Volume 2 — ❧ INDEX OF ARTISTS AND WORKS OF ART ❧
Reading edition
ALBARELLI, Italian, see Ceramics
Altarpiece, by A. Baldovinetti, painted for the Cappella Maggiore, S. Trinità, now in the Florentine Academy, Trinity, with Saints, 29
Aquatint, coloured, by Stadler, The Hôtel de Ville, Louvain, after S. Prout; (V. and A. M.), 203
Armorial Bearings, (Shields), of the Doria family, (in text), 268
BAGG, engraving by, after E. Isabey, Ship During Storm, illustration to Curmer’s ‘Paul et Virginie,’ 307 (3)
Baldovinetti, Alesso, painted glass window, designed by, in S. Croce, Florence, with figures of God the Father and St. Andrew, 25
paintings by, Altarpiece, Trinity, with Saints, formerly in S. Trinità, now in the Florentine Academy, 29
Patriarchs, Abraham, Noah, Moses and David on the Vault of the Cappella Maggiore of S. Trinità, Florence, 171
Barret, G., drawing by, for an illustration, Landscape, 301 (3)
Bartolozzi, F., drawing by, for an illustration, Cupid with a Tragic Mask, 298 (3)
Bas-reliefs:—
by Agostino di Duccio, Virgin and Child, with Saints and Cherubs, in the Louvre, 88
Greek, Burlington Fine Arts Exhibition, Fragment of the Frieze of the Parthenon, (T. D. Botterell), 236
School of Leonardo da Vinci, Bust and profile in helmet and armour, inscribed ‘P. Scipioni,’ in the Louvre, 88
Book-illustrations of the Later Nineteenth Century, five plates, 295, 298, 301, 304, 307
Bosboom, Jan, painting by, The Archives at Veere, (J. C. J. Drucker), Dutch Exhibition, Guildhall, 179
Boule, André Charles, Furniture by, Marquetry Bureau, and Bookcase, 234
Bronzes:—
Greek, Burlington Fine Arts Exhibition, Amphora Handle, (Wyndham Cook), Mask of Sea Deity, (Salting), Mirror-cover, (Taylor), 247
Plaque, (Wallis), 245
Statuettes, Aphrodite, Nude, (Loeser), Aphrodite with Torch, Seilenos Crouching, (Taylor), Sick Man, (Wyndham Cook), 245
Bruges Museum, painting by Gerard David in, The Judgement of Cambyses, 2
Brussels, Seals of the Gilds of Bakers, Barbers, and Butchers of, (in text), 190, 191
Burgundian Wooden Chest, XV. cent., richly carved, (Hospices civiles, Aalst), 361
Burlington Fine Arts Club, Exhibition held by, see Greek Art
Busi, Giovanni, see Cariani
CARIANI, (Giovanni Busi), paintings by, Madonna and Child, (G. Salting), 79
The Sempstress Madonna, (Corsini Gallery, Rome), 81
Carpets, see Textiles
Ceramics (see Terra-cottas):—
Early Staffordshire Ware, (slip-ware, etc.), Dish, Tygs, Cups, Cradle, Jug, Lantern, etc., illustrated in text, XV. figs., 64–9
Greek, Burlington Fine Arts Exhibition, Krater, (Harrow School), 253
Kylix signed Tleson, and Plate signed Epiktetos, (Marquess of Northampton), 253
Lowestoft China, Teapot, (Harding), and Small Plate, (Franks), 273
Teapot, hard porcelain, made and decorated in China, but marked ‘Allen, Lowestoft’; (V. and A. M.), 276
Three Italian Albarelli, XIV. cent., (Louvre), 339
Chalices:—
Early Scandinavian, (XIII. cent.), Silver, from Iceland, with details of inscription and decoration, V. and A. Museum, 71
The Sorö, Silver, from Denmark, 356
Winchester College, 165
Chests:—
Burgundian, XV. cent., richly carved, (Hospices civiles, Aalst), 361
Polychrome Wooden Chest (The Ypres Chest), 361
Cimabue, School of, paintings by, artist unknown, Nativity, and Adoration, (Parry), 118
Cnoop, Cornelia, wife of Gerard David, painting by, Triptych, B. V. M. and Child, SS. Catherine and Barbara, (P. and D. Colnaghi), 37
Corsini Gallery, Rome, painting by Cariani, The Sempstress Madonna, in, 81
Courbould, drawing by, for an illustration, Duel Scene, 298 (4)
