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Milton

MILTON’S MINOR POEMS.

Reading edition

ON THE MORNING OF CHRIST’S NATIVITY.

[Composed 1629.]

I.

This is the month, and this the happy morn, Wherein the Son of Heaven’s eternal King, Of wedded maid and virgin mother born, Our great redemption from above did bring; For so the holy sages once did sing, 5 That he our deadly forfeit should release, And with his Father work us a perpetual peace.

II.

That glorious form, that light unsufferable, And that far-beaming blaze of majesty, Wherewith he wont at Heaven’s high council-table 10 To sit the midst of Trinal Unity, He laid aside, and, here with us to be, Forsook the courts of everlasting day, And chose with us a darksome house of mortal clay.

III.

Say, Heavenly Muse, shall not thy sacred vein 15 Afford a present to the Infant God? Hast thou no verse, no hymn, or solemn strain, [2] To welcome him to this his new abode, Now while the heaven, by the Sun’s team untrod, Hath took no print of the approaching light, 20 And all the spangled host keep watch in squadrons bright?

IV.

See how from far upon the eastern road The star-led wizards haste with odors sweet! Oh! run; prevent them with thy humble ode, And lay it lowly at his blessed feet; 25 Have thou the honor first thy Lord to greet, And join thy voice unto the Angel Quire, From out his secret altar touched with hallowed fire.

The Hymn.

I.

It was the winter wild, While the heaven-born child 30 All meanly wrapt in the rude manger lies; Nature, in awe to him, Had doffed her gaudy trim, With her great Master so to sympathize: It was no season then for her 35 To wanton with the Sun, her lusty paramour.

II.

Only with speeches fair She woos the gentle air To hide her guilty front with innocent snow, And on her naked shame, 40 Pollute with sinful blame, [3] The saintly veil of maiden white to throw; Confounded, that her Maker’s eyes Should look so near upon her foul deformities.

III.

But he, her fears to cease, 45 Sent down the meek-eyed Peace: She, crowned with olive green, came softly sliding Down through the turning sphere, His ready harbinger, With turtle wing the amorous clouds dividing; 50 And, waving wide her myrtle wand, She strikes a universal peace through sea and land.

IV.

No war, or battle’s sound, Was heard the world around; The idle spear and shield were high uphung; 55 The hooked chariot stood, Unstained with hostile blood; The trumpet spake not to the armed throng; And kings sat still with awful eye, As if they surely knew their sovran Lord was by. 60

V.

But peaceful was the night Wherein the Prince of Light His reign of peace upon the earth began. The winds, with wonder whist, Smoothly the waters kissed, 65 Whispering new joys to the mild Ocean, [4] Who now hath quite forgot to rave, While birds of calm sit brooding on the charmed wave.

VI.

The stars, with deep amaze, Stand fixed in steadfast gaze, 70 Bending one way their precious influence, And will not take their flight, For all the morning light, Or Lucifer that often warned them thence; But in their glimmering orbs did glow, 75 Until their Lord himself bespake, and bid them go.

VII.

And, though the shady gloom Had given day her room, The Sun himself withheld his wonted speed, And hid his head for shame, 80 As his inferior flame The new-enlightened world no more should need: He saw a greater Sun appear Than his bright throne or burning axletree could bear.

VIII.

The shepherds on the lawn, 85 Or ere the point of dawn, Sat simply chatting in a rustic row; Full little thought they than That the mighty Pan Was kindly come to live with them below: 90 Perhaps their loves, or else their sheep, Was all that did their silly thoughts so busy keep. [5]

IX.

When such music sweet Their hearts and ears did greet As never was by mortal finger strook, 95 Divinely-warbled voice Answering the stringed noise, As all their souls in blissful rapture took: The air, such pleasure loth to lose, 99 With thousand echoes still prolongs each heavenly close.

X.

Nature, that heard such sound Beneath the hollow round Of Cynthia’s seat the Airy region thrilling, Now was almost won To think her part was done, 105 And that her reign had here its last fulfilling: She knew such harmony alone Could hold all Heaven and Earth in happier union.

XI.

At last surrounds their sight A globe of circular light, 110 That with long beams the shamefaced Night arrayed; The helmed cherubim And sworded seraphim Are seen in glittering ranks with wings displayed, Harping in loud and solemn quire, 115 With unexpressive notes, to Heaven’s new-born Heir.

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XII.

Such music (as ’tis said) Before was never made, But when of old the Sons of Morning sung, While the Creator great 120 His constellations set, And the well-balanced World on hinges hung, And cast the dark foundations deep, And bid the weltering waves their oozy channel keep.

XIII.

Ring out, ye crystal spheres! 125 Once bless our human ears, If ye have power to touch our senses so; And let your silver chime Move in melodious time; And let the bass of heaven’s deep organ blow; 130 And with your ninefold harmony Make up full consort to the angelic symphony.

XIV.

For, if such holy song Enwrap our fancy long, Time will run back and fetch the Age of Gold; 135 And speckled Vanity Will sicken soon and die, And leprous Sin will melt from earthly mould; And Hell itself will pass away, And leave her dolorous mansions to the peering day. 140

XV.

Yea, Truth and Justice then Will down return to men, Orbed in a rainbow; and, like glories wearing, Mercy will sit between, Throned in celestial sheen, 145 With radiant feet the tissued clouds down steering; And Heaven, as at some festival, Will open wide the gates of her high palace-hall.

[7]

XVI.

But wisest Fate says No, This must not yet be so; 150 The Babe yet lies in smiling infancy That on the bitter cross Must redeem our loss, So both himself and us to glorify: Yet first, to those ychained in sleep, 155 The wakeful trump of doom must thunder through the deep.

XVII.

With such a horrid clang As on Mount Sinai rang, While the red fire and smouldering clouds outbrake: The aged Earth, aghast 160 With terror of that blast, Shall from the surface to the centre shake, When, at the world’s last session, The dreadful Judge in middle air shall spread his throne.

XVIII.

And then at last our bliss 165 Full and perfect is, But now begins; for from this happy day The Old Dragon under ground, In straiter limits bound, Not half so far casts his usurped sway, 170 [8] And, wroth to see his kingdom fail, Swinges the scaly horror of his folded tail.

XIX.

The Oracles are dumb; No voice or hideous hum Runs through the arched roof in words deceiving. 175 Apollo from his shrine Can no more divine, With hollow shriek the steep of Delphos leaving. No nightly trance, or breathed spell, Inspires the pale-eyed priest from the prophetic cell. 180

XX.

The lonely mountains o’er, And the resounding shore, A voice of weeping heard and loud lament; From haunted spring, and dale Edged with poplar pale, 185 The parting Genius is with sighing sent; With flower-inwoven tresses torn The Nymphs in twilight shade of tangled thickets mourn.

XXI.

In consecrated earth, And on the holy hearth, 190 The Lars and Lemures moan with midnight plaint; In urns, and altars round, A drear and dying sound Affrights the flamens at their service quaint; And the chill marble seems to sweat, 195 While each peculiar power forgoes his wonted seat. [9]

XXII.

Peor and Baälim Forsake their temples dim, With that twice-battered god of Palestine; And mooned Ashtaroth, 200 Heaven’s queen and mother both, Now sits not girt with tapers’ holy shine: The Lybic Hammon shrinks his horn; In vain the Tyrian maids their wounded Thammuz mourn.

XXIII.

And sullen Moloch, fled, 205 Hath left in shadows dread His burning idol all of blackest hue; In vain with cymbals’ ring They call the grisly king, In dismal dance about the furnace blue; 210 The brutish gods of Nile as fast, Isis, and Orus, and the dog Anubis, haste.

XXIV.

Nor is Osiris seen In Memphian grove or green, 214 Trampling the unshowered grass with lowings loud; 215 Nor can he be at rest Within his sacred chest; Nought but profoundest Hell can be his shroud; In vain, with timbrelled anthems dark, The sable-stoled sorcerers bear his worshipped ark. 220 [10]

XXV.

He feels from Juda’s land The dreaded Infant’s hand; The rays of Bethlehem blind his dusky eyn; Nor all the gods beside Longer dare abide, 225 Not Typhon huge ending in snaky twine: Our Babe, to show his Godhead true, Can in his swaddling bands control the damned crew.

XXVI.

