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The Complete Poetic and Dramatic Works of Robert Browning

Part 2 / Act 5 — ASOLANDO

Reading edition

TO MRS. ARTHUR BRONSON

To whom but you, dear Friend, should I dedicate verses—some few written, all of them supervised, in the comfort of your presence, and with yet another experience of the gracious hospitality now bestowed on me since so many a year,—adding a charm even to my residences at Venice, and leaving me little regret for the surprise and delight at my visits to Asolo in bygone days?

I unite, you will see, the disconnected poems by a title-name popularly ascribed to the inventiveness of the ancient secretary of Queen Cornaro whose palace-tower still overlooks us: Asolare—"to disport in the open air, amuse one's self at random." The objection that such a word nowhere occurs in the works of the Cardinal is hardly important—Bembo was too thorough a purist to conserve in print a term which in talk he might possibly toy with: but the word is more likely derived from a Spanish source. I use it for love of the place, and in requital of your pleasant assurance that an early poem of mine first attracted you thither—where and elsewhere, at La Mura as Cà Alvisi, may all happiness attend you!

Gratefully and affectionately yours,

R. B.

Asolo: October 15, 1889.

The greater part of Asolando was written in 1888–89, though in one instance at least an early poem was included in the collection. The title of the volume is explained in the dedication. The book, by a strange coincidence, was published on the day of Browning's death.

PROLOGUE

"The Poet's age is sad: for why? In youth, the natural world could show No common object but his eye At once involved with alien glow— His own soul's iris-bow. "And now a flower is just a flower: Man, bird, beast are but beast, bird, man— Simply themselves, uncinct by dower Of dyes which, when life's day began, Round each in glory ran." Friend, did you need an optic glass, Which were your choice? A lens to drape In ruby, emerald, chrysopras, Each object—or reveal its shape Clear outlined, past escape, The naked very thing?—so clear That, when you had the chance to gaze, You found its inmost self appear Through outer seeming—truth ablaze, Not falsehood's fancy-haze? How many a year, my Asolo, Since—one step just from sea to land— I found you, loved yet feared you so— For natural objects seemed to stand Palpably fire-clothed! No— No mastery of mine o'er these! Terror with beauty, like the Bush Burning but unconsumed. Bend knees, Drop eyes to earthward! Language? Tush! Silence 'tis awe decrees. And now? The lambent flame is—where? Lost from the naked world: earth, sky, Hill, vale, tree, flower,—Italia's rare O'er-running beauty crowds the eye— But flame? The Bush is bare. Hill, vale, tree, flower—they stand distinct, Nature to know and name. What then? A Voice spoke thence which straight unlinked Fancy from fact: see, all's in ken: Has once my eyelid winked? No, for the purged ear apprehends Earth's import, not the eye late dazed. The Voice said, "Call my works thy friends! At Nature dost thou shrink amazed? God is it who transcends." Asolo: September 6, 1889.

ROSNY

Woe, he went galloping into the war, Clara, Clara! Let us two dream: shall he 'scape with a scar? Scarcely disfigurement; rather a grace Making for manhood which nowise we mar: See, while I kiss it, the flush on his face— Rosny, Rosny! Light does he laugh: "With your love in my soul"— (Clara, Clara!) "How could I other than—sound, safe, and whole— Cleave who opposed me asunder, yet stand Scatheless beside you, as, touching love's goal, Who won the race kneels, craves reward at your hand— Rosny, Rosny?" Ay, but if certain who envied should see! Clara, Clara, Certain who simper: "The hero for me Hardly of life were so chary as miss Death—death and fame—that's love's guerdon when She Boasts, proud bereaved one, her choice fell on this Rosny, Rosny!" So,—go on dreaming,—he lies mid a heap (Clara, Clara,) Of the slain by his hand: what is death but a sleep? Dead, with my portrait displayed on his breast: Love wrought his undoing: "No prudence could keep The love-maddened wretch from his fate." That is best, Rosny, Rosny!

DUBIETY

I will be happy if but for once: Only help me, Autumn weather, Me and my cares to screen, ensconce In luxury's sofa-lap of leather! Sleep? Nay, comfort—with just a cloud Suffusing day too clear and bright: Eve's essence, the single drop allowed To sully, like milk, Noon's water-white. Let gauziness shade, not shroud—adjust, Dim and not deaden,—somehow sheathe Aught sharp in the rough world's busy thrust, If it reach me through dreaming's vapor-wreath. Be life so, all things ever the same! For, what has disarmed the world? Outside, Quiet and peace: inside, nor blame Nor want, nor wish whate'er betide. What is it like that has happened before? A dream? No dream, more real by much. A vision? But fanciful days of yore Brought many: mere musing seems not such. Perhaps but a memory, after all! —Of what came once when a woman leant To feel for my brow where her kiss might fall. Truth ever, truth only the excellent!

NOW

Out of your whole life give but a moment! All of your life that has gone before, All to come after it,—so you ignore, So you make perfect the present,—condense, In a rapture of rage, for perfection's endowment, Thought and feeling and soul and sense— Merged in a moment which gives me at last You around me for once, you beneath me, above me— Me—sure that despite of time future, time past,— This tick of our life-time's one moment you love me! How long such suspension may linger? Ah, Sweet— The moment eternal—just that and no more— When ecstasy's utmost we clutch at the core While cheeks burn, arms open, eyes shut and lips meet!

HUMILITY

What girl but, having gathered flowers, Stript the beds and spoilt the bowers, From the lapful light she carries Drops a careless bud?—nor tarries To regain the waif and stray: "Store enough for home"—she'll say. So say I too: give your lover Heaps of loving—under, over, Whelm him—make the one the wealthy! Am I all so poor who—stealthy Work it was!—picked up what fell: Not the worst bud—who can tell?

POETICS

"So say the foolish!" Say the foolish so, Love? "Flower she is, my rose"—or else, "My very swan is she"— Or perhaps, "Yon maid-moon, blessing earth below, Love, That art thou!"—to them, belike: no such vain words from me. "Hush, rose, blush! no balm like breath," I chide it: "Bend thy neck its best, swan,—hers the whiter curve!" Be the moon the moon: my Love I place beside it: What is she? Her human self,—no lower word will serve.

SUMMUM BONUM

All the breath and the bloom of the year in the bag of one bee: All the wonder and wealth of the mine in the heart of one gem: In the core of one pearl all the shade and the shine of the sea: Breath and bloom, shade and shine,—wonder, wealth, and—how far above them— Truth, that's brighter than gem, Trust, that's purer than pearl,— Brightest truth, purest trust in the universe—all were for me In the kiss of one girl.

A PEARL, A GIRL

A simple ring with a single stone, To the vulgar eye no stone of price: Whisper the right word, that alone— Forth starts a sprite, like fire from ice, And lo, you are lord (says an Eastern scroll) Of heaven and earth, lord whole and sole Through the power in a pearl. A woman ('tis I this time that say) With little the world counts worthy praise; Utter the true word—out and away Escapes her soul: I am wrapt in blaze, Creation's lord, of heaven and earth Lord whole and sole—by a minute's birth— Through the love in a girl!

SPECULATIVE

Others may need new life in Heaven— Man, Nature, Art—made new, assume! Man with new mind old sense to leaven, Nature,—new light to clear old gloom, Art that breaks bounds, gets soaring-room. I shall pray: "Fugitive as precious— Minutes which passed,—return, remain! Let earth's old life once more enmesh us, You with old pleasure, me—old pain, So we but meet nor part again!"

WHITE WITCHCRAFT

When a boy Browning had a humble friend in the person of a toad. "He visited it daily where it burrowed under a white rosetree, announcing himself by a pinch of gravel dropped into its hole; and the creature would crawl forth, allow its head to be gently tickled, and reward the act with a loving glance of its soft full eyes." Mrs. Orr.

If you and I could change to beasts, what beast should either be? Shall you and I play Jove for once? Turn fox then, I decree! Shy wild sweet stealer of the grapes! Now do your worst on me! And thus you think to spite your friend—turned loathsome? What, a toad? So, all men shrink and shun me! Dear men, pursue your road! Leave but my crevice in the stone, a reptile's fit abode! Now say your worst, Canidia! "He 's loathsome, I allow: There may or may not lurk a pearl beneath his puckered brow: But see his eyes that follow mine—love lasts there, anyhow."

BAD DREAMS I

Last night I saw you in my sleep: And how your charm of face was changed! I asked, "Some love, some faith you keep?" You answered, "Faith gone, love estranged." Whereat I woke—a twofold bliss: Waking was one, but next there came This other: "Though I felt, for this, My heart break, I loved on the same."