DADDI, Bernardo, painting by, Altarpiece in Five Parts, (Parry), 121
Dalziels, engraving by, after D. G. Rossetti, The Maids of Elfen Mere, illustration to Allingham’s ‘Music Master,’ 304 (1)
Daubigny, Charles-François, painting by, On the Seine, (Balli), 365
David, Gerard, (see Cnoop, Cornelia, his wife, and her painting), paintings by, B. V. M. and Child, with Angels, Virgin Saints, the painter and his wife, (Rouen Museum), 34
The Judgement of Cambyses, (Bruges Museum), 2
De Koninck, Philips, painting variously attributed to, and to Rembrandt, shown at Guildhall, 1903., Le Commencement d’Orage, (Lady Wantage), 61
Denmark, The Sorö Chalice from, 356
Doria family, armorial bearings of the, (in text), 268
Drawings:—
by artist unknown, for an illustration, River Scene, 301 (2)
by Barret, G., for an illustration, Landscape, 305 (3)
by Bartolozzi, G., for an illustration, Cupid with is Tragic Mask, 298 (3)
by Corbould, for an illustration, Duel Scene, 298 (4)
by Dürer, A., Portrait of a Lady, (B. M.), 287
Portrait of a Lady with a Lap-dog, (Heseltine), 291
by Gigoux, J., Man’s Head, illustration to ‘Gil Blas,’ 295 (1)
by Harvey, Butterfly and Ant, illustration to ‘Northcote’s Fables,’ 298 (2)
by Isabey, E., Ship during Storm, illustration to Curmer’s ‘Paul et Virginie,’ 307 (3)
by Meissonier, J. L. E., Shoeing a Horse, illustration to ‘Les Contes Rémois,’ 307 (1)
by Menzel, A., The Round Table, illustration to ‘Geschichte Friedrichs des Grossen,’ 295 (2)
by Palmer, S., illustration to ‘Sacred Allegories,’ 304 (2)
by Rossetti, D. G., for an illustration to Allingham’s ‘Music Master,’ The Maids of Elfen Mere, 304 (1)
by Stothard, T., for an illustration, Cupid’s Shooting-lesson, 301 (1)
by Westall, W., for an illustration, Barefooted Woman under Tree, Man and Dog to left, 293 (1)
Duccio, Agostino di, Bas-relief by, Virgin and Child with Saints and Cherubs, (Louvre), 88
Dürer, Albrecht, drawings by, Portrait of a Lady, (B. M.), 287
Portrait of a Lady with a Lap-dog, (Heseltine), 291
Dutch Exhibition at the Guildhall, 1903., Painters whose work was shown at, see Bosboom, De Koninck, Israels, Maris, J., and M., Mauve, Molenaer, Rembrandt, Steen, Van de Capelle, Vermeer, Verspronck
EARLY Painters of the Netherlands whose work was shown at Bruges, 1902., see Cnoop, David, Isenbrant, Memlinc, van Eecke
Engravings, see also Mezzotints:—
artist unknown, after J. Gigoux, Man’s Head, illustration to ‘Gil Blas,’ 295 (1)
by Bagg, after E. Isabey, Ship during Storm, illustration to Curmer’s ‘Paul et Virginie,’ 307 (3)
by Green, W. T., after S. Palmer, illustration to ‘Sacred Allegories,’ 304 (2)
by Jackson, after Harvey, Butterfly and Ant, illustration to ‘Northcote’s Fables,’ 298 (2)
by Knutchmar, E., after A. Menzel, The Round Table, illustration to ‘Geschichte Friedrichs des Grossen,’ 295 (2)
by Lagornal, after Meissonier, Shoeing a Horse, illustration to ‘Les Contes Rémois,’ 307 (1)
by Williams, Mary Ann, Jacque, illustration to Curmer’s ‘Paul et Virginie,’ 307 (2)
Line, British, Portrait of Queen Elizabeth, by W. Rogers, (H.M. the King), 195
Roman Edifice in Ruins, after Claude, by T. Hearne and W. Woollett, working proof, (V. and A. M.), 197
FLEMISH School, paintings of. by unknown artists, Portrait of the Empress Isabella, from which Titian painted his portrait, 283
Portrait of Roger de Jonghe, Austin Friar, (Sœurs Noires, Bruges), 333
Florentine Academy; Altarpiece by A. Baldovinetti in, Trinity with Saints, 29
School, paintings by artist unknown; Madonna and Child with Angels, (Parry), 129
Triptych by same hand, (Uffizi), ib.