So, when the sun in bed, Curtained with cloudy red, 230 Pillows his chin upon an orient wave, The flocking shadows pale Troop to the infernal jail, Each fettered ghost slips to his several grave, And the yellow-skirted fays 235 Fly after the night-steeds, leaving their moon-loved maze.

XXVII.

But see! the Virgin blest Hath laid her Babe to rest. Time is our tedious song should here have ending: Heaven’s youngest-teemed star 240 Hath fixed her polished car, Her sleeping Lord with handmaid lamp attending; And all about the courtly stable Bright-harnessed Angels sit in order serviceable.

[11]

ON SHAKESPEARE. 1630.

What needs my Shakespeare for his honored bones The labor of an age in piled stones? Or that his hallowed reliques should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, 5 What need’st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a livelong monument. For whilst, to the shame of slow-endeavoring art Thy easy numbers flow, and that each heart 10 Hath from the leaves of thy unvalued book Those Delphic lines with deep impression took, Then thou, our fancy of itself bereaving, Dost make us marble with too much conceiving, And so sepulchred in such pomp dost lie 15 That kings for such a tomb would wish to die.

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L’ALLEGRO.

Hence, loathed Melancholy, Of Cerberus and blackest Midnight born In Stygian cave forlorn ’Mongst horrid shapes, and shrieks, and sights unholy! Find out some uncouth cell, 5 Where brooding Darkness spreads his jealous wings, And the night-raven sings; There, under ebon shades and low-browed rocks, As ragged as thy locks, In dark Cimmerian desert ever dwell. 10 But come, thou Goddess fair and free, In heaven yclept Euphrosyne, And by men heart-easing Mirth; Whom lovely Venus, at a birth, With two sister Graces more, 15 To ivy-crowned Bacchus bore: Or whether (as some sager sing) The frolic wind that breathes the spring, Zephyr, with Aurora playing, As he met her once a-Maying, 20 There, on beds of violets blue, And fresh-blown roses washed in dew, Filled her with thee, a daughter fair, So buxom, blithe, and debonair. Haste thee, Nymph, and bring with thee 25 Jest, and youthful Jollity, Quips and Cranks and wanton Wiles, Nods and Becks and wreathed Smiles, Such as hang on Hebe’s cheek, And love to live in dimple sleek; 30 [13] Sport that wrinkled Care derides, And Laughter holding both his sides. Come, and trip it, as you go, On the light fantastic toe; And in thy right hand lead with thee 35 The mountain-nymph, sweet Liberty; And, if I give thee honor due, Mirth, admit me of thy crew, To live with her, and live with thee, In unreproved pleasures free; 40 To hear the lark begin his flight, And, singing, startle the dull night, From his watch-tower in the skies, Till the dappled dawn doth rise; Then to come, in spite of sorrow, 45 And at my window bid good-morrow, Through the sweet-briar or the vine, Or the twisted eglantine; While the cock, with lively din, Scatters the rear of darkness thin; 50 And to the stack, or the barn-door, Stoutly struts his dames before: Oft listening how the hounds and horn Cheerly rouse the slumbering morn, From the side of some hoar hill, 55 Through the high wood echoing shrill: Sometime walking, not unseen, By hedgerow elms, on hillocks green, Right against the eastern gate Where the great Sun begins his state, 60 Robed in flames and amber light, [14] The clouds in thousand liveries dight; While the ploughman, near at hand, Whistles o’er the furrowed land, And the milkmaid singeth blithe, 65 And the mower whets his scythe, And every shepherd tells his tale Under the hawthorn in the dale. Straight mine eye hath caught new pleasures, Whilst the landskip round it measures: 70 Russet lawns, and fallows gray, Where the nibbling flocks do stray; Mountains on whose barren breast The laboring clouds do often rest; Meadows trim, with daisies pied; 75 Shallow brooks, and rivers wide; Towers and battlements it sees Bosomed high in tufted trees, Where perhaps some beauty lies, The cynosure of neighboring eyes. 80 Hard by a cottage chimney smokes From betwixt two aged oaks, Where Corydon and Thyrsis met Are at their savory dinner set Of herbs and other country messes, 85 Which the neat-handed Phyllis dresses; And then in haste her bower she leaves, With Thestylis to bind the sheaves; Or, if the earlier season lead, To the tanned haycock in the mead. 90 Sometimes, with secure delight, The upland hamlets will invite, When the merry bells ring round, And the jocund rebecks sound To many a youth and many a maid 95 Dancing in the chequered shade, [15] And young and old come forth to play On a sunshine holiday, Till the livelong daylight fail: Then to the spicy nut-brown ale, 100 With stories told of many a feat, How Faery Mab the junkets eat. She was pinched and pulled, she said; And he, by Friar’s lantern led, Tells how the drudging goblin sweat 105 To earn his cream-bowl duly set, When in one night, ere glimpse of morn, His shadowy flail hath threshed the corn That ten day-laborers could not end; Then lies him down, the lubber fiend, 110 And, stretched out all the chimney’s length, Basks at the fire his hairy strength, And crop-full out of doors he flings, Ere the first cock his matin rings. Thus done the tales, to bed they creep, 115 By whispering winds soon lulled asleep. Towered cities please us then, And the busy hum of men, Where throngs of knights and barons bold, In weeds of peace, high triumphs hold, 120 With store of ladies, whose bright eyes Rain influence, and judge the prize Of wit or arms, while both contend To win her grace whom all commend. There let Hymen oft appear 125 In saffron robe, with taper clear, And pomp, and feast, and revelry, [16] With mask and antique pageantry; Such sights as youthful poets dream, On summer eves by haunted stream. 130 Then to the well-trod stage anon, If Jonson’s learned sock be on, Or sweetest Shakespeare, Fancy’s child, Warble his native wood-notes wild, And ever, against eating cares, 135 Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out 140 With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus’ self may heave his head 145 From golden slumber on a bed Of heaped Elysian flowers, and hear Such strains as would have won the ear Of Pluto to have quite set free His half-regained Eurydice. 150 These delights if thou canst give, Mirth, with thee I mean to live.

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IL PENSEROSO.

