❧ GENERAL INDEX TO VOLUME II ❧ (continued 2)

Thomas Gambier, of Highnam, father of Sir Hubert Parry, his researches into fresco-painting and paintings in fresco by, his collection of pictures at Highnam, 117 et seq.

Parthenon, the, Persepolitan building recalling, 139

slab from north frieze of, bas-relief, Head of a Knight and of a horse, various owners and homes of, shown at the Burlington Fine Arts Club Exhibition, 244

Passavant, his use of ‘Barbarelli’ as cognomen of Giorgione, 78

Pau, castle of, a stronghold of Gaston de Foix, 8

Paul III., Pope, patron of Titian, meeting of, with Charles V. at Busseto, 1543., 281

Pavia, battle of, ‘Gaston Phoebus’ MS. 616 part of the loot after, 8, 11, 12

Pavillon de Marsan, Paris, Exhibition of Mussulman Art at, 1903., 132

Pazzi Chapel, S. Croce, Florence, painted window in, designed by A. Baldovinetti, 31

Pella, birthplace of Alexander the Great, bronze statuette of emaciated man, possibly a Yogi, found at, 255

Pembroke, Countess of, see Beauclerk, Elizabeth

Earl of, Portrait of George, third Duke of Marlborough, owned by, replica of that by Sir J. Reynolds in the Normanton collection, 222

Earl and Countess of, Heads of, by Sir J. Reynolds, (Normanton), 223

earlier portrait of the Countess by him as Una, 217

Pennell, Joseph, Later Nineteenth-Century Book Illustrations, I., 293

Pepoli family of Bologna, original owners of the painting from which Titian painted his Portrait of the Empress Isabella, 282

Pergamene stage, the, of Greek art, 243

Perkins, F. Mason, Andrea Vanni, 309

Persepolis, illustrated book seen at, by Mas’ūdī, ‘Sum of Histories,’ 140

monuments of, influences shown by, 136

Persia, beginning of the art-history of, early and continuous Greek influence in, 136–7

Sassanian kings of, 47

Sassanid art in, 140

the three great schools of painting in, 139

the Mongolian, 140

the Timurid, 143

the Sefevæan, 140, 144

Persian coins of the Arsacide and Sassanide dynasties, the Svastika on, 44

Persian skill in miniature painting, 132

monotonous character of the work, 135

Greek influences on, 139

Perrett, Ambrose, French sculptor, work of, on the Tomb of François I., 95

Perrier, first master of Charles Le Brun, 229

Perugia, front of S. Bernardino at, by A. di Duccio, 89

Peschiera, meeting of Aretino with Charles V. at, 281

Petrucci, R., Notes from Ghent and Nieuport, 375

Seals of the Brussels Gilds, 190

Phallus associated with the Svastika in Egypt, 43, 47

Pheidias, fragments of his work shown at the Burlington Fine Arts Club Exhibition, 244

Phelippes de France, Duc de Bourgoigne, original of Gaston Phoebus dedicated to, 8

Philip the Good, privilege granted by, to the butchers of Brussels, 193

Philip II. of Spain, marriage of, to Queen Mary of England, at Winchester, 150

Philip III. of Navarre, father of Agnes wife of Gaston Phoebus de Foix, 11

Phoebus, Gaston, or Le Roi Phoebus, sobriquet of Gaston de Foix, and familiar title of his book, 11

Phoenicia, no trace of Svastika found in, 47

Piazza di San Giovanni, Florence, houses in, assigned to Baldovinetti in payment for his mosaic work, 170

Pictures, see Collection of the Earl of Normanton, Dutch, etc.

exhibitions of, see Bruges, and Guildhall in the Collection of Sir Hubert Parry, at Highnam Court, near Gloucester, R. Fry; I. Italian Pictures of the Fourteenth Century, 117

recently acquired by the Louvre, Landscapes, (2.), by S. Ruysdael, Portrait of Dame Danger, by L. Tocqué, P. Vitry, 343

Piero, Lorenzo di, painter and colour seller, 167, and note

Pierrotti, Dr., preface of, and notes by, to the ‘Ricordi di Alesso Baldovinetti,’ 24

sources of his information, 27

Pilon, Germain, French Sculptor XVI. cent., marble statue by, _La Charité_, (Lowengard), 90

other works by, groups, Les Trois Grâces, (Louvre), Les Trois Parques, (Hôtel de Cluny), 95

Tomb of François I., (with other sculptors), Tomb of Henri II. and Catherine de Médicis, 95

Pinwell, G., forgeries of his own drawings by, 305

Pinzocheri, the Frati, of the Spedale di S. Pedro, Florence, 22, 24

records of, 27

women attached to the Hospital, 24

Piot, M., his use of Greek coins ‘to correct the eye,’ 236

Pisa, frescoes, the, in campo-santo at, attributed by Milanesi to Daddi, Triumph of Death, 126

Pisano, Giovanni, influence of, on the painter of the Nativity and Adoration, (Parry), 118

leading features of his work, 125

Pitti, Lucca, portrait of, in Baldovinetti’s frescoes, 170

Place Dauphine, Paris, triumphal arch to welcome Louis XIV. and his queen, erected on, by Le Brun, 230

Plassenburg Castle, prison of Frederick Margrave of Brandenburg-Anspach, 289

Plate, (see Silver Plate) The, of Winchester College; P. Macquoid, 149

Plot’s ‘Natural History of Staffordshire’ cited on Burslem pottery and processes, XVII. cent., 66

Poelenburg, painting by H. Pot at Hampton Court, Souldier making a Strange Posture to a Dutch Lady, formerly ascribed to, 50

Poitiers, Diane de, daughter of the Sieur de Saint-Vallier and of Marie of France, her probable connexion with Codex MS. 616 of Gaston Phoebus, 12

Jean de, Sieur de Saint-Vallier, probable owner of Codex MS. 616 of Gaston Phoebus till 1523., 12

his pardon obtained by his daughter from Francis I., 12

Poland, see Casimir III., King of

Polykleitos, sculptor, leader, of Argive School, earliest recorded work of, and variants thereof, statue; Boy-boxer crowning himself, Head (Vincent), shown at the Burlington Fine Arts Club Exhibition, 244