BAD DREAMS II

You in the flesh and here— Your very self! Now, wait! One word! May I hope or fear? Must I speak in love or hate? Stay while I ruminate! The fact and each circumstance Dare you disown? Not you! That vast dome, that huge dance, And the gloom which overgrew A—possibly festive crew! For why should men dance at all— Why women—a crowd of both— Unless they are gay? Strange ball— Hands and feet plighting troth, Yet partners enforced and loth! Of who danced there, no shape Did I recognize: thwart, perverse, Each grasped each, past escape In a whirl or weary or worse; Man's sneer met woman's curse, While he and she toiled as if Their guardian set galley-slaves To supple chained limbs grown stiff; Unmanacled trulls and knaves— The lash for who misbehaves! And a gloom was, all the while, Deeper and deeper yet O'ergrowing the rank and file Of that army of haters—set To mimic love's fever-fret. By the wall-side close I crept, Avoiding the livid maze, And, safely so far, outstepped On a chamber—a chapel, says My memory or betrays— Closet-like, kept aloof From unseemly witnessing What sport made floor and roof Of the Devil's palace ring While his Damned amused their king. Ay, for a low lamp burned, And a silence lay about What I, in the midst, discerned Though dimly till, past doubt, 'T was a sort of throne stood out— High seat with steps, at least: And the topmost step was filled By—whom? What vestured priest? A stranger to me,—his guild, His cult, unreconciled To my knowledge how guild and cult Are clothed in this world of ours: I pondered, but no result Came to—unless that Giaours So worship the Lower Powers. When suddenly who entered? Who knelt—did you guess I saw? Who—raising that face were centred Allegiance to love and law So lately—off-casting awe, Down-treading reserve, away Thrusting respect ... but mine Stands firm—firm still shall stay! Ask Satan! for I decline To tell—what I saw, in fine! Yet here in the flesh you come— Your same self, form and face,— In the eyes, mirth still at home! On the lips, that commonplace Perfection of honest grace! Yet your errand is—needs must be— To palliate—well, explain, Expurgate in some degree Your soul of its ugly stain. Oh, you—the good in grain— How was it your white took tinge? "A mere dream"—never object! Sleep leaves a door on hinge Whence soul, ere our flesh suspect, Is off and away: detect Her vagaries when loose, who can! Be she pranksome, be she prude, Disguise with the day began: With the night—ah, what ensued From draughts of a drink hell-brewed? Then She: "What a queer wild dream! And perhaps the best fun is— Myself had its fellow—I seem Scarce awake from yet. 'T was this— Shall I tell you? First, a kiss! "For the fault was just your own,— 'T is myself expect apology: You warned me to let alone (Since our studies were mere philology) That ticklish (you said) Anthology. "So I dreamed that I passed exam Till a question posed me sore: 'Who translated this epigram By—an author we best ignore?' And I answered, 'Hannah More'!"

BAD DREAMS III

This was my dream: I saw a Forest Old as the earth, no track nor trace Of unmade man. Thou, Soul, explorest— Though in a trembling rapture—space Immeasurable! Shrubs, turned trees, Trees that touch heaven, support its freize Studded with sun and moon and star: While—oh, the enormous growths that bar Mine eye from penetrating past Their tangled twine where lurks—nay, lives Royally lone, some brute-type cast I' the rough, time cancels, man forgives. On, Soul! I saw a lucid City Of architectural device Every way perfect. Pause for pity, Lightning! nor leave a cicatrice On those bright marbles, dome and spire, Structures palatial,—streets which mire Dares not defile, paved all too fine For human footstep's smirch, not thine— Proud solitary traverser, My Soul, of silent lengths of way— With what ecstatic dread, aver, Lest life start sanctioned by thy stay! Ah, but the last sight was the hideous! A City, yes,—a Forest, true,— But each devouring each. Perfidious Snake-plants had strangled what I knew Was a pavilion once: each oak Held on his horns some spoil he broke By surreptitiously beneath Upthrusting: pavements, as with teeth, Griped huge weed widening crack and split In squares and circles stone-work erst. Oh, Nature—good! Oh, Art—no whit Less worthy! Both in one—accurst!

BAD DREAMS IV

It happened thus: my slab, though new, Was getting weather-stained,—beside, Herbage, balm, peppermint o'ergrew Letter and letter: till you tried Somewhat, the Name was scarce descried. That strong stern man my lover came: —Was he my lover? Call him, pray, My life's cold critic bent on blame Of all poor I could do or say To make me worth his love one day— One far day when, by diligent And dutiful amending faults, Foibles, all weaknesses which went To challenge and excuse assaults Of culture wronged by taste that halts— Discrepancies should mar no plan Symmetric of the qualities Claiming respect from—say—a man That 's strong and stern. "Once more he pries Into me with those critic eyes!" No question! so—"Conclude, condemn Each failure my poor self avows! Leave to its fate all you contemn! There 's Solomon's selected spouse: Earth needs must hold such maids—choose them!" Why, he was weeping! Surely gone Sternness and strength: with eyes to ground And voice a broken monotone— "Only be as you were! Abound In foibles, faults,—laugh, robed and crowned "As Folly's veriest queen,—care I One feather-fluff? Look pity, Love, On prostrate me—your foot shall try This forehead's use—mount thence above, And reach what Heaven you dignify!" Now, what could bring such change about? The thought perplexed: till, following His gaze upon the ground,—why, out Came all the secret! So, a thing Thus simple has deposed my king! For, spite of weeds that strove to spoil Plain reading on the lettered slab, My name was clear enough—no soil Effaced the date when one chance stab Of scorn ... if only ghosts might blab!

INAPPREHENSIVENESS

We two stood simply friend-like side by side, Viewing a twilight country far and wide, Till she at length broke silence. "How it towers Yonder, the ruin o'er this vale of ours! The West's faint flare behind it so relieves Its rugged outline—sight perhaps deceives, Or I could almost fancy that I see A branch wave plain—belike some wind-sown tree Chance-rooted where a missing turret was. What would I give for the perspective glass At home, to make out if 't is really so! Has Ruskin noticed here at Asolo That certain weed-growths on the ravaged wall Seem" ... something that I could not say at all, My thought being rather—as absorbed she sent Look onward after look from eyes distent With longing to reach Heaven's gate left ajar— "Oh, fancies that might be, oh, facts that are! What of a wilding? By you stands, and may So stand unnoticed till the Judgment Day, One who, if once aware that your regard Claimed what his heart holds,—woke, as from its sward The flower, the dormant passion, so to speak— Then what a rush of life would startling wreak Revenge on your inapprehensive stare While, from the ruin and the West's faint flare, You let your eyes meet mine, touch what you term Quietude—that 's an universe in germ— The dormant passion needing but a look To burst into immense life!" "No, the book Which noticed how the wall-growths wave," said she, "Was not by Ruskin." I said, "Vernon Lee."

WHICH?

So, the three Court-ladies began Their trial of who judged best In esteeming the love of a man: Who preferred with most reason was thereby confessed Boy-Cupid's exemplary catcher and eager; An Abbé crossed legs to decide on the wager. First the Duchesse: "Mine for me— Who were it but God's for Him, And the King's for—who but he? Both faithful and loyal, one grace more shall brim His cup with perfection: a lady's true lover, He holds—save his God and his king—none above her." "I require"—outspoke the Marquise— "Pure thoughts, ay, but also fine deeds: Play the paladin must he, to please My whim, and—to prove my knight's service exceeds Your saint's and your loyalist's praying and kneeling— Show wounds, each wide mouth to my mercy appealing." Then the Comtesse: "My choice be a wretch, Mere losel in body and soul, Thrice accurst! What care I, so he stretch Arms to me his sole savior, love's ultimate goal, Out of earth and men's noise—names of 'infidel,' 'traitor,' Cast up at him? Crown me, crown's adjudicator!" And the Abbé uncrossed his legs, Took snuff, a reflective pinch, Broke silence: "The question begs Much pondering ere I pronounce. Shall I flinch? The love which to one and one only has reference Seems terribly like what perhaps gains God's preference."

THE CARDINAL AND THE DOG

This poem was written in May, 1842, at the same time as the Pied Piper, both having been written at the request of Macready's little son, who was confined to the house by illness and wanted Browning to write him some poems for which he could make pictures.

Crescenzio, the Pope's Legate at the High Council, Trent, —Year Fifteen hundred twenty-two, March Twenty-five—intent On writing letters to the Pope till late into the night, Rose, weary, to refresh himself, and saw a monstrous sight: (I give mine Author's very words: he penned, I reindite.) A black Dog of vast bigness, eyes flaming, ears that hung Down to the very ground almost, into the chamber sprung And made directly for him, and laid himself right under The table where Crescenzio wrote—who called in fear and wonder His servants in the ante-room, commanded every one To look for and find out the beast: but, looking, they found none. The Cardinal fell melancholy, then sick, soon after died: And at Verona, as he lay on his death-bed, he cried Aloud to drive away the Dog that leapt on his bedside. Heaven keep us Protestants from harm: the rest ... no ill betide!

THE POPE AND THE NET

What, he on whom our voices unanimously ran, Made Pope at our last Conclave? Full low his life began: His father earned the daily bread as just a fisherman. So much the more his boy minds book, givesproof of mother-wit, Becomes first Deacon, and then Priest, then Bishop: see him sit No less than Cardinal erelong, while no one cries "Unfit!" But some one smirks, some other smiles, jogs elbow and nods head: Each winks at each: "I'-faith, a rise! Saint Peter's net, instead Of sword and keys, is come in vogue!" You think he blushes red? Not he, of humble holy heart! "Unworthy me!" he sighs: "From fisher's drudge to Church's prince—it is indeed a rise: So, here 's my way to keep the fact forever in my eyes!" And straightway in his palace-hall, where commonly is set Some coat-of-arms, some portraiture ancestral, lo, we met His mean estate's reminder in his fisher-father's net! Which step conciliates all and some, stops cavil in a trice: "The humble holy heart that holds of newborn pride no spice! He 's just the saint to choose for Pope!" Each adds, "'T is my advice." So, Pope he was: and when we flocked—its sacred slipper on— To kiss his foot, we lifted eyes, alack, the thing was gone— That guarantee of lowlihead,—eclipsed that star which shone! Each eyed his fellow, one and all kept silence. I cried, "Pish! I 'll make me spokesman for the rest, express the common wish. Why, Father, is the net removed?" "Son, it hath caught the fish."

