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The Divine Comedy of Dante Alighieri

CANTO V.

James Romanes Sibbald translation

From the First Circle thus I downward went Into the Second,[248] which girds narrower space, But greater woe compelling loud lament. Minos[249] waits awful there and snarls, the case Examining of all who enter in; And, as he girds him, dooms them to their place. I say, each ill-starred spirit must begin On reaching him its guilt in full to tell; And he, omniscient as concerning sin, Sees to what circle it belongs in Hell;10 Then round him is his tail as often curled As he would have it stages deep to dwell. And evermore before him stand a world Of shades; and all in turn to judgment come, Confess and hear, and then are downward hurled.[250] ‘O thou who comest to the very home Of woe,’ when he beheld me Minos cried, Ceasing a while from utterance of doom, ‘Enter not rashly nor in all confide; By ease of entering be not led astray.’20 ‘Why also[251] growling?’ answered him my Guide; ‘Seek not his course predestinate to stay; For thus ’tis willed[252] where nothing ever fails Of what is willed. No further speech essay.’ And now by me are agonising wails Distinguished plain; now am I come outright Where grievous lamentation me assails. Now had I reached a place devoid of light, Raging as in a tempest howls the sea When with it winds, blown thwart each other, fight.30 The infernal storm is raging ceaselessly, Sweeping the shades along with it, and them It smites and whirls, nor lets them ever be. Arrived at the precipitous extreme,[253] In shrieks and lamentations they complain, And even the Power Divine itself blaspheme. I understood[254] that to this mode of pain Are doomed the sinners of the carnal kind, Who o’er their reason let their impulse reign. As starlings in the winter-time combined40 Float on the wing in crowded phalanx wide, So these bad spirits, driven by that wind, Float up and down and veer from side to side; Nor for their comfort any hope they spy Of rest, or even of suffering mollified. And as the cranes[255] in long-drawn company Pursue their flight while uttering their song, So I beheld approach with wailing cry Shades lifted onward by that whirlwind strong. ‘Master, what folk are these,’[256] I therefore said,50 ‘Who by the murky air are whipped along?’ ‘She, first of them,’ his answer thus was made, ‘Of whom thou wouldst a wider knowledge win, O’er many tongues and peoples, empire swayed. So ruined was she by licentious sin That she decreed lust should be uncontrolled, To ease the shame that she herself was in. She is Semiramis, of whom ’tis told She followed Ninus, and his wife had been. Hers were the realms now by the Sultan ruled.60 The next[257] is she who, amorous and self-slain, Unto Sichæus’ dust did faithless show: Then lustful Cleopatra.’ Next was seen Helen, for whom so many years in woe Ran out; and I the great Achilles knew, Who at the last[258] encountered love for foe. Paris I saw and Tristram.[259] In review A thousand shades and more, he one by one Pointed and named, whom love from life withdrew. And after I had heard my Teacher run70 O’er many a dame of yore and many a knight, I, lost in pity, was wellnigh undone. Then I: ‘O Poet, if I only might Speak with the two that as companions hie, And on the wind appear to be so light!’[260] And he to me: ‘When they shall come more nigh Them shalt thou mark, and by the love shalt pray Which leads them onward, and they will comply.’ Soon as the wind bends them to where we stay I lift my voice: ‘O wearied souls and worn!80 Come speak with us if none[261] the boon gainsay.’ Then even as doves,[262] urged by desire, return On outspread wings and firm to their sweet nest As through the air by mere volition borne, From Dido’s[263] band those spirits issuing pressed Towards where we were, athwart the air malign; My passionate prayer such influence possessed. ‘O living creature,[264] gracious and benign, Us visiting in this obscurèd air, Who did the earth with blood incarnadine;90 If in the favour of the King we were Who rules the world, we for thy peace[265] would pray, Since our misfortunes thy compassion stir. Whate’er now pleases thee to hear or say We listen to, or tell, at your demand;[266] While yet the wind, as now, doth silent stay. My native city[267] lies upon the strand Where to the sea descends the river Po For peace, with all his tributary band. Love, in a generous heart set soon aglow,100 Seized him for the fair form was mine above; And still it irks me to have lost it so.[268] Love, which absolves[269] no one beloved from love, So strong a passion for him in me wrought That, as thou seest, I still its mastery prove. Love led us where we in one death were caught. For him who slew us waits Caïna[270] now.’ Unto our ears these words from them were brought. When I had heard these troubled souls, my brow I downward bent, and long while musing stayed,110 Until the Poet asked: ‘What thinkest thou?’ And when I answered him, ‘Alas!’ I said, ‘Sweet thoughts how many, and what strong desire, These to their sad catastrophe betrayed!’ Then, turned once more to them, I to inquire Began: ‘Francesca, these thine agonies Me with compassion unto tears inspire. But tell me, at the season of sweet sighs What sign made love, and what the means he chose To strip your dubious longings of disguise?’120 And she to me: ‘The bitterest of woes Is to remember in the midst of pain A happy past; as well thy teacher[271] knows. Yet none the less, and since thou art so fain The first occasion of our love to hear, Like one I speak that cannot tears restrain. As we for pastime one day reading were How Lancelot[272] by love was fettered fast— All by ourselves and without any fear— Moved by the tale our eyes we often cast130 On one another, and our colour fled; But one word was it, vanquished us at last. When how the smile, long wearied for, we read Was kissed by him who loved like none before, This one, who henceforth never leaves me, laid A kiss on my mouth, trembling the while all o’er. The book was Galahad,[273] and he as well Who wrote the book. That day we read no more.’ And while one shade continued thus to tell, The other wept so bitterly, I swooned140 Away for pity, and as dead I fell: Yea, as a corpse falls, fell I on the ground.