Pomegranate, as the Tree of Life, on Yarkand rugs, 353

Ponsonby, Claude, Head of a Mourning Woman, owned by, shown at the Burlington Fine Arts Club Exhibition, 249

Porcelain, see Ceramics

Porcia, Count, Portrait of, by Titian, with landscape background, (Brera Gallery, Milan), 285

Portata al Catasto, Florence, 1470., details given in, as to Baldovinetti, 23

evidence of, as to his handwriting, 27

Portrait(s), (see also Paintings and Pictures), of the Empress Isabella, Titian’s, G. Gronau, 281

Portrait of a Lady, by Rembrandt, on view at the Hague, (Hage), 359

by Titian, of Giacomo Doria, (J. Wernher), letter on, from G. de Pellegrini, 267

Portrait-Drawing, A Newly-Discovered, by Dürer, C. Dodgson, 286

Pot, Hendrik, and other painters greatly resembling Palamedes in style and subject, 56

painting by, at Hampton Court, Souldier making a Strange Posture to a Dutch Lady, various attributions of, 56

Pott, Miss C. M., joint-author, see Short

Pottery Ware, Early Staffordshire, illustrated by pieces in the British Museum, 64

Pourbus, Peter, shutters of Altarpiece, by G. David, painted by, 40

Poussin, Nicolas, companion of C. Le Brun in his journey to Rome, 230

Poynter, Sir E., drawings by, on wood for illustrations to Dalziel’s ‘Bible Gallery,’ V. and A. Museum, 305

Praxiteles, Head of Aphrodite ascribed to, (Leconfield), shown at the Burlington Fine Arts Club Exhibition, 249

other statues by, compared with the foregoing, ib.

Previtali, influence of, on Cariani, 78

Prevost, John, notes on his history, 331–2

paintings by and attributed to, shown at Bruges, 1902., Last Judgement, the only authentic work by him, (Bruges Museum), 332

also an earlier version, (Viscount de Ruffo-Bonneval), and another, (Weber), ib.

paintings attributed to, by Hulin, and their location, 332 and note

Print Room, British Museum, new acquisitions, 75, 200

Printers, early French, of Gaston Phoebus, 8

Proctor’s new fount of Greek Type, (the ‘Otter’ type), 358

Protection of Ancient Buildings, Clifford’s Inn and the, editorial, 3

Puzzle cups, jugs, etc , see Early Staffordshire Ware

QUARITCH, the late Bernard, cited on the value of early editions of Shakespeare, 335

Quarrington, Mrs., actress, Portrait of, by Sir J. Reynolds, (Normanton), 224

Queen Street, Cheapside, workhouse of the Lowestoft Porcelain Factory in 1770., 277

RACZYNSKI Gallery, Berlin, painting by Lorenzo Monaco in, Adoration, compared with that in the Parry collection, 131

Raphael, Bernard van Orley said to have been a pupil of, 205

Rattier, P., of Paris, Bas-relief bequeathed by, to the Louvre, Bust in Profile, wearing armour, artist unknown, suggestive of Leonardo. 84

Ravensworth, Lord, father of Miss Anne Liddell, painted by Sir J. Reynolds, 223

Rawlinson, Mr., British engravings and mezzotints owned by, shown at the V. and A. Museum Exhibition, 199

Recent Acquisitions at the Louvre, Koursi cover, Arabic, G. Migeon, 344

Pictures, Landscapes, (2), by S. Ruysdael, Portrait of Dame Danger, by L. Tocqué, Paul Vitry, 343

Three Italian Albarelli, J. J. Marquet de Vasselot, 338

Regnauldin, Thomas, employed by Le Brun, 235

Reid Gift, The, to the V. and A. Museum, II., 74

Reinach, S., cited on the sculpture of the Head of a Mourning Woman, (Ponsonby), 249

Rembrandt, (van Rijn), etching by, The Three Trees, compared with Le Commencement d’Orage, 63

paintings by and attributed to, Guildhall, 1903., Commencement d’Orage, (Lady Wantage), 51

now attributed to P. de Koninck, 60 et seq.

Head of a Man, probably by Solomon de Koninck, 52

Painter’s Son Titus, 55

Portrait of the Artist, unauthentic, its previous owners, 52

Ruth and Naomi, possibly by K. Fabritius, 52

shown at the Hague, 1903., Portrait of a Lady, (Hage), 360

Landscape with Tobias and the Angel, (N.G.), 63

Wallace collection, His Son Titus, compared with similar portrait, Guildhall, 1903., 51

Rendall, M. J., 155

‘Restoration’ too often synonymous with destruction, 3

Resurrection and creation, the Lotus as emblem of, 350

Reynolds, Fanny, sister of Sir Joshua, Portrait of Miss Meux by him, formerly supposed to represent, (Normanton), 224

Reynolds, Sir Joshua, Pictures by, in the Collection of the Earl of Normanton, M. Roldit, 206

methods of, in portrait painting, 217

Nativity, original design for central space, New College window, and its fate, 212

paintings by, in the Normanton collection, their sources, prices, and other comments upon them, 211 et seq.

Boy Reading, said to be a portrait of himself, his own satisfaction with the picture, 223

Faith, Hope, and Charity, Temperance, Prudence, Justice, and Fortitude, the original designs for New College window, Oxford, executed on glass by Jarvis, 211

Girl embracing Kitten, known as Felina, 217

Portraits: child, The Little Gardener, 218

Elizabeth Beauclerk, afterwards Countess of Pembroke, as Una with the Lion, 217

George, third Duke of Marlborough, 218, 223

replica of (Pembroke), ib.