Hence, vain deluding Joys, The brood of Folly without father bred! How little you bested, Or fill the fixed mind with all your toys! Dwell in some idle brain, 5 And fancies fond with gaudy shapes possess, As thick and numberless As the gay motes that people the sun-beams, Or likest hovering dreams, The fickle pensioners of Morpheus’ train. 10 But, hail! thou Goddess sage and holy! Hail, divinest Melancholy! Whose saintly visage is too bright To hit the sense of human sight, And therefore to our weaker view, 15 O’erlaid with black, staid Wisdom’s hue; Black, but such as in esteem Prince Memnon’s sister might beseem, Or that starred Ethiop queen that strove To set her beauty’s praise above 20 The Sea-Nymphs, and their powers offended. Yet thou art higher far descended: Thee bright-haired Vesta long of yore To solitary Saturn bore; His daughter she; in Saturn’s reign 25 Such mixture was not held a stain. Oft in glimmering bowers and glades He met her, and in secret shades Of woody Ida’s inmost grove, Whilst yet there was no fear of Jove. 30 [18] Come, pensive Nun, devout and pure, Sober, steadfast, and demure, All in a robe of darkest grain, Flowing with majestic train, And sable stole of cypress lawn 35 Over thy decent shoulders drawn. Come; but keep thy wonted state, With even step, and musing gait, And looks commercing with the skies Thy rapt soul sitting in thine eyes: 40 There, held in holy passion still, Forget thyself to marble, till With a sad leaden downward cast Thou fix them on the earth as fast. And join with thee calm Peace and Quiet, 45 Spare Fast, that oft with gods doth diet, And hears the Muses in a ring Aye round about Jove’s altar sing; And add to these retired Leisure, That in trim gardens takes his pleasure; 50 But, first and chiefest, with thee bring Him that yon soars on golden wing, Guiding the fiery-wheeled throne, The Cherub Contemplation; And the mute Silence hist along, 55 ‘Less Philomel will deign a song, In her sweetest, saddest plight, Smoothing the rugged brow of Night, While Cynthia checks her dragon yoke Gently o’er the accustomed oak. 60 Sweet bird, that shunn’st the noise of folly, Most musical, most melancholy! [19] Thee, chauntress, oft the woods among I woo, to hear thy even-song; And, missing thee, I walk unseen 65 On the dry smooth-shaven green, To behold the wandering moon, Riding near her highest noon, Like one that had been led astray Through the heaven’s wide pathless way, 70 And oft, as if her head she bowed, Stooping through a fleecy cloud. Oft, on a plat of rising ground, I hear the far-off curfew sound, Over some wide-watered shore, 75 Swinging slow with sullen roar; Or, if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, 80 Far from all resort of mirth, Save the cricket on the hearth, Or the bellman’s drowsy charm To bless the doors from nightly harm. Or let my lamp, at midnight hour, 85 Be seen in some high lonely tower, Where I may oft outwatch the Bear, With thrice great Hermes, or unsphere The spirit of Plato, to unfold What worlds or what vast regions hold 90 The immortal mind that hath forsook Her mansion in this fleshly nook; And of those demons that are found In fire, air, flood, or underground, Whose power hath a true consent 95 With planet or with element. [20] Sometime let gorgeous Tragedy In sceptred pall come sweeping by, Presenting Thebes, or Pelops’ line, Or the tale of Troy divine, 100 Or what (though rare) of later age Ennobled hath the buskined stage. But, O sad Virgin! that thy power Might raise Musæus from his bower; Or bid the soul of Orpheus sing 105 Such notes as, warbled to the string, Drew iron tears down Pluto’s cheek, And made Hell grant what love did seek; Or call up him that left half-told The story of Cambuscan bold, 110 Of Camball, and of Algarsife, And who had Canace to wife, That owned the virtuous ring and glass, And of the wondrous horse of brass On which the Tartar king did ride; 115 And if aught else great bards beside In sage and solemn tunes have sung, Of turneys, and of trophies hung, Of forests, and enchantments drear, Where more is meant than meets the ear. 120 Thus, Night, oft see me in thy pale career, Till civil-suited Morn appear, Not tricked and frounced, as she was wont With the Attic boy to hunt, But kerchieft in a comely cloud, 125 While rocking winds are piping loud Or ushered with a shower still, [21] When the gust hath blown his fill, Ending on the rustling leaves, With minute-drops from off the eaves. 130 And, when the sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown, that Sylvan loves, Of pine, or monumental oak, 135 Where the rude axe with heaved stroke Was never heard the nymphs to daunt, Or fright them from their hallowed haunt. There, in close covert, by some brook, Where no profaner eye may look, 140 Hide me from day’s garish eye, While the bee with honeyed thigh, That at her flowery work doth sing, And the waters murmuring, With such consort as they keep, 145 Entice the dewy-feathered Sleep. And let some strange mysterious dream Wave at his wings, in airy stream Of lively portraiture displayed, Softly on my eyelids laid; 150 And, as I wake, sweet music breathe Above, about, or underneath, Sent by some Spirit to mortals good, Or the unseen Genius of the wood. But let my due feet never fail 155 To walk the studious cloister’s pale, And love the high embowed roof, With antique pillars massy-proof, And storied windows richly dight, Casting a dim religious light. 160 There let the pealing organ blow, To the full-voiced quire below, [22] In service high and anthems clear, As may with sweetness, through mine ear, Dissolve me into ecstasies, 165 And bring all Heaven before mine eyes. And may at last my weary age Find out the peaceful hermitage, The hairy gown and mossy cell, Where I may sit and rightly spell 170 Of every star that heaven doth shew, And every herb that sips the dew, Till old experience do attain To something like prophetic strain. These pleasures, Melancholy, give; 175 And I with thee will choose to live.

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ARCADES.

Part of an Entertainment presented to the Countess Dowager of Derby at Harefield by some Noble Persons of her Family; who appear on the Scene in pastoral habit, moving toward the seat of state, with this song:—

I. Song.

Look, Nymphs and Shepherds, look! What sudden blaze of majesty Is that which we from hence descry, Too divine to be mistook? This, this is she 5 To whom our vows and wishes bend: Here our solemn search hath end. Fame, that her high worth to raise Seemed erst so lavish and profuse, We may justly now accuse 10 Of detraction from her praise: Less than half we find expressed; Envy bid conceal the rest.

Mark what radiant state she spreads, In circle round her shining throne 15 Shooting her beams like silver threads: This, this is she alone, Sitting like a goddess bright In the centre of her light.

Might she the wise Latona be, 20 Or the towered Cybele, Mother of a hundred gods? [24] Juno dares not give her odds: Who had thought this clime had held A deity so unparalleled? 25

As they come forward, the Genius of the Wood appears, and, turning toward them, speaks.

Gen. Stay, gentle Swains, for, though in this disguise, I see bright honor sparkle through your eyes; Of famous Arcady ye are, and sprung Of that renowned flood, so often sung, Divine Alpheus, who, by secret sluice, 30 Stole under seas to meet his Arethuse; And ye, the breathing roses of the wood, Fair silver-buskined Nymphs, as great and good. I know this quest of yours and free intent Was all in honor and devotion meant 35 To the great mistress of yon princely shrine, Whom with low reverence I adore as mine, And with all helpful service will comply To further this night’s glad solemnity, And lead ye where ye may more near behold 40 What shallow-searching Fame hath left untold; Which I full oft, amidst those shades alone, Have sat to wonder at, and gaze upon. For know, by lot from Jove, I am the Power Of this fair wood, and live in oaken bower, 45 To nurse the saplings tall, and curl the grove With ringlets quaint and wanton windings wove; And all my plants I save from nightly ill Of noisome winds and blasting vapors chill; And from the boughs brush off the evil dew, 50 And heal the harms of thwarting thunder blue, Or what the cross dire-looking planet smites, [25] Or hurtful worm with cankered venom bites. When evening gray doth rise, I fetch my round Over the mount, and all this hallowed ground; 55 And early, ere the odorous breath of morn Awakes the slumbering leaves, or tasselled horn Shakes the high thicket, haste I all about, Number my ranks, and visit every sprout With puissant words and murmurs made to bless. 60 But else, in deep of night, when drowsiness Hath locked up mortal sense, then listen I To the celestial Sirens’ harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, 65 And turn the adamantine spindle round On which the fate of gods and men is wound. Such sweet compulsion doth in music lie, To lull the daughters of Necessity, And keep unsteady Nature to her law, 70 And the low world in measured motion draw After the heavenly tune, which none can hear Of human mould with gross unpurged ear. And yet such music worthiest were to blaze The peerless height of her immortal praise 75 Whose lustre leads us, and for her most fit, If my inferior hand or voice could hit Inimitable sounds. Yet, as we go, Whate’er the skill of lesser gods can show I will assay, her worth to celebrate, 80 And so attend ye toward her glittering state; Where ye may all, that are of noble stem, Approach, and kiss her sacred vesture’s hem.

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II. Song.

O’er the smooth enamelled green, Where no print of step hath been, 85 Follow me, as I sing And touch the warbled string: Under the shady roof Of branching elm star-proof Follow me. 90 I will bring you where she sits, Clad in splendor as befits Her deity. Such a rural Queen All Arcadia hath not seen. 95

III. Song.

Nymphs and Shepherds, dance no more By sandy Ladon’s lilied banks; On old Lycæus, or Cyllene hoar, Trip no more in twilight ranks; Though Erymanth your loss deplore, 100 A better soil shall give ye thanks. From the stony Mænalus Bring your flocks, and live with us; Here ye shall have greater grace, To serve the Lady of this place. 105 Though Syrinx your Pan’s mistress were, Yet Syrinx well might wait on her. Such a rural Queen All Arcadia hath not seen.

[27]

AT A SOLEMN MUSIC.

Blest pair of Sirens, pledges of Heaven’s joy, Sphere-born harmonious sisters, Voice and Verse, Wed your divine sounds, and mixed power employ, Dead things with inbreathed sense able to pierce; And to our high-raised phantasy present 5 That undisturbed song of pure concent, Aye sung before the sapphire-colored throne To Him that sits thereon, With saintly shout and solemn jubilee; Where the bright Seraphim in burning row 10 Their loud uplifted angel-trumpets blow, And the Cherubic host in thousand quires Touch their immortal harps of golden wires, With those just Spirits that wear victorious palms, Hymns devout and holy psalms 15 Singing everlastingly: That we on Earth, with undiscording voice, May rightly answer that melodious noise; As once we did, till disproportioned sin Jarred against nature’s chime, and with harsh din 20 Broke the fair music that all creatures made To their great Lord, whose love their motion swayed In perfect diapason, whilst they stood In first obedience, and their state of good. O, may we soon again renew that song, 25 And keep in tune with Heaven, till God ere long To his celestial consort us unite, To live with Him, and sing in endless morn of light!