THE BEAN-FEAST

He was the man—Pope Sixtus, that Fifth, that swineherd's son: He knew the right thing, did it, and thanked God when 't was done: But of all he had to thank for, my fancy somehow leans To thinking, what most moved him was a certain meal on beans. For one day, as his wont was, in just enough disguise As he went exploring wickedness,—to see with his own eyes If law had due observance in the city's entrail dark As well as where, i' the open, crime stood an obvious mark,— He chanced, in a blind alley, on a tumble-down once house Now hovel, vilest structure in Rome the ruinous: And, as his tact impelled him, Sixtus adventured bold, To learn how lowliest subjects bore hunger, toil, and cold. There sat they at high-supper—man and wife, lad and lass, Poor as you please, but cleanly all and carefree: pain that was —Forgotten, pain as sure to be let bide aloof its time,— Mightily munched the brave ones—what mattered gloom or grime? Said Sixtus, "Feast, my children! who works hard needs eat well. I 'm just a supervisor, would hear what you can tell. Do any wrongs want righting? The Father tries his best, But, since he 's only mortal, sends such as I to test The truth of all that 's told him—how folk like you may fare: Come!—only don't stop eating—when mouth has words to spare— "You"—smiled he—"play the spokesman, bell-wether of the flock! Are times good, masters gentle? Your grievances unlock! How of your work and wages?—pleasures, if such may be— Pains, as such are for certain." Thus smiling questioned he. But somehow, spite of smiling, awe stole upon the group— An inexpressible surmise: why should a priest thus stoop— Pry into what concerned folk? Each visage fell. Aware, Cries Sixtus interposing: "Nay, children, have no care! "Fear nothing! Who employs me requires the plain truth. Pelf Beguiles who should inform me: so, I inform myself. See!" And he drew his hood back, let the close vesture ope, Showed face, and where on tippet the cross lay: 't was the Pope. Imagine the joyful wonder! "How shall the like of us— Poor souls—requite such blessing of our rude bean-feast?" "Thus— Thus amply!" laughed Pope Sixtus. "I early rise, sleep late: Who works may eat: they tempt me, your beans there: spare a plate!" Down sat he on the door-step: 't was they this time said grace: He ate up the last mouthful, wiped lips, and then, with face Turned heavenward, broke forth thankful: "Not now, that earth obeys Thy word in mine, that through me the peoples know Thy ways— "But that Thy care extendeth to Nature's homely wants, And, while man's mind is strengthened, Thy goodness nowise scants Man's body of its comfort,—that I whom kings and queens Crouch to, pick crumbs from off my table, relish beans! The thunders I but seem to launch, there plain Thy hand all see: That I have appetite, digest, and thrive—that boon 's for me."

MUCKLE-MOUTH MEG

Frowned the Laird on the Lord: "So, red-handed I catch thee? Death-doomed by our Law of the Border! We 've a gallows outside and a chiel to dispatch thee: Who trespasses—hangs: all 's in order." He met frown with smile, did the young English gallant: Then the Laird's dame: "Nay, Husband, I beg! He 's comely: be merciful! Grace for the callant —If he marries our Muckle-mouth Meg!" "No mile-wide-mouthed monster of yours do I marry: Grant rather the gallows!" laughed he. "Foul fare kith and kin of you—why do you tarry?" "To tame your fierce temper!" quoth she. "Shove him quick in the Hole, shut him fast for a week: Cold, darkness, and hunger work wonders: Who lion-like roars now, mouse-fashion will squeak, And 'it rains' soon succeed to 'it thunders.'" A week did he bide in the cold and the dark —Not hunger: for duly at morning In flitted a lass, and a voice like a lark Chirped, "Muckle-mouth Meg still ye 're scorning? "Go hang, but here 's parritch to hearten ye first!" "Did Meg's muckle-mouth boast within some Such music as yours, mine should match it or burst: No frog-jaws! So tell folk, my Winsome!" Soon week came to end, and, from Hole's door set wide, Out he marched, and there waited the lassie: "Yon gallows, or Muckle-mouth Meg for a bride! Consider! Sky 's blue and turf 's grassy: "Life 's sweet: shall I say ye wed Muckle-mouth Meg?" "Not I," quoth the stout heart: "too eerie The mouth that can swallow a bubblyjock's egg; Shall I let it munch mine? Never, Dearie!" "Not Muckle-mouth Meg? Wow, the obstinate man! Perhaps he would rather wed me!" "Ay, would he—with just for a dowry your can!" "I 'm Muckle-mouth Meg," chirruped she. "Then so—so—so—so—" as he kissed her apace— "Will I widen thee out till thou turnest From Margaret Minnikin—mou', by God's grace, To Muckle-mouth Meg in good earnest!"

ARCADES AMBO

A. You blame me that I ran away? Why, Sir, the enemy advanced: Balls flew about, and—who can say But one, if I stood firm, had glanced In my direction? Cowardice? I only know we don't live twice, Therefore—shun death, is my advice. B. Shun death at all risks? Well, at some! True, I myself, Sir, though I scold The cowardly, by no means come Under reproof as overbold —I, who would have no end of brutes Cut up alive to guess what suits My case and saves my toe from shoots.

THE LADY AND THE PAINTER

She. Yet womanhood you reverence, So you profess! He. With heart and soul. She. Of which fact this is evidence! To help Art-study,—for some dole Of certain wretched shillings,—you Induce a woman—virgin too— To strip and stand stark-naked? He. True. She. Nor feel you so degrade her? He. What —(Excuse the interruption)—clings Half-savage-like around your hat? She. Ah, do they please you? Wild-bird-wings! Next season,—Paris-prints assert,— We must go feathered to the skirt: My modiste keeps on the alert. Owls, hawks, jays—swallows most approve. He. Dare I speak plainly? She. Oh, I trust! He. Then, Lady Blanche, it less would move In heart and soul of me disgust Did you strip off those spoils you wear, And stand—for thanks, not shillings—bare To help Art like my Model there. She well knew what absolved her—praise In me for God's surpassing good, Who granted to my reverent gaze A type of purest womanhood. You—clothed with murder of his best Of harmless beings—stand the test! What is it you know? She. That you jest!