Himself as President of the Royal Academy, 217

Lady Betty Hamilton, afterwards Countess of Derby, 218

Lady Charlotte Johnstone, daughter of first Earl of Halifax, 223

Study of A Little Girl, octagonal, 224

Miss Anne Liddell, 223

(on panel), Miss Falconer, afterwards Hon. Mrs. Stanhope, as Contemplation, earlier owners of, 217

Miss Meux, 223

earlier erroneous identification of, 224

Miss Murray of Kirkcudbright as a child, 258

the Misses Horneck, 223

Mrs. Quarrington, actress, as St. Agnes, 224

Mrs. Russell, daughter of F. Vassall, 223

paintings ascribed to, same collection, The Little Archer, 224

Portraits: Admiral Barrington. 224

Lady Hamilton as a Bacchante, engraved by Bartolozzi, 224

(probably by his pupils) at Normanton, Mrs. Inchbald, 224

copies of paintings by, in Normanton collection, Portrait of Mrs. Gwyn in Persian dress, original owned by W. W. Astor, 224

Portrait of Mrs. Siddons as the Tragic Muse, from that at Grosvenor House, painted by the Duchess of Buckingham, 224

Rheims, birthplace of Jean Gobelin, 235

Richa, Giuseppe, cited on Baldovinetti’s portrait of himself in his frescoes. 174

cited on the condition of Baldovinetti’s frescoes, 1755., 173

cited on the Gianfigliazzi family, of Florence, 28

Richard I. (Cœur de Lion), marriage projected between his sister and Saladin’s brother, Melik Adel, 135

Richard II., licence granted by, for the founding of Winchester College, 149

Richter on the absence of the Svastika in Phoenicia, and its westward transmission, 47

Rimini, interior decoration of the temple of, by A. di Duccio, 89

Rinder, Frank, The Geographical Distribution of the First Folio Shakespeare, 335

Rishi Atri and his son, Soma, 354

Rishis of Kashmir, use of Soma by, 354

Rives, Dr. George, Rose-water dish presented by, to Winchester College, 161

Rogers’ ‘Poems,’ Turner’s illustrations to, (N. G.), 300

Rogers, William, first British engraver of importance, plates by, shown at V. and A. Museum Exhibition; Portraits: Alphonso, King of Castile, Godfrey Adelmar, Queen Elizabeth (H.M. the King), and Sir T. Docwra, 194

Roldit, M., The Collection of Pictures of the Earl of Normanton, at Somerley, Hampshire; I. Pictures by Sir Joshua Reynolds, 206

‘Romance of Alexander,’ by Nizāmī, 143

Rome, see Academy of St. Luke, Corsini Gallery, and Vatican Library

alleged visit to, of Bernard van Orley, 205

chief source of Albarelli or druggists’ jars and similar wares, 338–43

visit of C. Le Brun to, 230

Rose Lotus, the, Indian origin of, Chinese use of, etc. 350

Rose-water Dishes, see Silver Plate

Rosselli, Cosimo, and other painters, estimate by, of the cost Baldovinetti’s paintings in the Cappella Maggiore of S. Trinità, Florence, 169

Stefano, cited on the Altarpiece by A. Baldovinetti, and its inscription, 170

and Richa, cited on the Pinzochere of S. Paolo, Florence, 24

Rossetti, D. G., illustration by, to Allingham’s ‘Music Master,’ The Maids of Elfen Mere, 299

influence of Menzel on, 306

other illustrations by, to Moxon’s edition of Tennyson, 299

Rotterdam, centre of the trade between Holland and China, 277

Rouen Museum, painting by G. David in, B. V. M. with Child, Virgin Saints, and Angels, 36, 39

Archaeological discoveries during excavations at, 374

Roy Modus, parts of Gaston Phoebus borrowed from, 15

Rubens, Peter Paul, influence of Titian on, 285

Rupert, Prince, (of Bavaria), Mezzotint by, The Great Executioner, after Spagnoletto, (H.M. the King), shown at the V. and A. Museum Exhibition, 199

Russell, Mrs. (née Vassall), Portrait of, by Sir J. Reynolds, (Normanton), 223

Russia, lack of legislative protection for ancient buildings in, 3

Rutland, Duke of, painting by Sir J. Reynolds once owned by, Nativity, original design for centre of New College window, Oxford, burnt in 1816., 212

Ruysdael, Jacob, characteristics of his best work, 56, 59

paintings by, Guildhall, 1903., Forest Scene, Sea-piece, and View on the Brill, 59

View of Haarlem, (Mauritshuis, Hague), 59

View over an extensive flat wooded Country, (N. G.), 59

Solomon, paintings by, landscapes, (2), (Louvre), 343

traces of his influence in painting by Jacob Maris, 178

Rylands Library, first folio Shakespeare in, price paid for, by Steevens, 1756., 336

Saccostemma viminale, said by some to be the Soma of the Vedas, etc., 353–4

S. Andrew’s Chapel, Gloucester Cathedral, paintings in, by T. G. Parry, 117

S. Aubert, Bishop of Cambrai, patron of Brussels Bakers, 192

S. Catherine of Siena, a friend of Andrea Vanni, 309

her portrait by him, 309, 321

S. Cosmas and S. Damian, patrons of Barber Surgeons, 191

S. Croce, Florence, painted window in the Pazzi chapel of, designed by A. Baldovinetti, 31

painting in, Fresco by T. Gaddi, copied as a miniature by Pol de Limbourg, 90

S. Denis, Abbey of, Tomb of Henri II. and Catherine de’ Medici at, executed by G. Pilon, 95

S. Francesco, church of, Siena, fire at, 1655., 315

painting by Vanni, Madonna degli Infermi, in, usually ascribed to P. Lorenzotti, ib.

other work by Vanni in, usually ascribed to other hands, ib.

S. Francis. traditional residence of, at the Spedale di S. Paolo, Florence, 23

S. George, church of, at Ruballa, first home of the Altarpiece in five parts by B. Daddi, (Parry), 126

S. George, the Dragon and Cleodolinde, on the Ypres chest, 357

S. Giovanni, Florence, baptistery of, Baldovinetti employed to restore, 23

his emoluments, 170

S. Lorenzo, Florence, tomb of Baldovinetti in, 22, 24

district of, Florence, hired dwelling of Baldovinetti in, 23

S. Luke. (see Academy of), Gild of, 326, 332

S. Maria a Quinto, Florence, land in, owned by Baldovinetti, 23

S. Maria Novella, marble frontal of the High Altar of S. Trinità found in, 32

Piazza of, remains of the Spedale di S. Paolo on, 23

work of D. Ghirlandajo in, 174

S. Maria Nuova, Florence, Archivio di, ‘Ricordi’ of Baldovinetti once in, 24

S. Martino a Sesto, Florence, land in, owned by Baldovinetti, 23

S. Michael (Archangel), patron of the Brussels gild of Butchers, 191

and of Drapers, 190

S. Miniato a Monte, Florence, mosaic façade of, restored by Baldovinetti, 169

S. John Gualbert’s Crucfix removed from, to S. Trinità, 32

S. Trinità, Florence, Altarpiece for, painted by A. Baldovinetti, Trinity, with two Saints, now in the Florentine Academy, 32

decoration of, by Baldovinetti, notes of accounts kept by him, 27

work of D. Ghirlandajo in, 174

Saint-Vallier family, arms of, as shown in MS. 616 of Gaston Phoebus, 11, 12

Saladin, heterodoxy of, evidences of, 135

Salting, G., present owner of painting attributed to Giorgione now ascribed to Cariani, ex Leuchtenberg collection, Madonna and Child, 78