[28]

COMUS.

A MASQUE PRESENTED AT LUDLOW CASTLE, 1634.

THE PERSONS.

The Attendant Spirit, afterwards in the habit of Thyrsis.

Comus, with his Crew.

The Lady.

First Brother.

Second Brother.

Sabrina, the Nymph.

The first Scene discovers a wild wood.

The Attendant Spirit descends or enters.

Spirit. Before the starry threshold of Jove’s court My mansion is, where those immortal shapes Of bright aerial spirits live insphered In regions mild of calm and serene air, Above the smoke and stir of this dim spot 5 Which men call Earth, and, with low-thoughted care, Confined and pestered in this pinfold here, Strive to keep up a frail and feverish being, Unmindful of the crown that Virtue gives, After this mortal change, to her true servants 10 Amongst the enthroned gods on sainted seats. Yet some there be that by due steps aspire To lay their just hands on that golden key That opes the palace of eternity. To such my errand is; and, but for such, 15 I would not soil these pure ambrosial weeds With the rank vapors of this sin-worn mould. [29] But to my task. Neptune, besides the sway Of every salt flood and each ebbing stream Took in, by lot ’twixt high and nether Jove. 20 Imperial rule of all the sea-girt isles That, like to rich and various gems, inlay The unadorned bosom of the deep; Which he, to grace his tributary gods, By course commits to several government, 25 And gives them leave to wear their sapphire crowns And wield their little tridents. But this Isle, The greatest and the best of all the main, He quarters to his blue-haired deities; And all this tract that fronts the falling sun 30 A noble Peer of mickle trust and power Has in his charge, with tempered awe to guide An old and haughty nation, proud in arms: Where his fair offspring, nursed in princely lore, Are coming to attend their father’s state, 35 And new-intrusted sceptre. But their way Lies through the perplexed paths of this drear wood, The nodding horror of those shady brows Threats the forlorn and wandering passenger; And here their tender age might suffer peril, 40 But that, by quick command from sovran Jove, I was despatched for their defence and guard! And listen why; for I will tell you now What never yet was heard in tale or song, From old or modern bard, in hall or bower. 45 Bacchus, that first from out the purple grape Crushed the sweet poison of misused wine, After the Tuscan mariners transformed, Coasting the Tyrrhene shore, as the winds listed, On Circe’s island fell. (Who knows not Circe, 50 The daughter of the Sun, whose charmed cup [30] Whoever tasted lost his upright shape, And downward fell into a grovelling swine?) This Nymph, that gazed upon his clustering locks, With ivy berries wreathed, and his blithe youth, 55 Had by him, ere he parted thence, a son Much like his father, but his mother more, Whom therefore she brought up, and Comus named: Who, ripe and frolic of his full-grown age, Roving the Celtic and Iberian fields, 60 At last betakes him to this ominous wood, And, in thick shelter of black shades imbowered, Excels his mother at her mighty art; Offering to every weary traveller His orient liquor in a crystal glass, 65 To quench the drouth of Phœbus; which as they taste (For most do taste through fond intemperate thirst), Soon as the potion works, their human count’nance, The express resemblance of the gods, is changed Into some brutish form of wolf or bear, 70 Or ounce or tiger, hog, or bearded goat, All other parts remaining as they were. And they, so perfect in their misery, Not once perceive their foul disfigurement, But boast themselves more comely than before, 75 And all their friends and native home forget, To roll with pleasure in a sensual sty. Therefore, when any favored of high Jove Chances to pass through this adventurous glade, Swift as the sparkle of a glancing star 80 I shoot from heaven, to give him safe convoy, As now I do. But first I must put off These my sky-robes, spun out of Iris’ woof, And take the weeds and likeness of a swain That to the service of this house belongs, 85 [31] Who, with his soft pipe and smooth-dittied song, Well knows to still the wild winds when they roar, And hush the waving woods; nor of less faith, And in this office of his mountain watch Likeliest, and nearest to the present aid 90 Of this occasion. But I hear the tread Of hateful steps; I must be viewless now.

Comus enters, with a charming-rod in one hand, his glass in the other; with him a rout of monsters, headed like sundry sorts of wild beasts, but otherwise like men and women, their apparel glistering. They come in making a riotous and unruly noise, with torches in their hands.

Comus. The star that bids the shepherd fold Now the top of heaven doth hold; And the gilded car of day 95 His glowing axle doth allay In the steep Atlantic stream: And the slope sun his upward beam Shoots against the dusky pole, Pacing toward the other goal 100 Of his chamber in the east. Meanwhile, welcome joy and feast, Midnight shout and revelry, Tipsy dance and jollity. Braid your locks with rosy twine, 105 Dropping odors, dropping wine. Rigor now is gone to bed; And Advice with scrupulous head, Strict Age, and sour Severity, With their grave saws, in slumber lie. 110 We, that are of purer fire, [32] Imitate the starry quire, Who, in their nightly watchful spheres, Lead in swift round the months and years. The sounds and seas, with all their finny drove, 115 Now to the moon in wavering morrice move; And on the tawny sands and shelves Trip the pert fairies and the dapper elves. By dimpled brook and fountain-brim, The wood-nymphs, decked with daisies trim, 120 Their merry wakes and pastimes keep: What hath night to do with sleep? Night hath better sweets to prove; Venus now wakes, and wakens Love. Come, let us our rites begin; 125 ’Tis only daylight that makes sin, Which these dun shades will ne’er report. Hail, goddess of nocturnal sport, Dark-veiled Cotytto, to whom the secret flame Of midnight torches burns! mysterious dame, 130 That ne’er art called but when the dragon womb Of Stygian darkness spets her thickest gloom, And makes one blot of all the air! Stay thy cloudy ebon chair, Wherein thou ridest with Hecat’, and befriend 135 Us thy vowed priests, till utmost end Of all thy dues be done, and none left out Ere the blabbing eastern scout, The nice Morn on the Indian steep, From her cabined loop-hole peep, 140 And to the tell-tale Sun descry Our concealed solemnity. Come, knit hands, and beat the ground In a light fantastic round.

[33]

The Measure.

Break off, break off! I feel the different pace 145 Of some chaste footing near about this ground. Run to your shrouds within these brakes and trees; Our number may affright. Some virgin sure (For so I can distinguish by mine art) Benighted in these woods! Now to my charms, 150 And to my wily trains: I shall ere long Be well stocked with as fair a herd as grazed About my mother Circe. Thus I hurl My dazzling spells into the spongy air, Of power to cheat the eye with blear illusion, 155 And give it false presentments, lest the place And my quaint habits breed astonishment, And put the damsel to suspicious flight; Which must not be, for that’s against my course. I, under fair pretence of friendly ends, 160 And well-placed words of glozing courtesy, Baited with reasons not unplausible, Wind me into the easy-hearted man, And hug him into snares. When once her eye Hath met the virtue of this magic dust 165 I shall appear some harmless villager, Whom thrift keeps up about his country gear. But here she comes; I fairly step aside, And hearken, if I may her business hear.

The Lady enters.