FOOTNOTES:

Notes in this chapter

Note 1 · The Second: The Second Circle of the Inferno, and the first of punishment. The lower the circle, the more rigorous the penalty endured in itNote 2 · Minos: Son of Jupiter and King of Crete, so severely just as to be made after death one of the judges of the under world. He is degraded by Note 3 · Downward hurled: Each falls to his proper place without lingering by the way. All through Inferno there is an absence of direct Divine interNote 4 · Why also, etc.: Like Charon. If Minos represents conscience, as some would have it, Dante is here again assailed by misgivings as to his entNote 5 · Thus ’tis willed, etc.: These two lines are the same as those to Charon, Inf. iii. 95, 96.Note 6 · Precipitous extreme: Opinions vary as to what is meant by ruina. As Dante is certainly still on the outer edge of the Second Circle or terraNote 7 · I understood, etc.: From the nature of the punishment, which, like all the others invented by Dante, bears some relation to the sin to whichNote 8 · The cranes: ‘The cranes are a kind of bird that go in a troop, as cavaliers go to battle, following one another in single file. And one of tNote 9 · What folk are these: The general crowd of sinners guilty of unlawful love are described as being close packed like starlings. The other trooNote 10 · The next: Dido, perhaps not named by Virgil because to him she owed her fame. For love of Æneas she broke the vow of perpetual chastity madeNote 11 · At the last, etc.: Achilles, when about to espouse Polyxena, and when off his guard, was slain.Note 12 · Paris ... and Tristram: Paris of Troy, and the Tristram of King Arthur’s Table.Note 13 · So light: Denoting the violence of the passion to which they had succumbed.Note 14 · If none: If no Superior Power.Note 15 · Doves: The motion of the tempest-driven shades is compared to the flight of birds—starlings, cranes, and doves. This last simile prepares usNote 16 · Dido: Has been already indicated, and is now named. This association of the two lovers with Virgil’s Dido is a further delicate touch to engNote 17 · Living creature: ‘Animal.’ No shade, but an animated body.Note 18 · Thy peace: Peace from all the doubts that assail him, and which have compelled him to the journey: peace, it may be, from temptation to sin Note 19 · Your demand: By a refinement of courtesy, Francesca, though addressing only Dante, includes Virgil in her profession of willingness to tell Note 20 · Native city: Ravenna. The speaker is Francesca, daughter of Guido of Polenta, lord of Ravenna. About the year 1275 she was married to GianciNote 21 · To have lost it so: A husband’s right and duty were too well defined in the prevalent social code for her to complain that Gianciotto avengeNote 22 · Which absolves, etc.: Which compels whoever is beloved to love in return. Here is the key to Dante’s comparatively lenient estimate of the gNote 23 · Caïna: The Division of the Ninth and lowest Circle, assigned to those treacherous to their kindred (Inf. xxxii. 58). Her husband was still lNote 24 · Thy teacher: Boethius, one of Dante’s favourite authors (Convito ii. 13), says in his De Consol. Phil., ‘The greatest misery in adverse fortNote 25 · Lancelot: King Arthur’s famous knight, who was too bashful to make his love for Queen Guinivere known to her. Galahad, holding the secret ofNote 26 · Galahad: From the part played by Galahad, or Galeotto, in the tale of Lancelot, his name grew to be Italian for Pander. The book, says Franc
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