PONTE DELL' ANGELO, VENICE

Stop rowing! This one of our bye-canals O'er a certain bridge you have to cross That 's named, "Of the Angel:" listen why! The name "Of the Devil" too much appalls Venetian acquaintance, so—his the loss, While the gain goes ... look on high! An angel visibly guards, yon house: Above each scutcheon—a pair—stands he, Enfolds them with droop of either wing: The family's fortune were perilous Did he thence depart—you will soon agree, If I hitch into verse the thing. For, once on a time, this house belonged To a lawyer of note, with law and to spare, But also with overmuch lust of gain: In the matter of law you were nowise wronged, But alas for the lucre! He picked you bare To the bone. Did folk complain? "I exact," growled he, "work's rightful due: 'T is folk seek me, not I seek them. Advice at its price! They succeed or fail, Get law in each case—and a lesson too: Keep clear of the Courts—is advice ad rem: They 'll remember, I 'll be bail!" So, he pocketed fee without a qualm. What reason for squeamishness? Labor done, To play he betook him with lightened heart, Ate, drank, and made merry with song or psalm, Since the yoke of the Church is an easy one— Fits neck nor causes smart. Brief: never was such an extortionate Rascal—the word has escaped my teeth! And yet—(all 's down in a book no ass Indited, believe me!)—this reprobate Was punctual at prayer-time: gold lurked beneath Alloy of the rankest brass. For, play the extortioner as he might, Fleece folk each day and all day long, There was this redeeming circumstance: He never lay down to sleep at night But he put up a prayer first, brief yet strong, "Our Lady avert mischance!" Now it happened at close of a fructuous week "I must ask," quoth he, "some Saint to dine: I want that widow well out of my ears With her ailing and wailing. Who bade her seek Redress at my hands? 'She was wronged!' Folk whine If to Law wrong right appears. "Matteo da Bascio—he 's my man! No less than Chief of the Capucins: His presence will surely suffumigate My house—fools think lies under a ban If somebody loses what somebody wins. Hark, there he knocks at the grate! "Come in, thou blessed of Mother Church! I go and prepare—to bid, that is, My trusty and diligent servitor Get all things in readiness. Vain the search Through Venice for one to compare with this My model of ministrants: for— "For—once again, nay, three times over, My helpmate 's an ape! so intelligent, I train him to drudge at household work: He toils and he moils, I live in clover: Oh, you shall see! There 's a goodly scent— From his cooking, or I 'm a Turk! "Scarce need to descend and supervise: I 'll do it, however: wait here awhile!" So, down to the kitchen gayly scuttles Our host, nor notes the alarmed surmise Of the holy man. "O depth of guile! He blindly guzzles and guttles, "While—who is it dresses the food and pours The liquor? Some fiend—I make no doubt— In likeness of—which of the loathly brutes? An ape! Where hides he? No bull that gores, No bear that hugs—'t is the mock and flout Of an ape, fiend's face that suits. "So—out with thee, creature, wherever thou hidest! I charge thee, by virtue of ... right do I judge! There skulks he perdue, crouching under the bed. Well done! What, forsooth, in beast's shape thou confidest? I know and would name thee but that I begrudge Breath spent on such carrion. Instead— "I adjure thee by——" "Stay!" laughed the portent that rose From floor up to ceiling: "No need to adjure! See Satan in person, late ape by command Of Him thou adjurest in vain. A saint's nose Scents brimstone though incense be burned for a lure. Yet, hence! for I 'm safe, understand! "'T is my charge to convey to fit punishment's place This lawyer, my liegeman, for cruelty wrought On his clients, the widow and orphan, poor souls He has plagued by exactions which proved law's disgrace, Made equity void and to nothingness brought God's pity. Fiends, on with fresh coals!" "Stay!" nowise confounded, withstands Hell its match: "How comes it, were truth in this story of thine, God's punishment suffered a minute's delay? Weeks, months have elapsed since thou squattedst at watch For a spring on thy victim: what caused thee decline Advantage till challenged to-day?" "That challenge I meet with contempt," quoth the fiend. "Thus much I acknowledge: the man 's armed in mail: I wait till a joint 's loose, then quick ply my claws. Thy friend's one good custom—he knows not—has screened His flesh hitherto from what else would assail: At 'Save me, Madonna!' I pause. "That prayer did the losel but once pretermit, My pounce were upon him. I keep me attent: He 's in safety but till he 's caught napping. Enough!" "Ay, enough!" smiles the Saint—"for the biter is bit, The spy caught in somnolence. Vanish! I'm sent To smooth up what fiends do in rough." "I vanish? Through wall or through roof?" the ripost Grinned gayly. "My orders were—'Leave not unharmed The abode of this lawyer! Do damage to prove 'T was for something thou quittedst the land of the lost— To add to their number this unit!' Though charmed From descent there, on earth that 's above "I may haply amerce him." "So do, and begone, I command thee! For, look! Though there 's doorway behind And window before thee, go straight through the wall, Leave a breach in the brickwork, a gap in the stone For who passes to stare at!" "Spare speech! I 'm resigned: Here goes!" roared the goblin, as all— Wide bat-wings, spread arms and legs, tail out a-stream, Crash obstacles went, right and left, as he soared Or else sank, was clean gone through the hole anyhow. The Saint returned thanks: then a satisfied gleam On the bald polished pate showed that triumph was scored. "To dinner with appetite now!" Down he trips. "In good time!" smirks the host. "Didst thou scent Rich savor of roast meat? Where hides he, my ape? Look alive, be alert! He 's away to wash plates. Sit down, Saint! What 's here? Dost examine a rent In the napkin thou twistest and twirlest? Agape ... Ha, blood is it drips nor abates "From thy wringing a cloth, late was lavendered fair? What means such a marvel?" "Just this does it mean: I convince and convict thee of sin!" answers straight The Saint, wringing on, wringing ever—oh, rare!— Blood—blood from a napery snow not more clean. "A miracle shows thee thy state! "See—blood thy extortions have wrung from the flesh Of thy clients who, sheep-like, arrived to be shorn, And left thee—or fleeced to the quick or so flayed That, behold, their blood gurgles and grumbles afresh To accuse thee! Ay, down on thy knees, get up sworn To restore! Restitution once made, "Sin no more! Dost thou promise? Absolved, then, arise! Upstairs follow me! Art amazed at yon breach? Who battered and shattered and scattered, escape From thy purlieus obtaining? That Father of Lies Thou wast wont to extol for his feats, all and each The Devil 's disguised as thine ape!" Be sure that our lawyer was torn by remorse, Shed tears in a flood, vowed and swore so to alter His ways that how else could our Saint but declare He was cleansed of past sin? "For sin future—fare worse Thou undoubtedly wilt," warned the Saint, "shouldst thou falter One whit!" "Oh, for that have no care! "I am firm in my purposed amendment. But, prithee, Must ever affront and affright me yon gap? Who made it for exit may find it of use For entrance as easy. If, down in his smithy He forges me fetters—when heated, mayhap, He 'll up with an armful! Broke loose— "How bar him out henceforth?" "Judiciously urged!" Was the good man's reply. "How to balk him is plain. There 's nothing the Devil objects to so much, So speedily flies from, as one of those purged Of his presence, the angels who erst formed his train— His, their emperor. Choose one of such! "Get fashioned his likeness and set him on high At back of the breach thus adroitly filled up: Display him as guard of two scutcheons, thy arms: I warrant no devil attempts to get by And disturb thee so guarded. Eat, drink, dine, and sup, In thy rectitude, safe from alarms!" So said and so done. See, the angel has place Where the Devil has passage! All 's down in a book. Gainsay me? Consult it! Still faithless? Trust me? Trust Father Boverio who gave me the case In his Annals—gets of it, by hook or by crook, Two confirmative witnesses: three Are surely enough to establish an act: And thereby we learn—would we ascertain truth— To trust wise tradition which took, at the time, Note that served till slow history ventured on fact, Though folk have their fling at tradition forsooth! Row, boys, fore and aft, rhyme and chime!