Lady. This way the noise was, if mine ear be true, 170 My best guide now. Methought it was the sound Of riot and ill-managed merriment, Such as the jocund flute or gamesome pipe Stirs up among the loose unlettered hinds, When, for their teeming flocks and granges full, 175 [34] In wanton dance they praise the bounteous Pan, And thank the gods amiss. I should be loth To meet the rudeness and swilled insolence Of such late wassailers; yet, oh! where else Shall I inform my unacquainted feet 180 In the blind mazes of this tangled wood? My brothers, when they saw me wearied out With this long way, resolving here to lodge Under the spreading favor of these pines, Stepped, as they said, to the next thicket-side 185 To bring me berries, or such cooling fruit As the kind hospitable woods provide. They left me then when the gray-hooded Even, Like a sad votarist in palmer’s weed, Rose from the hindmost wheels of Phœbus’ wain. 190 But where they are, and why they came not back, Is now the labor of my thoughts. ’Tis likeliest They had engaged their wandering steps too far; And envious darkness, ere they could return, Had stole them from me. Else, O thievish Night, 195 Why shouldst thou, but for some felonious end, In thy dark lantern thus close up the stars That Nature hung in heaven, and filled their lamps With everlasting oil, to give due light To the misled and lonely traveller? 200 This is the place, as well as I may guess, Whence even now the tumult of loud mirth Was rife, and perfect in my listening ear; Yet nought but single darkness do I find. What might this be? A thousand fantasies 205 Begin to throng into my memory, Of calling shapes, and beckoning shadows dire, [35] And airy tongues that syllable men’s names On sands and shores and desert wildernesses. These thoughts may startle well, but not astound 210 The virtuous mind, that ever walks attended By a strong siding champion, Conscience. O, welcome, pure-eyed Faith, white-handed Hope, Thou hovering angel girt with golden wings, And thou unblemished form of Chastity! 215 I see thee visibly, and now believe That He, the Supreme Good, to whom all things ill Are but as slavish officers of vengeance, Would send a glistering guardian, if need were, To keep my life and honor unassailed.... 220 Was I deceived, or did a sable cloud Turn forth her silver lining on the night? I did not err: there does a sable cloud Turn forth her silver lining on the night, And casts a gleam over this tufted grove. 225 I cannot hallo to my brothers, but Such noise as I can make to be heard farthest I’ll venture; for my new-enlivened spirits Prompt me, and they perhaps are not far off.

Song.

Sweet Echo, sweetest nymph, that liv’st unseen 230 Within thy airy shell By slow Meander’s margent green, And in the violet-embroidered vale Where the love-lorn nightingale Nightly to thee her sad song mourneth well: 235 Canst thou not tell me of a gentle pair That likest thy Narcissus are? [36] O, if thou have Hid them in some flowery cave, Tell me but where, 240 Sweet Queen of Parley, Daughter of the Sphere! So may’st thou be translated to the skies, And give resounding grace to all Heaven’s harmonies!

Comus. Can any mortal mixture of earth’s mould Breathe such divine enchanting ravishment? 245 Sure something holy lodges in that breast, And with these raptures moves the vocal air To testify his hidden residence. How sweetly did they float upon the wings Of silence, through the empty-vaulted night, 250 At every fall smoothing the raven down Of darkness till it smiled! I have oft heard My mother Circe with the Sirens three, Amidst the flowery-kirtled Naiades, Culling their potent herbs and baleful drugs, 255 Who, as they sung, would take the prisoned soul, And lap it in Elysium: Scylla wept, And chid her barking waves into attention, And fell Charybdis murmured soft applause. Yet they in pleasing slumber lulled the sense, 260 And in sweet madness robbed it of itself; But such a sacred and home-felt delight, Such sober certainty of waking bliss, I never heard till now. I’ll speak to her, And she shall be my queen.—Hail, foreign wonder! 265 Whom certain these rough shades did never breed, Unless the goddess that in rural shrine Dwell’st here with Pan or Sylvan, by blest song Forbidding every bleak unkindly fog To touch the prosperous growth of this tall wood. 270

[37]

Lady. Nay, gentle shepherd, ill is lost that praise That is addressed to unattending ears. Not any boast of skill, but extreme shift How to regain my severed company, Compelled me to awake the courteous Echo 275 To give me answer from her mossy couch.

Lady. Dim darkness and this leavy labyrinth.

Comus. Could that divide you from near-ushering guides?

Lady. They left me weary on a grassy turf. 280

Comus. By falsehood, or discourtesy, or why?

Lady. To seek i’ the valley some cool friendly spring.

Comus. And left your fair side all unguarded, Lady?

Lady. They were but twain, and purposed quick return.

Comus. Perhaps forestalling night prevented them.285

Lady. How easy my misfortune is to hit!

Comus. Imports their loss, beside the present need?

Lady. No less than if I should my brothers lose.

Lady. As smooth as Hebe’s their unrazored lips. 290

Comus. Two such I saw, what time the labored ox In his loose traces from the furrow came, And the swinked hedger at his supper sat. I saw them under a green mantling vine, That crawls along the side of yon small hill, 295 Plucking ripe clusters from the tender shoots; Their port was more than human, as they stood. I took it for a faery vision Of some gay creatures of the element, That in the colors of the rainbow live, 300 And play i’ the plighted clouds. I was awe-strook, And, as I passed, I worshiped. If those you seek, [38] It were a journey like the path to Heaven To help you find them.

Lady. Gentle villager, What readiest way would bring me to that place? 305

Comus. Due west it rises from this shrubby point.

Lady. To find out that, good shepherd, I suppose, In such a scant allowance of star-light, Would overtask the best land-pilot’s art, Without the sure guess of well-practised feet. 310

Comus. I know each lane, and every alley green, Dingle, or bushy dell, of this wild wood, And every bosky bourn from side to side, My daily walks and ancient neighborhood; And, if your stray attendance be yet lodged, 315 Or shroud within these limits, I shall know Ere morrow wake, or the low-roosted lark From her thatched pallet rouse. If otherwise, I can conduct you, Lady, to a low But loyal cottage, where you may be safe 320 Till further quest.

Lady. Shepherd, I take thy word, And trust thy honest-offered courtesy, Which oft is sooner found in lowly sheds, With smoky rafters, than in tapestry halls And courts of princes, where it first was named, 325 And yet is most pretended. In a place Less warranted than this, or less secure, I cannot be, that I should fear to change it. Eye me, blest Providence, and square my trial To my proportioned strength! Shepherd, lead on.... 330

[39]

The Two Brothers.

Eld. Bro. Unmuffle, ye faint stars; and thou, fair moon, That wont’st to love the traveller’s benison, Stoop thy pale visage through an amber cloud, And disinherit Chaos, that reigns here In double night of darkness and of shades; 335 Or, if your influence be quite dammed up With black usurping mists, some gentle taper, Though a rush-candle from the wicker hole Of some clay habitation, visit us With thy long levelled rule of streaming light, 340 And thou shalt be our star of Arcady, Or Tyrian Cynosure.

Sec. Bro. Or, if our eyes Be barred that happiness, might we but hear The folded flocks, penned in their wattled cotes, Or sound of pastoral reed with oaten stops, 345 Or whistle from the lodge, or village cock Count the night-watches to his feathery dames, ’Twould be some solace yet, some little cheering, In this close dungeon of innumerous boughs. But, Oh, that hapless virgin, our lost sister! 350 Where may she wander now, whither betake her From the chill dew, amongst rude burs and thistles? Perhaps some cold bank is her bolster now, Or ’gainst the rugged bark of some broad elm Leans her unpillowed head, fraught with sad fears. 355 What if in wild amazement and affright, Or, while we speak, within the direful grasp Of savage hunger, or of savage heat!

Eld. Bro. Peace, brother: be not over-exquisite To cast the fashion of uncertain evils; 360 [40] For, grant they be so, while they rest unknown, What need a man forestall his date of grief, And run to meet what he would most avoid? Or, if they be but false alarms of fear, How bitter is such self-delusion! 365 I do not think my sister so to seek, Or so unprincipled in virtue’s book, And the sweet peace that goodness bosoms ever, As that the single want of light and noise (Not being in danger, as I trust she is not) 370 Could stir the constant mood of her calm thoughts, And put them into misbecoming plight. Virtue could see to do what Virtue would By her own radiant light, though sun and moon Were in the flat sea sunk. And Wisdom’s self 375 Oft seeks to sweet retired solitude, Where, with her best nurse, Contemplation, She plumes her feathers, and lets grow her wings, That, in the various bustle of resort, Were all to-ruffled, and sometimes impaired. 380 He that has light within his own clear breast May sit i’ the centre, and enjoy bright day: But he that hides a dark soul and foul thoughts Benighted walks under the mid-day sun; Himself is his own dungeon.