France, Art and Artists of:—
Statue, Marble, by G. Pilon, XVI. cent., La Charité, (E. Lowengard), (two aspects of), 94
French painters illustrated, see Daubigny, Isabey, Lhermitte, Meissonier, Tocqué
paintings, (probable), artists unknown, XIV. cent., Adoration of the Magi, and Dormition of the B. V. M., (Messrs. Dowdeswell). 91
French Book-illustrations of the Later Nineteenth Century, 295 (1), 300 (1 and 3)
Furniture, Marquetry Bureau, and Bookcase by A. C. Boule, 234
Tapestry, Gobelin, Psyche’s Bath, and section of border of the same, (Louvre), 231
High Warp, Louis XIV. visiting the Gobelins, after C. Le Brun, 228
Furniture, French, by A. C. Boule, Marquetry Bureau, and Bookcase, 234
GADDI, Agnolo, painting by, Coronation of Our Lady, (Parry), 123
Taddeo, painting by, Part of an Altarpiece in S. Croce, Florence, 123
‘Gaston Phoebus’ MS., Facsimiles from, 9, 13, 17, 19
Gigoux, J., drawing by, Man’s Head, illustration to ‘Gil Blas,’ 295 (1)
Gilds in Brussels, Seals of those of the Bakers, Barbers, and Butchers, 191, 192
Glass, see Painted Glass
Greek Art, see under Bas-reliefs, Bronzes, Ceramics, Metal Work, Sculpture, Terra-cottas
Green, W. T., engraving by, after S. Palmer, illustration to ‘Sacred Allegories,’ 304 (2)
HARVEY, drawing by, Butterfly and Ant, illustration to ‘Northcote’s Fables.’ 298 (2)
Hearne, T., and W. Woollett, line engraving by, Roman Edifice in Ruins, working proof, (V. and A. M.), 197
ICELAND, Scandinavian Silver Chalice, early XIII. cent., from, with details of inscription and decoration (V. and A. M.), 71
Illuminated MS., ‘Gaston Phoebus,’ Facsimiles from, 9. 13, 17, 19
Illustrations (see also Book-illustrations) in the Text:—
Early Staffordshire Pottery-ware, (slipware, etc.). Dish, Tygs, Cups, Cradle, Jug, Lantern, etc., XV. figs., 64–9
Heraldic Shields of the Doria Family, 268
Lotus flower, natural forms of, 349, 350, 353
Seals of the Gild of Bakers, Barbers, and Butchers, Brussels, 191, 192
Svastika, various forms of, 43, 44, 47, 48
Isabey, E., drawing by, Ship during storm, illustration to Curmer’s ‘Paul et Virginie.’ 307 (3)
Isenbrant, Adrian, paintings by, shown at Bruges, 1902., St. Luke, (Colnaghi), 327
Virgin and Child, with two Angels, (Lotman), ib.
Vision of St. Ildephonsus, (Northbrook), 330
Israels, Josef, paintings by, A Jewish Wedding, (J. C. F. Drucker), 179
The New Flower, (J. S. Forbes), Dutch Exhibition, Guildhall, 1903., 181
Italian Painters, see Baldovinetti, Cariani, Florentine School, Leonardo da Vinci, Titian, Vanni, Venetian School, etc.