Salviati, Bernardine, Canon of Bruges Cathedral, Triptych painted for, by G. David, (N. G.), 36

Samarcand, edifice of Chinese porcelain set up at, by a Timurid Sultan, 144

MS. from, containing astronomical treatise of ‘Abd ur-Rahmān el Sufi, strong Chino-Japanese style of, ib.

Timurid mosques of, ogival doorways of, 139, 143

Samian bowls found during excavations at Rouen, 374

Sandys, drawings by, for illustrations, never engraved, Spirit of the Storm, and another, vicissitudes of, 300

his method of preparing illustrations, and large version of his drawing, Amor Mundi, (Battersea), 300

Sargon, Palace of, Persepolitan building recalling, 139

Sarzana, capture of, by Florence, 28

Sassanides, Kings of Persia, history of, 44, 47

influence of, on Mussulman architects, art and methods of their period, 139, 140

Savoy, Beatrice, Duchess of, sister of the Empress Isabella, at Bologna, possibilities of the visit as to the portrait of the latter, 282

Sayce, Professor A. H., cited on the cedar and the palm as the Tree of Life, 353

cited on Hittite origin of the Svastika, 47

Scandinavia, Art and Artists of, (see Denmark and Iceland), Svastika said to represent Thor of, 43

Schefer, C., Arab illuminated MS. owned by, the ‘Makāmāt of Harīrī,’ 136

Scheibler, Dr., attribution by, to G. David of the Adoration of the Magi previously ascribed to J. van Eyck, 39

Schliemann, Dr., letter to, from Major-General Gordon on Svastika as Chinese symbol, 47

Sculpture, see Bas-reliefs

Bust of St. John Baptist ex Gigli Campana collection (S. K.), is it the work of Leonardo da Vinci? 84

Greek, Burlington Fine Arts Club Exhibition:—

Busts: Hipponax and Menander, 250

Heads: Aphrodite, ascribed to Praxiteles, (Leconfield), 249

Girl from Chios, 249 and note

letter on, by J. Marshall, 376

Mourning Woman, (Ponsonby), ascribed to Lysippos, 249

of Statue by Polykleitos, (Vincent), 244

of a Youth, (Vincent), 241

by Pilon, G., Groups: Les Trois Grâces. (Louvre), 95

Les Trois Parques, (Hôtel de Cluny), ib.

Statue, Marble, La Charité, (Lowengard), 95

Tomb of François I. (with other sculptors), and Tomb of Henri II. and Catherine de’ Medici, 95

by Verrochio, David, Statue, resemblance of its mouth to that of the P. Scipioni Bas-relief, 84

Seals of the Brussels Gilds, R. Petrucci, 190

Sefevæan Kings of Persia, MSS. of their period, 135, 144

mosaics adorning Mosques of, 139

Segher, Hercules, etcher, influence of, on Rembrandt, 63

Séguier, Chancellor, patron of Charles Le Brun, 229, 230

Settignano, Desiderio da, carver of the Gianfigliazzi arms, on their Florentine palace, 28

Seuter and Townley, engravers, 52

Seventeenth and Eighteenth Century British Engravers, and their work, V. and A. Museum Exhibition, 194

Sforza, Francesco, first Duke of Milan, his daughter and her husband, 338

Shah Abbas, Persian art during period of, large survival of MSS. of, 144

Shah-Alem II., and his library, 143

Shah-Jehan, Emperor of Hindustan, and his love for literature, 143

Shah-Rokh, son of Timur Bey, art in Persia during his reign, 143

Shakespeare, the First Folio, The Geographical Distribution of, F. Rinder, 335

Sheepshanks Collection of proofs of the Landseer school of engraving, (N. Art Library), shown at the V. and A. Museum Exhibition, 199

Sheridan, Mrs., model of Sir J. Reynolds for painting of Charity and the Virgin in the Nativity, (Normanton), 212

Short, Frank, fine work of, in mezzotint, shown at the V. and A. Museum Exhibition, 199

and Miss C. M. Pott, catalogue and exhibition of Engraving and Etching processes, arranged by, V. and A. Museum Exhibition, 199

Siddons, Mrs., portrait of, as Tragic Muse, by Sir J. Reynolds, (Westminster), copy, by the Duchess of Buckingham, (Normanton), replica by Reynolds, (Dulwich), 224

Siena, Communal Library of, extracts from the ‘Ricordi’ of Baldovinetti found in, 24

paintings by A. Vanni still extant in, see Vanni, passim

Silver:—

Chalice, Mediaeval, from Iceland, in the V. and A. Museum, H. P. Mitchell, 70

from Sorö, Denmark, H. P. Mitchell, 357

The Plate of Winchester College, P. Macquoid, 149

Cup with cover, gilt, presented by a Marquis of Winchester, 156

Ecclesiastical; Two Chalices and an Alms Dish, etc., 162

‘Election Cup’ presented by Warden More, 150, 155

Hanap, or Tall Standing Cup, 162

Rose-water Dish and Ewer, parcel-gilt, presented by Radolphus Henslowe 155

parallels owned by Lord Newton of Lyme, 156

Rose-water Dish, presented by Dr. George Rives, 161

Standing Cup and cover, presented by Hugh Barker, 16,

Standing Salt, bequeathed by Michael Bold, 161–2

Standing Salt, gilt, 156

Steeple Cup and cover, gilt, 162

Sweetmeat Dish of tazza form, 156

Tankard and cover, presented by John Bolney, rare shape of, 161

Tankard with lid, parcel-gilt, Commonwealth period, 162

Simon, J., of Berlin, paintings by Gerard David owned by, parts of a Triptych, 39