Sec. Bro. ’Tis most true 385 That musing Meditation most affects The pensive secrecy of desert cell, Far from the cheerful haunt of men and herds, And sits as safe as in a senate-house; For who would rob a hermit of his weeds, 390 His few books, or his beads, or maple dish, Or do his gray hairs any violence? [41] But Beauty, like the fair Hesperian tree Laden with blooming gold, had need the guard Of dragon-watch with unenchanted eye 395 To save her blossoms, and defend her fruit, From the rash hand of bold Incontinence. You may as well spread out the unsunned heaps Of miser’s treasure by an outlaw’s den, And tell me it is safe, as bid me hope 400 Danger will wink on Opportunity, And let a single helpless maiden pass Uninjured in this wild surrounding waste. Of night or loneliness it recks me not; I fear the dread events that dog them both, 405 Lest some ill-greeting touch attempt the person Of our unowned sister.

Eld. Bro. I do not, brother, Infer as if I thought my sister’s state Secure without all doubt or controversy; Yet, where an equal poise of hope and fear 410 Does arbitrate the event, my nature is That I incline to hope rather than fear, And gladly banish squint suspicion. My sister is not so defenceless left As you imagine; she has a hidden strength, 415 Which you remember not.

Sec. Bro. What hidden strength, Unless the strength of Heaven, if you mean that?

Eld. Bro. I mean that too, but yet a hidden strength, Which, if Heaven gave it, may be termed her own. ’Tis chastity, my brother, chastity: 420 She that has that is clad in complete steel, And, like a quivered nymph with arrows keen, [42] May trace huge forests, and unharbored heaths, Infamous hills, and sandy perilous wilds; Where, through the sacred rays of chastity, 425 No savage fierce, bandite, or mountaineer, Will dare to soil her virgin purity. Yea, there where very desolation dwells, By grots and caverns shagged with horrid shades, She may pass on with unblenched majesty, 430 Be it not done in pride, or in presumption. Some say no evil thing that walks by night, In fog or fire, by lake or moorish fen, Blue meagre hag, or stubborn unlaid ghost, That breaks his magic chains at curfew time, 435 No goblin or swart faery of the mine, Hath hurtful power o’er true virginity. Do ye believe me yet, or shall I call Antiquity from the old schools of Greece To testify the arms of chastity? 440 Hence had the huntress Dian her dread bow, Fair silver-shafted queen forever chaste, Wherewith she tamed the brinded lioness And spotted mountain-pard, but set at nought The frivolous bolt of Cupid; gods and men 445 Feared her stern frown, and she was queen o’ the woods. What was that snaky-headed Gorgon shield That wise Minerva wore, unconquered virgin, Wherewith she freezed her foes to congealed stone, But rigid looks of chaste austerity, 450 And noble grace that dashed brute violence With sudden adoration and blank awe? So dear to Heaven is saintly chastity That, when a soul is found sincerely so, A thousand liveried angels lackey her, 455 Driving far off each thing of sin and guilt, [43] And in clear dream and solemn vision Tell her of things that no gross ear can hear; Till oft converse with heavenly habitants Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul’s essence, Till all be made immortal. But, when lust, By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, 465 Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being. Such are those thick and gloomy shadows damp 470 Oft seen in charnel-vaults and sepulchres, Lingering and sitting by a new-made grave, As loth to leave the body that it loved, And linked itself by carnal sensualty To a degenerate and degraded state. 475

Sec. Bro. How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo’s lute, And a perpetual feast of nectared sweets, Where no crude surfeit reigns.

Eld. Bro. List! list! I hear 480 Some far-off hallo break the silent air.

Sec. Bro. Methought so too; what should it be?

Eld. Bro. For certain, Either some one, like us, night-foundered here, Or else some neighbor woodman, or, at worst, Some roving robber calling to his fellows. 485

Sec. Bro. Heaven help my sister! Again, again, and near! Best draw, and stand upon our guard.

[44]

Eld. Bro. I’ll hallo. If he be friendly, he comes well: if not, Defence is a good cause, and Heaven be for us!

The Attendant Spirit, habited like a shepherd.

That hallo I should know. What are you? speak. 490 Come not too near; you fall on iron stakes else.

Spir. What voice is that? my young lord? speak again.

Sec. Bro. O brother, ’tis my father’s Shepherd, sure.

Eld. Bro. Thyrsis! whose artful strains have oft delayed The huddling brook to hear his madrigal, 495 And sweetened every musk-rose of the dale. How camest thou here, good swain? Hath any ram Slipped from the fold, or young kid lost his dam, Or straggling wether the pent flock forsook? How could’st thou find this dark sequestered nook? 500

Spir. O my loved master’s heir, and his next joy, I came not here on such a trivial toy As a strayed ewe, or to pursue the stealth Of pilfering wolf; not all the fleecy wealth That doth enrich these downs is worth a thought 505 To this my errand, and the care it brought. But, oh! my virgin Lady, where is she? How chance she is not in your company?

Eld. Bro. To tell thee sadly, Shepherd, without blame Or our neglect, we lost her as we came. 510

Spir. Ay me unhappy! then my fears are true.

Eld. Bro. What fears, good Thyrsis? Prithee briefly shew.

Spir. I’ll tell ye. ’Tis not vain or fabulous (Though so esteemed by shallow ignorance) What the sage poets, taught by the heavenly Muse, 515 Storied of old in high immortal verse Of dire Chimeras and enchanted isles, [45] And rifted rocks whose entrance leads to Hell; For such there be, but unbelief is blind. Within the navel of this hideous wood, 520 Immured in cypress shades, a sorcerer dwells, Of Bacchus and of Circe born, great Comus, Deep skilled in all his mother’s witcheries, And here to every thirsty wanderer By sly enticement gives his baneful cup, 525 With many murmurs mixed, whose pleasing poison The visage quite transforms of him that drinks, And the inglorious likeness of a beast Fixes instead, unmoulding reason’s mintage Charactered in the face. This have I learnt 530 Tending my flocks hard by i’ the hilly crofts That brow this bottom glade; whence night by night He and his monstrous rout are heard to howl Like stabled wolves, or tigers at their prey, Doing abhorred rites to Hecate 535 In their obscurèd haunts of inmost bowers. Yet have they many baits and guileful spells To inveigle and invite the unwary sense Of them that pass unweeting by the way. This evening late, by then the chewing flocks 540 Had ta’en their supper on the savory herb Of knot-grass dew-besprent, and were in fold, I sat me down to watch upon a bank With ivy canopied, and interwove With flaunting honeysuckle, and began, 545 Wrapt in a pleasing fit of melancholy, To meditate my rural minstrelsy, Till fancy had her fill. But ere a close The wonted roar was up amidst the woods, And filled the air with barbarous dissonance; 550 [46] At which I ceased, and listened them a while, Till an unusual stop of sudden silence Gave respite to the drowsy-flighted steeds That draw the litter of close-curtained Sleep. At last a soft and solemn-breathing sound 555 Rose like a steam of rich distilled perfumes, And stole upon the air, that even Silence Was took ere she was ware, and wished she might Deny her nature, and be never more, Still to be so displaced. I was all ear, 560 And took in strains that might create a soul Under the ribs of Death. But, oh! ere long Too well I did perceive it was the voice Of my most honored Lady, your dear sister. Amazed I stood, harrowed with grief and fear; 565 And ‘O poor hapless nightingale,’ thought I, ‘How sweet thou sing’st, how near the deadly snare!’ Then down the lawns I ran with headlong haste, Through paths and turnings often trod by day, Till, guided by mine ear, I found the place 570 Where that damned wizard, hid in sly disguise (For so by certain signs I knew), had met Already, ere my best speed could prevent, The aidless innocent lady, his wished prey; Who gently asked if he had seen such two, 575 Supposing him some neighbor villager. Longer I durst not stay, but soon I guessed Ye were the two she meant; with that I sprung Into swift flight, till I had found you here; But further know I not.

Sec. Bro. O night and shades, 580 How are ye joined with hell in triple knot Against the unarmed weakness of one virgin, [47] Alone and helpless! Is this the confidence You gave me, brother?