BEATRICE SIGNORINI

This strange thing happened to a painter once: Viterbo boasts the man among her sons Of note, I seem to think: his ready tool Picked up its precepts in Cortona's school— That 's Pietro Berretini, whom they call Cortona, these Italians: greatish-small, Our painter was his pupil, by repute His match if not his master absolute, Though whether he spoiled fresco more or less, And what 's its fortune, scarce repays your guess. Still, for one circumstance, I save his name —Francesco Romanelli: do the same! He went to Rome and painted: there he knew A wonder of a woman painting too— For she, at least, was no Cortona's drudge: Witness that ardent fancy-shape—I judge A semblance of her soul—she called, "Desire" With starry front for guide, where sits the fire She left to brighten Buonarroti's house. If you see Florence, pay that piece your vows, Though blockhead Baldinucci's mind, imbued With monkish morals, bade folk "Drape the nude And stop the scandal!" quoth the record prim I borrow this of: hang his book and him! At Rome, then, where these fated ones met first, The blossom of his life had hardly burst While hers was blooming at full beauty's stand: No less Francesco—when half-ripe he scanned Consummate Artemisia—grew one want To have her his and make her ministrant With every gift of body and of soul To him. In vain. Her sphery self was whole— Might only touch his orb at Art's sole point. Suppose he could persuade her to enjoint Her life—past, present, future—all in his At Art's sole point by some explosive kiss Of love through lips, would love's success defeat Artistry's haunting curse—the Incomplete? Artists no doubt they both were,—what beside Was she? who long had felt heart, soul spread wide Her life out, knowing much and loving well, On either side Art's narrow space where fell Reflection from his own speck: but the germ Of individual genius—what we term The very self, the God-gift whence had grown Heart's life and soul's life—how make that his own? Vainly his Art, reflected, smiled in small On Art's one facet of her ampler ball; The rest, touch-free, took in, gave back heaven, earth, All where he was not. Hope, well-nigh ere birth Came to Desire, died off all-unfulfilled. "What though in Art I stand the abler-skilled," (So he conceited: mediocrity Turns on itself the self-transforming eye) "If only Art were suing, mine would plead To purpose: man—by nature I exceed Woman the bounded: but how much beside She boasts, would sue in turn and be denied! Love her? My own wife loves me in a sort That suits us both: she takes the world's report Of what my work is worth, and, for the rest, Concedes that, while his consort keeps her nest, The eagle soars a licensed vagrant, lives A wide free life which she at least forgives— Good Beatricé Signorini! Well And wisely did I choose her. But the spell To subjugate this Artemisia—where? She passionless?—she resolute to care Nowise beyond the plain sufficiency Of fact that she is she and I am I —Acknowledged arbitrator for us both In her life as in mine which she were loth Even to learn the laws of? No, and no, Twenty times over! Ay, it must be so: I for myself, alas!" Whereon, instead Of the checked lover's-utterance—why, he said —Leaning over her easel: "Flesh is red" (Or some such just remark)—"by no means white As Guido's practice teaches: you ate right." Then came the better impulse: "What if pride Were wisely trampled on, whate'er betide? If I grow hers, not mine—join lives, confuse Bodies and spirits, gain her not but lose Myself to Artemisia? That were love! Of two souls—one must bend, one rule above: If I crouch under proudly, lord turned slave, Were it not worthier both than if she gave Herself—in treason to herself—to me?" And, all the while, he felt it could not be. Such love was true love: love that way who can! Some one that 's born half woman, not whole man: For man, prescribed man better or man worse, Why, whether microcosm or universe, What law prevails alike through great and small, The world and man—world's miniature we call? Male is the master. "That way" smiled and sighed Our true male estimator—"puts her pride My wife in making me the outlet whence She learns all Heaven allows: 't is my pretence To paint: her lord should do what else but paint? Do I break brushes, cloister me turned saint? Then, best of all suits sanctity her spouse Who acts for Heaven, allows and disallows At pleasure, past appeal, the right, the wrong In all things. That 's my wife's way. But this strong Confident Artemisia—an adept In Art does she conceit herself? 'Except In just this instance,' tell her, 'no one draws More rigidly observant of the laws Of right design: yet here,—permit me hint.— If the acromion had a deeper dint, That shoulder were perfection.' What surprise —Nay scorn, shoots black fire from those startled eyes! She to be lessoned in design forsooth! I 'm doomed and done for, since I spoke the truth. Make my own work the subject of dispute— Fails it of just perfection absolute Somewhere? Those motors, flexors,—don't I know Ser Santi, styled 'Tirititototo The pencil-prig,' might blame them? Yet my wife— Were he and his nicknamer brought to life, Tito and Titian, to pronounce again— Ask her who knows more—I or the great Twain, Our colorist and draughtsman! "I help her, Not she helps me; and neither shall demur Because my portion is"—he chose to think— "Quite other than a woman's: I may drink At many waters, must repose by none— Rather arise and fare forth, having done Duty to one new excellence the more, Abler thereby, though impotent before So much was gained of knowledge. Best depart, From this last lady I have learned by heart!" Thus he concluded of himself—resigned To play the man and master: "Man boasts mind: Woman, man's sport calls mistress, to the same Does body's suit and service. Would she claim —My placid Beatricé-wife—pretence Even to blame her lord if, going hence, He wistfully regards one whom—did fate Concede—he might accept queen, abdicate Kingship because of?—one of no meek sort But masterful as he: man's match in short? Oh, there 's no secret I were best conceal! Bicé shall know; and should a stray tear steal From out the blue eye, stain the rose cheek—bah! A smile, a word's gay reassurance—ah, With kissing interspersed,—shall make amends, Turn pain to pleasure." "What, in truth so ends Abruptly, do you say, our intercourse?" Next day, asked Artemisia: "I 'll divorce Husband and wife no longer. Go your ways, Leave Rome! Viterbo owns no equal, says The by-word, for fair women: you, no doubt, May boast a paragon all specks without, Using the painter's privilege to choose Among what 's rarest. Will your wife refuse Acceptance from—no rival—of a gift? You paint the human figure I make shift Humbly to reproduce: but, in my hours Of idlesse, what I fain would paint is—flowers. Look now!" She twitched aside a veiling cloth. "Here is my keepsake—frame and picture both: For see, the frame is all of flowers festooned About an empty space,—left thus, to wound No natural susceptibility: How can I guess? 'T is you must fill, not I, The central space with—her whom you like best! That is your business, mine has been the rest. But judge!" How judge them? Each of us, in flowers, Chooses his love, allies it with past hours, Old meetings, vanished forms and faces: no— Here let each favorite unmolested blow For one heart's homage, no tongue's banal praise, Whether the rose appealingly bade "Gaze Your fill on me, sultana who dethrone The gaudy tulip!" or 't was "Me alone Rather do homage to, who lily am, No unabashed rose!" "Do I vainly cram My cup with sweets, your jonquil?" "Why forget Vernal endearments with the violet?" So they contested yet concerted, all As one, to circle round about, enthral Yet, self-forgetting, push to prominence The midmost wonder, gained no matter whence. There 's a tale extant, in a book I conned Long years ago, which treats of things beyond The common, antique times and countries queer And customs strange to match. "'T is said, last year," (Recounts my author) "that the King had mind To view his kingdom—guessed at from behind A palace-window hitherto. Announced No sooner was such purpose than 't was pounced Upon by all the ladies of the land— Loyal but light of life: they formed a band Of loveliest ones but lithest also, since Proudly they all combined to bear their prince. Backs joined to breasts,—arms, legs,—nay, ankles, wrists, Hands, feet, I know not by what turns and twists, So interwoven lay that you believed 'T was one sole beast of burden which received The monarch on its back, of breadth not scant, Since fifty girls made one white elephant." So with the fifty flowers which shapes and hues Blent, as I tell, and made one fast yet loose Mixture of beauties, composite, distinct No less in each combining flower that linked With flower to form a fit environment For—whom might be the painter's heart's intent Thus, in the midst enhaloed, to enshrine? "This glory-guarded middle space—is mine? For me to fill?" "For you, my Friend! We part, Never perchance to meet again. Your Art— What if I mean it—so to speak—shall wed My own, be witness of the life we led When sometimes it has seemed our souls near found Each one the other as its mate—unbound Had yours been haply from the better choice —Beautiful Bicé: 't is the common voice, The crowning verdict. Make whom you like best Queen of the central space, and manifest Your predilection for what flower beyond All flowers finds favor with you. I am fond Of—say—yon rose's rich predominance, While you—what wonder?—more affect the glance The gentler violet from its leafy screen Ventures: so—choose your flower and paint your queen!" Oh, but the man was ready, head as hand, Instructed and adroit. "Just as you stand, Stay and be made—would Nature but relent— By Art immortal!" Every implement In tempting reach—a palette primed, each squeeze Of oil-paint in its proper patch—with these, Brushes, a veritable sheaf to grasp! He worked as he had never dared. "Unclasp My Art from yours who can!"—he cried at length, As down he threw the pencil—"Grace from Strength Dissociate, from your flowery fringe detach My face of whom it frames,—the feat will match With that of Time should Time from me extract Your memory, Artemisia!" And in fact,— What with the pricking impulse, sudden glow Of soul—head, hand coöperated so That face was worthy of its frame, 't is said— Perfect, suppose! They parted. Soon instead Of Rome was home,—of Artemisia—well, The placid-perfect wife. And it befell That after the first incontestably Blessedest of all blisses (—wherefore try Your patience with embraceings and the rest Due from Calypso's all-unwilling guest To his Penelope?)—there somehow came The coolness which as duly follows flame. So, one day, "What if we inspect the gifts My Art has gained us?" Now the wife uplifts A casket-lid, now tries a medal's chain Round her own lithe neck, fits a ring in vain —Too loose on the fine finger,—vows and swears The jewel with two pendent pearls like pears Betters a lady's bosom—witness else! And so forth, while Ulysses smiles. "Such spells Subdue such natures—sex must worship toys —Trinkets and trash: yet, ah, quite other joys Must stir from sleep the passionate abyss Of—such an one as her I know—not this My gentle consort with the milk for blood! Why, did it chance that in a careless mood (In those old days, gone—never to return— When we talked—she to teach and I to learn) I dropped a word, a hint which might imply Consorts exist—how quick flashed fire from eye, Brow blackened, lip was pinched by furious lip! I needed no reminder of my slip: One warning taught me wisdom. Whereas here ... Aha, a sportive fancy! Eh, what fear Of harm to follow? Just a whim indulged! "My Beatricé, there 's an undivulged Surprise in store for you: the moment 's fit For letting loose a secret: out with it! Tributes to worth, you rightly estimate These gifts of Prince and Bishop, Church and State: Yet, may I tell you? Tastes so disagree! There 's one gift, preciousest of all to me, I doubt if you would value as well worth The obvious sparkling gauds that men unearth For toy-cult mainly of you womankind; Such make you marvel, I concede: while blind The sex proves to the greater marvel here I veil to balk its envy. Be sincere! Say, should you search creation far and wide, Was ever face like this?" He drew aside The veil, displayed the flower-framed portrait kept For private delectation. No adept In florist's lore more accurately named And praised or, as appropriately, blamed Specimen after specimen of skill, Than Bicé. "Rightly placed the daffodil— Scarcely so right the blue germander. Gray Good mouse-ear! Hardly your auricula Is powdered white enough. It seems to me Scarlet not crimson, that anemone: But there 's amends in the pink saxifrage. O darling dear ones, let me disengage You innocents from what your harmlessness Clasps lovingly! Out thou from their caress, Serpent!" Whereat forth-flashing from her coils On coils of hair, the spilla in its toils Of yellow wealth, the dagger-plaything kept To pin its plaits together, life-like leapt And—woe to all inside the coronal! Stab followed stab,—cut, slash, she ruined all The masterpiece. Alack for eyes and mouth And dimples and endearment—North and South, East, West, the tatters in a fury flew: There yawned the circlet. What remained to do? She flung the weapon, and, with folded arms And mien defiant of such low alarms As death and doom beyond death, Bicé stood Passively statuesque, in quietude Awaiting judgment. And out judgment burst With frank unloading of love's laughter, first Freed from its unsuspected source. Some throe Must needs unlock love's prison-bars, let flow The joyance. "Then you ever were, still are, And henceforth shall be—no occulted star But my resplendent Bicé, sun-revealed, Full-rondure! Woman-glory unconcealed, So front me, find and claim and take your own— My soul and body yours and yours alone. As you are mine, mine wholly! Heart's love, take— Use your possession—stab or stay at will Here—hating, saving—woman with the skill To make man beast or god!" And so it proved: For, as beseemed new godship, thus he loved, Past power to change, until his dying-day,— Good fellow! And I fain would hope—some say Indeed for certain—that our painter's toils At fresco-splashing, finer stroke in oils, Were not so mediocre after all; Perhaps the work appears unduly small From having loomed too large in old esteem, Patronized by late Papacy. I seem Myself to have cast eyes on certain work In sundry galleries, no judge needs shirk From moderately praising. He designed Correctly, nor in color lagged behind His age: but both in Florence and in Rome The elder race so make themselves at home That scarce we give a glance to ceilingfuls Of such like as Francesco. Still, one culls From out the heaped laudations of the time The pretty incident I put in rhyme.