Italy, Maiolica of, Three Albarelli, XIV. cent. (Louvre), 339
JACKSON, engraving by, after Harvey, Butterfly and Ant, illustration to ‘Northcote’s Fables,’ 298 (2)
KNUTCHMAR, E., engraving by, after A. Menzel, The Round Table, illustration to ‘Geschichte Friedrichs des Grossen,’ 295. (2)
Koursi, Arabic, Lid of, XIV. cent., copper encrusted with gold and silver (Louvre), 347
LACE, Brussels, Honiton, Rose-point, Drawn-thread-work, Venetian, Irish crochet, Imitation Alençon, 99
Russian, Venetian, Alençon, Modern Irish Needle-point, 97
Turkish Drawn-thread-work, Reticella, Venetian-made Alençon, Alençon bordering, (Mrs. Alfred Morrison), 101
Lagornal, engraving by, after Meissonier, Shoeing a Horse, illustration to ‘Les Contes Rémois,’ 307 (1)
Le Brun, C., Tapestry after, (High Warp), Louis XIV. visiting the Gobelins, 228
Lhermitte, Leon, painting by, Le Pêcheur, (Balli), 365
Leonardo da Vinci, school of, Bas-relief, by artist unknown, Bust and profile in helmet and armour, inscribed ‘P. Scipioni’ (Louvre), 88
Leuchtenberg Collection, St. Petersburg, painting of the Venetian School from, Adoration of the Shepherds, artist unknown, 85
Lotus plant, the, natural forms of, in text, 349, 350, 353
Louvre, The, Bas-reliefs in, by Agostino di Duccio, Virgin and Child with Saint and Cherubs, 88
by unknown artist, school of Leonardo da Vinci, Bust and profile in helmet and armour, inscribed ‘P. Scipioni,’ 88
Lowestoft China, see Ceramics
MAIOLICA, see Albarelli under Ceramics
Manuscripts, see Illuminated MS.
Maris, Jacob, paintings by, The Canal Bridge, (Agnew), 183
A Windmill, Moonlight, (J. C. J. Drucker), Dutch Exhibition, Guildhall, 185
Maris, Matthew, paintings by, The Butterflies, (W. Burrell), 187
A Fantasy, (Mme. E. J. van Wisselingh), Dutch Exhibition, Guildhall, 181
Martini, Simone, paintings by, Annunciation, (Uffizi), 323
Mauve, Anton, painting by, Watering Horses, (J. C. J. Drucker), Dutch Exhibition, Guildhall, 183
Meissonier, drawing by, Shoeing a Horse, illustration to ‘Les Contes Rémois,’ 307 (1)
Memlinc, Hans, paintings attributed to, Portraits of Thomas Portunari and his Wife, (probably by Van der Goes), (L. Goldschmidt), 41
Menzel, A., drawing by, for illustration to ‘Geschichte Friedrichs des Grossen,’ The Round Table, 295 (2)
Metal Work, see Copper and Silver:—
Arabic, Lid of a Koursi, copper encrusted with gold and silver, XIV. cent., (Louvre), 347
Greek, Burlington Fine Arts Exhibition, Mirror-cover, Repoussé (J. E. Taylor), 247
Mezzotints, by Prince Rupert, after Spagnoletto, The Great Executioner, (H.M. King Edward), 270
by C. Turner, The Water Mill, after Sir A. W. Callcott, (V. and A. M.), 201
Miniatures:—
from the Arab MS., Makamat of Hariri; (C. Schefer), 133
from MS. of the Astronomical Treatise of Abd-er-Rahman El-Sufi, (Nat. Lib. of France), 133
from a Persian MS., of 1527., Hunting Scene, (Nat. Lib. of France), 145
(two) from a Persian MS., of 1566., ‘The Book of Kings,’ (Baron E. de Rothschild), 137, 141
Molenaer, Jan Miense, painting by, A Group of Three, (E. Speyer), Dutch Exhibition, Guildhall, 176
Monaco, Lorenzo, paintings by, Adoration of the Magi, 127
The Visitation, (Parry), ib.
Museums and Galleries, see Bruges Museum, Corsini Gallery, Rome, Florentine Academy, Leuchtenberg Collection National Gallery, Nat. Lib. of France, Rouen Museum, V. and A. Museum, etc.
Mussulman Miniatures, Arabic and Persian (various owners), 133, 137, 141, 145
NATIONAL Gallery, painting, Venetian School, artist unknown, in, Adoration of the Shepherds, 85
New College, Oxford, paintings by Sir J. Reynolds as designs for the Window at, Cardinal Virtues, Temperance and Prudence, 213
Fortitude and Justice, 216
Theological Virtues, Faith, Hope, and Charity, 210
Normanton Collection, paintings by Sir J. Reynolds in, The Cardinal Virtues, Temperance and Prudence, 213
Fortitude and Justice, all designs for the window at New College, Oxford, 216
The Three Theological Virtues for the same, 210
The Little Gardener, 219
Portraits: George, third Duke of Marlborough, 222
Lady Betty Hamilton, 116
Miss Murray of Kirkcudbright, 207
The Misses Horneck, 225
Study of a Little Girl, ib.