Eld. Bro. Yes, and keep it still; Lean on it safely; not a period 585 Shall be unsaid for me. Against the threats Of malice or of sorcery, or that power Which erring men call Chance, this I hold firm: Virtue may be assailed, but never hurt, Surprised by unjust force, but not enthralled; 590 Yea, even that which Mischief meant most harm Shall in the happy trial prove most glory. But evil on itself shall back recoil, And mix no more with goodness, when at last, Gathered like scum, and settled to itself, 595 It shall be in eternal restless change Self-fed and self-consumed. If this fail, The pillared firmament is rottenness, And earth’s base built on stubble. But come, let’s on! Against the opposing will and arm of Heaven 600 May never this just sword be lifted up; But for that damned magician, let him be girt With all the griesly legions that troop Under the sooty flag of Acheron, Harpies and Hydras, or all the monstrous forms 605 ’Twixt Africa and Ind, I’ll find him out, And force him to return his purchase back, Or drag him by the curls to a foul death, Cursed as his life.

Spir. Alas! good venturous youth, I love thy courage yet, and bold emprise; 610 But here thy sword can do thee little stead. Far other arms and other weapons must Be those that quell the might of hellish charms. [48] He with his bare wand can unthread thy joints, And crumble all thy sinews.

Eld. Bro. Why, prithee, Shepherd, 615 How durst thou then thyself approach so near As to make this relation?

Spir. Care and utmost shifts How to secure the Lady from surprisal Brought to my mind a certain shepherd lad, Of small regard to see to, yet well skilled 620 In every virtuous plant and healing herb That spreads her verdant leaf to the morning ray. He loved me well, and oft would beg me sing; Which when I did, he on the tender grass Would sit, and hearken even to ecstasy, 625 And in requital ope his leathern scrip, And show me simples of a thousand names, Telling their strange and vigorous faculties. Amongst the rest a small unsightly root, But of divine effect, he culled me out. 630 The leaf was darkish, and had prickles on it, But in another country, as he said, Bore a bright golden flower, but not in this soil: Unknown, and like esteemed, and the dull swain Treads on it daily with his clouted shoon; 635 And yet more med’cinal is it than that Moly That Hermes once to wise Ulysses gave. He called it Hæmony, and gave it me, And bade me keep it as of sovran use ’Gainst all enchantments, mildew blast, or damp, 640 Or ghastly Furies’ apparition. I pursed it up, but little reckoning made, Till now that this extremity compelled. But now I find it true; for by this means I knew the foul enchanter, though disguised, 645 [49] Entered the very lime-twigs of his spells, And yet came off. If you have this about you (As I will give you when we go) you may Boldly assault the necromancer’s hall; Where if he be, with dauntless hardihood 650 And brandished blade rush on him: break his glass, And shed the luscious liquor on the ground; But seize his wand. Though he and his curst crew Fierce sign of battle make, and menace high, Or, like the sons of Vulcan, vomit smoke, 655 Yet will they soon retire, if he but shrink.

Eld. Bro. Thyrsis, lead on apace; I’ll follow thee; And some good angel bear a shield before us!

The Scene changes to a stately palace, set out with all manner of deliciousness: soft music, tables spread with all dainties. Comus appears with his rabble, and the Lady set in an enchanted chair: to whom he offers his glass; which she puts by, and goes about to rise.

Comus. Nay, Lady, sit. If I but wave this wand, Your nerves are all chained up in alabaster, 660 And you a statue, or as Daphne was, Root-bound, that fled Apollo.

Lady. Fool, do not boast. Thou canst not touch the freedom of my mind With all thy charms, although this corporal rind Thou hast immanacled while Heaven sees good. 665

Comus. Why are you vexed, Lady? why do you frown? Here dwell no frowns, nor anger; from these gates Sorrow flies far. See, here be all the pleasures That fancy can beget on youthful thoughts, When the fresh blood grows lively, and returns 670 Brisk as the April buds in primrose season. [50] And first behold this cordial julep here, That flames and dances in his crystal bounds, With spirits of balm and fragrant syrups mixed. Not that Nepenthes which the wife of Thone 675 In Egypt gave to Jove-born Helena Is of such power to stir up joy as this, To life so friendly, or so cool to thirst. Why should you be so cruel to yourself, And to those dainty limbs, which Nature lent 680 For gentle usage and soft delicacy? But you invert the covenants of her trust, And harshly deal, like an ill borrower, With that which you received on other terms, Scorning the unexempt condition 685 By which all mortal frailty must subsist, Refreshment after toil, ease after pain, That have been tired all day without repast, And timely rest have wanted. But, fair virgin, This will restore all soon.

Lady. ’Twill not, false traitor! 690 ’Twill not restore the truth and honesty That thou hast banished from thy tongue with lies. Was this the cottage and the safe abode Thou told’st me of? What grim aspects are these, These oughly-headed monsters? Mercy guard me! 695 Hence with thy brewed enchantments, foul deceiver! Hast thou betrayed my credulous innocence With vizored falsehood and base forgery? And wouldst thou seek again to trap me here With liquorish baits, fit to ensnare a brute? 700 Were it a draught for Juno when she banquets, I would not taste thy treasonous offer. None [51] But such as are good men can give good things; And that which is not good is not delicious To a well-governed and wise appetite. 705

Comus. O foolishness of men! that lend their ears To those budge doctors of the stoic fur, And fetch their precepts from the Cynic tub, Praising the lean and sallow Abstinence! Wherefore did Nature pour her bounties forth 710 With such a full and unwithdrawing hand, Covering the earth with odors, fruits, and flocks, Thronging the seas with spawn innumerable, But all to please and sate the curious taste? And set to work millions of spinning worms, 715 That in their green shops weave the smooth-haired silk, To deck her sons; and, that no corner might Be vacant of her plenty, in her own loins She hutched the all-worshipped ore and precious gems, To store her children with. If all the world 720 Should, in a fit of temperance, feed on pulse, Drink the clear stream, and nothing wear but frieze, The All-giver would be unthanked, would be unpraised, Not half his riches known, and yet despised; And we should serve him as a grudging master, 725 As a penurious niggard of his wealth, And live like Nature’s bastards, not her sons, Who would be quite surcharged with her own weight, And strangled with her waste fertility: The earth cumbered, and the winged air darked with plumes, 730 The herds would over-multitude their lords; The sea o’erfraught would swell, and the unsought diamonds Would so emblaze the forehead of the deep, And so bestud with stars, that they below Would grow inured to light, and come at last 735 [52] To gaze upon the sun with shameless brows. List, Lady; be not coy, and be not cozened With that same vaunted name, Virginity. Beauty is Nature’s coin; must not be hoarded, But must be current; and the good thereof 740 Consists in mutual and partaken bliss, Unsavory in the enjoyment of itself. If you let slip time, like a neglected rose It withers on the stalk with languished head. Beauty is Nature’s brag, and must be shown 745 In courts, at feasts, and high solemnities, Where most may wonder at the workmanship. It is for homely features to keep home; They had their name thence: coarse complexions And cheeks of sorry grain will serve to ply 750 The sampler, and to tease the huswife’s wool. What need a vermeil-tinctured lip for that, Love-darting eyes, or tresses like the morn? There was another meaning in these gifts; Think what, and be advised; you are but young yet. 755

Lady. I had not thought to have unlocked my lips In this unhallowed air, but that this juggler Would think to charm my judgment, as mine eyes, Obtruding false rules pranked in reason’s garb. I hate when vice can bolt her arguments 760 And virtue has no tongue to check her pride. Impostor! do not charge most innocent Nature, As if she would her children should be riotous With her abundance. She, good cateress, Means her provision only to the good, 765 That live according to her sober laws, And holy dictate of spare Temperance. [53] If every just man that now pines with want Had but a moderate and beseeming share Of that which lewdly-pampered Luxury 770 Now heaps upon some few with vast excess, Nature’s full blessings would be well-dispensed In unsuperfluous even proportion, And she no whit encumbered with her store; And then the Giver would be better thanked, 775 His praise due paid: for swinish gluttony Ne’er looks to Heaven amidst his gorgeous feast, But with besotted base ingratitude Crams, and blasphemes his Feeder. Shall I go on? Or have I said enow? To him that dares 780 Arm his profane tongue with contemptuous words Against the sun-clad power of chastity Fain would I something say;—yet to what end? Thou hast nor ear, nor soul, to apprehend The sublime notion and high mystery 785 That must be uttered to unfold the sage And serious doctrine of Virginity; And thou art worthy that thou shouldst not know More happiness than this thy present lot. Enjoy your dear wit, and gay rhetoric, 790 That hath so well been taught her dazzling fence; Thou art not fit to hear thyself convinced. Yet, should I try, the uncontrolled worth Of this pure cause would kindle my rapt spirits To such a flame of sacred vehemence 795 That dumb things would be moved to sympathize, And the brute Earth would lend her nerves, and shake, Till all thy magic structures, reared so high, Were shattered into heaps o’er thy false head.