FLUTE-MUSIC, WITH AN ACCOMPANIMENT

He. Ah, the bird-like fluting Through the ash-tops yonder— Bullfinch-bubblings, soft sounds suiting What sweet thoughts, I wonder? Fine-pearled notes that surely Gather, dewdrop-fashion, Deep-down in some heart which purely Secretes globuled passion— Passion insuppressive— Such is piped, for certain; Love, no doubt, nay, love excessive 'T is, your ash-tops curtain. Would your ash-tops open We might spy the player— Seek and find some sense which no pen Yet from singer, sayer, Ever has extracted: Never, to my knowledge, Yet has pedantry enacted That, in Cupid's College, Just this variation Of the old, old yearning Should by plain speech have salvation, Yield new men new learning. "Love!" but what love, nicely New from old disparted, Would the player teach precisely? First of all, he started In my brain Assurance— Trust—entire Contentment— Passion proved by much endurance; Then came—not resentment, No, but simply Sorrow: What was seen had vanished: Yesterday so blue! To-morrow Blank, all sunshine banished. Hark! 'T is Hope resurges, Struggling through obstruction— Forces a poor smile which verges On Joy's introduction. Now, perhaps, mere Musing: "Holds earth such a wonder? Fairy-mortal, soul-sense-fusing Past thought's power to sunder!" What? calm Acquiescence? "Daisied turf gives room to Trefoil, plucked once in her presence— Growing by her tomb too!" She. All 's your fancy-spinning! Here 's the fact: a neighbor Never-ending, still beginning, Recreates his labor: Deep o'er desk he drudges. Adds, divides, subtracts and Multiplies, until he judges Noonday-hour's exact sand Shows the hour-glass emptied: Then comes lawful leisure, Minutes rare from toil exempted, Fit to spend in pleasure. Out then with—what treatise? Youth's Complete Instructor How to play the Flute. Quid petis? Follow Youth's conductor On and on, through Easy, Up to Harder, Hardest Flute-piece, till thou, flautist wheezy, Possibly discardest Tootlings hoarse and husky, Mayst expend with courage Breath—on tunes once bright, now dusky— Meant to cool thy porridge. That 's an air of Tulou's He maltreats persistent, Till as lief I 'd hear some Zulu's Bone-piped bag, breath-distent, Madden native dances. I 'm the man's familiar: Unexpectedness enhances What your ear's auxiliar —Fancy—finds suggestive. Listen! That 's legato Rightly played, his fingers restive Touch as if staccato. He. Ah, you trick-betrayer! Telling tales, unwise one? So the secret of the player Was—he could surprise one Well-nigh into trusting Here was a musician Skilled consummately, yet lusting Through no vile ambition After making captive All the world,—rewarded Amply by one stranger's rapture, Common praise discarded. So, without assistance Such as music rightly Needs and claims,—defying distance, Overleaping lightly Obstacles which hinder, He, for my approval, All the same and all the kinder Made mine what might move all Earth to kneel adoring: Took—while he piped Gounod's Bit of passionate imploring— Me for Juliet: who knows? No! as you explain things, All 's mere repetition, Practise-pother: of all vain things Why waste pooh or pish on Toilsome effort—never Ending, still beginning After what should pay endeavor —Right-performance? winning Weariness from you who, Ready to admire some Owl's fresh hooting—Tu-whit, tu-who— Find stale thrush-songs tiresome. She. Songs, Spring thought perfection, Summer criticises: What in May escaped detection, August, past surprises, Notes, and names each blunder. You, the just-initiate, Praise to heart's content (what wonder?) Tootings I hear vitiate Romeo's serenading— I who, times full twenty, Turned to ice—no ash-tops aiding— At his caldamente. So, 't was distance altered Sharps to flats? The missing Bar when syncopation faltered (You thought—paused for kissing!) Ash-tops too felonious Intercepted? Rather Say—they well-nigh made euphonious Discord, helped to gather Phrase, by phrase, turn patches Into simulated Unity which botching matches,— Scraps redintegrated. He. Sweet, are you suggestive Of an old suspicion Which has always found me restive To its admonition When it ventured whisper "Fool, the strifes and struggles Of your trembler—blusher—lisper Were so many juggles, Tricks tried—oh, so often!— Which once more do duty, Find again a heart to soften, Soul to snare with beauty." Birth-blush of the briar-rose, Mist-bloom of the hedge-sloe, Some one gains the prize: admire rose Would he, when noon's wedge—slow— Sure, has pushed, expanded Rathe pink to raw redness? Would he covet sloe when sanded By road-dust to deadness? So—restore their value! Ply a water-sprinkle! Then guess sloe is fingered, shall you? Find in rose a wrinkle? Here what played Aquarius? Distance—ash-tops aiding, Reconciled scraps else contrarious, Brightened stuff fast fading. Distance—call your shyness: Was the fair one peevish? Coyness softened out of slyness. Was she cunning, thievish, All-but-proved impostor? Bear but one day's exile, Ugly traits were wholly lost or Screened by fancies flexile— Ash-tops these, you take me? Fancies' interference Changed ... But since I sleep, don't wake me: What if all's appearance? Is not outside seeming Real as substance inside? Both are facts, so leave me dreaming: If who loses wins I'd Ever lose,—conjecture, From one phrase trilled deftly, All the piece. So, end your lecture, Let who lied be left lie!

"IMPERANTE AUGUSTO NATUS EST—"

What it was struck the terror into me? This, Publius: closer! while we wait our turn I'll tell you. Water's warm (they ring inside) At the eighth hour, till when no use to bathe. Here in the vestibule where now we sit, One scarce stood yesterday, the throng was such Of loyal gapers, folk all eye and ear While Lucius Varius Rufus in their midst Read out that long-planned late-completed piece, His Panegyric on the Emperor. "Nobody like him," little Flaccus laughed, "At leading forth an Epos with due pomp! Only, when godlike Cæsar swells the theme, How should mere mortals hope to praise aright? Tell me, thou offshoot of Etruscan kings!" Whereat Mæcenas smiling sighed assent. I paid my quadrans, left the Thermæ's roar Of rapture as the poet asked, "What place Among the godships Jove, for Cæsar's sake, Would bid its actual occupant vacate In favor of the new divinity?" And got the expected answer, "Yield thine own!"— Jove thus dethroned, I somehow wanted air, And found myself a-pacing street and street, Letting the sunset, rosy over Rome, Clear my head dizzy with the hubbub—say, As if thought's dance therein had kicked up dust By trampling on all else: the world lay prone, As—poet-propped, in brave hexameters— Their subject triumphed up from man to God. Caius Octavius Cæsar the August— Where was escape from his prepotency? I judge I may have passed—how many piles Of structure dropt like doles from his free hand To Rome on every side? Why, right and left, For temples you've the Thundering Jupiter, Avenging Mars, Apollo Palatine: How count Piazza, Forum—there's a third All but completed. You've the Theatre Named of Marcellus—all his work, such work!— One thought still ending, dominating all— With warrant Varius sang, "Be Cæsar God!" By what a hold arrests he Fortune's wheel, Obtaining and retaining heaven and earth Through Fortune, if you like, but favor—no! For the great deeds flashed by me, fast and thick As stars which storm the sky on autumn nights— Those conquests! but peace crowned them,—so, of peace Count up his titles only—these, in few— Ten years Triumvir, Consul thirteen times, Emperor, nay—the glory topping all—Hailed Father of his Country, last and best Of titles, by himself accepted so: And why not? See but feats achieved in Rome— Not to say, Italy—he planted there Some thirty colonies—but Rome itself All new-built, "marble now, brick once," he boasts: This Portico, that Circus. Would you sail? He has drained Tiber for you: would you walk? He straightened out the long Flaminian Way. Poor? Profit by his score of donatives! Rich—that is, mirthful? Half-a-hundred games Challenge your choice! There's Rome—for you and me Only? The centre of the world besides! For, look the wide world over, where ends Rome? To sunrise? There's Euphrates—all between! To sunset? Ocean and immensity: North, stare till Danube stops you: South, see Nile, The Desert and the earth-upholding Mount. Well may the poet-people each with each Vie in his praise, our company of swans, Virgil and Horace, singers—in their way— Nearly as good as Varius, though less famed: Well may they cry, "No mortal, plainly God!" Thus to myself myself said, while I walked: Or would have said, could thought attain to speech, Clean baffled by enormity of bliss The while I strove to scale its heights and sound Its depths—this masterdom o'er all the world Of one who was but born—like you, like me, Like all the world he owns—of flesh and blood. But he—how grasp, how gauge his own conceit Of bliss to me near inconceivable? Or, since such flight too much makes reel the brain, Let's sink—and so take refuge, as it were, From life's excessive altitude—to life's Breathable wayside shelter at its base! If looms thus large this Cæsar to myself —Of senatorial rank and somebody— How must he strike the vulgar nameless crowd, Innumerous swarm that 's nobody at all? Why,—for an instance,—much as yon gold shape Crowned, sceptred, on the temple opposite— Fulgurant Jupiter—must daze the sense Of—say, yon outcast begging from its step! "What, Anti-Cæsar, monarch in the mud, As he is pinnacled above thy pate? Ay, beg away! thy lot contrasts full well With his whose bounty yields thee this support— Our Holy and Inviolable One, Cæsar, whose bounty built the fane above! Dost read my thought? Thy garb, alack, displays Sore usage truly in each rent and stain— Faugh! Wash though in Suburra! 'Ware the dogs Who may not so disdain a meal on thee! What, stretchest forth a palm to catch my alms? Aha, why yes: I must appear—who knows?— I, in my toga, to thy rags and thee— Quæstor—nay, Ædile, Censor—Pol! perhaps The very City-Prætor's noble self! As to me Cæsar, so to thee am I? Good: nor in vain shall prove thy quest, poor rogue! Hither—hold palm out—take this quarter-as!" And who did take it? As he raised his head, (My gesture was a trifle—well—abrupt,) Back fell the broad flap of the peasant's-hat, The homespun cloak that muffled half his cheek Dropped somewhat, and I had a glimpse—just one! One was enough. Whose—whose might be the face? That unkempt careless hair—brown, yellowish— Those sparkling eyes beneath their eyebrows' ridge (Each meets each, and the hawk-nose rules between) —That was enough, no glimpse was needed more! And terrifyingly into my mind Came that quick-hushed report was whispered us, "They do say, once a year in sordid garb He plays the mendicant, sits all day long, Asking and taking alms of who may pass, And so averting, if submission help, Fate's envy, the dread chance and change of things When Fortune—for a word, a look, a naught— Turns spiteful and—the petted lioness— Strikes with her sudden paw, and prone falls each Who patted late her neck superiorly, Or trifled with those claw-tips velvet-sheathed." "He's God!" shouts Lucius Varius Rufus: "Man And worms'-meat any moment!" mutters low Some Power, admonishing the mortal-born. Ay, do you mind? There 's meaning in the fact That whoso conquers, triumphs, enters Rome, Climbing the Capitolian, soaring thus To glory's summit,—Publius, do you mark— Ever the same attendant who, behind, Above the Conqueror's head supports the crown All-too-demonstrative for human wear, —One hand's employment—all the while reserves Its fellow, backward flung, to point how, close Appended from the car, beneath the foot Of the up-borne exulting Conqueror, Frown—half-descried—the instruments of shame, The malefactor's due. Crown, now—Cross, when? Who stands secure? Are even Gods so safe? Jupiter that just now is dominant— Are not there ancient dismal tales how once A predecessor reigned ere Saturn came, And who can say if Jupiter be last? Was it for nothing the gray Sibyl wrote "Cæsar Augustus regnant, shall be born In blind Judæa"—one to master him, Him and the universe? An old-wife's tale? Bath-drudge! Here, slave! No cheating! Our turn next. No loitering, or be sure you taste the lash! Two strigils, two oil-drippers, each a sponge!