OXFORD, see New College
PAINTED Glass Window, with figures of God the Father and St. Andrew, from cartoons of A. Baldovinetti, S. Croce, Florence, 25
Paintings:—
attributed to Memlinc, Hans, Portraits of Thomas Portunari and his Wife, (probably by Van der Goes), (Goldschmidt), 41
attributed to Rembrandt and to De Koninck, Le Commencement d’Orage. (Lady Wantage), shown at Guildhall, 1903., 61
by Baldovinetti, A., Altarpiece, Trinity, formerly in S. Trinità, now in the Florentine Academy, 29
on the Vault of the Cappella Maggiore of S. Trinità, Florence, Abraham, Noah, Moses, and David, 173
by Bosboom, Jan, The Archives at Veere, (J. C. J. Drucker), Dutch Exhibition, Guildhall, 179
by Cariani (Giovanni Busi), Madonna and Child, (Salting), 79
The Sempstress Madonna, (Corsini Gallery, Rome), 81
by Cnoop, Cornelia, wife of Gerard David, Triptych, B. V. M. and Child, SS. Catherine and Barbara, (Colnaghi), 37
by Daddi, Bernardo, Altarpiece in Five Parts, (Parry), 121
by Daubigny. C.-F., On the Seine, (Balli), 365
by David, Gerard, B. V. M. and Child, with Angels, Virgin Saints, the painter and his wife, (Rouen Museum), 34
The Judgement of Cambyses, (Bruges Museum), 2
Flemish school, artists unknown, Portrait of the Empress Isabella from which Titian painted the portrait now in the Prado Museum, Madrid, (in private collection, Florence), 283
shown at Bruges, 1902., Portrait of Roger de Jonghe, Austin Friar, (Sœurs Noires, Bruges), 333
Florentine School, artist unknown, Madonna and Child with Angels, (Parry), 129
Triptych by the same artist (Uffizi), ib.
probably French, XIV. cent., artists unknown, Adoration of the Magi, and Dormition of the B. V. M., (Dowdeswell), 91
by Gaddi, Agnolo, Coronation of Our Lady, (Parry), 123
by Gaddi, Taddeo, Part of an Altarpiece in S. Croce, Florence, 123
by Isenbrant, Adrian, shown at Bruges, 1902., St. Luke, (Colnaghi), 327
Virgin and Child with two Angels, (Lotman), ib.
Vision of St. Ildephonsus, (Northbrook). 330
by Israels, Josef, shown at the Dutch Exhibition, Guildhall, A Jewish Wedding, (J. C. J. Drucker) 179
The New Flower, (J. S. Forbes), 181
by Lhermitte, Leon, Le Pêcheur, (Balli), 365
by Maris, Jacob, shown at Dutch Exhibition, Guildhall, The Canal Bridge, (Agnew), 183
A Windmill, Moonlight, (Drucker), 185
by Maris, Matthew, shown at Dutch Exhibition, Guildhall, The Butterflies, (W. Burrell), 187
A Fantasy, (Mme. E. J. van Wisselingh), 181
by Martini, Simone, Annunciation, (Uffizi), 323
by Mauve, Anton, Watering Horses, (J. C. J. Drucker), Dutch Exhibition, Guildhall, 183
by Molenaer, Jan Miense, A Group of Three, (E. Speyer), Dutch Exhibition, Guildhall, 176
by Monaco, Lorenzo, Adoration of the Magi, 127
The Visitation (Parry), 127
by Rembrandt, Portrait of a Lady, (Hage), 363
School of Cimabue, artist unknown, Nativity and Adoration, (Parry), 118
by Reynolds, Sir Joshua, (Normanton), The Cardinal Virtues, Temperance and Prudence, Fortitude and Justice, The Three Theological Virtues, Faith, Hope, and Charity, all for the Window at New College, Oxford, 210, 213, 216
The Little Gardener, 219
Portraits: George, third Duke of Marlborough, 222
Lady Betty Hamilton, 116
Miss Murray of Kirkcudbright, 207
The Misses Horneck, 225
Study of a Little Girl, ib.