Simone, see Martini, Simone

Sisamnes, the unjust judge, in painting by Gerard David, Judgement of Cambyses, 36

Siva, Svastika the supposed emblem of, 43

Six Collection, Amsterdam, paintings by Jan Vermeer in, 55

Sixtus IV., Pope, Bongianni Gianfigliazzi one of the Florentine orators sent to, on his election, 28

Sky and Sky God, Svastika the supposed emblem of, 43

Slip ornament, Staffordshire pottery, 68, 69

‘Slip’ in pottery making, a definition of, 66

Smith, Portrait of the Artist, ascribed (erroneously) to Rembrandt, 52

Smith, C., The Exhibition of Greek Art at the Burlington Fine Arts Club, 236

‘Solace of Song,’ remarkable illustrations to, by Harvey, engraved by W. T. Green and others, 299, 306

Solario, The Authorship of a Madonna by, letter, B. Berenson, 114

Solon, L., The Lowestoft Porcelain Factory, and the Chinese Porcelain made for the European Market in the Eighteenth Century, 271

Soma, son of Rishi Atri, legend of, and connexion of with a Buddha, 354

Soma tree (date palm or hom,) as the Tree of Life, 350, 353

other theories concerning identity of, 353

juice of, how prepared, its uses, and allusions to it in the Rigveda, 354

Somerley, Hampshire, The Collection of Pictures of the Earl of Normanton at, M. Roldit; I. Pictures by Sir Joshua Reynolds, 206

Soorgh, Hendrik, possibly the painter of the picture attributed to Adriaen Brouwer, Guildhall, 1903., Interior with Figures, 56

Sophia, daughter of Casimir III. King of Poland, her daughter’s portrait by Dürer, 289

sister of Casimir, Margrave of Culmbach, 290

Sorö Chalice, The, (from Denmark), H. P. Mitchell, 357

Soung-Young, (a Doctor of reason), cited on the Tao-sse of China, 47

Spain, paintings by Adrian Isenbrant sent to, 326

Spedale di S. Paolo, Florence, ‘ricordo’ in, relating to Baldovinetti, 22

locale, ornaments, and original use of, 23

the Pinzochere of, 24

Spedale di S. Maria Nuova, that of S. Paolo united with, 22

Spiral Scroll, The, and the Svastika, 48

Städel Institute, Frankfort, painting by Botticelli in, resemblance of details in, to those in painting by G. David, (Bruges Museum), 36

Staffordshire Pottery Ware, Early, illustrated by pieces in the British Museum, R. L. Hobson, 64

Stanhope, Hon. Mrs., see Falconer, Miss

State, the, of a sculptured Head of a Girl from Chios, recently shown at the Burlington Fine Arts Club, Rodin cited on, letter, J. Marshall, 376

Statue, Marble, by Pilon, La Charité, 90

Steen, Jan, painting by, Guildhall, 1903., Portrait of Himself, (Northbrook), 56

Steevens, George, price paid by, for first folio Shakespeare, Martin Folkes copy, 1756., (Rylands Library), 336

Stothard, T., illustrations by, to the ‘Voyage of Columbus,’ 299

sepia drawing by. for an illustration, 305

Strange, E. F., British Engraving (Exhibition of), at the V. and A. Museum, 194

Sir Robert, engraver, work by, in V. and A. Museum Exhibition, 194

Strassburg Museum, paintings attributed to Memlinc owned by, shown at Bruges, 1903., ascription controverted, 35

Strong, Mrs., Exhibition of Greek Art organized by, 236–55

comment on the exhibits by, ib.

Strozzi, Filippo, portrait of, in Baldovinetti’s frescoes, 170

portrait by Titian with landscape background, (Berlin Gallery), 285

Suavastika supposed symbol of the Autumnal Sun, 44

Sufis of Sultan Husein Mirza, MSS. of the Life of, repetitive decorations of, 135

Sultan Husein Mirza, the Sufis of, MSS. of the Life of, repetitive decorations of, 135

Sultan Mirza Ulugh Beg, see Ulugh Beg

Sun, Autumnal, the Suavastika supposed emblem of, 44

Sun God, Sun and Sun Chariot, the Svastika supposed emblem of, 43

Sun-worship, association of the Lotus with, Goodyear cited on, 350

Sung period of Chinese art, rarity of relics of, 205

Sunnà of Mohammed, laws of, as to art, 132, 135

Susanna of Bavaria, wife of Casimir, Margrave of Culmbach, patroness of Dürer, in a lost picture by him, 290

possibly the Lady of Portrait by him owned by Mr. Heseltine, ib.

other (medal) portraits of and of her second husband, ib.

Svastika, The, 43

absence of, from Phoenicia, 47

absence of, alleged, in Babylonia and Assyria, 47

as an auspicious sign, and always ornamental, 43

on breach of gun taken at Taku Fort, 47

in the Bronze Age, 47

as the emblem of Agni, 43

fecundity, 43

the female, 43

Hindu gods, 43

Jupiter Tonans and Jupiter Pluvius, 43

Thor of the Scandinavians, 43

evolution of, from the Lotus, according to Goodyear, 354

in footprints of Buddha on Indian mountains, 43

Hittite origin or, Sayce on, 47

introduction of, into Cyprus, Carthage and North Africa, Richter’s views as to, 47

in relation to the Lotus, 43, 48

in relation to the Nature gods. 43

oldest known Aryan symbol. 43

origin and symbolism of, theories concerning, 43

on Persian coins of Arsacide and Sassanide dynasties, 44

Phallic meaning attributed to, 43

probably a development of the Chinese characters C. h. e, 44

in Thibet. 44

traceable in household appointments, house-irons, etc., 48

universality of, the basis of all decorative design, 43

use and name of, among North American Indians, 43–4

Wilson on, 43

his discovery of, on Assyrian coins and those of Alexander the Great, 47

Sydney, N.S.W., first folio Shakespeare at, and its donor, 336

Sykes, Colonel, on Tao-sse of China, 47

TAKU Fort, the Svastika, obviously Chinese, found on breech of gun taken at, 47

Tamerlane, see Timur Bey

T’ang dynasty of Chinese rulers, rarity of art relics of, 205

Tangye, Sir R., donor of first folio Shakespeare to Sydney, N.S.W., 336

Tankards, etc., see Silver Plate

Tao-sse sect of China, (see also Tirthakar), 47

Tapestry, designs for, by C. Le Brun, Chasses de Méléagre, History of Constantinople, Jupiter allaité par le chèvre Amalthée, Mars et Venus, Les Muses, 230

high warp, manufactory of, established by Fouquet at Maincy, 230

Tara, wife of Brihaspati, mother of a Buddha, by Soma, 354

Tattooing, the Swastika used in, in Thibet, 44

Tau Cross, ivory, found at Alcester, (B.M.,) 200

Teapot, hard porcelain, Chinese in decoration, marked ‘Allen, Lowestoft,’ (V. and A. M.), 277

Temperament in native Dutch art, 51

Terborch, G., paintings by, Guildhall, 1903., Portrait of a Lady and Portrait of a Young Woman, 56

Terra-cottas, see Ceramics

Tewkesbury Abbey, frescoes on roof of, by T G. Parry, 117

Textile Arts, see Lace, Oriental Carpets, Tapestry, Weaving, etc.

Thibet, connection of the Svastika with, 44

Tirthakar sect in, derivation of name, 44

Thiem, A., owner of painting attributed to Memlinc, B. V. M. and Child, (Bruges, 1902.), 35

Thomas, Mr., on the Svastika and the Jain Tirthankara, 44

Thomond, Marchioness of, niece of Sir J. Reynolds, sale of her pictures, 1821., the foundation of the Normanton collection, 211

Thor of Scandinavia, the Svastika supposed emblem of, 43

Thunder-gods, the Svastika probably emblem of, 43

Times, The, view of, as to correct attribution of Le Commencement d’Orage, Guildhall, 1903., (Lady Wantage), 60

Timur Bey, (Tamerlane), 132

as art patron and author, 143

and his successors, art in Persia during reigns of, 143

Timurid art in Persia, 143

of Khorassan, Chinese influence on, 143

Mosques of Samarcand, ogival doorways of, and art associations of, 139

Tirthakar sect of Thibet synonymous with Tao-sse of China, 44

Tirthankara, the Jain, the Svastika one of their devices, Max Müller and Thomas on, 44, see note

Titian, (Tiziano Vecellio), Portrait of the Empress Isabella by, G. Gronau, 281

his commission from Charles V. at Busseto, Aretino cited on, 281

his inferior model, 281–5

his success, ib.

visit of, to, Augsburg, confusion caused by his references to his work there, 281

his adoption of landscape backgrounds, 285

his influence on subsequent portrait painters, ib.

portrait by, of Giacomo Doria, owned by J. Wernher, letter on, from G. de Pellegrini, 267

Tizio, cited on the Altarpiece by Vanni in S Stefano, Siena, 310

and on his work for the friars minor of S. Francesco, 315

Tleson, Kylix signed by, shown at the Burlington Fine Arts Club Exhibition, 255

Tocqué, Jean-Louis, paintings by at the Louvre, chiefly official portraits, 344

Portrait of Dame Danger, recently acquired, 343–4

Tod, Colonel, on the date of introduction of Buddhism into Thibet, 47

Toft ware, a name for slipware, its origin, 69

Tomb of Francis I. of France, designed by Delorme, work of Pilon and other sculptors on, 95

Henri II. of France and Catherine de’ Medici, executed by G. Pilon, 95

Tommé, Lucca di, painter, 310

Tone in Dutch painters ancient and modern, 51

Toscanelli, Paolo da Pozzo, astrologer, portrait of, in Baldovinetti’s frescoes, 169

Tournay Museum, painting by John van Eecke owned by, Vision of S. Bernard, (Bruges, 1902.), 332

Treadwin, Mrs., the late, Honiton lace revival by, 95

Tree of Life identified with the Lotus by Goodyear, 350

types and distribution of, 353

and Lotus, in Oriental Carpets, 349

Trees and Plants identified with the Tree of Life, 350, 353

Trepperel, Gaston Phoebus hand-printed by, 8

Turenne, Marshal, campaign of, in the Netherlands, 12

Turkestan, Timurid MSS. in, better executed than similar MSS. in Persia, 144

Turkey, lack of legislative protection for ancient buildings in, 3

Turkish skill in miniature painting, 132

Turner, Charles, Mezzotint by, shown at the V. and A. Museum Exhibition, The Water Mill, after Callcott, 199

Turner, J. M. W., as an illustrator, 306

illustrations by, to Rogers’ ‘Poems,’ (N. G.), 300

struggles of, with his steel-engravings, 294

and Barrett, resemblances of their work as illustrators, 306

and Goodall, illustrations by, to ‘Datur Hora Quieti,’ 300

Tuscany, Pietro Leopoldo, Grand Duke of, union of the Spedale of S. Maria Nuova and S. Paolo effected by, 22

Two Alleged Giorgiones, H. Cook, 78

Italian Bas-reliefs in the Louvre, A. Michel, 84

Pictures in the possession of Messrs. Dowdeswell, Adoration of the Magi and Dormition of the B. V. M., probably French XIV. cent., 89

Type, Greek, A New Fount of, (Proctor’s ‘Otter’), 358

Types of the Tree of Life, 353

Typography, see Greek Type

Tyrol, Archduke Ferdinand, Duke of, Codex MS. 616 of Gaston Phoebus presented to, by Bishop Bernard of Trent, 12

Landsknechte of Charles V. of Germany recruited from, 12

UFFIZI GALLERY, painting by unknown artist, Florentine School, early XV. cent. in, Triptych, Madonna and Child, with Angels and Saints, 131

painting by unknown artist, School of Cimabue, in Altarpiece of St. Cecilia, 118

Ulugh Beg, grandson of Timur Bey, astronomical tables drawn up by, 143

astronomical MS. copied for, at Samarcand, strongly marked Chinese influence in, 144

United States of America, general provision of legislative protection for ancient buildings in, 3

Upper Ossory, Earl of, his second wife, Miss Anne Liddell, painted by Sir J. Reynolds, (Normanton), 223