DEVELOPMENT

My Father was a scholar and knew Greek. When I was five years old, I asked him once "What do you read about?" "The siege of Troy." "What is a siege, and what is Troy?" Whereat He piled up chairs and tables for a town, Set me a-top for Priam, called our cat —Helen, enticed away from home (he said) By wicked Paris, who couched somewhere close Under the footstool, being cowardly, But whom—since she was worth the pains, poor puss— Towzer and Tray,—our dogs, the Atreidai,—sought By taking Troy to get possession of —Always when great Achilles ceased to sulk, (My pony in the stable)—forth would prance And put to flight Hector—our page-boy's self. This taught me who was who and what was what: So far I rightly understood the case At five years old; a huge delight it proved And still proves—thanks to that instructor sage My Father, who knew better than turn straight Learning's full flare on weak-eyed ignorance, Or, worse yet, leave weak eyes to grow sand-blind, Content with darkness and vacuity. It happened, two or three years afterward, That—I and playmates playing at Troy's Siege— My Father came upon our make-believe. "How would you like to read yourself the tale Properly told, of which I gave you first Merely such notion as a boy could bear? Pope, now, would give you the precise account Of what, some day, by dint of scholarship, You'll hear—who knows?—from Homer's very mouth. Learn Greek by all means, read the 'Blind Old Man, Sweetest of Singers'—tuphlos which means 'blind,' Hedistos which means 'sweetest.' Time enough! Try, anyhow, to master him some day; Until when, take what serves for substitute, Read Pope, by all means!" So I ran through Pope, Enjoyed the tale—what history so true? Also attacked my Primer, duly drudged, Grew fitter thus for what was promised next— The very thing itself, the actual words, When I could turn—say, Buttmann to account. Time passed, I ripened somewhat: one fine day, "Quite ready for the Iliad, nothing less? There 's Heine, where the big books block the shelf: Don't skip a word, thumb well the Lexicon!" I thumbed well and skipped nowise till I learned Who was who, what was what, from Homer's tongue, And there an end of learning. Had you asked The all-accomplished scholar, twelve years old, "Who was it wrote the Iliad?"—what a laugh! "Why, Homer, all the world knows: of his life Doubtless some facts exist: it's everywhere: We have not settled, though, his place of birth: He begged, for certain, and was blind beside: Seven cities claimed him—Scio, with best right, Thinks Byron. What he wrote? Those Hymns we have. Then there 's the 'Battle of the Frogs and Mice,' That's all—unless they dig 'Margites' up (I'd like that) nothing more remains to know." Thus did youth spend a comfortable time; Until—"What's this the Germans say in fact That Wolf found out first? It's unpleasant work Their chop and change, unsettling one's belief: All the same, where we live, we learn, that 's sure." So, I bent brow o'er Prolegomena. And after Wolf, a dozen of his like Proved there was never any Troy at all, Neither Besiegers nor Besieged,—nay, worse,— No actual Homer, no authentic text, No warrant for the fiction I, as fact, Had treasured in my heart and soul so long— Ay, mark you! and as fact held still, still hold, Spite of new knowledge, in my heart of hearts And soul of souls, fact's essence freed and fixed From accidental fancy's guardian sheath. Assuredly thenceforward—thank my stars!— However it got there, deprive who could— Wring from the shrine my precious tenantry, Helen, Ulysses, Hector and his Spouse, Achilles and his Friend?—though Wolf—ah, Wolf! Why must he needs come doubting, spoil a dream? But then, "No dream's worth waking"—Browning says: And here's the reason why I tell thus much. I, now mature man, you anticipate, May blame my Father justifiably For letting me dream out my nonage thus, And only by such slow and sure degrees Permitting me to sift the grain from chaff, Get truth and falsehood known and named as such. Why did he ever let me dream at all, Not bid me taste the story in its strength? Suppose my childhood was scarce qualified To rightly understand mythology, Silence at least was in his power to keep: I might have—somehow—correspondingly— Well, who knows by what method, gained my gains, Been taught, by forthrights not meanderings, My aim should be to loathe, like Peleus' son, A lie as Hell's Gate, love my wedded wife, Like Hector, and so on with all the rest. Could not I have excogitated this Without believing such man really were? That is—he might have put into my hand The "Ethics"? In translation, if you please, Exact, no pretty lying that improves, To suit the modern taste: no more, no less— The "Ethics:" 't is a treatise I find hard To read aright now that my hair is gray, And I can manage the original. At five years old—how ill had fared its leaves! Now, growing double o'er the Stagirite, At least I soil no page with bread and milk, Nor crumple, dogs-ear and deface—boys' way.

REPHAN

Suggested by a very early recollection of a prose story by the noble woman and imaginative writer, Jane Taylor, of Norwich, [more correctly, of Ongar]. R. B.