by Ruysdael, Solomon, Landscapes, (2), (Louvre), 342
by Steen, Jan, Portrait of Himself, (Northbrook), shown at Guildhall, 1903., 53
by Titian, (Tiziano Vecellio), Portrait of the Empress Isabella, (Prado Museum, Madrid), 280
by Tocqué, Louis, Portrait of Dame Danger, (Louvre), 345
by Van de Capelle, J., Off Scheveningen, (Crews), shown at Guildhall, 1903., 57
by Van Eecke, John, shown at Bruges, 1902., Episodes in the Life of St. Bernard, (Tournai Museum), 333
by Vanni, Andrea, Altarpiece, Polyptych, Madonna and Saints, S. Stefano, Siena, 311
Annunciation, (Chigi collection, Siena), 323
Annunciation, in S. Pietro Ovile, Siena, 314
details of the foregoing, 320
Madonna and Child, (Berenson), 317
Virgin and Child, from the Altarpiece in S. Francesco, Siena, 314
Venetian School, artists unknown, Adoration of the Shepherds, one in the National Gallery, one from the Leuchtenberg collection, 85
by Vermeer, Jan, of Delft, The Cook Asleep, (Kann), shown at Guildhall, 1903., 50
by Verspronck, Jan, Portrait of the Wife of Thomas Wijck, (Mrs. Stephenson Clarke), shown at Guildhall, 1903., 53
Palmer, Samuel, drawing by, illustration to ‘Sacred Allegories,’ 304 (2)
Parry Collection, paintings in, by Bernardo Daddi, Altarpiece in Five Parts, 121
Florentine School, artist unknown, Madonna and Child with Angels, 129
Triptych by the same artist (Uffizi), ib.
by Agnolo Gaddi, Coronation of Our Lady, 123
by Lorenzo Monaco, Adoration of the Magi, 127
The Visitation, 127
School of Cimabue, artist unknown, Nativity and Adoration, 118
Pilon, Germain, French Sculptor, (XVI. cent ), Marble Statue by La Charité, (Löwengard), (two aspects of), 94
Plate belonging to Winchester College:—
Ecclesiastical, 165
Election Cup, 148
Gilt Cup with Cover, 154
Parcel Gilt Rose-water Dish and Ewer with top of Cover of Ewer, 151
Rose-water Dish and Ewer, and Small Gilt Standing Cup and Cover, 157
Steeple Cup and Hanap, 163
Sweetmeat Dish and Gilt Standing Salt, 154
Two Tankards and Standing Salt, 160
Polychrome Wooden Chest, (The Ypres Chest), 361
Pottery, see Ceramics
Prince Rupert, see Rupert, Prince
REMBRANDT, (Van Rijn), painting by, Portrait of a Lady, (Hage), 363
variously ascribed to, and to De Koninck, shown at Guildhall, 1903., Le Commencement d’Orage, (Lady Wantage), 61
Reynolds, Sir J., paintings by, Normanton collection: The Cardinal Virtues, Temperance and Prudence, 213
Fortitude and Justice, all designs for the Window at New College, Oxford, 216
The Three Theological Virtues, Faith, Hope, and Charity, for the same, 210
The Little Gardener, 219
Portraits: George, third Duke of Marlborough, 222
Lady Betty Hamilton, 116
Miss Murray of Kirkcudbright, 207
The Misses Horneck, 225
Study of a Little Girl, ib.