Urbino, Duchess of, Portrait of, by Titian, believed to be the first in which he employed landscape background, 285

Guidobaldo, Duke of, meeting of, with Charles V. at Peschiera, 281

VAN AELST, Willem, painting by, Guildhall, 1903., Still-life Subject, 56

van Craesbeeck, Joost, possibly the painter of the picture attributed to Adriaen Brouwer, Guildhall, 1903., Interior with Figures, 56

Van de Capelle, Jan, beauties and characteristics of his work, 60

paintings by, Guildhall, 1903., Off Scheveningen and Sea Piece, both masterpieces, 60

painting by, River Scene, (N.G.), beauties of, 60

Van der Heyden, Jan, painting by, Guildhall, 1903., Landscape, (very highly finished), 59

Van der Neer, Aart, painting attributed to, Guildhall, 1903., Moonlight River Scene, doubtful authenticity of, 59

Van de Velde, Adriaen, painting by, Guildhall, 1903., Landscape with Cattle, small and excellent, 59

George and his son John, portraits of, on Diptych, by Isenbrant, 326

Willem, paintings of, surpassed by some of van de Capelle’s shown at Guildhall, 1903., 60

van Dyck, Sir A., (or Vandyke), influence of, traceable in painting by Sir J. Reynolds, 223

influence of Titian on, 285

van Eecke or van Eeckele, John, paintings by, shown at Bruges, 1902., formerly ascribed to John van Eyck, Mater Dolorosa, (Bruges Cathedral), locale of copies of the same, 332

Vision of S. Bernard, (Tournay Museum), 332

van Eyck, John, paintings formerly attributed to, one now ascribed to Gerard David, Adoration of the Magi, (Brussels Museum), Bruges, 1902., 39

another, now ascribed to van Eecke or van Eeckele, Bruges, 1902., Mater Dolorosa, (Bruges Cathedral), locale of copies of the same, 332

van Goyen, Jan, favourite subjects in paintings of, 343

part of painting attributed to Frans Hals, possibly by, Van Goyen and his Wife, Guildhall, 1903., 52

traces of his influence in paintings by Jacob Maris, 178

van Halewyn, Joan, and her husband, portraits of, on triptych, by Isenbrant, 331

van Huerne, M., paintings by Isenbrant and others, presented by, to Bruges Cathedral, 331

van Huysum, Jan, paintings by, Guildhall, 1903., Still-life Subjects, 56

Vanni, Andrea, F. Mason Perkins, 309

of Siena, painter, diplomat, and devotee, friend of S. Catherine of Siena, date of his birth, share in revolution of 1368, etc., 309

characteristics of his style, 89, 309, 322

date of his death, 325

paintings by; Annunciation, (Count F. Chigi, Siena), 316;

Annunciation, after Simone Martini, (S. Pietro Ovile, Siena), various attributions of, 321

Crucifixion, (fragmentary), formerly in the church of the Alborino, (Istituto delle Belle Arte, Siena), 309, 321

Deposition from the Cross, (Berenson), 321

Frescoes, in bad condition, (S. Giovenale, Orvieto), 321, note

Seated Virgin and Child, (S. Francesco, Siena), usually attributed to A. Lorenzotti, 315

Madonna, (church on Monte Nero, near Leghorn), 321, note

Madonna degli Infermi, (S. Francesco, Siena), attributed to Pietro Lorenzotti, 310–15

Panels, Madonna and Child, (S. Giovanni della Staffa, Siena), 316

Virgin and Child, full-length, (S. Spirito, Siena), 316

Virgin and Child, half-length, (Chapel of SS. Chiodi, Siena), usually attributed to Barna, 315–6

Virgin and Child, (priest’s house, next S. Pietro Ovile), 325

Polyptych, Altarpiece, (S. Stefano, Siena), 309

Portrait of St. Catherine of Siena, (S. Domenico, Siena), 309, 321

Triptych, St. Michael between St. Anthony the Abbot and the Baptist, (Siena Gallery), usually ascribed to Lippo Memmi, 325

Virgin and Child, (Berenson), 316

presumptions as to his later and earlier artistic life, 325

one of his pupils referred to, ib.

van Orley, Bernard, Notes on the Life of, W. H. J. Weale, 205

Valentine, reputed father of Bernard, 205

van Os, Jan, paintings by, Guildhall, 1903., Still-life Subjects, 56

van Pynbroek, Margaret, alleged mother of Bernard van Orley, 205

van Rijn, Rembrandt, see Rembrandt

van Ruysdael, see Ruysdael

Vasari cited on Baldovinetti, 22, 24

his methods of fresco painting, 169

his frescoes in the Cappella Maggiore of S. Trinita, Florence, and their subjects, 170

on their early decay, 173

cited on the metal heads made by Verrochio, 84

cited on the preparation of frescoes, 167

‘Life of Stefano Fiorentino and Ugolino Sanese,’ by, 126

and others, error of, as to Bernardo Daddi, 125

Vassall, F., portrait of his daughter, Mrs. Russell, by Sir J. Reynolds, (Normanton), 223

Vaux, Château de, works of C. Le Brun at, 230

Vecellio, Tiziano, see Titian

Vedas, the, story of Agni the fire God, and the origin of the Svastika in, 44

note concerning these books, 353

Velasquez, as a painter of dogs, 218

one of the few painters whose brushwork equals that of Frans Hals, 52

Veneziano, Domenico, use of oil by, in his frescoes, 169

Ventura, Bernardino di, pencil-maker, of Florence, 167

Veramin, see Ardabil and Veramin

Verard, Antoine, Gaston Phoebus hand-printed by, 8

Verino, Ugolino, reference to the Gianfigliazzi family in a poem by, 28

Vermeer, Jan, of Delft, a rare master, painting by, Guildhall, 1903., The Cook Asleep, 55

other and finer works by elsewhere, ib.

Verrochio, possibly the artist of the P. Scipioni Bas-relief, views of Bode and others cited, 84

statue by, David, resemblance between its mouth and that of the above, 84

Versailles, works at, directed by C. Le Brun, 235

Verspronck, J., paintings by, Guildhall, 1903., Portrait of a Dutch Lady, (Mrs. Stephenson Clarke), resemblance of his technique to that of Hals, 55

painting probably by, Portrait of a Lady, (at Antwerp), ib.

