbler down; He has dropp'd—that star of honor—on the field of his renown! Raise the wail, but raise it softly, lowly bending on your knees, If you find it more convenient, you may hiccup if you please. Sons of Pantagruel, gently let your hip-hurraing sink, Be your manly accents clouded, half with sorrow, half with drink! Lightly to the sofa pillow lift his head from off the floor; See how calm he sleeps, unconscious as the deadest nail in door! Widely o'er the earth I've wander'd; where the drink most freely flow'd, I have ever reel'd the foremost, foremost to the beaker strode. Deep in shady Cider Cellars I have dream'd o'er heavy wet, By the fountains of Damascus I have quaff'd the rich Sherbet, Regal Montepulciano drained beneath its native rock, On Johannis' sunny mountain frequent hiccup'd o'er my hock; I have bathed in butts of Xeres deeper than did e'er Monsoon, Sangaree'd with bearded Tartars in the Mountains of the Moon; In beer-swilling Copenhagen I have drunk your Danesman blind, I have kept my feet in Jena, when each bursch to earth declined; Glass for glass, in fierce Jamaica, I have shared the planter's rum, Drank with Highland dhuinie-wassels till each gibbering Gael grew dumb; But a stouter, bolder drinker—one that loved his liquor more— Never yet did I encounter than our friend upon the floor! Yet the best of us are mortal, we to weakness all are heir, He has fallen, who rarely stagger'd—let the rest of us beware! We shall leave him, as we found him—lying where his manhood fell, 'Mong the trophies of the revel, for he took his tipple well. Better't were we loosed his neckcloth, laid his throat and bosom bare, Pulled his Hobi's off, and turn'd his toes to taste the breezy air. Throw the sofa cover o'er him, dim the flaring of the gas, Calmly, calmly let him slumber, and, as by the bar we pass, We shall bid that thoughtful waiter place beside him, near and handy, Large supplies of soda water, tumblers bottomed well with brandy, So when waking, he shall drain them, with that deathless thirst of his, Clinging to the hand that smote him, like a good 'un as he is!

FRANCESCA DA RIMINI. TO BON GAULTIER. WILLIAM AYTOUN.

ARGUMENT-An impassioned pupil of Leigh Hunt, having met Bon Gaultier at a Fancy Ball, declares the destructive consequences thus:

Didst thou not praise me, Gaultier, at the ball, Ripe lips, trim boddice, and a waist so small, With clipsome lightness, dwindling ever less, Beneath the robe of pea-y greeniness! Dost thou remember, when with stately prance, Our heads went crosswise in the country dance; How soft, warm fingers, tipp'd like buds of balm, Trembled within the squeezing of thy palm; And how a cheek grew flush'd and peachy-wise At the frank lifting of thy cordial eyes? Ah, me! that night there was one gentle thing, Who like a dove, with its scarce-feather'd wing, Flutter'd at the approach of thy quaint swaggering! There's wont to be, at conscious times like these, An affectation of a bright-eyed ease— A crispy-cheekiness, if so I dare Describe the swaling of a jaunty air; And thus, when swirling from the waltz's wheel, You craved my hand to grace the next quadrille. That smiling voice, although it made me start, Boil'd in the meek o'erlifting of my heart; And, picking at my flowers, I said with free And usual tone, "Oh yes, sir, certainly!"

Like one that swoons, 'twixt sweet amaze and fear, I heard the music burning in my ear, And felt I cared not, so thou wert with me, If Gurth or Wamba were our vis-a-vis. So, when a tall Knight Templar ringing came, And took his place against us with his dame, I neither turned away, nor bashful shrunk From the stern survey of the soldier-monk, Though rather more than full three-quarters drunk; But threading through the figure, first in rule, I paused to see thee plunge into La Poule. Ah, what a sight was that? Not prurient Mars, Pointing his toe through ten celestial bars— Not young Apollo, beamily array'd In tripsome guise for Juno's masquerade— Not smartest Hermes, with his pinion girth, Jerking with freaks and snatches down to earth, Look'd half so bold, so beautiful and strong, As thou when pranking thro' the glittering throng! How the calm'd ladies looked with eyes of love On thy trim velvet doublet laced above; The hem of gold, that, like a wavy river, Flowed down into thy back with glancing shiver! So bare was thy fine throat, and curls of black So lightsomely dropp'd on thy lordly back. So crisply swaled the feather in thy bonnet, So glanced thy thigh, and spanning palm upon it, That my weak soul took instant flight to thee, Lost in the fondest gush of that sweet witchery!

But when the dance was o'er, and arm in arm (The full heart beating 'gainst the elbow warm), We pass'd to the great refreshment hall, Where the heap'd cheese-cakes and the comfits small Lay, like a hive of sunbeams, to burn Around the margin of the negus urn; When my poor quivering hand you finger'd twice, And, with inquiring accents, whisper'd "Ice, Water, or cream?" I could no more dissemble, But dropp'd upon the couch all in a tremble. A swimming faintness misted o'er my brain, The corks seem'd starting from the brisk champagne, The custards fell untouch'd upon the floor, Thine eyes met mine. That night we danced no more!

LOUIS NAPOLEON'S ADDRESS TO HIS ARMY WILLIAM AYTOUN.

Guards! who at Smolensko fled— No—I beg your pardon—bled! For my Uncle blood you've shed, Do the same for me.

Now's the day and now's the hour, Heads to split and streets to scour; Strike for rank, promotion, power, Sawg, and eau de vie.

Who's afraid a child to kill? Who respects a shopman's till? Who would pay a tailor's bill? Let him turn and flee.

Who would burst a goldsmith's door, Shoot a dun, or sack a store? Let him arm, and go before— That is, follow me!

See the mob, to madness riled, Up the barricades have piled; In among them, man and child, Unrelentingly!

Shoot the men! there's scarcely one In a dozen's got a gun: Stop them, if they try to run, With artillery!

Shoot the boys! each one may grow Into—of the state—a foe (Meaning by the state, you know, My supremacy!)

Shoot the girls and women old! Those may bear us traitors bold— These may be inclined to scold Our severity.

Sweep the streets of all who may Rashly venture in the way, Warning for a future day Satisfactory.

Then, when still'd is ev'ry voice, We, the nation's darling choice, Calling on them to rejoice, Tell them, FRANCE IS FREE.

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