How I lived, ere my human life began In this world of yours,—like you, made man,— When my home was the Star of my God Rephan? Come then around me, close about, World-weary earth-born ones! Darkest doubt Or deepest despondency keeps you out? Nowise! Before a word I speak, Let my circle embrace your worn, your weak, Brow-furrowed old age, youth's hollow cheek— Diseased in the body, sick in soul, Pinched poverty, satiate wealth,—your whole Array of despairs! Have I read the roll? All here? Attend, perpend! O Star Of my God Rephan, what wonders are In thy brilliance fugitive, faint and far! Far from me, native to thy realm, Who shared its perfections which o'erwhelm Mind to conceive. Let drift the helm, Let drive the sail, dare uuconfined Embark for the vastitude, O Mind, Of an absolute bliss! Leave earth behind! Here, by extremes, at a mean you guess: There, all 's at most—not more, not less: Nowhere deficiency nor excess. No want—whatever should be, is now: No growth—that 's change, and change comes—how To royalty born with crown on brow? Nothing begins—so needs to end: Where fell it short at first? Extend Only the same, no change can mend! I use your language: mine—no word Of its wealth would help who spoke, who heard, To a gleam of intelligence. None preferred, None felt distaste when better and worse Were uncontrastable: bless or curse What—in that uniform universe? Can your world's phrase, your sense of things Forth-figure the Star of my God? No springs, No winters throughout its space. Time brings No hope, no fear: as to-day, shall be To-morrow: advance or retreat need we At our stand-still through eternity? All happy: needs must we so have been, Since who could be otherwise? All serene: What dark was to banish, what light to screen? Earth's rose is a bud that 's checked or grows As beams may encourage or blasts oppose: Our lives leapt forth, each a full-orbed rose— Each rose sole rose in a sphere that spread Above and below and around—rose-red: No fellowship, each for itself instead. One better than I—would prove I lacked Somewhat: one worse were a jarring fact Disturbing my faultlessly exact. How did it come to pass there lurked Somehow a seed of change that worked Obscure in my heart till perfection irked?— Till out of its peace at length grew strife— Hopes, fears, loves, hates,—obscurely rife,— My life grown a-tremble to turn your life? Was it Thou, above all lights that are, Prime Potency, did Thy hand unbar The prison-gate of Rephan my Star? In me did such potency wake a pulse Could trouble tranquillity that lulls Not lashes inertion till throes convulse Soul's quietude into discontent? As when the completed rose bursts, rent By ardors till forth from its orb are sent New petals that mar—unmake the disk— Spoil rondure: what in it ran brave risk, Changed apathy's calm to strife, bright, brisk, Pushed simple to compound, sprang and spread Till, fresh-formed, faceted, floreted, The flower that slept woke a star instead? No mimic of Star Rephan! How long I stagnated there where weak and strong, The wise and the foolish, right and wrong, Are merged alike in a neutral Best, Can I tell? No more than at whose behest The passion arose in my passive breast, And I yearned for no sameness but difference In thing and thing, that should shock my sense With a want of worth in them all, and thence Startle me up, by an Infinite Discovered above and below me—height And depth alike to attract my flight, Repel my descent: by hate taught love. Oh, gain were indeed to see above Supremacy ever—to move, remove, Not reach—aspire yet never attain To the object aimed at! Scarce in vain,— As each stage I left nor touched again. To suffer, did pangs bring the loved one bliss, Wring knowledge from ignorance,—just for this— To add one drop to a love-abyss! Enough: for you doubt, you hope, O men, You fear, you agonize, die: what then? Is an end to your life's work out of ken? Have you no assurance that, earth at end, Wrong will prove right? Who made shall mend In the higher sphere to which yearnings tend? Why should I speak? You divine the test. When the trouble grew in my pregnant breast A voice said, "So wouldst thou strive, not rest? "Burn and not smoulder, win by worth, Not rest content with a wealth that's dearth? Thou art past Rephan, thy place be Earth!"

REVERIE

I know there shall dawn a day —Is it here on homely earth? Is it yonder, worlds away, Where the strange and new have birth, That Power comes full in play? Is it here, with grass about, Under befriending trees, When shy buds venture out, And the air by mild degrees Puts winter's death past doubt? Is it up amid whirl and roar Of the elemental flame Which star-flecks heaven's dark floor, That, new yet still the same, Full in play comes Power once more? Somewhere, below, above, Shall a day dawn—this I know— When Power, which vainly strove My weakness to o'erthrow, Shall triumph. I breathe, I move, I truly am, at last! For a veil is rent between Me and the truth which passed Fitful, half-guessed, half-seen, Grasped at—not gained, held fast. I for my race and me Shall apprehend life's law: In the legend of man shall see Writ large what small I saw In my life's; tale both agree. As the record from youth to age Of my own, the single soul— So the world's wide book: one page Deciphered explains the whole Of our common heritage. How but from near to far Should knowledge proceed, increase? Try the clod ere test the star! Bring our inside strife to peace Ere we wage, on the outside, war! So, my annals thus begin: With body, to life awoke Soul, the immortal twin Of body which bore soul's yoke Since mortal and not akin. By means of the flesh, grown fit, Mind, in surview of things, Now soared, anon alit To treasure its gatherings From the ranged expanse—to-wit, Nature,—earth's, heaven's wide show Which taught all hope, all fear: Acquainted with joy and woe, I could say, "Thus much is clear, Doubt annulled thus much: I know. "All is effect of cause: As it would, has willed and done Power: and my mind's applause Goes, passing laws each one, To Omnipotence, lord of laws." Head praises, but heart refrains From loving's acknowledgment. Whole losses outweigh half-gains: Earth's good is with evil blent: Good struggles but evil reigns. Yet since Earth's good proved good— Incontrovertibly Worth loving—I understood How evil—did mind descry Power's object to end pursued— Were haply as cloud across Good's orb, no orb itself: Mere mind—were it found at loss Did it play the tricksy elf And from life's gold purge the dross? Power is known infinite: Good struggles to be—at best Seems—scanned by the human sight, Tried by the senses' test— Good palpably: but with right Therefore to mind's award Of loving, as power claims praise? Power—which finds naught too hard, Fulfilling itself all ways Unchecked, unchanged: while barred, Baffled, what good began Ends evil on every side. To Power submissive man Breathes, "E'en as Thou art, abide!" While to good "Late-found, long-sought, "Would Power to a plenitude But liberate, but enlarge Good's strait confine,—renewed Were ever the heart's discharge Of loving!" Else doubts intrude. For you dominate, stars all! For a sense informs you—brute, Bird, worm, fly, great and small, Each with your attribute Or low or majestical! Thou earth that embosomest Offspring of land and sea— How thy hills first sank to rest, How thy vales bred herb and tree Which dizen thy mother-breast— Do I ask? "Be ignorant Ever!" the answer clangs: Whereas if I plead world's want, Soul's sorrows and body's pangs, Play the human applicant,— Is a remedy far to seek? I question and find response: I—all men, strong or weak, Conceive and declare at once For each want its cure. "Power, speak! "Stop change, avert decay Fix life fast, banish death, Eclipse from the star bid stay, Abridge of no moment's breath One creature! Hence, Night, hail, Day!" What need to confess again No problem this to solve By impotence? Power, once plain Proved Power—let on Power devolve Good's right to co-equal reign! Past mind's conception—Power! Do I seek how star, earth, beast, Bird, worm, fly, gain their dower For life's use, most and least? Back from the search I cower. Do I seek what heals all harm, Nay, hinders the harm at first, Saves earth? Speak, Power, the charm! Keep the life there unamerced By chance, change, death's alarm! As promptly as mind conceives, Let Power in its turn declare Some law which wrong retrieves, Abolishes everywhere What thwarts, what irks, what grieves! Never to be! and yet How easy it seems—to sense Like man's—if somehow met Power with its match—immense Love, limitless, unbeset By hindrance on every side! Conjectured, nowise known, Such may be: could man confide Such would match—were Love but shown Stript of the veils that hide— Power's self now manifest! So reads my record: thine, O world, how runs it? Guessed Were the purport of that prime line, Prophetic of all the rest! "In a beginning God Made heaven and earth." Forth flashed Knowledge: from star to clod Man knew things: doubt abashed Closed its long period. Knowledge obtained Power praise. Had Good been manifest, Broke out in cloudless blaze, Unchequered as unrepressed, In all things Good at best— Then praise—all praise, no blame— Had hailed the perfection. No! As Power's display, the same Be Good's—praise forth shall flow Unisonous in acclaim! Even as the world its life, So have I lived my own— Power seen with Love at strife, That sure, this dimly shown, —Good rare and evil rife. Whereof the effect be—faith That, some far day, were found Ripeness in things now rathe, Wrong righted, each chain unbound, Renewal born out of scathe. Why faith—but to lift the load, To leaven the lump, where lies Mind prostrate through knowledge owed To the loveless Power it tries To withstand, how vain! In flowed Ever resistless fact: No more than the passive clay Disputes the potter's act, Could the whelmed mind disobey Knowledge the cataract. But, perfect in every part, Has the potter's moulded shape, Leap of man's quickened heart, Throe of his thought's escape, Stings of his soul which dart Through the barrier of flesh, till keen She climbs from the calm and clear, Through turbidity all between, From the known to the unknown here, Heaven's "Shall be," from Earth's "Has been"? Then life is—to wake not sleep, Rise and not rest, but press From earth's level where blindly creep Things perfected, more or less, To the heaven's height, far and steep, Where, amid what strifes and storms May wait the adventurous quest, Power is Love—transports, transforms Who aspired from worst to best, Sought the soul's world, spurned the worms'. I have faith such end shall be: From the first, Power was—I knew, Life has made clear to me That, strive but for closer view, Love were as plain to see. When see? When there dawns a day, If not on the homely earth, Then yonder, worlds away, Where the strange and new have birth, And Power comes full in play.

EPILOGUE

In regard to the third verse of this poem the Pall Mall Gazette of February 1, 1890, related this incident: "One evening, just before his death-illness, the poet was reading this from a proof to his daughter-in-law and sister. He said: 'It almost looks like bragging to say this, and as if I ought to cancel it; but it's the simple truth; and as it's true, it shall stand.'"

At the midnight in the silence of the sleep-time, When you set your fancies free, Will they pass to where—by death, fools think, imprisoned— Low he lies who once so loved you, whom you loved so, —Pity me? Oh to love so, be so loved, yet so mistaken! What had I on earth to do With the slothful, with the mawkish, the unmanly? Like the aimless, helpless, hopeless, did I drivel —Being—who? One who never turned his back but marched breast forward, Never doubted clouds would break, Never dreamed, though right were worsted, wrong would triumph, Held we fall to rise, are baffled to fight better, Sleep to wake. No, at noonday in the bustle of man's work-time Greet the unseen with a cheer! Bid him forward, breast and back as either should be, "Strive and thrive!" cry "Speed,—fight on, fare ever There as here!"

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