Via dell’ Ariento, Florence, Baldovinetti’s hired house in, 23

Vianizzi, Giovanni di Ser Antonio, writer of the records of the Pinzochere of S. Paolo, Florence, 27

Victoria and Albert Museum:—

drawings on the wood for illustration to Dalziel’s ‘Arabian Nights,’ etc., in, 305

Exhibition of British Engraving at, E. F. Strange, 194

frescoes in, by Sir F. Leighton, 117

New Acquisitions at:—

Mediaeval Silver Chalice from Iceland, H. P. Mitchell, 70

The Reid Gift, (MSS.), 74

Vienna Museum, paintings by Boels in, ascribed to Memlinc, 35

Modern Gallery, Pictures in the new, 375

Vierge, Daniel, and his style, 306

Vigne, Gace de la, see Buigne

Vincent, Sir E., Head of a statue by Polykleitos owned by, shown at the Burlington Fine Arts Club Exhibition, 244

Vinci, Leonardo da, see Leonardo da Vinci

Ser Piero di Leonardo da, notary of Florence, engrosser of the ‘ricordo’ concerning Baldovinetti, 22, 23

Visconti, Bianca-Maria, second wife of Alfonzo II. of Aragon, 338

Vishnu, the Svastika probably an emblem of, 43

Vitry, Paul, Pictures recently acquired by the Louvre, Landscapes, (2), by S. Ruysdael; Portrait of Dame Danger, by L. Tocqué, 343

Volpaia, Lorenzo dalla, astrologer, portrait of, in Baldovinetti’s frescoes, 170

von Kaufmann, R , painting by A. Isenbrant owned by, A Donor and his Family, with Protecting Saints, (Bruges, 1902.), 331

von Knebel, Hofrath Christian Friedrich, of Ansbach, lost votive picture by Dürer once owned by, with portraits of the Margrave of Culmbach and his Wife, 290

Vouet, Simon, early master of Charles Le Brun, 229

WAAGEN, DR., 60

cited as to the Annunciation attributed to Memlinc, (Prince Radziwill), (Bruges, 1902.), 35

Walde, Muller-, see Muller-Walde

Wantage, Lady, painting formerly attributed to Rembrandt, owned by, Le Commencement d’Orage, Guildhall, 1903., 60

panels by Gerard David owned by, 39

Waring cited on alleged absence of the Svastika in Babylonia and Assyria, 44

Water-gods, Greek, and Hindu, Svastika the supposed emblem of, 43

Water-colour Paintings, see Drawings

Watts, G. W., drawings on wood by, for illustrations to Dalziel’s ‘Bible Gallery,’ (V. and A. M.), 305

Wauters, A., cited on Bernard van Orley, 205

Weale, W. H. J., The Early Painters of the Netherlands as illustrated by the Bruges Exhibition of 1902., 35, 326

Note on the Life of Bernard van Orley, 205

Weaving, evolution of the art of, 349

Weber, E., painting by J. Prevost owned by, Last Judgement, (Bruges, 1902.), 332

Werth, researches of, on Codex MS. 616 of Gaston Phoebus, 8, 12

Wertheimer, A., painting attributed to Giorgione, but to be ascribed to Cariani, acquired by, ex Leuchtenberg collection, Adoration of the Shepherds, 78

Westall, W., wash-and-pen drawing by, for illustration, 305

Westminister, Duke of, owner of painting by Sir J. Reynolds, Mrs. Siddons as the Tragic Muse, 224

paintings attributed to Memlinc owned by, probably by L. Boels, 35

Wielant, Philip, and his wife, portrait of, on Triptych by Isenbrant, 331

Willett, Henry, armorial plate in Indo-European style, marked ‘Canton, 1791.,’ owned by, 277

William I., German Emperor, Berlin copy of first folio Shakespeare bought by, 1858., 336

William III., deterioration of the acanthus design on plate in the reign of, 161

William of Wykeham, founder of Winchester College, his arms and outlay. 149

Wilson, Professor, cited on the Svastika as primarily an ornament, 43

on the Svastika on Assyrian coins and those of Alexander the Great, 47

Sir Matthew, former owner of painting by Rembrandt, Portrait eta Lady, (Hage), 360

Winchester Cathedral, marriage of Queen Mary to Philip of Spain in, 150

City, importance of, as one time capital of England, 149

College, The Plate of; P. Macquoid. 149

its founder, 149

visitors to, and their gifts of plate, 149–50;

inventory of plate of, temp. Henry VIII., 150

sequestration of the plate, temp. Edward VI., ib.

subsequent gifts of new plate to, 155

description of principal existing pieces, 155 et seq.

Marquis of. circ. 1682., Silver-gilt cup with cover presented by, to Winchester College, 156

Windows, see Glass, Painted Windows, etc.

Woertz Museum, painting attributed to Memlinc owned by, (Bruges, 1903.), condition of, 35

Wolvesey Castle, visit to, of Henry VIII., 149

Woodburn, Samuel, marks affixed by, to Lawrence drawings, 286

Wood-carving, Burgundian Chest, (Bruges, 1902.), (Hospices civiles, Aalst), 358

Oaken Chest of Ypres, 357

Woodcuts, newly acquired by the Print Room of the British Museum, 75

Woollett, William, and his school of engravers, work by, shown at the V. and A. Museum Exhibition, 194

plate by, and by his pupils, Roman Edifices in Ruins, after Claude, 194–9

Works of Art belonging to Dealers, The Publication of, editorial, 5

Wrotham, Kent, slipware of, XVII. and XVIII. cent., 68

Wykeham, see William of Wykeham

XERXES, the Apadana of, and its art, 139

Ximenes, Cardinal, type cut by order of, the Alcalà fount, 358

YARKAND Rugs, the pomegranate as the Tree of Life on, 353

Yez-de-jird the Third, last of the Sassanian kings overthrown by the Mahomedans, 47

Ypres, The Oaken Chest of, 357

ZENDAVESTA, note concerning, 354

Zeus, the Svastika supposed to be an emblem of, 43

Zmigrodski on the derivation of the Suavastika, 44