Rogers, W., engraver, line engraving by, Portrait of Queen Elizabeth, (H.M. the King), V. and A. Museum Exhibition, 195
Rose-water Dish and Ewer, Parcel Gilt, with top of cover of Ewer, (Winchester College), 155
and Small Gilt Standing Cup and Cover, (Winchester College), 157
Rossetti, D. G., drawing by, The Maids of Elfen Mere, to illustrate Allingham’s ‘Music Master,’ 304 (1)
Rouen Museum, painting by Gerard David in, B. V. M. and Child, with Angels, Virgin Saints, the painter and his wife, 34
Rupert, Prince, Mezzotint by, The Great Executioner, after Spagnoletto, (H.M. King Edward), 270
Russia, see Russian Lace under Lace, and Leuchtenberg Collection
Ruysdael, Solomon, paintings by, Landscapes, (2), (Louvre), 342
SCANDINAVIA, Art of, see Denmark and Iceland
Sculpture, see Bas-reliefs, Bronzes, Statues and Terra-cottas:—
Greek, Burlington Fine Art Exhibition, Bust of Aphrodite, probably by Praxiteles, (Leconfield), 239
Head of a Mourning Woman, (Ponsonby), 241
Head of a Youth, (Vincent), 241
Seals of the Gilds of Bakers, Barbers and Butchers, Brussels, (in text), 191, 192
Silver and Silver Plate, see Plate
Chalices, Scandinavian, early XIII. cent., from Iceland, with details of inscription and decoration, (V. and A. M.), 71
The Sorö, from Denmark, 356
Sorö, Chalice, The, from Denmark, 356
Stadler, J. C., Coloured Aquatint by, The Hôtel de Ville, Louvain, after Prout; V. and A. Museum Exhibition, 203
Standing Salt (Winchester College), 154, 160
Statue, Marble, by G. Pilon, XVI. cent., La Charité, (Lowengard), (two aspects), 94
Steen, Jan, painting by, Portrait of Himself, (Northbrook), shown at Guildhall, 1903., 53
Stothard, T., drawing by, for an illustration, Cupid’s Shooting Lesson, 301 (1)
Svastika, The, occurring in an Oriental Carpet owned by H. Hartley, 45
Various forms of, to illustrations in text, 43, 44, 47, 48
Sweetmeat Dish (Winchester College), 154
TANKARDS, silver, (Winchester College), 160
Tapestry:—
Gobelin, Psyche’s Bath, and section of border of the same, (Louvre), 231
High Warp, Louis XIV. visiting the Royal Furniture Manufactory at the Gobelins, after C. Le Brun, 228
Terra-cottas, Greek, Burlington Fine Art Exhibition, Doll, (Mrs. Mitchell), 251
Female Caryatid Figure, Woman Leaning on Pedestal, The Young Dionysos, (Taylor), 251
Woman with Fan, (Knowles), 251
Textiles, (see Lace, and Tapestry), Carpets, Tabriz, centre medallion illustrating the Tree of Life and Lotus Flower, (Gillow), 350
Titian, (Tiziano Vecellio), painting by, Portrait of the Empress Isabella, (Prado Museum, Madrid), 280
Tocqué, Louis, painting by, Portrait of Dame Danger, (Louvre), 345
Turner, C., Mezzotint by, after Calcott, The Water Mill, (V. and A. M.), 201
Type, Mr. Robert Proctor’s new Greek ‘Otter’ type, facsimile, 359
VAN DE CAPELLE, Jan, painting by, Off Scheveningen, (Crews), shown at Guildhall, 1903., 57
Van Eecke, John, painting by, shewn at Bruges, 1902., Episodes in the Life of St. Bernard, (Tournai Museum), 333
Vanni, Andrea, paintings by, Altarpiece, Polyptych, Madonna and Saints, S. Stefano, Siena, 311
Annunciation, (Chigi collection, Siena), 323
Annunciation, in S. Pietro Ovile, Siena, 314
details of the foregoing, 320;
Madonna and Child, (Berenson), 317
Virgin and Child, from the Altarpiece in S. Francesco, Siena, 314
Venetian School, paintings of, artists unknown, Adoration of the Shepherds, one in the National Gallery, one from the Leuchtenberg collection, 85
Vermeer, Jan, of Delft, painting by, The Cook Asleep, (Kann), shown at Guildhall, 1903., 50
Verspronck, Jan, painting by, Portrait of the Wife of Thomas Wijck, (Mrs. Stephenson Clarke), shown at Guildhall, 1903., 53
Victoria and Albert Museum:—
Exhibition of British Engraving at:—
coloured Aquatint in, by Stadler, after Prout, The Hôtel de Ville, Louvain, 203
engravings (line) in, by T. Hearne and W. Woollett, Roman Edifice in Ruins, working proof, 197
by W. Rogers, Portrait of Queen Elizabeth, (H. M. the King), 195
mezzotint in, by C. Turner after Callcott, The Water Mill, 201
Scandinavian Silver Chalice, early XIII. cent., from Iceland, in, (with details of inscription and decoration), 71
Westall, W., drawing by, for an illustration, Barefooted Woman under Tree, Man and Dog to left, 298 (1)
Williams, Mary Ann, engraving by, Jacque, illustration to Curmer’s ‘Paul et Virginie,’ 307 (2)
Winchester College, Plate of, 148, 151, 154, 157, 160, 163, 165
Wood-carvings:—
Burgundian Chest, XV. cent. (Hospices civiles, Aalst), 361
Polychrome Chest, (The Ypres Chest), 361
Woollett, W., engraver, see Hearne, T.
FOOTNOTES: