❧ GENERAL INDEX TO VOLUME II ❧
Reading edition
AALST, Hospices civiles of, Burgundian Chest owned by, 358
Abbasside caliphs, effect on art of their orthodoxy, 135, 140
Abd ur-Rahmān el Sūfi, famous astronomical treatise of, fine MS. containing, Chinese influence shown in illuminations of, 144
Absalon, bishop of Lund, Silver Chalice found in his grave at Sorö, Denmark, 357
Academy of St. Luke, Rome, replica of painting by Isenbrant in, 326
Academy of Painting, France, 229
Le Brun’s share in the foundation of, 230
Acanthus design on plate, 161, 162
Accademia Carrara, Bergamo, part of a fresco in, said to be the portrait of A. Baldovinetti, 174
Achæmenian Kings of Persia, commencement of art history of Persia in their period, 136
Adelaide Museum, drawings on wood for illustrations to Dalziel’s ‘Arabian Nights,’ owned by, 305
Agate ware, evolution of, from Staffordshire marbled ware, 68
Agni, the Fire God, and the Svastika, 43
story of, as told in the ‘Veda,’ 44
Aiyubite sultans, effect on Arab art of their lax orthodoxy, 135
Albarelli, Three Italian, recently acquired by the Louvre, use, decoration, armorial bearings on, owner of, provenance, 338
Alcalà fount of type, made in 1514., its uses, origin, and modern type based on, 358
Alexander the Great, coins of, Wilson’s discovery of the Svastika on, 47
conquest of Persia by, not the first introduction of Greek art influence, 136
interest of, in Indian yogins, 255
supposed introduction by, of the Rose Lotus into Egypt, 350
Alfonzo II. of Aragon, King of Naples and Sicily, his reign, wives, etc., albarelli once owned by, now in the Louvre, 338
‘Al Ganâb,’ name inscribed on the Koursi Cover in the Louvre, 344
Allen, Robert, manager of the Lowestoft Porcelain factory, hard porcelain teapot, Chinese, marked with his name, 277
maker of the ‘Buckle’ tea service of genuine Lowestoft ware, 1768., (Crisps), 272
Allnutt, J., second private owner of painting by Sir J. Reynolds, Portrait of Miss Falconer as Contemplation, 257
Altarpieces:—
by Alesso Baldovinetti, Trinity with two Saints, for S. Trinità, Florence (illustrated), 32.
conventional methods of decoration for, early xv. cent., 131
by G. David, painted for R. De Visch Van der Capelle, now in the National Gallery, 36
by unknown artist, Flemish school, painted for the Gild of SS. Mary Magdalene, Katherine and Barbara, compared with one by G. David, 39
Ambras Castle, Archduke Ferdinand’s famous Museum and Library at, 12
America, U.S., Oriental china, crested and initialed in, XVIII. cent , 271
Ampelus, the vine of Bacchus, compared with Soma, and the gogard plant, 354
Amsterdam, earlier work of Josef Israels to be seen at, 176;
paintings by Jan Vermeer in Six collection at, 55
Anasuga, wife of Rishi Atri, 354
Ancient Buildings, Protection of, Clifford’s Inn and the, 3
Andrea Vanni, F. Mason Perkins, 309
Angelico, Fra, influence of, on Lorenzo Monaco, 131
Anna, sister of Casimir, Margrave of Culmbach, 290
Anne of Austria, Queen of France, patron of Le Brun, 230
Anne of Denmark, Queen of England, 161
Ansbach, see von Knebel of
Antwerp, visit of J. Prevost to, 1493., 331
Apadana, the, of Persepolis, composite character of its art, 137
Apollo, statue of, by Onatas, Furtwängler cited on, 244
Arabia, Arabic, Arabian Art and Artists of:—
Koursi Cover, copper, gold and silver encrusted, acquired by the Louvre, G. Migeon, 344
MSS., copies of the Koran, inferiority of the ornamentation of, 136
date of the first illuminated, character of the decoration, Byzantine and other influence evident in, 135–6
limit of the ornamentation in, 136
the most important, Mākamāt of Harīrī, (C. Schefer), and other copies, 136
Aragon, (see Alfonzo II. of), arms of, with those of Jerusalem and of Milan, on Italian Albarelli, (Louvre), 338
Arani and the Svastika, Vedic story concerning, 44
Archives of the city of Brussels, matrix of the Seal of the Gild of Butchers in, 190, 192
of the Confraternity of the Holy Blood cited on the authenticity of a painting attributed to G. David, owned by that body, shown at Bruges, 1902., 39, 40
Archivio di Stato, Florence, documents relating to Baldovinetti, now and formerly in, 22, 23
of S. Maria Nuova, the Baldovinetti ‘ricordo’ once in, 22, 27
Arctic, ss., first folio Shakespeare said to have been lost in, 1854., 336
Ardabil and Veramin, mosques of the Sefevæan kings at, mosaics on, 139
Ardeshir Babekan, (see Artaxerxes), history of, 47
Aretino, Pietro, cited on the Portrait of the Empress Isabella by Titian, 281
Spinello, 125
Arezzo, painted glass window designed by A. Baldovinetti for the church of S. Agostino at, non-extant, 31
Armenia, the Arsacidan Kings of, date of their reign, 47
Armorial Bearings of the city of Brussels, XV. cent., 192
on Italian Albarelli now on the Louvre, 338
of the Saint-Vallier family as shown in MS. 616 of Gaston Phoebus, 11
Arnold, Sir Edwin, cited on the Lotus, 350
Arsaces Artabanus the Fifth, of Armenia, fate of, 47
Arsacidan, Parthian Kings of Armenia, history of, 44, 47
successors of Alexander the Great, Greek influence on Persian art during rule of, 139
Art, see Greek Art, etc., Notes on Works of
Notes on Various Works of, 78
Works of, belonging to Dealers, The Publication of, 5
Artaxerxes, (synonymous with Ardeshir), overthrow of Parthian dynasty by, 47
Arte de’ Mercanti, Florence, employers of Baldovinetti to restore mosaics in S. Giovanni, their mode of payment, 23, 170
Artemis, meaning of Svastika sign on, 43
Aryans, Svastika probably communicated from Hittites to, 47
Aryan symbol, Svastika the oldest known, 43
Ashburnham Library, two copies of Gaston Phoebus formerly in,
one (MS. App. 179 ), interesting owing to addition of a hitherto unknown Treatise on hawking and birds, bought by W. A. Baillie-Grohman at the fourth Ashburnham Sale, 1899., 21
Assisi, upper church of, Frescoes in, by unknown artist, school of Cimabue, 118
Assyria, sacred tree of, 353 and note
the Svastika in, 44, 47
Astarte, meaning of the Svastika sign on, 43, 47
Auckland, N.Z., first folio Shakespeare at, and its donor, 336
Augsburg, Titian’s stay at, to paint the Emperor Charles V., 281
Austria, see Anne of, Maximilian, Vienna
regulations for the protection of ancient buildings in, 4
Auvilliers, France, Bas-relief from church of, Virgin, Child, Saint, and Angels, now in the Louvre, probably by A. di Duccio, 89
Azzurro della Magnia, a blue, used by A. Baldovinetti, various writers cited on, 167–8
BAAL, the Svastika supposed emblem of, 43
Babar, Emperor, invader of India, his history of his own campaigns, 143
Babylon, influence of Greek art on its sculpture, etc., 136–7
Babylonia, the Svastika in, 44, 47
Bacchus represented on the Labarum by the Cross, 47–8
Backgrounds; of illuminations of MS. 616 of Gaston Phoebus chiefly diapered in conventional way, 11
of paintings by Cariani, 78
by G. David, the Square of St. John at Bruges shown in Judgement of Cambyses, 36
in portraits by Titian, landscapes, 282,
sign of comparatively late date, 285
Bakers, Barbers, Butchers and Drapers, see Gilds of
Baldovinetti, Alesso, (Luca d’ Alesso), A Newly-Discovered ‘Libro di Ricordi’ of, H. P. Horne, 22
Appendix giving Documents referred to, 377
commission from Bongianni Gianfigliazzi to paint the Cappella Maggiore of S. Trinità, 167
colours used by, 27, 167–9
his famous pupil, Ghirlandajo, 174
his methods of fresco-painting, 169
Altarpiece for S. Trinità, Florence, Trinity with two Saints, now in the Florentine Academy, 32
Painted glass Windows designed by, existing and otherwise, 31
work of, in Mosaic, 24
date of his death, 22, 24
paintings by, frescoes on walls of Cappella Maggiore, of S. Trinità, Florence, subjects of, and portraits in, Vasari cited on, 170
his own portrait in his frescoes, Richa cited on, 174
early decay of these frescoes, ruthless destruction and recent restoration of, 173
description of, 173–4
portrait of Francesco di Giovanni di Guido in, 174
Balfour, views of, regarding origin of name of Tirthakar sect in Thibet, 44
Ballin, employed by Le Brun, 235
Banchi and Borghesi, authorities on Vanni as diplomat, etc., 309
Barbara, sister of Casimir, Margrave of Culmbach, 290
Barbarelli, once the supposed cognomen of Giorgione, 78
Barker, Dr. Hugh, Standing Cup and Cover presented by, to Winchester College, 161
Barna, painting attributed to, (ascribed by Perkins to Vanni), Panel, Virgin and Child, half-length, (Chapel of SS. Chiodi, Siena), 315–6
Barrett, G., drawing by, for illustration, apparent influence of Turner shown by, 305–6
Bartolozzi, F., engraver of Portrait of Lady Hamilton as a Bacchante, (Normanton), ascribed to Sir J. Reynolds, 224
wash-drawing in indian ink by, for an illustration, 305
Bas-reliefs:—
by (probably) Duccio, Agostino di, Virgin and Child with Saint and Angels, from a rural French church, (Louvre), 89
Greek, slab from frieze of Parthenon, Head of a Knight and of a Horse, shown at the Burlington Fine Arts Club Exhibition, 244
Two Italian, in the Louvre, A. Michel, 84
A Warrior, by Leonardo da Vinci (Malcolm collection), its analogies, 84
Bastard, Count, resemblance between foliage and scroll reproductions in his work and Foucquet’s illuminations in MS. 616 of Gaston Phoebus, 11
Bathenians, the, heterodox Mussulmans, their tenets as affecting art, 135
Battersea and Overstrand, Lord, drawing by Sandys owned by, large version of Amor Mundi, 300
Bavaria (see Prince Rupert, and Susanna of), Duke Albert III. of, his wife and daughter, 290
regulations for protection of ancient buildings in, 4
Bayreuth, George of, reforming tendencies of, 289
Beauclerk, Elizabeth, afterwards Countess of Pembroke, mother of the second Countess of Normanton, Portrait of, by Sir J. Reynolds, as Una with the Lion, (Normanton), 217,
later portrait, head only, 223
Topham, his wife and daughter, portraits of the latter by Sir J. Reynolds, 217, 223
Beaumont and Fletcher, collected works of, published 1647 , size of edition and cost per copy then and in 1680., Lee cited on, 335
Belgium, (see Ypres Chest)
Notes from:—Ghent and Nieuport, architectural works in progress at, R. Petrucci, 375
rarity of seals of Gilds in, reasons for this, 193
regulations for the protection of ancient monuments in, 4, 5
Benincasa, Caterina, see S. Catherine of Siena
Berchem, painting signed by, but attributed to Cüyp, (q. v.), Guildhall 1903., Head of a Cow, 59
Berenson, B., The Authorship of a Madonna by Solario, letter, 114
paintings by Andrea Vanni owned by, Deposition from the Cross, 321
Virgin and Child, 316
paintings at Munich, panels, Last Judgement, etc., attributed by, to Giotto, 118
Bergamo, see Accademia Carrara
Berkheyde, Gerrit, painting attributed to, Guildhall, 1903., Rising in a Dutch Town, 60
Berlin, (see Raczynski gallery), fine collection of drawings in, 293
first folio Shakespeare at, provenance of, and alleged mutilation of, 336
paintings by Jan Vermeer in gallery at, 35
Portrait of Strozzi by Titian in gallery at, (small), 285
Notes from, Pictures acquired by the gallery, 375
Bewick, T., one of the initiators of illustration as an art in England, 294
Biadetto, or sbiadata, see Azzurro della Magnia
Bibliography and Reviews:—
‘The Ambassadors Unriddled,’ Dickes, 367
‘Ancient Coffers and Cupboards,’ Roe, 258
Books and Magazines Received, 266–7
‘Contribution a l’Étude du Blason en Orient,’ Artin Pasha, 261
‘Frans Hals,’ Davies, 107
‘French Engravers and Draughtsmen of the 18th Century,’ Lady Dilke, reviewed by H. Bouchot, 104
‘Guide to Siena: History and Art,’ W. Heywood and Lucy Olcott, 260
‘Isabella d’Este, Marchioness of Mantua,’ Julia Cartwright, (Mrs. Ady), 106
‘The National Portrait Gallery,’ Cust, 105
‘La Peinture an Pays de Liége et sur les bords de la Meuse,’ Helbig, 262
‘Pintoricchio: His Life, Work, and Time,’ Ricci, (trs. Florence Simmons), 256
‘Un des Peintres peu connus de l’Ecole Flamande de Transition, Jean Gossart, sa vie et son œuvre,’ Maurice Gossart, 369
Periodicals:—
Architectural Review, 113, 266, 372
Ateneum, (Helsingfors), 112
Emporium, (Bergamo), 266
Gazette des Beaux-Arts, 109, 265, 370
Jahrbuch der Königlich Preussischen Kunstsammlungen, 1903., 2. Heft, 262
Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhausen, 110
L’Art, 112
L’ Arte, Parts I–IV, 263
Onze Kunst, 112
Rassegna d’Arte, 111, 265, 370
Repertorium fur Kunstwissenschaft, 111, 372
Revue de l’Art Ancien et Moderne, 112, 372
Zeitschrift für Bücherfreunde, 113
Bibliothèque Nationale, Paris, several copies of Gaston Phoebus and MS. 616 in, 11, 16
Bici, Neri di, his mediocre acquirements, 131
Bièvre river, site of the Gobelins on, 235
Bilbao, paintings by Isenbrant exported to, 326
Biographies of Mussulman saints by Sultan Husain ibn Bäikara, a masterpiece of Persian literature, 143
Birdwood, Sir G., cited on the Tree conventionalized as the Tree of Life, 353
Bisschop, Christopher, painting by, shown at Guildhall, 1903., Prayer Disturbed, 189
Black Sisters, Bruges, paintings owned by, artist unknown, panel, S. Nicolas of Tolentino, and Roger de Jonghe, Austin friar, (Bruges, 1902.), 332
Blake, W., one of the initiators of illustration as an art in England, 294
Blochet, E., Mussulman Manuscripts and Miniatures as illustrated in the recent Exhibition at Paris, I., 132
Blount, E. and J. Jaggard, publishers of the 1623. edition of the first folio Shakespeare, 335
Blue (see Azzurro) ultramarine, intensity of, in painting by Jean Malouel, not found in Italian work, 90
‘Boccaccio,’ illuminated by Foucquet for E. Chevalier, 11
Boels, L., paintings by, ascribed to Memlinc, various owners, 35
Bold, Michael, Standing Salt bequeathed by, to Winchester College, 161–2
Bolney, John, Tankard and cover of rare shape presented by, to Winchester College, 161
Bologna, associations of, with the Empress Isabella, 282
Bonington, R. P., as a painter of wet sand, 178
Bontemps, Pierre, French sculptor, work of, on the Tomb of François I., 95
Book Illustrations, Later Nineteenth Century, J. Pennell, I., 293
Books of Hours, illuminated by Foucquet for E. Chevalier, and for the Duchess of Cleves, 11
‘Books of the Kings,’ Persian MSS., Sefevæan dynasty, repetitive decorations of, 135
of the subsequent transition period (de Rothschild), 144
Borgo di S. Sepolcro, Altarpiece at, artists of, and fate of central panel, 321
Bosboom, Jan, painting by, shown at Guildhall, 1903., Archives at Veere, 189
Boston and Salem, U.S.A., crested and initialed porcelain imported to, from the East in the XVIII. cent., 271
Botticelli, S., Medicean cameo in painting by, at Frankfort, (Portrait of Lucretia Tornabuoni), also occurring in painting by G. David, 36
Bouchot, H., French Engravers and Draughtsmen of the Eighteenth Century, (Lady Dilke), review, 104
Bourbon, Connétable de, conspiracy of, with Charles V. of Germany, 12
Bouts, Dirk, 35,
Gerard David possibly a pupil of, at Louvain, 36
Bow or Chelsea china factories, source of Browne’s skill in porcelain-making at Lowestoft, 272
Brabant, John, Duke of, privileges accorded to, by the patricians of Brussels, 190
Brahma, the Svastika supposed emblem of, 43
Brahmin views and use of the Lotus, 350, 353
Brandenburg-Ansbach and Bayreuth, Frederick, Margrave of, his daughter Margaret the Lady of the portrait by Dürer, recently acquired by the British Museum, 289
Brera Gallery, Milan, Portrait of Count Porcia by Titian in, 285
Brézé, Jacques de, and his wife, indirect connexion of, with Gaston Phoebus, 11
Brick-casings, many-coloured, at Apadana, prototypes of, 139,
the same at Samarcand, 143
Brihaspati, his wife Tara and her son, 354
British Engraving, Exhibition of, at the V. and A. Museum, 194
British Museum:—
British and Mediaeval Antiquities Department, new acquisitions, 199
drawings on wood for illustrations to Dalziel’s ‘Arabian Nights,’ etc., owned by, 305
Early Staffordshire Pottery Ware in, 64 et seq.
Print Room, new acquisitions, 200;
Portrait Drawing of a Lady, by Dürer, 286
woodcuts, 75
rule of, against purchasing work of living artists, some effects of, 293
Bromley Collection, Altarpiece in five parts by B. Daddi, formerly in, (Parry), 126
Bronze age, the Svastika in use among peoples of, 47
Bronzes, Greek (shown at the Burlington Fine Arts Club Exhibition):—
Amphora Handle, Aphrodite, (2), various owners, archaic character of, 250
Head of Apollo, (Devonshire), 243
Mask of Sea-deity, (Salting), 250
Mounted Warrior, the ‘Athenæum’ cited on, its probable provenance, 243
Plaque or pierced mirror-support, with Reclining winged boy, (Wallis), 250
Repoussé mirror-cover, Eros at a lady’s toilet, 250
Statuettes, Eros, history of, 250
seated and emaciated man, (Wyndham Cook)
source of, 255
Seilenos, 250
Brouwer, Adriaen, painting ascribed to, Guildhall, 1903., Interior with Figures, possible painter of, 56
Brown, Ford Madox, drawing by for illustrations to Dalziel’s ‘Bible Gallery,’ 305
Browne, Robert, head of the Lowestoft porcelain factory till 1771., nine-sided ink-pot bearing his monogram, (Crisps), 272
how he gained his knowledge of the trade, ib.
Bruges (see Early Painters of the Netherlands), association of John Prevost, painter, with, 332
Cathedral of St. Donatian at, paintings by G. David formerly in, now in the National Gallery, 36
Exhibition of 1902., The Early Painters of the Netherlands as illustrated by, W. H. J. Weale, 35, 326
façades of houses in, owned by the Municipality, 5
Gild of St. John at, a gild of miniaturists, connexion of Gerard David with, 40
great foreign artists of, 35–6
Museum, paintings by Gerard David, Judgement of Cambyses, two pictures, (one illustrated), 36
by J. Prevost, Last Judgement, (Bruges, 1902.), 332
and other Belgian towns in which seals of gilds exist, 193
Brushwork of Frans Hals, unsurpassed excellence of, 52
Brussels, association with, of Bernard van Orley, painter, 205
city of, armorial bearings of, XV. cent., 192
Gilds of, sketch of their history, lack of juridical powers, question of authenticity of their seals, lack of documents sealed by, probable reasons for existence of seal matrices, 190 et seq.
Museum, paintings in, shown at Bruges, 1902., one attributed to Memlinc, Passion of St. Sebastian, 35
one now attributed to G. David, formerly ascribed to J. van Eyck, 39
one by A. Isenbrant, Diptych, Our Lady of Sorrows, 326
Buckingham, Duchess of, painting by, copy of Portrait of Mrs. Siddons as the Tragic Muse, by Sir J. Reynolds, (Westminster), in the Normanton collection, 224
‘Buckle’ tea service of genuine Lowestoft porcelain, made by R. Allen, 1768., (Crisps), 272
Buddha, birth of, the Lotus as associated with, 350
the Svastika in footprints of, on Indian mountains, 43
Buddhist sacred flower, the Lotus, 350, 353
Buigne (or Vigne), Gace de la, parts of Gaston Phoebus borrowed from, 15
Building(s), see Ancient Buildings
Bulletta, Cardinale del, colours bought from, by Baldovinetti, 168
Bunbury, Henry William, caricaturist, Portrait of his Wife when Miss Horneck, by Sir J. Reynolds, (Normanton), and sketch, (Bunbury), 223
Bunyan’s ‘Pilgrim’s Progress,’ high price paid for scarce edition of, in 1901., 335
Buonarroti, Michael Angelo, see Michael Angelo
Burgoigne, Phelippes de France, Duc de, original Gaston Phoebus dedicated to, 8
Burgundian Chest, shown at Bruges, 1902., (Hospices civiles, Aalst), 358
Burgundy, Mary of, and the trades of Brussels, 192
Burlington Fine Arts Club:—
The Exhibition of Greek Art at the, C. Smith, 236
Bas-reliefs, Fragment of the Frieze of the Parthenon, (T. D. Botterell), 236
Bronzes, Amphora Handle, (Wyndham Cook), Mask of Sea-deity, (G. Salting), Plaque, (H. Wallis), 245
Bronzes, statuettes, Aphrodite, Nude, (C. Loeser), Aphrodite with Torch, (J. E. Taylor), 250
Sick Man, (Wyndham Cook), 245
Seilenos Crouching, (J. E. Taylor), 250
Ceramics, Krater, (Harrow School), Kylix signed Tleson, and Plate signed Epiktetos, (Marquess of Northampton), 253
Metal work, Mirror-cover, Repoussé, (J. E. Taylor), 247
Sculpture, Bust of Aphrodite, probably by Praxiteles (Lord Leconfield), 239
Head of a Mourning Woman, (C. Ponsonby), Head of a Youth (Sir E. Vincent), 241
Terra-cottas, Caryatid Figure, (J. E. Taylor), Doll, (Mrs. Mitchell), Woman Leaning on Pedestal, (J. E. Taylor), Woman with Fan, (J. Knowles), The Young Dionysos, (J. E. Taylor), 251
Plate of Dr. Burton, headmaster of Winchester College, circ. 1740., shown at, 1902., 155
other plate exhibited, 156
Burnouf on the derivation of the Suavastika, 44
Burslem pottery processes, XVII. cent., Plot cited on, 66
Burton, Dr., headmaster, plate accrued and re-cast by, Winchester College, 155
Butay, Suzanne, wife of C. Le Brun, 230
Byzantine art, traces of, in Nativity and Adoration, (Parry), 118
Christians, art of, 132,
influence of, on Mussulman art, 135, 139
Cairo, College of the Bathenians at, built by Saladin, 135
Cairo Museum, famous Koursis at, 343
Canto de’ Gori, Florence, Baldovinetti’s hired house at, 23
Cape Town, first folio Shakespeare at, and its donor, 336
Cariani, paintings by, formerly attributed to Barbarelli (or Giorgione), ex Leuchtenberg collection: Adoration of the Shepherds, and Madonna and Child, 78 et seq.
La Vergine Cucitrice, (Corsini Gallery, Rome), illustrated, 78
Carpaccio, resemblance to, of some of Gerard David’s work, 36
Carpets, see Oriental Carpets
Carthage, the Svastika introduced into, by travellers to Phoenicia, 47
Cartoons for frescoes, methods of transferring to the plaster, 167
Cashel, Dr. Palmer, Dean of, nephew of Sir J. Reynolds, his wife the model for Reynolds’s painting of Prudence, 217
Casimir III., King of Poland, 289
Castagno, influence of Donatello on, 131
Cathay, Grand Khan of, reports of missionaries to, on Mongol sacred drawings, 140
Catherine de’ Medici, Queen of France, her tomb and its sculptor, 95
Ceccharelli, features of work by, 89
Cedar, the, as the Tree of Life, 353
Cennini, Cennino, cited on XV. cent. methods of the ‘maestri di finestre’ in Florence, 31
cited on various artists’ colours, 168–9
Ceramics:—
and glass recently acquired by the British Museum, 199–200
Early Staffordshire Ware, illustrated by Pieces in the British Museum, R. L. Hobson, 64
Greek, Burlington Fine Arts Club: Vases, and Plate, Krater (Harrow School), Kylix by Tleson, plate by Epiktetos, 255
Lowestoft Porcelain Factory, The, and the Chinese Porcelain made for the European Market in the Seventeenth Century, L. Solon, 271
Samian bowls found during excavations at Rouen, 374
Three Italian Albarelli, recently acquired by the Louvre, J. J. Marquet de Vasselot, 338
Cerbini, Ser Pierozzo, engrosser of the patronage deed of the Cappella Maggiore di S. Trinità, Florence, 28
Chaffers, W., author of ‘Marks and Monograms,’ his erroneous theory regarding Lowestoft porcelain, 271, 277, 278
Chaldeans, the Svastika in use among the, 47
Chalices, Mediaeval Silver from Iceland in the Victoria and Albert Museum, H. P. Mitchell, 70
The Sorö Chalice, (from Denmark), H. P. Mitchell, 357
Chamberlayne Collection, painting by Sir J. Reynolds in, Lady Hamilton as a Bacchante, copy, Normanton collection, 224
Chantilly, library of the Duc d’Aumale at, copy. of Gaston Phoebus in, 15
Charles II., silver plate of his reign owned by Winchester College, 155
Charles V., Emperor of Germany, and the butchers of Brussels, 193
coronation festivities of, at Bologna, possible connection of Titian’s portrait of the Empress Isabella with, 282
landsknechte of, at the battle of Pavia, 8, 12
portraits of, by Titian referred to, 281
one at Munich with landscape background, 285
Portrait of the Empress Isabella, by Titian, commisioned by, 281
Charles VII. of France and his daughter Charlotte, 11, 12
Chests:—
Burgundian, shown at Bruges, 1902., (Hospices civiles, Aalst), 368
Oaken, of Ypres, 357
Chevalier, Estienne, Treasurer of Charles VII. of France, ‘Book of Hours’ and ‘Boccaccio’ illuminated for, by J. Foucquet, 11
Chicago, first folio Shakespeare said to have been destroyed at, in the fire of 1871., 336
Ch’ien Lung, Emperor of China, handwriting of, on roll acquired by the Print Room, British Museum, 205
Chigi, Count Fabio, Siena, painting by Andrea Vanni, owned by, Annunciation, 316
China, (see Manchu, Emperor of), the rose-lotus used for food in, 350
use of the Svastika in, 43
Chinese characters C. h. e., renewal and perpetuity of life signified by, 44
influence on Persian art, 140, 143–4
paintings recently acquired by the Print Room, British Museum, 200
Porcelain made for the European Market during the Eighteenth Century, The Lowestoft Porcelain Factory and, L. Solon, 271
Chini, Dario, restorer of Baldovinetti’s frescoes, 173
Christian symbolism, the Tree of Life in, 353
Christie’s, notable persons present at, during the Thomond sale, 1821., 211
‘Chrysoloras,’ printed by Guillen, result of use of accents in, 358–60
Cinelli, Giovanni, cited on the subjects of Baldovinetti’s frescoes and their excellence, 170
Clarendon Press, facsimile of the first folio Shakespeare, and its original, 335
Cleves, Duchess Marie of, ‘Book of Hours’ made for, by J. Foucquet, 11
Clifford’s Inn, and the Protection of Ancient Buildings, editorial, 3
Cluny, Hôtel de, Paris, Group of Les Trois Parques in, by G. Pilon, 95
Cnoop, Cornelia, wife of Gerard David, paintings by, Triptych (of miniatures), (Colnaghi), 40
Cockerell, drawings by, of Greece, shown at Burlington Fine Arts Club Exhibition, 255
Cockpit Hill, Derby, slipware of, 68
Codde, Pieter, and other painters, greatly resembling Palamedes in style and subject, 56,
work by Pot, at Hampton Court, formerly attributed to, ib.
Coins of the Aiyubite (heterodox) Sultans, mixed devices on, 135
of the Arsacidae, Greek influence manifest in, 139
Colbert, minister of Louis XIV. of France, and the Gobelins manufactory, 229–35
his choice of Le Brun as organiser, 229, 230
Collection, The, of Pictures of the Earl of Normanton, at Somerley, Hampshire, M. Roldit; I. Pictures by Sir Joshua Reynolds, 206
Collection, The, of Pictures of Sir Hubert Parry, at Highnam Court, near Gloucester, R. Fry; I. Italian Pictures of the Fourteenth Century, 117
Colnaghi, Sir D., author of ‘Dictionary of Florentine painters,’ 27
Colour, intensity of, in XV. cent. Florentine painted windows, 31
in two pictures, probably French, XIV. cent., (Dowdeswell), 90
Colouring matter used in Burslem pottery-making, XVII. cent., 66
Colours employed by Alesso di Baldovinetti, 167–9
Comparative Exhibition of Greek and Mediaeval art, suggested by C. Smith, 236, 243
Complutensian Polyglot Bible, type cut for, (the Alcalà fount), 358
Confraternity of the Holy Cross, Furnes, Altarpiece commissioned by, from Bernard van Orley, 205
Coningham, Capt. W., his collection of drawings by old masters sold to Colnaghi, 1846., possible inclusion in, of the Dürer portrait, recently acquired by British Museum, 286
Cook, H., Two Alleged ‘Giorgiones,’ 78
Copper Koursi Cover, Arabic, gold- and silver-encrusted, acquired by the Louvre, G. Migeon, 344
Corinthian Art, VI. cent. B.C., characteristics of, 243
Cornelis, Albert, painting by, the only known work of, Coronation of the Virgin, (Bruges, 1902.), 332
Correspondence, (see also Foreign do.), 113, 267, 376
Corsini Gallery, Rome, painting by Cariani in La Vergine Cucitrice, 78
Courajod, Louis. (the late), security assured by, to the Bas-relief probably by Duccio, (Louvre), 89
and others, views of, on the artist of the P. Scipioni Bas-relief, 84
Courbould, black-and-white drawing by, for an illustration, 305
Coventry, Sir W., and the Hon. Henry, first sale by auction of a first folio Shakespeare, at sale of the library of, 1687., price unknown, 335
Coxon, Thomas, engraver, no work by, shown at V. and A. Museum Exhibition, 194
Crisps, A., specimens of genuine Lowestoft-made ‘Lowestoft china’ owned by, 272
Cromwell, Thomas, visit of, to Winchester College, 149
Cross, the, origin and symbolism of, 47
Crowe and Cavalcaselle, cited on Bernardo Daddi, 125, 126
on a painting by A. Vanni, usually attributed to Barna, 316
Ctesiphon, Ivān of, the Palace of, gigantic oval of, tradition concerning, 139
Culmbach, Casimir, Margrave of, his family, and the Portrait of a Lady, by Dürer, recently acquired by the British Museum, 289
lost portrait of his wife by the same, 290
conjectured identity of Portrait of a (Young) Lady, (Heseltine), with this lady, ib.
Cunningham, views of, regarding origin of name of Tirthakar sect in Thibet, 44
Cups, see Silver Plate
Curmer’s edition of ‘Paul et Virginie,’ and its illustrators, 299, 306
Cust, R. H. H., Professor Langton Douglas and Documentary Evidence, letter, 113
Cüyp, A., characteristics of his work, 59
painting attributed to, Guildhall, 1903., signed Berchem, Head of a Cow, 59
painting by, Guildhall, 1903., Herdsman and Woman tending Cattle, 59
Cyprus, the Svastika introduced into, by travellers to Phoenicia, 47
DADDI, Bernardo, birth and death dates of, 126
painting by, Altarpiece in five parts (Parry), 125
provenance of, 126
Daksha, the twenty-seven daughters of, their symbolism, 354
Dallaway, James, cited on England as ‘the seat and refuge of the arts,’ 236
d’Alviella, Count Goblet, see Goblet d’Alviella
Dalziel’s ‘Arabian Nights’ and ‘Goldsmith,’ 1865., preservation and present ownership of original drawings on the wood for, 305
‘Bible Gallery,’ drawings on wood for, by Watts, Poynter, etc. (V. and A. M.), 305
d’Andrea, Giovanni, glazier of Florence, 168
Daria, wife of Baldovinetti, 23
Date-palm, hom, or Soma-tree, sometimes supposed to be the Tree of Life, 350, 353
Daubigny, C.-F., as a painter of the Spring, 177
painting by, On the Seine (Balli), 360
Daucher, Hans, Medal by, with portrait of Susanna of Bavaria (Vienna Gallery), 290
d’Aumont, Marshal, house of, decorated by Le Brun, 230
Davenport in ‘Aphrodisiaco’ supporting Higgins’ view on origin of official name for Governor of Thibet, 44
David, Gerard, painter of Bruges, notes on his history and works, 36
paintings by, Adoration of the Magi, formerly attributed to J. van Eyck, owned by Brussels Museum, shown at Bruges, 1902., 39;
Altarpiece in the National Gallery, and (part of a) Triptych, 36;
Triptych, Baptism of Christ, shown at Bruges, 1902., 36;
B.V.M. with Child, Virgin Saints, and Angels, Rouen Museum, shown at Bruges, 1902., (illustrated), 36, 39;
Judgement of Cambyses, two pictures, in Bruges Museum (one illustrated), 36;
miniatures, and by his wife C. Cnoop, where preserved (some illustrated), 40;
parts of a Triptych, (J. Simon of Berlin), shown at Bruges, 1902., 39
panels, part of an Altarpiece, (Lady Wantage), 39
Triptych, St. Anne, the B. V. M . and Child with Saints, (M. de Somzée), shown at Bruges, 1902., 39
Transfiguration, (Church of Our Lady, Bruges), shown at Bruges, 1902., 40
paintings possibly attributable to, variously owned, some shown at Bruges, 1902., 39–40
period of his painting in Bruges, 326
dates, limiting known period of production of, 39
Davis, Mrs. C. E., drawings on wood owned by, 305
Dealers, The Publication of Works of Art belonging to, editorial, 5
de Bock, Théophile, characteristics of his work, 189
painting by, shown at Guildhall, 1903., An Avenue in Holland, 189
de Brézé, Jacques, see Brézé, Jacques de
de Brocar, Arnaldo Guillen, printer of the Complutensian Bible and other books, 358
de Calonne, M., former owner of a painting attributed (erroneously) to Rembrandt, Portrait of the Artist (Guildhall, 1903.), 52
de Carpin, Jean du Plan, missionary to the Grand Khan, cited on Mongol sacred pictures, 140
de Charenton, Enguerrand, painter, influence of Italian ideas on, 90
de Comano, Marc, and François de la Planche, Flemish upholsterers, brought to Paris by Henri IV., 235
de Foix, see Foix
de Iode, plate by, of the picture from which Titian painted his Portrait of the Empress Isabella, 282 note
de Keyser, Thomas, painting by, Portrait of a Gentleman (Guildhall, 1903.), and characteristics of his art, 55
de Koninck, Philips, characteristics of his painting, 59
painting, now ascribed to, (Guildhall, 1903.), his masterpiece, attributed to Rembrandt, Commencement d’Orage, (Lady Wantage), 60 et seq.
de Koninck, S., painting probably by, Head of a Man, usually attributed to Rembrandt, (Guildhall, 1903.), 52
de la Bazinière, Bertrand, house of, decorated by Le Brun, 230
de la Planche, F., see de Comano and
Delft, see Van der Neer
Delft-faïence, trade of Holland in English clays for, 277
and in the manufactured article, with Lowestoft, 272
Delhi, the Grand Moguls of, their love for art, 143
de Limbourg, Pol, miniature by, a copy of a fresco by T. Gaddi at Florence, 90
della Robbia, Andrea, ornaments of the loggia of the Spedale di S. Paolo, Florence, by, 23
de Marsy, Gaspard and Balthazar, employed under Le Brun, 235
de’ Medici, Giuliano, in Baldovinetti’s frescoes, 170
Lorenzo, the Magnificent, in Baldovinetti’s frescoes, 170
Demeter, meaning of the Svastika sign on, 43
de’ Migliorelli, Giovanni di Jacopo, notary of Florence, 170
Denmark (see Anne of), regulations for the protection of ancient buildings in, 4, 5
Sorö Chalice (found in grave of Bishop Absalon), H. P. Mitchell, 357
‘Denunzie’ of Baldovinetti, details of his affairs given by, 23
De Passe, Crispin, engraver, portrait of Queen Elizabeth by, V. and A. Museum Exhibition (H.M. the King), 194
family, prints by, V. and A. Museum Exhibition (H.M. the King), 194
de Pellegrini, G., Mr. Julius Wernher’s Titian (Portrait of Giacomo Doria), (letter), 267
De Poitiers, see Poitiers, Diane, Jean, and Marie de
de Quaroube, Joan, widow of Simon Marmion, first wife of John Prevost, painter, 332
Derby, Countess of, see Hamilton, Lady Betty
twelfth Earl of, his two wives, 218
de Richelieu, Cardinal, works done for, by Le Brun, his resultant appointment, 229–30
de Roias, Francis, Dominican Breviary owned by,—its artist, 39
de Rorthays, Vicomte G., Notes from France, Exhibition of French Primitives, to be held 1904., 373
de Rothschild, Baron Edouard, Persian MS. late XV. cent. owned by, 144
de Ruffo Bonneval, Viscount, painting by J. Prevost owned by, Last Judgement (Bruges, 1902.), 332
de Ruysbroeck, Guillaume, missionary to the Grand Khan, cited on Mongol sacred pictures, 140
Des Marez, G., keeper of the records of Brussels, and the Gilds’ Seals discovered by him, 190 et seq.
de Somzée Collection, painting by Gerard David in, Triptych, St. Anne, the B.V.M. and Child with Saints, (Bruges, 1902.), 39
painting by Isenbrant ex, S. Mary Magdalene in the Desert (Bruges, 1902.), 331
de Thorigny, Lambert, decorations in house of, by Le Brun, results to the painter, 230
de Vasselot, J. J. Marquet, Three Italian Albarelli, recently acquired by the Louvre, 338
Devonshire, Duke of, disappearance of copy of Gaston Phoebus from his library, 21
owner of a first folio Shakespeare, original of the Clarendon Press facsimile, 335
de Vos, Cornelis, painting by, Guildhall, 1903., Portrait of Ambrogio Marchese di Spinola, 55
Dharma and Prabhakara, parents of Rishi Atri according to some legends, 354
Dibdin’s Decameron, description of lost copy of Gaston Phoebus in, 21
Dickinson, W., engraver of lost Portrait of the Countess of Derby by Sir J. Reynolds, 218
Digby, Sir Kenelm, prices realized for the works of Ben Jonson and Beaumont and Fletcher at the sale of his library, 1680., 335
Dodgson, Campbell, A Newly Discovered Portrait-drawing by Dürer, 286
Dogs, excellence of Gainsborough and Velasquez as painters of, 218
Domenico, gold-beater of Florence, 169
Donatello and his followers, 131
Dordrecht, associations of, with Cüyp, 59
Dormer-Hunter first folio Shakespeare, price paid for, 1901., (C. Scribner, New York), 335
Douglas, Professor Langton, and Documentary Evidence, letter, R. H. H. Cust, 113
Drawings:—
by Cockerell, Greek Landscapes, shown at the Burlington Fine Arts Club Exhibition, 255
by Dürer, A., on green paper, Portraits, of a Lady, of his Wife, of Lord Morley (B.M.), of a Young Lady (Heseltine), 287
one in the Vienna Hof Museum, deductions from as to authenticity of Portrait recently acquired by the British Museum, 289
Drawing, A Newly Discovered Portrait—, by Dürer, C. Dodson, 286
for illustrations. see Later Nineteenth-century Illustrations and under artists’ names
Dresden Gallery, tine collection of drawings at, 293
paintings by Jan Vermeer in, 55
Druggists’ jars, or Albarelli and similar ware, principal pieces of, and their source, 338
Dubosc, Georges, Notes from Rouen, 374
Duccio, Agostino di, sculptor, Bas-relief (probably) by Virgin and Child with Saint and Angels, (Louvre), 89
other works of, ib.
Du Celier, John, Diptych painted for, by Memlinc, (Louvre), prototype of one by Isenbrant, 326
picture painted for, by Memlinc, Sacra Conversazione, now in the Louvre, 39
Dudley and Ward, Lady, portrait of, by Sir J. Reynolds, as Fortitude, clad as Britannia (Normanton), 211, 217
Dulwich College gallery, painting by Sir J. Reynolds in, replica of Portrait of Mrs. Siddons as the Tragic Muse, 224
Dumontier, views of, on the Svastika as development of Chinese characters C. h. e., 44
Dunford, Clark, London agent of the Lowestoft Porcelain Factory, 1770., 277
Dürer, Agnes, wife of Albrecht, Portrait of, by her husband (B.M.), 289
Dürer, Albrecht. A Newly Discovered Portrait-Drawing by, C. Dodgson, 286
drawings by, on green paper, Portrait of a Lady, Portrait of his Wife, and Portrait of Lord Morley (B.M.), 286–9
Portrait of a Young Lady (Heseltine), 287
provenance and authenticity of the first drawing, 286–9
one, with notes on a dream (Vienna Hof Museum), deductions from, as to authenticity of Portrait recently acquired by the British Museum, 289
painting by, lost votive picture, with portraits of the Margrave of Culmbach and his wife, 290
Dur-Sarkayan, glazed-brick Bas-reliefs of, 139
Dutch Exhibition, The, at the Guildhall; I. The Old Masters, 51
II. The Modern Painters, 177
painters, modern, representative collection of, at Glasgow Exhibition, 177
painters to whom the picture by Hendrik Pot, at Hampton Court, has been successively attributed, 56
Duyster, Willem Cornelisz, and other painters greatly resembling Palamedes in method and subject, 56
EARLY French Printers of Gaston Phoebus, 8
Early Painters, The, of the Netherlands, as illustrated by the Bruges Exhibition of 1902., W. H. J. Weale, 35, 326
Early Staffordshire Ware, illustrated by pieces in the British Museum, R. L. Hobson, 64
Editorial Articles:—
Clifford’s Inn and the Protection of Ancient Buildings, 3
The Publication of Works of Art belonging to Dealers, 5
Edward IV., visit of and loan of live lion by, to Winchester College, 149
Edward VI., sequestration of Winchester College plate in the reign of, 150
Egypt, (see Cairo), and the Lotus, 350
Egyptian influence on Arab Illuminations, 136
and Nubian houses, dreariness of, 349
Elstracke, Renold, Flemish engraver, prints by, shown at V. and A. Museum Exhibition; Prince Charles, etc. (H.M. the King), 194
Ely cathedral, paintings on roof of nave of, by T. G. Parry, 117
Empress Isabella, the, Titian’s Portrait of, G. Gronau, 281
England (see British), pre-eminence of, in private collections of Greek antiquities, 236
English engravers employed on Curmer’s ‘Paul et Virginie,’ 306
potters, copyists of Chinese decoration, 278
Engraving, see British Engraving
Engraving(s), shown at the V. and A. Museum Exhibition, by de Passe, Crispin, Portrait of Queen Elizabeth (H.M. the King), 194
others by members of the same family, ib.
by Elstracke, R., Prince Charles, etc. (H.M. the King), 194
by Gemini, Thomas, 194
Landseer, school of, (Sheepshanks collection), 199
by Rogers, William, the first important British engraver, Portraits, Alphonso, King of Castile, Godfrey Aldelmar, Queen Elizabeth, (H.M. the King), and Sir T. Docwra, 194
by Woollett, W., and his school of Engravers, plate by and by his pupil, Roman Edifices in Ruins, after Claude, and other plates, 194–9
Epiktetos, plate signed by, shown at the Burlington Fine Arts Club Exhibition, 255
Escurial, Spain, loss of the original of Gaston Phoebus from, 1809., 8
Esther, Queen, the Apadana of, and its art, 139
Etching(s):—
by Rembrandt, The Three Trees, compared with the painting, Le Commencement d’Orage, 63
at the V. and A. Museum Exhibition of British Engraving, 199
Europe, (see Northern Europe), the Tree of Life in the Symbolism of, 353
Everat, printer of Curmer’s edition of ‘Paul et Virginie,’ etc., 306
Exhibition(s), see British Engraving, Bruges, Glasgow, Guildhall, Hague, Mussulman Art, etc.
of French Primitives, to be held 1904., G. de Rorthays, 373
The, of Greek Art, at the Burlington Fine Arts Club, C. Smith, 236
FABRITIUS, Karel, possibly the painter of Ruth and Naomi, attributed to Rembrandt, Guildhall, 1903., 52
Faenza, Ceramic ware of, 338, 343
Fa-hiau, (a doctor of reason), cited on the Tao-sse of China, 47
Faithorne and other Engravers, latter XVII. cent., fine work by, shown at the V. and A. Museum Exhibition, 194
Falconer, Miss, (Hon. Mrs. Stanhope), Portrait of, by Sir J. Reynolds, as Contemplation, (Normanton), 217
Farnese family, patrons of Titian, 281
once owners of the painting from which he painted his Portrait of the Empress Isabella, 282
Farren, Miss, actress, afterwards Countess of Derby, 218
Fei, Paolo di Giovanni, a pupil of Andrea Vanni, painting by, Madonna del Rosario, (S. Domenico), other paintings and their locations, 325
Ferdinand, Archduke, Duke of Tyrol, Codex MS. 616 of Gaston Phoebus presented to, by Bishop Bernard of Trent, 12
Lord Morley’s visit to, with the order of the Garter, 1523., and Dürer’s portrait of the latter, 289
Ferrukh Siyyar, books owned by, 143
Fiesole Cathedral, painting by unknown artist, Florentine school, early XV. cent., in, 131
Finest Hunting MS. Extant, the, W. A. Baillie-Grohman, 8
First Folio Shakespeare, the, The Geographical Distribution of, F. Rinder, 335
Flanders, see Early Flemish Painters, and Elstracke
Flemish School, artist unknown, painting by, shown at Bruges, 1902., Panel, S. Nicolas of Tolentino, and Roger do Jonghe, Austin Friar, (Black Sisters, Bruges), 332
Flemish upholsterers brought to Paris by Henri IV., 235
Florence, see Baldovinetti, Opera di Duomo, S. Croce, S. Trinità, Spedale di S. Paolo, etc.
Ceramic wares of, 343
Florentine Academy, painting by A. Baldovinetti in, Altarpiece, (formerly in S. Trinita), Trinity with two Saints, 32
Florentine painters, works of, in the Parry collection, 117 et seq.
Flötner, P., Medal by, with portrait of Susanna of Bavaria, (Munich), 290
Foix, Agnes de, daughter of Philip III. of Navarre, wife of Gaston de Foix, 11
Gaston de, (Gaston III. of Béarn and Foix, surnamed Phoebus), patron of Froissart, author of the ‘Livre de Chasse’ known as Gaston Phoebus, 8
characteristics of, as shown by his book, 16
made Lieutenant de Roi in Languedoc and Saxony, 8
marriage of, with Agnes daughter of Philip III of Navarre, 11
his nicknames for his secretaries, 8
his remorse for the murder of his son, 15
Fonthill, Mrs. Alfred Morrison’s collection of Lace at, 95
Foreign Correspondence, 373
Notes from Belgium, Ghent and Nieuport, architectural works in progress at, R. Petrucci, 375
from Berlin, Pictures acquired by the Gallery, 375
from France, Exhibition of French Primitives, (to be held 1904.), G. de Rorthays, 373
repairs to the cathedral etc., and Samian bowls, coins, etc., found during excavations at Rouen, G. Dubose, 374
from Vienna, Pictures in the new Modern Gallery, 375
Foucquet, Jean, valet-painter to Charles VII. of France, 11
Boccaccio and Book of Hours executed by, for E. Chevalier, and Book of Hours for the Duchess of Cleves, ib.
illuminations in MS. 616 of Gaston Phoebus attributed to and other illuminated MSS. executed by, ib.
influence of Italian ideas on, 90
Fouquet, Superintendent to Louis XIV., patron of Le Brun, 230
his fêtes of 1659., organized by Le Brun, ib.
France, (see Louvre, St. Denis, Paris, etc.)
Drawings in, storage and exhibition of, 293
French and English illustrators of the early XIX. cent., different aims of, 306
German and English engravers employed on Curmer’s ‘Paul et Virginie,’ 306
illustrators working in, 1836. et seq., 299
Notes from:—
Exhibition of French Primitives (to be held 1904)., G. de Rorthays, 373
Rouen, repairs to the Cathedral, etc., and Samian bowls, coins, etc., found during other excavations at, G. Dubosc, 374
regulations for the protection of ancient buildings in, 4, 5
tendency to centralization in, temp. Louis XIV., 229
Francesci, Piero dei, painting by, central panel of Altarpiece, Borgo S. Sepolcro, Baptism of Christ, (London), 321
Francis I. of France and Diane de Poitiers, 12
Tomb of, designed by P. Delorme, executed by Bontemps, Perret, and Pilon, 95
Franciscan administration of the Spedale di S. Paolo, Florence, 23–4
Frankfort, Städel Institute at, painting by Botticelli in, details identical with those in a painting by G. David, in Bruges Museum, 36
Fraschetti, and Stettiner, studies of, on Albarelli, see Albarelli
Fredi, Bartolo di, a pupil or partner of Vanni, 321
influence shown in paintings by, 309
French Art of the XIV. cent., Italian influence discernible in, 90
Furniture of the Seventeenth and Eighteenth Centuries; E. Molinier; II. The Louis XIV. style: The Gobelins, 229
paintings probably XIV. cent., artists unknown, Adoration of the Magi and Dormition of the B.V.M. (Dowdeswell), 89
Primitive painters, Exhibition of, to be held 1904., G. de Rorthays, 373
Revolution, suppression of the trade corporations under, 229
Frescoes by A. Baldovinetti in the Cappella Maggiore, S. Trinità, Florence, subjects of, and portraits amongst, Vasari cited on, 170
early decay, ruthless destruction and recent restoration of, 173
methods of transferring cartoons for, to plaster, 167
at Pisa, attributed by Milanesi to Daddi, Triumph of Death, 126
Fresco-painting(s) by Sir F. Leighton, (V. and A. M.), 117
Parry’s researches into and practice of the art of, 117
Friedländer, Dr., cited on the Annunciation attributed to Memlinc, (Prince Radziwill), Bruges, 1902., 35
views of, on the Adoration of the Magi attributed to G. David, shown at Bruges, 1902., 39
and on a Holy Family so attributed, 40
Fry, R., Pictures in the Collection of Sir Hubert Parry, at Highnam Court, near Gloucester; I. Italian Pictures of the Fourteenth Century, 117
Furniture, French, of the Seventeenth and Eighteenth centuries, E. Molinier; II. The Louis XIV. Style: The Gobelins, 229
Furtwängler, Professor, cited on Apollo as the Βούπαις, 244
cited on the sculptor of the Leconfield Head of Aphrodite, 249
and Mrs. Strong, views of, on the modeller of the Head of Zeus, shown at the Burlington Fine Arts Club Exhibition, 249
GADDI, Agnolo, painting by, Coronation of the Virgin, (Parry), 126
Taddeo, follower of Giotto, 125
painting by, Coronation of the Virgin, (S. Croce), 126
fresco by, in S. Croce, Florence, copied in miniature by Pol de Limbourg, 90
Gainsborough, T., excellence of, as a painter of dogs, 218
Galerie d’Apollon, Louvre, work of Le Brun, 230, 235
d’Hercule, painted by Le Brun in the de Thorigny mansion, his consequent call to Vaux, 230
Gambart sale, drawings by Millais for illustrations to Dream of Fair Women purchased at, by V. and A. Museum, 294 note
Gandhi’s views on the origin of the name of the Tirthakar sect of Thibet, 44
Gaston Phoebus, see Foix, Gaston de
Gaston Phoebus, familiar title of the Livre de Chasse, written by Gaston III. of Béarn and Foix, 11
Codex MS. 616 of, now with others in Bibliothèque Nationale, Paris, 15
contents summarized, 16
difference between it and other mediaeval hunting-books, 15
illuminations in, 15;
locale and losses of existing copies of, 16, 21
portions of, borrowed from other writers, 15
prologue of, a reflection of the spirit of the age, 15–16
Gaucheraud, researches of, on Codex MS. 616 of Gaston Phoebus, 8
Gemini, Thomas, title-page to ‘Anatomy’ of, early instance of British engraving, (V. and A M.), 194
Genoese war with Florence, B. Gianfigliazzi the ‘Commessario’ of Florence in, 28
Geographical Distribution, The, of the First Folio Shakespeare, F. Rinder, 335
its publishers, a facsimile of, and its original, Lee’s notes on, first authentic sale of a copy by auction, 335
first priced records, classification of copies extant, 336
table showing present ownership of said copies, 337
Germany (see Bavaria, Berlin, Charles V., Dresden, Dürer, Munich, etc.), (La Magnia), source of ‘Azzurro della Magnia,’ 168
’Ghazels,’ the, of Hāfiz. 143
Ghent, Crypt staircase, etc., at S. Bavo’s, 375
Ghirlandajo, Domenico, pupil of Baldovinetti, works of, in Florence, 174
Gianfigliazzi, Bongiani, patron of the Capella Maggiore of S. Trinità, Florence, his agreement with Baldovinetti, 27, 167
his family history, high official rank, and connexion with the Chapel, 28 et seq.
death of, 170
portrait of, with Jacopo and Giovanni in Baldovinetti’s frescoes, 170
Gherardo, high rank attained by, 28
sepulchral slab of, ib.
Jacopo, son of Bongiani, and continuer of his work, 170
Gigoux, Jean, as an engraver, 306
illustration by, to ‘Gil Blas,’ 299
Gild of Bakers, Brussels, matrix of seal of, (Lefébure), 190
described, 192
privileges owned by, 193
Gild of Barbers, Brussels, matrix of seal of, (Museées Royaux du Cinquantenaire), 190
described, 191–2
Gild of Butchers, Brussels, matrix of seal of, (City archives), 190
described, 192
their privileges, etc, 193
Gild of Drapers, Brussels, its lack of judicial powers, 190
its seal, 190
described, reason for existence of the seal, 191
Gild of Painters, dispute of, with the king’s painters, France, result of, to Le Brun, 230
Gild of St. John, (miniaturists), Gerard David a member of, 40
Gild of St. Luke, 326, 332
some members of, 36, 343
‘Giorgione,’ Two Alleged Paintings by, H. Cook, 78
once called Barbarelli, two paintings attributed to, but by Cariani, Adoration of the Shepherds, ex Leuchtenberg Gallery, 78
Madonna and Child, (Salting), ib.
Giotto, characteristic of his styles, 125
influence of, on painter of Nativity and Adoration, (Parry), 118
paintings attributed to, by Berenson, Panels, Last Judgement, etc., (Munich Gallery), 118
Giovanni d’Andrea, glazier, Florence, work of, in the Cappella Maggiore, 31, 168
Giovanni di Jacopo de’ Migliorelli, notary of Florence, 170
Giovanni di Paolo, see Paolo, G. di
Giovanni, Il Rosso, gold-beater of Florence, 169
Giovanni, Matteo di, paintings by, part of Altarpiece, (Borgo S. Sepolcro), 321
probably by, Panels, SS. Peter and Paul, (S. Pietro Ovile, Siena), 321
Girardon, François, employed by Le Brun, 235
Girolamo dai Libri, see Libri
Glasgow Exhibition, representative collection of modern Dutch painters at, 177
Glass, see Ceramics and Glass
Glaze, as used at Burslem, XVII. cent., 66
Gobelin, Jean, dyer, from Rheims, his house annexed by Colbert, whence the name of ‘Gobelins,’ 235
Gobelins Manufactory, The, E. Molinier, 229
foundation of, preliminary to the suppression of corporations under the Revolution, 229
letters patent of Louis XIV. instituting, 235
origin of the name, ib.
Goblet d’Alviella, Count, cited on absence of Svastika in Babylonia and Assyria, 44
on meaning of Chinese characters C. h. e., ib.
on the Tree of Life, its origin and diffusion, 353
Goldsmith (Oliver), his names for the Misses Horneck, 223
Gonzaga, Ludovico, Mecal of, with helmeted knight, Greek character of, 243
‘Good Words,’ some illustrators of, 300
Goodall, see Turner and Goodall
Goodyear, Professor, cited on the Lotus as a keynote of decoration rather than the Svastika, 48
on the same as associated with Sun-worship, etc., 350 et seq.
and with the Svastika, 354
Gordon, Major-General, cited on a Svastika on breech of gun captured in Taku Fort in 1861., and on its thoroughly Chinese character, 47
Gossart, J., painting attributed to, Virgin and Child ascribed by Hulin to Prevost, (Carlsruhe), 332
Gothic style, intrusion of, into Eastern art, 139
Graffiato ware, Staffordshire, 68
Grafton, Duchess of, see Liddell, Miss Anne
Grand Moguls of Delhi, their love for art, 143
Granvella, Titian’s letter to, on his portraits of Charles V. and his wife, (see note), 281
Great Britain, lack of legislation in, for protection of ancient buildings, 3
Greece, drawings of, by Cockerell, shown at the Burlington Fine Arts Club Exhibition, 255
regulations in, for the protection of ancient buildings, 5
Greek Art, evolution of, from idealism to realism, 243
value and limitations of, 236
Exhibition of, The, at the Burlington Fine Arts Club; C. Smith, 236
fret, the, and the Svastika, 48
influence on Persia and Persian art, early prevalence of, 136–9
Type, A New Fount of, (Proctor’s Otter), 358
Green, W. T., remarkable engravings by, illustrations to ‘Solace of Song,’ etc., 306
Grey, Sir George, donor of a first folio Shakespeare to Auckland, New Zealand, and Cape Town, 336
Grohman, W. A. Baillie-, The Finest Hunting Manuscript Extant, 8
Gronau, Georg, Titian’s Portrait of the Empress Isabella, 281
Grumentum, probable source of the Greek bronze, A Mounted Warrior, shown at the Burlington Fine Arts Club Exhibition, 243
Guicciardini, Luigi, the elder, portrait of, in Baldovinetti’s frescoes, 170
Guildhall, the, The Dutch Exhibition (of paintings) at, 1903.
I. The Old Masters, 51
II. The Modern Painters, 177
Guillen, see de Brocar
‘Gulistan,’ Persian MS., non-illuminated, 143
Gwatkin, Mrs., see Palmer, ‘Offy’
Gwyn, Mrs., (Mary Horneck), Goldsmith’s ‘Jessamy Bride,’ portrait of, see Horneck, the Misses
Portrait of, by Sir J. Reynolds, in Persian dress, original owned by W. W. Astor, copy in Normanton collection, 224
HAARLEM, 36
Hāfiz, delight of Timur Bey in his writings, 143
Halifax, first Earl of, portrait of his daughter, Lady Charlotte Johnstone, by Sir J. Reynolds (Normanton), 223
Hals, Dirk, and other painters greatly resembling Palamedes in style and subject, 56
Hals, F., paintings attributed to, conjointly with Judith Lyster, see Lyster, Guildhall, 1903., probably by Molenaer, Group of Three, 52
part probably by Van Goyen, Van Goyen and his wife, 52
painting by, same exhibition, so-called Admiral de Ruyter, high excellence of, 52
Hamilton, Lady Betty, afterwards Countess of Derby, Portrait of, as a child, by Sir J. Reynolds, (Normanton), her history, 218
later Portrait of by Reynolds, lost, ib.
Hanap, see Silver Plate
Handles a feature of Staffordshire ware, 66, 68
Hapsburg family, Codex MS. 616 of Gaston Phoebus possessed by, for 130 years, 12
Harrow School, Greek Krater owned by, decoration, Kaineus overcome by Centaurs, shown at the Burlington Fine Arts Club Exhibition, 255
Harvey, William, as an illustrator and wood-engraver, 294, 306
illustrations by, to Lane’s ‘Arabian Nights,’ 299
to ‘Northcote’s Fables,’ 299
to the ‘Solace of Song,’ features of, 306
and Jackson, designers and engravers, illustration by, 306
Hearne, Thomas, water-colour artist, pupil of W. Woollett, engraver, engraving said to be by him, 194–9
Heath Collection, Liphook, painting attributed to Memlinc once in, Triptych, Deposition with Saints, shown at Bruges, 1902., 35
Heilsbronn, burial-place of the Margraves of Culmbach, Altarpiece at, with group of the daughters of the Margravine Sophia of Brandenburg-Ansbach, 289
Henri II. of France and Catherine de’ Medici, Tomb of, at St. Denis, executed by G. Pilon, 95
and Diane de Poitiers, 12
Henri IV. of France, Flemish upholsterers brought to Paris by, 235
Henry IV. (of England), 21
Henry VI., gift of plate by, to Winchester College, 149
visits of to the school, ib.
Henry VIII., gift of Winchester College to, 149
Henslowe, Radolphus, Parcel-gilt Rose-water dish presented by, to Winchester College, 155
Hera, meaning of Svastika sign on, 43
Herat, celebrated Persian writers of, 143
fine library of Sultan Husain Mirza at, ib.
Persian illuminated MS. executed at, ‘Ascension of Mohammed to Heaven,’ beauty of, 143
question of Chinese influence on, 144
‘Hero and Leander’ printed by Guillen, effect of use of accents in, 358–60
Herringham, Mrs., cited on various artists’ colours, 168
Higgins, cited on the origin of official name for Governor of Thibet, 44
Highnam Church, frescoes in, by T. G. Parry, 117
Court, Sir H. Parry’s collection of pictures at, R. Fry, 117
Hindu gods, the Svastika supposed emblem of, 43
use of the Lotus as an emblem, 350
Hipponax, bust of, shown at the Burlington Fine Arts Club Exhibition, 250
Hissarlik, the leaden goddess from, meaning of Svastika sign on, 43
Hittite origin of the Svastika suggested by Sayce, 47
Hiuantusang, (a Doctor of Reason), cited on the Tao-sse of China, 47
Hobbema, characteristics of his work, its singular evenness of quality, 59
paintings by, Guildhall, 1903., Landscape and Woody Landscape, 39
‘Hobby Horse, The,’ a drawing by Sandys produced in, 300
Hobson, R. L., Early Staffordshire Ware, illustrated by pieces in the British Museum, 64
Holland and China, Rotterdam the centre of the XVIII. cent. commerce between, 277
trade of, with Lowestoft in Delft-faïence, 272
and in English clays for its manufacture, 277
Hom, see Date-palm and Soma tree
Honiton lace, revival of, by the late Mrs. Treadwin, 95
Horne, H. P., A Newly-discovered ‘Libro di Ricordi’ of Alesso Baldovinetti, 22
Appendix giving documents referred to, 377
frescoes by unknown artist, school of Cimabue, discovered by, near Florence, 118
Horneck, the Misses, afterwards Mrs. Bunbury and Mrs. Gwyn, Portraits of, by Sir J. Reynolds, (Normanton), 223
sketch of, (Bunbury), ib.
sobriquets given to them by Goldsmith, ib.
House-Irons, Svastika on, 48
Hulagu, the Mongolian, sent to conquer Persia by Manchu, Emperor of China, 139
his Christian wife, 140
Hulin, G., cited on the Annunciation attributed to Memlinc, (Prince Radziwill), shown at Bruges, 1902., 35
cited on the portraits of Philip Wielant and Joan van Halewyn on a Triptych by Isenbrant, 331
paintings attributed to J. Prevost by, and their locations, 332 and note
Hungary, King Matthias Corvinus of, works executed for, by Verrochio, 84
Hunt, W. Holman, illustrations by, to Moxon’s edition of Tennyson, 299
Hunting Manuscript, The Finest Extant, W. A. Baillie-Grohman, 8
Husain ibn Bäikara, Sultan, ruler of Persia, famous writings of and famous writers of his day, 143
Husain Mirza, Sultan, Timurid ruler of Persia, fine library collected by, at Herat, 143, 144
‘Life of the Sufis of,’ repetitive decorations in MSS. of, 135
IBN ARABSHAH, misrepresentation of Timur Bey by, 143
Iceland, Mediaeval Silver Chalice from, in the Victoria and Albert Museum, H. P. Mitchell, 70
Illuminated MSS., The Reid Gift of, Victoria and Albert Museum, II., 74
Inchbald, Mrs., Portrait of, ascribed to Sir J. Reynolds, (Normanton), 224
India, (see Buddha and other divinities, Hindu, etc.), home of the rose lotus, 350
symbolism of the Svastika in, 43
Indra, the rain god, the Svastika supposed to be an emblem of, 43
Innsbruck, Castle Ambras near, 12
Inselin, house of, decorated by Le Brun, 230
Isabella, Empress, Titian’s Portrait of, G. Gronau, 281
Isabey, G., and other French artists, illustrations by, in Curmer’s ‘Paul et Virginie,’ 306
Isenbrant, Adrian, assistant to Gerard David, notes on his work at Bruges, and its characteristics, etc., 326
paintings by, shown at Bruges, 1902., Diptych, Our Lady of the Seven Dolours, (part in church of Our Lady at Bruges, part in Brussels Museum), 326
B. V. M. in landscape with female saints, (Count Arco-Valley), 326
its prototype, replica and variants, ib.
B. V. M. and Child on throne with rams’ heads, (Northbrook), 331
Panels, B.V. M. and Child enthroned in garden with donor, peacocks, etc., (Northbrook), ib.
St. Luke with portrait of B. V. M. and Child, (Colnaghi), ib.
SS. Andrew, Michael and Francis, with Crucifixion in upper part. (Sedelmeyer), ib.
St. Mary Magdalene in the Desert, (De Somzée), ib.
Triptychs, B. V. M. and Child with angels with musical instruments (Lotman), 326
Presentation in the Temple, with portraits, probable source of, (Bruges Cathedral), 331
part of, Donor and family protected by St. John and a female saint, (von Kaufmann), ib.
Vision of S. Ildephonsus, (Northbrook), ib.
paintings attributed to, B. V. M. and Child with a Carthusian, ascribed by Hulin to Prevost, 332
B. V. M. and Child, (Carlsruhe), ascribed to Gossart, ib.
Israels, Josef, a leader of modern Dutch painting, characteristics and inequality of his work, 177
paintings by, shown at Guildhall, 1903., The Cottage Madonna, special excellence of, 177
A Jewish Wedding, last picture painted by, ib.
The New Flower, A Ray of Sunshine, The Shipwrecked Fisherman, ib.
Italian Albarelli, Three, (Louvre), 338
art, evolution of, from the early Christian style, works of art illustrating, 118
influence of, evident in paintings by Gerard David, 36
Bas-reliefs, Two, in the Louvre, A. Michel, 84
Painters, see Baldovinetti, Cariani, Giorgione, Titian, Vanni
Pictures of the Fourteenth Century, at Highnam Court, in the Collection of Sir Hubert Parry, R. Fry, 117
Italy and the North, (specially France), XIV. cent., interchange of artistic ideas between, instances of, 90
regulations in, for the preservation of ancient buildings, 5
Itoga, chief divinity of the Mongols, 140
Ivory carvings recently acquired by the British Museum, 200
JACKSON, see Harvey, W., and Jackson
Jains, see Tirthankara
Jāmī, illustrious Sūfi poet of Herat, 143
Japan, symbolism of the Svastika in, 43
Jarvis, glass-painter, executor of the Reynolds designs for New College window, 211
Jenghis Khan, 132
Jerusalem, arms of, with others, on Italian Albarelli, (Louvre), 338
Johnson, J., printer of ‘Northcote’s Fables,’ excellent work of, 306
Johnstone, Lady Charlotte, daughter of first Earl of Halifax, Portrait of, (Normanton), by Sir J. Reynolds, 223
Jonson, Ben, collected works of, published 1616. and 1640., size of edition and cost per copy then and in 1680., Lee on, 335
Joseph, Mrs., painting by Jan Vermeer, owned by, 55
Jourdain, M., Lace in the Collection of Mrs. Alfred Morrison at Fonthill, 95
Jupiter Pluvius and Jupiter Tonans, Svastika supposed to be an emblem of, 43
KALAOUN, Sultan, Koursi inscribed with his name, (Cairo Museum), 344
Kaufmann, R. von, owner of painting attributed to Memlinc, Triptych, Deposition with Saints, (Bruges, 1902.), 35
Khorassan, Chinese influence on the Timurid art of, 143
Khwand-Amir, historian, of Herat, 143
Knight, Payne, cited on the sculptor of the Leconfield Head of Aphrodite, 249
Knutchmar, German engraver of Menzel’s illustrations, 306
‘Koran,’ Arab illuminated MSS. of, inferiority of, 136
Koursi cover, Arabic, copper, gold and silver encrusted, acquired by the Louvre, G. Migeon, 344
names inscribed on, ib.
Ku K’ai-chih, Chinese artist of the T’ang dynasty, roll believed to be his work acquired by the Print Room, British Museum, 200–5
Kunigunda of Austria, sister of the Emperor Maximilian, her husband and daughter, 290
LABARUM standard and the Tau Cross, 47, see note
Lace in the Collection of Mrs. Alfred Morrison at Fonthill, M. Jourdain, 95
‘La Chace dou Serf,’ poetical work of XIII. cent., parts of Gaston Phoebus borrowed from, 15
Lanchals, Peter, picture by Gerard David commemorating the execution of, 36
Landscape backgrounds in Titian‚s portraits, 282
a sign of comparatively late date, instances of, 285
Landseer school of engraving, (Sheepshanks collection), shown at the V. and A. Museum Exhibition, 199
Landsknechte of Charles V. of Germany, 8
the first trained infantry, 52
Langue d’Oc, spelling peculiar to, XIV. cent., found in MS. 616 of Gaston Phoebus, 11
Lastra, Il, (Bartolommeo di Giovanni), glazier, work of, from designs by Baldovinetti, in the Cappella Maggiore of S. Trinità, Florence, 31
other work there, 168
Later Nineteenth-Century Book Illustrations, J. Pennell, I., 293
artists and collections of drawings, 293, and see note
collectors, hesitancy of, and its causes, 293
fate of early originals till 1865., 300
intervention of photography to save, 305
methods of workers, 300, 305
Notes on the illustrations, 305
publisher and illustrator, past and present relations between, 300
Latin gods represented by the Svastika, 43
Lavallée, Joseph, researches of, on Codex MS. 616 of Gaston Phoebus, 8, 11, 21
Lawrence, Sir T., mark of, on the Dürer Portrait-Drawing newly acquired by the British Museum, 286
Layard cited on the Palm as an Assyrian symbol, 353
Le Brun, Charles, ‘first painter to the King’ (Louis XIV.), sketch of his life and association with the Gobelins, 229–35
designs for Tapestry by, Chasses de Méléagre, History of Constantinople, Jupiter allaité par le chèvre Amalthée, Mars et Venus, Les Muses, 230
painting by, Alexandre pénétrant dans le tente de Darius, ordered by Louis XIV., 230
paintings by or designed by, executed at Vaux, L’Apothéose d’Hercule, L’Aurore, Le Palais du Soleil, Le Sommeil, Le Triomphe de la Fidélité, 230
sculptors and decorators employed by, 235
Nicholas, sculptor, father of Charles Le Brun, 229
Leconfield, Lord, Head of Aphrodite ascribed to Praxiteles, owned by, shown at the Burlington Fine Arts Club Exhibition, 249
Lee, Sidney, introduction by, etc., to Clarendon Press facsimile first folio Shakespeare, 335 et seq.
Lefébure, C., matrix of the seal of the Gild of Bakers of Brussels, owned by, 190, 192
M., exertions of, in reviving lace-making, 95
Le Gros family, Augustinian nun of, portrait of, on triptych by Isenbrant, 331
Leighton, Lord, drawings by, for Dalziel’s ‘Bible Gallery,’ 305
fresco paintings by, (V. and A. M.), 117
Le Maire, Barbara, wife of George Van de Velde, donor of painting by Isenbrant to church of Our Lady, Bruges, 326
Lemoyne, employed by Le Brun, 235
Le Noir, Philippe, Gaston Phoebus hand-printed by, 8
Leonardo da Vinci, his father the notary of Florence who engrossed the ‘ricordo’ referring to Baldovinetti, 22
is the Bust in Bas-relief inscribed ‘P. Scipioni’ his work? 84 et seq.
Le Roi, Martin, painting by unknown Flemish artist attributed to G. David, owned by, Holy Family, 40
Leuchtenberg Gallery, St. Petersburg, painting by Cariani, attributed to Giorgione, from, Adoration of the Shepherds, illustrated, 78
Lhermitte, Leon, painting by, Pastel, Le Pêcheur, (Balli), 360
‘Liber Studiorum.’ mezzotints of, (Rawlinson), shown at the V. and A. Museum Exhibition, 199
Libri, Girolamo dai, backgrounds of his paintings, 78
‘Libro de la Monteria,’ by Argote de Molina, containing description of lost original of Gaston Phoebus, 8
Liddell, Miss Anne, afterwards Duchess of Grafton and Countess of Upper Ossory, Portrait of, by Sir J. Reynolds, (Normanton), 223
Light, god of, and of Lightning, Svastika supposed to be the emblem of, 43
Lilly, Joseph, vendor of the Berlin first folio Shakespeare, 336
Line engraving, late development of, in Great Britain, 194
Linnell, John, as a wood-engraver and illustrator, 294
Lippi, Filippo, influence of, on Lorenzo Monaco, 131
Lippmann, Dr., suggestion of, as to the identity of the person in the newly acquired Portrait-Drawing by Dürer, (B. M.), 290
Lockyer, Dr., cited on the Svastika as a Chinese symbol, 47
London, see Clifford’s Inn and Guildhall
County Council, and its work in preserving ancient buildings, 3
and district. slipware of, XVII. cent. et seq., 68
Lorenzo the Magnificent (de’ Medici), in Baldovinetti’s frescoes, 170
Lorenzotti, the brothers, influence of, shown in paintings by Fredi and Vanni, 309, 310
Ambrogio, 310
painting attributed to (ascribed by Perkins to Vanni), Fresco, Seated Virgin, and Child, (S. Francesco, Siena), 315
Pietro, painting attributed to, (ascribed by Perkins to Vanni), Madonna degli Infermi, (S. Francesco, Siena), 310–15
Lotto, Lorenzo, influence of, on Cariani, 78
Lotus, the accepted Tree of Life, Goodyear on, 48
connexion of the Svastika with, 43
evolution of, from ornament to symbol, 349
as a development of sun-worship, etc., Goodyear cited on the three forms of, and identity with the Tree of Life, 350
evolution of the Svastika from, according to Goodyear, 354
and Tree of Life, The, in Oriental Carpets, 349
Louis XIV. Style, The, in French Furniture, see Molinier
Louvain, visit of Dirk Bouts, painter, to, 36
Louvre, the:—
commission of Le Brun to restore the gallery destroyed by fire in 1661., 230
afterwards called the Galerie d’Apollon, 235
paintings by Jean Malouel in, intense ultramarine in and in some other pictures there, 90
by Memlinc in, Sacra Conversazione, done for John Du Celier, 39
by Jacob Ruysdael in, 343
by Jan Vermeer in, 55
Recent Acquisitions by:—Italian Albarelli, Three, J. J. Marquet de Vasselot, 338
Koursi Cover, Arabic, G. Migeon, 344
Pictures, Landscapes (2) by S. Ruysdael, Portrait of Dame Danger, by L. Tocqué, P. Vitry, 343
sculpture in, group, Les Trois Grâces, by G. Pilon, 95
Two Italian Bas-reliefs in, artists unknown, Bust in Profile wearing helmet and armour inscribed ‘P. Scipioni,’ 84
Virgin and Child with Saints and Angels, from a country church, (probably) by A. di Duccio, 89
Two Italian Bas-reliefs in, artists unknown, A. Michel, 84
Lowestoft Porcelain Factory, The, and the Chinese Porcelain made for the European market during the XVIII. cent., L. Solon, 271
Allen, Robert, manager of, maker of the ‘Buckle’ teaservice, (Crisps), 272
hard porcelain teapot, Chinese, marked with his name, 277
Browne, Robert, head of factory, how he gained his knowledge of the trade, 272
crested or initialed porcelain found at Lowestoft, Chaffers’ erroneous theory re, its true provenance, 271, 277, 278
Crisps, A., genuine ‘Lowestoft’ Porcelain owned by, 272
dates of some of the pieces extant, 272
distinctive features of genuine Lowestoft ware, 271, 272
absence of any mark, 278
distinctive features of so-called Lowestoft ware, 278
hard porcelain never made at, but imported and sold from, 271, 272–7
history of the works, 272–8
London warehouse of, its manager and methods, 277
ruin of, how caused, ib.
specimens of, ‘Buckle’ tea-service, by R. Allen, inkpots (one marked ‘Allen’), teapot, etc., (Crisps), 272
teapot in hard porcelain, Chinese in decoration, marked ‘Allen, Lowestoft,’ (V. and A. M.), 277
Lucca, painted glass window in the Cathedral at, designed by A. Baldovinetti, Annunciation, non-extant, 31
Lund, Bishop Absalon of, see Sorö
Lung’ arno Corsini, Florence, palace of the Gianfigliazzi on, 28
Lysippus, Head of Mourning Woman, (Ponsonby), attributed to by Reinach, shown at Burlington Fine Arts Club Exhibition, 249
Michaelis cited on, 250
Lyster, Judith, wife of J. M. Molenaer, paintings by, attributed to her and F. Hals, Guildhall, 1903., The Jovial Companions, and The Health of the Troop, 55
MACARTNEY, Lord, embassy of, to China, 205
Mackowsky, historian of Verrochio, views of, on the artist of the P. Scipioni Bas-relief, 84
Macquoid, P., The Plate of Winchester College, 149
Maghreb and Yemen, no illuminated MSS. from, 135
Maincy, manufactory of high-warp tapestry at, established by Fouquet, 230
Malcolm Collection, Bas-relief in, Warrior, by Leonardo da Vinci, analogies of, 84
Malik al Nasir, name on Koursi cover, (Louvre), 344
Malouel, Jean, painter, intense ultramarine employed by, 90
Manchu, Emperor of China, Hulagu the Mongol sent by, to conquer Persia, 139
Manni, Domenico Maria, cited on Baldovinetti’s portraits of himself and Guido Baldovinetti in his frescoes, 174
Manuscripts, see Mussulman MSS.
illuminated, (see Reid Gift), The Finest Hunting MS. Extant, W. A. Baillie-Grohman, 8
Marble Statue, A, by Germain Pilon, Charité, 90
Marbled Staffordshire Slipware, 68
Margaret of Anjou, Queen, gift of plate made by, to Winchester College, 149
daughter of Frederick, Margrave of Brandenburg-Anspach, probably the subject of the newly-acquired Portrait-Drawing by Dürer, (B. M.), 289
Maria Theresa, wife of Louis XIV., 230
Maris, the brothers, J., M., and W., leaders of modern Dutch painting, 177–8
Jacob, characteristics of his work, 51, 177–8
his methods and their evolution, 177–8
paintings by, shown at Guildhall, 1903., The Bridge, 178
A Dutch Town, ib.
The Ferry Boat, influences traceable in, ib.
Gathering Seaweed, notable brushwork of, ib.
River and Windmill, The Storm Cloud; The Weary Watchers, in his early highly finished style; A Windmill, Moonlight, his last work, ib.
Matthew, characteristics of his work, 178, 189
paintings by, shown at Guildhall, 1903., The Butterflies, 189
L’Enfant Couchée, ib.
Lady and Goats, ib.
Montmartre, ib.
Outskirts of a Town, 178
A Study, 189
Willem, characteristics of his work, 178
painting by, shown at Guildhall, 1903., Springtime, 178
‘Marks and Monograms,’ by W. Chaffers, erroneous theories in, as to Lowestoft China, 271, 277, 278
Marlborough, George, third Duke of, Portrait of, by Sir J. Reynolds, (Normanton), 218
and replica, (Pembroke), 223
Marmion, Simon, miniaturist of Valenciennes, 332
Marquet de Vasselot, J. J., see de Vasselot
Marshall, John, State of a Sculptured Head of a Girl, from Chios, shown at Burlington Fine Arts Exhibition, Smith’s views traversed by those of Rodin, letter, 376
Martin Folkes copy, first folio Shakespeare, price paid for, by Steevens, 1756., (Rylands Library), 336
Martini, Simone, influence of, shown in paintings by Fredi and Vanni, 309, 310
paintings by, Annunciation, (Uffizi), free copy by Vanni, (S. Pietro Ovile), 321
fresco of the Majestas (Palazzo della Signoria), 310
St. John Baptist, (2), (Pisa and Altenburg), 310
type of Madonna painted by, 89
Mary I., Queen of England, visit and gifts of, to Winchester College, on her marriage, 150
Masaccio, influence of Donatello on, 131
the young, type of head painted by, 131
Masolino, type of head painted by, 131
‘Master of Game, The,’ by Edward, Duke of York, oldest English hunting-book, its indebtedness to Gaston Phoebus, 21
Mas’ūdī, cited on ‘The Sum of Histories,’ Persian MS., 140
Matteo di Giovanni, see Giovanni, Matteo di
Matthias Corvinus, King of Hungary, works executed for, by Verrochio, 84
Mauritshuis, Hague, painting by J. Ruysdael in, View of Haarlem, its excellence, 59
Mauve, Anton, characteristics and inequality of his work, 177, 189
paintings by, shown at Guildhall, 1903., Driving in the Dunes, 189
The Hay Cart, ib.
Watering Horses, ib.
Maximilian I., Emperor of Austria, 36
his sister and niece and patronage of Dürer, 290
and the trades of Brussels, 192
Mazarin, Cardinal, patron of Le Brun, 230
Mazdean Persians, art of, 132
Mea, servant of Baldovinetti, his provision for, 22, 23
Medals by Flötner and Daucher, with portraits of Susanna of Bavaria, 290
Medici, Lorenzo de’ (vecchio), works of Verrochio executed for, 84
Medicean cameos, in painting by G. David, deductions from, 36
Meissonier, J. L. E., as an illustrator, 294, 299
illustrations by, to the ‘Contes Rémois,’ 299, 306
Melbourne Museum, drawings on wood for illustrations to Dalziel’s Arabian Nights, etc., owned by, 305
Melik Adel, brother of Saladin, marriage projected between him and Cœur de Lion’s sister, 135
Memlinc, Hans, paintings attributed to, shown at Bruges, 1903., various owners, 35
paintings by, Diptych (Louvre), prototype of one by Isenbrant, 326
Sacra Conversazione, done for John Du Celier, now in the Louvre, 39
Memmi, Lippo, a follower of Simone Martini, 310
painting attributed to, copy of Simone Martini’s Annunciation, (S. Pietro Ovile, Siena), ascribed by Perkins and Berenson to Vanni, 321
Triptych, St. Michael between St. Anthony the abbot and the Baptist, (Siena Gallery), ascribed by Perkins to Vanni, 325
Vanni a pupil of the school of, 325
‘Memoirs’ of Timur Bey, his undisputed authorship of, 143
Menander, busts of, shown at the Burlington Fine Arts Club Exhibition, 250
Mendoza, Don Diego, and Titian’s Portrait of the Empress Isabella, 281
Menzel, A., as an illustrator, 294
his work the source of modern illustration in England, 306
illustrations by, to ‘Geschichte Friedrichs des Grossen,’ 294
excellence of, 299, 306
Mesdag, characteristics of his work, its defects, 189
paintings by, shown at Guildhall, 1903., A Stormy Sunset, 189
A Threatening Sky, ib.
Mesopotamia and the Tree of Life, 353
Metals and Metal Work, see Copper and Silver
Metsys, Quentin, influence of, on paintings attributed to G. David, 39, 40
Metzu, Gabriel, painting by, or attributed to, Guildhall, 1903., Woman Dressing Fish, 56
Meux, Miss, Portrait of, by Sir J. Reynolds, 223
earlier erroneous identification of, (Normanton) 224
Mexican and Maga codices, the Tree of Life in, 353
Meyer, Dr. Julius, cited on a lost votive picture by Dürer, with portraits of the Margrave of Culmbach and his wife, 290
Mezzotint(s):—A New, Portrait of Mrs. Home Drummond, after Raeburn, executed by H. Scott Bridgwater for P. and D. Colnaghi, 267
shown at V. and A. Museum Exhibition, Prince Rupert’s Great Executioner, after Spagnoletto, (H.M. the King), and others, 199
C. Turner’s Watermill, after Callcott, fine qualities of, 199
Michael Angelo (di Buonarroti), the ‘bar’ of, 249
his intellectual rendering of constructed form, as in The Last Judgement, foreshadowed by Baldovinetti’s Altarpiece, 32
position of, in Italian sculpture, 243
Michaelis, cited on the Head of a Mourning Woman, (Ponsonby), shown at the Burlington Fine Arts Club Exhibition, 250
Michel, A., Two Italian Bas-reliefs in the Louvre, 84
Migeon, Gaston, Koursi Cover, Arabic, copper, encrusted with gold and silver, recently acquired by the Louvre, 344
Milan, arms of, with others, on the Italian Albarelli now in the Louvre, 338
Duke of, see Sforza, Francesco I.
Milanesi, commentator of Vasari, his bequest to the Communal Library, Siena, and extracts from the ‘Ricordi’ of Baldovinetti amongst, 24, 27
error of, as to locale of the Baldovinetti ‘ricordo,’ 22
and as to name of Baldovinetti’s wife, 23
source of all information on Bernardo Daddi, 125–6
cited on Vanni as diplomat, and on his death, 309, 325
Millais, Sir J. E., illustrations by, to Moxon’s edition of Tennyson, 299
study by, for illustrations to ‘The Parables,’ (B.M.), 300
Miniatures, see Mussulman Miniatures
Miniaturists, see Gerard David, and Marmion
Mir Alī Shir Navā’ī, Vizir of the Timurid Sultan Husain ibn Bäikara, a famous writer, 143
splendid MS. dated 1527. from divān of, 144
Mr Julius Wernher’s Titian, (letter), G. de Pellegrini, 267
Mitchell, H. P., The Sorö Chalice, (from Bishop Absalon’s grave, Denmark), 357
Modern Dutch Painters, The; works of, Dutch Exhibition, Guildhall, 177
Mohammed, effect on art of his prohibition of the art of painting, 132
Persian tradition connected with his birth, 139
Mohammed el Nasser, Koursi inscribed with his name, (Cairo Museum), 344
Mohammed Shah, books owned by, 143
Mohammedan Art, distribution of and commonplace character of, 132
various schools of, 135
foreign influences on, 139 et seq.
Molenaer, Jan Miense, painting probably by, attributed to Frans Hals, Guildhall, 1903., Group of Three, 52
painting by, The Spinet-players, (Rycks Museum, Amsterdam), compared with above, ib.
Molina, Argote de, his ‘Libro de la Monteria’ containing description of lost original of Gaston Phoebus, 8
Molinier, E., French Furniture of the XVII. and XVIII. Centuries; II. The Louis XIV. Style: The Gobelins, 229
Monaco, Lorenzo, features of his work and influence traceable in, 126, 131
paintings by, Predella pieces, Adoration of the Magi and Visitation, (Parry), 126
Adoration, (Raczynski Gallery, Berlin) compared with the foregoing, 131
Monaldi, Piero, cited on the Gianfigliazzi family of Florence, 28
Mongolian dynasty in Persia, 139
attitude of, towards Christianity, 140
Persian Art during this period, ib.
Moon, the connexion of, with Soma, 354
Moor, Major, cited on the Lotus, 350
More, Warden, ‘Election Cup’ presented by, to Winchester College, 155
Morelli, painting bequeathed by, to the Accademia Carrara, Bergamo, part of a fresco said to be the portrait of A. Baldovinetti, 174
Morley, Lord, (Henry Parker), Portrait drawing of, by Dürer, (B.M.), 289, 290
Morrison, Mrs. Alfred, Lace in her Collection at Fonthill, M. Jourdain, 95
Mosaic(s) on the mosques of the Sefevæan kings of Persia, 139
Treatise on, by A. Baldovinetti, lost, 22, 24
his work in, 169–70
Moses of Chorene cited on the Arsacidean Kings of Armenia, 47
Mostaert, painting attributed to, B. V. M. and Child, ascribed by Hulin to Prevost (N.G.), 332
Moxon’s edition of Tennyson, and its illustrators, 299
Müller, Ludwig, his discovery of Svastikas on Persian coins of the Arsacide and Sassanide dynasties, 44
Müller, Professor Max, cited on alleged absence of Svastika in Babylonia and Assyria, 44
on the Suavastika, 44
Muller-Walde, and others, views of, on the artist of the P. Scipioni bas-relief, 84
Munich Gallery, Portrait of Charles V. by Titian in, 285
Royal Library ‘Boccaccio’ illuminated by J. Fouquet for Chevalier, now in, 11
Munro, H. A. J., of Novar, first owner of the Portrait of Miss Anne Liddell, by Sir J. Reynolds, (Normanton), 223
and of the Portrait of Miss Meux, wrongly called Portrait of Fanny Reynolds, (Normanton), 224
Murghab, monuments of, influence shown by, 136
Murray, Fairfax, drawings on wood owned by, 305
Miss, of Kirkcudbright, Portrait of, when a child, by Sir J. Reynolds, (Normanton), 218
Musées Royaux du Cinquantenaire. Brussels, Matrix of seal of Gild of Barbers, Brussels, in, 190, 191
Museums, see British Museum, Louvre, V. and A., and others, under their names
Mussulman Art, Exhibition of, in Paris, May to June, 1903., 132
Manuscripts and Miniatures as illustrated in the recent Exhibition at Paris, E. Blochet, I., 132
painting, XV. cent., locale of its masterpieces, 143
Mytens, painting by H. Pot, at Hampton Court, Souldier making a Strange Posture to a Dutch Lady, formerly attributed to, 56
NANA of Chaldea, meaning of Svastika sign on, 43
Naples and Sicily. Alfonzo II. of Aragon, King of, 338
Nardo, elder brother of Orcagna, not identical with Bernardo Daddi, 125
National Gallery, attitude of, towards picture-buying, 7
paintings in, by Cariani, Madonna and Child, ex Leuchtenberg collection, lent to, by G. Salting, 78
by G. David, from the Cathedral at Bruges, Altarpiece, and (part of) a Triptych, 36
by P. de Koninck, compared with Commencement d’Orage, 60
by J. Ruysdael, View over an extensive flat wooded Country, an excellent example, 59
National Museums, see New Acquisitions at, and under names of museums
Nature gods, Svastika supposed to be the emblem of, 43
Navarre, Philip III. of, father of Agnes, wife of Gaston Phoebus de Foix, 11
Nelthorpe, Sutton, painting attributed to J. Prevost, owned by, S. Francis renouncing the world, 332
Neroni, Diotisalvi, portrait of, in Baldovinetti’s frescoes, 170
Netherlands, the, The Early Painters of, as illustrated by the Bruges Exhibition of 1902., W. H. J. Weale, 35, 326
Netherlands, Turenne’s Campaign in, 12
Neuburg, Otto Heinrich Count Palatine of, second husband of Susanna of Bavaria, Margravine of Culmbach, medal portraits of, 290
Neuhuys, Albert, painting by, shown at Guildhall, 1903., Near the Cradle, 189
New Acquisitions at the National Museums:—
British Museum, Department of Mediaeval Antiquities, 199
Print Room, 75
rare Chinese roll, 199
Victoria and Albert Museum, Mediaeval Silver Chalice from Iceland, H. P. Mitchell, 70
The Reid Gift, (MSS.), 74
New College, Oxford, window at, original designs for, by Sir J. Reynolds, subjects of, and models for, 211 et seq.
his intentions stated by himself, 212
English character of painting, ib.
Newton, Lord, of Lyme, Rose-water dish and ewer owned by, compared with those of Winchester College, 136
Niccolini, Don Averardo, collector of notices of S. Trinità, Florence, XVII. cent., 32
Nicolas, Dr., Warden, gift of plate by, to Winchester College, 155
Nieuport, Belgium, restoration of the church of, 375
Nineteenth-Century Book Illustrations, Later, J. Pennell, I., 293
Nizāmī, delight of Timur Beg in his writings, 143
Normanton, Diana, second Countess of, 206
Portrait of Her Mother, by Sir J. Reynolds, 217
the present Earl of, The Collection of Pictures of, at Somerley, Hampshire, M. Roldit I. Pictures by Sir Joshua Reynolds, 206
Welbore Ellis, second Earl of, Normanton picture gallery formed by, chief works in, 206
predominance of Sir J. Reynolds’ paintings in, 206, 211, 224
prices paid by this Earl, passim, the pictures described, 212 et seq.
North Africa, Svastika introduced into, by travellers to Phoenicia, 47
North American Indians, use of and name for the Svastika, 43–4
Northbrook, Earl of, paintings by A. Isenbrant owned by, shown at Bruges, 1902., panel, B. V. M. and Child, enthroned in garden, donor, peacocks, etc., 335
B. V. M. and Child, on stone throne with rams’ heads, ib.
Vision of S. Ildephonsus, ib.
Northern Europe, plain plate with granulated or matted surface made in, 161
Nuremberg, visit of Lord Morley to, 1523., its object, and the portrait made by Dürer, 289
OAKEN Chest, The, of Ypres, 357
Old Dutch Masters, at the Guildhall Exhibition, 1903., 51
Onatas, statue of Apollo by, and epigram on, 244
‘Once a Week,’ and its illustrators, 299
On Oriental Carpets:—
III. The Svastika, 43
IV. The Lotus and the Tree of Life in, 349
Opera di Duomo, Florence, Madonna of, by A. di Duccio, 89
Orcagna, (Italian painter), 125, 126
‘Oresteia’ of Aeschylus, the first book to be printed from ‘Otter type,’ 360
Oriental Carpets:—
III. The Svastika, 43
IV. The Lotus and the Tree of Life, 349
Oriental China in Europe and America, XVIII. cent., Chaffers’ erroneous theory regarding, 271, 277, 278
Orthéz, splendour of Gaston de Foix’s court at, 8
Osiris, the Lotus as an attribute of, 350
‘Otter’ Type, Proctor’s, 358
Oudenarde, birthplace of Gerard David, painter, of Bruges, 36
PAINTED glass windows, designed by A. Baldovinetti, 31
methods of executing, Florence, XV. cent., 31
Painters, Dutch, Exhibition of the works of, Guildhall, 1903., 51, 177
Early, of the Netherlands, as illustrated by the Bruges Exhibition of 1902., W. H. J. Weale, 35, 326
having marked similarity in style and subject to Palamedes, 56
Painting(s) in Oils, Frescoes, etc., see also Pictures:—
by Baldovinetti, A., Altarpiece for S. Trinità, Florence, Trinity with two Saints, now in the Florentine Academy, 32
Frescoes, in the Cappella Maggiore, S. Trinità, Florence, the only ones preserved, 167
found in 1890–7., and described, 173–4
attributed to Barna, panel, Virgin and Child, half-length, (Chapel of SS. Chiodi, Siena), ascribed by Perkins to Vanni, 315–6
attributed to Berkheyde, Gerrit, Guildhall, 1903., Rising in a Dutch Town, 60
by Bisschop, Christopher, shown at Guildhall, 1903., Prayer Disturbed, 189
by Bosboom, Jan, shown at Guildhall, 1903., Archives at Veere, 189
by Botticelli, S. Portrait of Lucretia Tornabuoni, (Städel Institute, Frankfort), Medicean medallion in, also painted by G. David, 36
attributed to Brouwer, Adriaen, Guildhall, 1903., Interior with Figures, possible painters of, 56
by Cariani, ascribed to Giorgione, ex Leuchtenberg collection, Adoration of the Shepherds, (Wertheimer), and Madonna and Child, (Salting), 78
La Vergine Cucitrice, (Corsini Gallery, Rome), 78
by Cornelis, Albert, the only known work of, Coronation of the B. Virgin, (Bruges, 1902.), 332
attributed to Cüyp, Adrian, Guildhall, 1903., signed Berchem, Head of a Cow, 59
by Daddi, Bernardo, Altarpiece in five parts, (Parry), 125
attributed to David, G., Triptych, Deposition of Christ, views of Mr. Weale on its authenticity, 39, 40
Holy Family, (M. Le Roi), shown at Bruges, 1902., 40
Annunciation, shown at Bruges, 1902., 39, 40
paintings by him: dates limiting period of production of, 39
Adoration of the Magi, formerly attributed to J. van Eyck, (Brussels Museum), shown at Bruges, 1902., 39
Altarpiece, and (part of a) Triptych, (N. G.), 36
Triptych, Baptism of Christ, shown at Bruges, 1902., 36
B. V. M. with Child, Virgin Saints, and Angels, (Rouen Museum), 36, 39
Judgement of Cambyses, two pictures in Bruges Museum, (one illustrated), 36;
panels, part of an Altarpiece, (Lady Wantage), 39
parts of a Triptych, (J. Simon, of Berlin), shown at Bruges, 1902., 39
Triptych, St. Anne and the B. V. M. and Child, SS Nicholas and Anthony of Padua, (de Somzee), shown at Bruges, 1902., 39
Transfiguration, (Church of Our Lady, Bruges), shown at Bruges, 1902., 40
by de Bock, Théophile, shown at Guildhall, 1903., An Avenue in Holland, 189
by de Keyser, T., Guildhall, 1903., Portrait of a Gentleman, 55
by or ascribed to de Koninck, P., (his masterpiece), attributed to Rembrandt, Commencement d’Orage, (Wantage), Guildhall, 1903., 60 et seq.
probably by de Koninck, S., Head of a Man, usually ascribed to Rembrandt, Guildhall, 1903., 52
by de Limbourg, P.. a (miniature) copy of a Florentine fresco by T. Gaddi, 90
by de Vos, Cornelis, Guildhall, 1903., Portrait of Ambrogio, Marchese di Spinola, 55
Flemish School, artist unknown, Altarpiece by, for the Gild of SS. Mary Magdalene, Katherine, and Barbara, compared with one by Gerard David, 39
by unknown artist, shown at Bruges, 1902., panel, S. Nicolas of Tolentino, and Roger de Jonghe, Austin friar, (Black Sisters, Bruges), 332
by unknown artist, Portrait of the Empress Isabella from which Titian painted his Portrait, 281, 282, 285
Florentine School, early XV. cent., artist unknown, Madonna and Child with Angels, (Parry), and Triptych, Madonna and Child with Angels and Saints, (Uffizi), 131
Francesco, Piero dei, central panel, Altarpiece, Borgo S. Sepolcro, Baptism of Christ, (in London), 321
probably French, XIV. cent., artists unknown, Adoration of the Magi, and Dormition of the B. V. M., (Dowdeswell), 89
by Gaddi, Agnolo, Coronation of the Virgin, (Parry), 126
by Gaddi, Taddeo, Coronation of the Virgin, (S. Croce), 126
Fresco copied as a miniature by Pol de Limbourg, 90
probably by Giovanni di Paola, panel, Crucifixion, (S. Pietro Ovile, Siena), 321
probably by Giovanni, Matteo di, panels, SS. Peter and Paul, (S. Pietro Ovile, Siena), 321
attributed to Gossart, Jean, ascribed by Hulin to Prevost, Virgin and Child, (Carlsruhe), 332
by Hals, Frans, Guildhall, 1903., so-called Admiral de Ruyter, excellence of, 52
paintings attributed to, probably by Jan Miense Molenaer, Group of Three, 52
part probably by Van Goyen, Van Goyen and his Wife, 52
conjointly with Judith Lyster, see Lyster
by Hobbema, Guildhall, 1903., Landscape, and Woody Landscape, 59
by Isenbrant, Adrian, shown at Bruges, 1902., Diptych, Our Lady of the Seven Dolours, (part in church of Our Lady at Bruges, part in Brussels Museum), 326
B. V. M. and Child, in landscape with female Saints, (Count Arco-Valley), 326
its prototype, replica, and variants, ib.
B. V. M. and Child on throne with rams’ heads, (Northbrook), 331
panel, B. V. M. and Child enthroned in a garden, donor, peacocks, etc., (Northbrook), ib.
S. Luke with portrait of B. V. 111 and Child, (Colnaghi), ib.
SS. Andrew, Michael, and Francis, with Crucifixion in upper part, (Sedelmeyer), 331
St. Mary Magdalene in the desert, (De Somzée), 331
Triptych, B. V. M., Child, and angels with harp and mandoline, (Lotman), 326
Presentation in the Temple, with portraits, probable source of, (Bruges Cathedral), 331
Triptych, part of, Donor and family protected by St. John and a female Saint, (von Kaufmann), 331
Vision of S. Ildephonsus, (Northbrook), 330
attributed to, ascribed by Hulin to Prevost, B. V. M. and Child with a Carthusian, 332
by Israels, Josef, Guildhall, 1903., The Cottage Madonna, 177
A Jewish Wedding, ib.
The New Flower, ib.
A Ray of Sunshine, ib.
The Shipwrecked Fisherman, ib.
by Le Brun, C., Alexandre pénétrant dans le tente de Darius, ordered by Louis XIV., 230
paintings or designs by, at Vaux, L’Apothéose d’Hercule, L’Aurore, Le Palais du Soleil, Le Sommeil, Le Triomphe de la Fidélité, 230
attributed to Lorenzotto, Ambrogio, fresco, Seated Virgin and Child, (S. Francesco, Siena), ascribed by Perkins to Vanni, 315
attributed to Lorenzotto, Pietro, Madonna degli Infermi, (S. Francesco, Siena), ascribed by Perkins to Vanni, 310–15
by Lyster, Judith, wife of J. M. Molenaer, (attributed to her and Hals), Guildhall, 1903., The Jovial Companions, and The Health of the Troop, 55
by Maris, Jacob, Guildhall, 1903., The Bridge, 178
A Dutch Town, ib.
The Ferry Boat, ib.
Gathering Seaweed, ib.
River and Windmill, ib.
The Storm Cloud ib.
The Weary Watchers, ib.
A Windmill, Moonlight, (his last work), ib.
Matthew, Guildhall, 1903., The Butterflies, 189
L’Enfant Couchée, ib; Lady and Goats, ib.
Montmartre, ib.
Outskirts of a Town, 178
A Study, 189
Willem, Guildhall, 1903., Springtime, 178
by Martini, Simone, Annunciation, (Uffizi), 321
copy of the same, variously attributed, ib.
fresco of the Majestas, (Signoria), 310
St. John Baptist, (2), (Pisa and Altenburg), 310
by Mauve, Anton, shown at Guildhall, 1903., Driving in the Dunes, 189
The Hay Cart, ib.
Watering Horses, ib.
by Memlinc, Hans, Sacra Conversazione, done for John Du Celier, now in the Louvre, 39
attributed to him, Bruges, 1903., (various owners), amongst others, Passion of St. Sebastian, (Brussels Museum), Triptych, Deposition of Christ. SS. James and Christopher, (von Kaufmann), Blessed Virgin and Child, donor, and St. Anthony, (Thiem), Annunciation (Prince Radziwill); views of Waagen, Huten, and Friedländer controverted, 35
attributed to Memmi, Lippo, copy of Simone Martini’s Annunciation, (S. Pietro Ovile, Siena), ascribed by Perkins and Berenson to Vanni, 321
Triptych, St. Michael between St. Anthony the abbot and the Baptist, (Siena Gallery), ascribed by Perkins to Vanni, 325
by Mesdag, shown at Guildhall, 1903., A Stormy Sunset, 189
A Threatening Sky, ib.
attributed to Metzu, G., Guildhall, 1903., Woman Dressing Fish, 56
by Molenaer, Jan Miense, The Spinet-players, (Rycks Museum, Amsterdam), compared with the Group of Three, attributed to Hals, Guildhall, 1903., 52
by Monaco, Lorenzo, Predella pieces, Adoration of the Magi, and Visitation, (Parry), 126
Adoration, (Raczynski Gallery, Berlin), compared with the foregoing, 131
attributed to Mostaert, B. V. M. and Child, ascribed by Hulin to Prevost, (N. G.), 332
by Neuhuys, Albert, shown at Guildhall, 1903., Near the Cradle, 189
attributed to Palamedes, Guildhall, 1903., Lady at Harpsichord, probably by Pot, 56
by Pourbus, P., shutters of Altarpiece by Gerard David, 40
by Prevost, J., shown at Bruges, 1902., Last Judgement, only authentic work of, (Bruges Museum), earlier version, (Viscount de Ruffo Bonneval), and another, (Weber), 332
paintings attributed to, by Hulin, and their locations, 332 and note
by Rembrandt, Portrait of a Lady, (Hage), 359
paintings by or attributed to, Guildhall, 1903., Commencement d’Orage, (Lady Wantage), 51
now ascribed to P. de Koninck (pros and cons), 60 et seq.
Portrait of the Artist, previous owners of, unauthentic, 52
Portrait of the Painter’s Son Titus, compared with a similar picture in the Wallace collection, 51
Ruth and Naomi, possibly by K. Fabritius, 52
by Reynolds, Sir J., Nativity, original design for centre of New College window, Oxford, and its fate, 212
in the Normanton collection, Boy Reading, (said to be his own portrait), 223
Faith, Hope, Charity, Temperance, Prudence, Justice, and Fortitude, original designs for New College window, 211
Felina, 217
The Little Gardener, a child’s portrait, 218
Portraits: Elizabeth Beauclerk, (afterwards Countess of Pembroke), as Una and the Lion, 257
George, third Duke of Marlborough, 218, 223
Himself as President of the Royal Academy, 217
Lady Betty Hamilton 218
Lady Charlotte Johnstone, 223
Study of a Little Girl, octagonal in shape, 224
of Miss Anne Liddell, 223
(on panel), Miss Falconer as Contemplation, 217
Miss Meux, 224
Miss Murray of Kirkcudbright, as a child, 218
The two Misses Horneck, 223
Mrs. Quarrington, (actress), as St. Agnes, 224
Mrs. Russell, 223
in the same collection, The Little Archer, 224
paintings ascribed to, in the same collection: Portraits; Admiral Barrington, 224
Lady Hamilton as a Bacchante, ib.
Mrs. Inchbald, ib.
copies of, in the same collection, Portraits, Mrs. Gwyn in Persian dress, 224
Mrs. Siddons as the Tragic Muse, painted by the Duchess of Buckingham, 224
by Ruysdael, Jacob, Guildhall, 1903., Forest Scene, Sea-piece, and View on the Brill, 59
View of Haarlem, (Mauritshuis, Hague), 59
View over an extensive flat wooded country, (N. G.), 59
by Solario, Madonna, 114
by Steen, Jan, Guildhall, 1903., Portrait of Himself, (Northbrook), 56
by Terborch, Guildhall, 1903., Portrait of a Lady, and Portrait of a Young Woman, 56
by Titian, Portraits: Empress Isabella, 281
Giacomo Doria, 267
by Tocqué, J. L., at the Louvre, chiefly official portraits, 344
Portrait of Dame Danger, recently acquired, 343–4
by Unknown Artists, Richard II., Diptych, (Wilton), perfection of, 89
School of Cimabue: Nativity and Adoration, (Parry), 117–8
Altarpiece of St. Cecilia, (Uffizi), other Altarpieces by, recently found near Florence by Horne, 118
frescoes by same hand, (Upper Church, Assisi), 118
by van Aelst, Willem, Guildhall, 1903., Still-life Subject, 56
by van de Capelle, Jan, Guildhall, 1903., both masterpieces, Off Scheveningen, and Sea-piece, 60
River Scene, (N. G.), 60
by van de Velde, Adriaen, Guildhall, 1903., Landscape with Cattle, small and excellent, 59
by van der Heyden, Jan, Guildhall, 1903., Landscape, small, very highly finished, 59
attributed to van der Neer, Aart, Moonlight River Scene, 59
by van Eecke or van Eeckele, John, shown at Bruges, 1902., Mater Dolorosa, (Bruges Cathedral), formerly ascribed to John van Eyck, locale of copies of the same, 332
Vision of S. Bernard, (Tournay Museum), 332
by van Huysum, Guildhall, 1903., Still-life Subjects, 56
by Vanni, Andrea; Annunciation, (Count Fabio Chigi, Siena), 316
Annunciation after Simone Martini, (S. Pietro Ovile, Siena), various attributions of, 321
Crucifixion, (fragmentary), formerly in the church of the Alborino, (Istituto delle Belle Arte, Siena), 309, 321
Deposition from the Cross, (Berenson), 321
Seated Virgin and Child (S. Francesco, Siena), usually attributed to Ambrogio Lorenzotti, 315
Madonna degli Infermi, (S. Francesco, Siena), attributed to Pietro Lorenzotti, 310–15
panels, Madonna and Child, (S. Giovannino della Staffa, Siena), 316
Virgin and Child, full length, (S. Spirito, Siena), 316
Virgin and Child, half-length, (Chapel of SS. Chiodi, Siena), usually attributed to Barna, 315–6
Virgin and Child, (priest’s house next S. Pietro Ovile, Siena), 325
Polyptych, Altarpiece, (S. Stefano, Siena), 309
Portrait of St. Catherine of Siena, (S. Domenico, Siena), 309, 321
Triptych, St. Michael between St. Anthony the Abbot and the Baptist, (Siena Gallery), attributed to Memmi, 325
Virgin and Child, (Berenson), 316
by van Os, Jan, Guildhall, 1903., Still-life Subjects, 56
by van Ruysdael, Saloman, recently acquired by the Louvre, Landscapes, (2), 343
by Veneziano, Domenico, frescoes, now lost, once in Cappella Maggiore of S. Egidio, 168
by Vermeer, Jan, Guildhall, 1903., The Cook Asleep, 55
by and probably by Verspronck, Jan, Guildhall, 1903., Portrait of a Dutch Lady, (Mrs. Stephenson Clarke), 55
Portrait of a Lady, (at Antwerp), 55
Paintings in Water-colour, see Drawings
Palamedes, painting ascribed to, Guildhall, 1903., Lady at a Harpsichord, probably by Pot, 56
painting formerly ascribed to, at Hampton Court, Souldier making a Strange Posture to a Dutch Lady, now attributed to H. Pot, 56
Palma Vecchio, influence of, on Cariani, 78
Palmer, Mary, see Thomond, Marchioness of
Mrs. Elizabeth, model of Sir J. Reynolds for painting of Prudence, (Normanton), 217
‘Offy,’ (Mrs. Gwatkin), niece and frequent model of Sir J. Reynolds, 211
as Felina, 217
Samuel, illustration by, to Adams’s ‘Distant Hills,’ perfection of, 306
Palmetta, the, as the Tree of Life, 350, 353
Paolo, Giovanni di, painting probably by; panel, Crucifixion, (S. Pietro Ovile, Siena), 321
Papillon, Bewick’s possible indebtedness to, 294
Papyrus, the, as the Tree of Life, 350
Parfilage, fashionable work in the XVIII. cent., 344
Paris, see Bibliothèque Nationale, Louvre, and Cluny
decorative paintings by Le Brun in mansions of, 230, 235
recent Exhibition (of Mussulman Art) at, Mussulman Manuscripts and Miniatures, E. Blochet, I., 132
Parker, Henry, see Morley, Lord
Parry, Sir Hubert, Pictures in the collection of, at Highnam Court, near Gloucester, R. Fry; I. Italian Pictures of the Fourteenth Century, 117
Altarpiece, in five parts, by Bernardo Daddi, 125
Madonna and Child with Angels, Florentine School of the early XV. cent., 129
Coronation of the Virgin, by Agnolo Gaddi, 126
Predella pieces, Adoration of the Magi and Visitation, by Lorenzo Monaco, 126
Nativity and Adoration, by unknown artist, School of Cimabue, 117–8