Comus. She fables not. I feel that I do fear 800 [54] Her words set off by some superior power; And, though not mortal, yet a cold shuddering dew Dips me all o’er, as when the wrath of Jove Speaks thunder and the chains of Erebus To some of Saturn’s crew. I must dissemble, 805 And try her yet more strongly,—Come, no more! This is mere moral babble, and direct Against the canon laws of our foundation. I must not suffer this; yet ’tis but the lees And settlings of a melancholy blood. 810 But this will cure all straight; one sip of this Will bathe the drooping spirits in delight Beyond the bliss of dreams. Be wise, and taste....

The Brothers rush in with swords drawn, wrest his glass out of his hand, and break it against the ground: his rout make sign of resistance, but are all driven in. The Attendant Spirit comes in.

Spir. What! have you let the false enchanter scape? O ye mistook; ye should have snatched his wand, 815 And bound him fast. Without his rod reversed, And backward mutters of dissevering power, We cannot free the Lady that sits here In stony fetters fixed and motionless. Yet stay: be not disturbed; now I bethink me, 820 Some other means I have which may be used, Which once of Melibœus old I learnt, The soothest shepherd that e’er piped on plains. There is a gentle Nymph not far from hence, That with moist curb sways the smooth Severn stream: 825 Sabrina is her name: a virgin pure; Whilom she was the daughter of Locrine, That had the sceptre from his father Brute. She, guiltless damsel, flying the mad pursuit Of her enraged stepdame, Guendolen, 830 [55] Commended her fair innocence to the flood That stayed her flight with his cross-flowing course. The water-nymphs, that in the bottom played, Held up their pearled wrists, and took her in, Bearing her straight to aged Nereus’ hall; 835 Who, piteous of her woes, reared her lank head, And gave her to his daughters to imbathe In nectared lavers strewed with asphodel, And through the porch and inlet of each sense Dropt in ambrosial oils, till she revived, 840 And underwent a quick immortal change, Made Goddess of the river. Still she retains Her maiden gentleness, and oft at eve Visits the herds along the twilight meadows, Helping all urchin blasts, and ill-luck signs 845 That the shrewd meddling elf delights to make, Which she with precious vialed liquors heals: For which the shepherds, at their festivals, Carol her goodness loud in rustic lays, And throw sweet garland wreaths into her stream 850 Of pansies, pinks, and gaudy daffodils. And, as the old swain said, she can unlock The clasping charm, and thaw the numbing spell, If she be right invoked in warbled song; For maidenhood she loves, and will be swift 855 To aid a virgin, such as was herself, In hard-besetting need. This will I try, And add the power of some adjuring verse.

Song.

Sabrina fair, Listen where thou art sitting 860 Under the glassy, cool, translucent wave, [56] In twisted braids of lilies knitting The loose train of thy amber-dropping hair; Listen for dear honor’s sake, Goddess of the silver lake, 865 Listen and save!

Listen, and appear to us, In name of great Oceanus, By the earth-shaking Neptune’s mace, And Tethys’ grave majestic pace; 870 By hoary Nereus’ wrinkled look, And the Carpathian wizard’s hook; By scaly Triton’s winding shell, And old soothsaying Glaucus’ spell; By Leucothea’s lovely hands, 875 And her son that rules the strands; By Thetis’ tinsel-slippered feet, And the songs of Sirens sweet; By dead Parthenope’s dear tomb, And fair Ligea’s golden comb, 880 Wherewith she sits on diamond rocks Sleeking her soft alluring locks; By all the nymphs that nightly dance Upon thy streams with wily glance; Rise, rise, and heave thy rosy head 885 From thy coral-paven bed, And bridle in thy headlong wave, Till thou our summons answered have. Listen and save!

Sabrina rises, attended by Water-nymphs, and sings.

By the rushy-fringed bank, 890 Where grow the willow and the osier dank, [57] My sliding chariot stays, Thick set with agate, and the azurn sheen Of turkis blue, and emerald green, That in the channel strays: 895 Whilst from off the waters fleet Thus I set my printless feet O’er the cowslip’s velvet head, That bends not as I tread. Gentle swain, at thy request 900 I am here!

Spir. Goddess dear, We implore thy powerful hand To undo the charmed band Of true virgin here distressed 905 Through the force and through the wile Of unblessed enchanter vile.

Sabr. Shepherd, ’tis my office best To help ensnared chastity. Brightest Lady, look on me. 910 Thus I sprinkle on thy breast Drops that from my fountain pure I have kept of precious cure; Thrice upon thy finger’s tip, Thrice upon thy rubied lip: 915 Next this marble venomed seat, Smeared with gums of glutinous heat, I touch with chaste palms moist and cold. Now the spell hath lost his hold, And I must haste ere morning hour 920 To wait in Amphitrite’s bower.

Sabrina descends, and the Lady rises out of her seat.

Spir. Virgin, daughter of Locrine, [58] Sprung of old Anchises’ line, May thy brimmed waves for this Their full tribute never miss 925 From a thousand petty rills, That tumble down the snowy hills: Summer drouth or singed air Never scorch thy tresses fair, Nor wet October’s torrent flood 930 Thy molten crystal fill with mud; May thy billows roll ashore The beryl and the golden ore; May thy lofty head be crowned With many a tower and terrace round, 935 And here and there thy banks upon With groves of myrrh and cinnamon. Come, Lady; while Heaven lends us grace, Let us fly this cursed place, Lest the sorcerer us entice 940 With some other new device. Not a waste or needless sound Till we come to holier ground. I shall be your faithful guide Through this gloomy covert wide; 945 And not many furlongs thence Is your Father’s residence, Where this night are met in state Many a friend to gratulate His wished presence, and beside 950 All the swains that there abide With jigs and rural dance resort. We shall catch them at their sport, And our sudden coming there Will double all their mirth and cheer. 955 [59] Come, let us haste; the stars grow high, But Night sits monarch yet in the mid sky.

The Scene changes, presenting Ludlow Town, and the President’s Castle: then come the Country Dancers; after them the Attendant Spirit, with the Two Brothers and the Lady.

Song.

Spir. Back, shepherds, back! Enough your play Till next sun-shine holiday. Here be, without duck or nod, 960 Other trippings to be trod Of lighter toes, and such court guise As Mercury did first devise With the mincing Dryades On the lawns and on the leas. 965

This second Song presents them to their Father and Mother.

Noble Lord and Lady bright, I have brought ye new delight. Here behold so goodly grown Three fair branches of your own. Heaven hath timely tried their youth, 970 Their faith, their patience, and their truth, And sent them here through hard assays With a crown of deathless praise, To triumph in victorious dance O’er sensual folly and intemperance. 975

The dances ended, the Spirit epiloguizes.

Spir. To the ocean now I fly, And those happy climes that lie [60] Where day never shuts his eye, Up in the broad fields of the sky. There I suck the liquid air, 980 All amidst the gardens fair Of Hesperus, and his daughters three That sing about the golden tree. Along the crisped shades and bowers Revels the spruce and jocund Spring; 985 The Graces and the rosy-bosomed Hours Thither all their bounties bring. There eternal Summer dwells, And west winds with musky wing About the cedarn alleys fling 990 Nard and cassia’s balmy smells. Iris there with humid bow Waters the odorous banks, that blow Flowers of more mingled hue Than her purfled scarf can shew, 995 And drenches with Elysian dew (List, mortals, if your ears be true) Beds of hyacinth and roses, Where young Adonis oft reposes, Waxing well of his deep wound, 1000 In slumbers soft, and on the ground Sadly sits the Assyrian queen. But far above, in spangled sheen, Celestial Cupid, her famed son, advanced Holds his dear Psyche, sweet entranced 1005 After her wandering labors long, Till free consent the gods among Make her his eternal bride, And from her fair unspotted side Two blissful twins are to be born, 1010 Youth and Joy; so Jove hath sworn. [61] But now my task is smoothly done: I can fly, or I can run Quickly to the green earth’s end, Where the bowed welkin slow doth bend, 1015 And from thence can soar as soon To the corners of the moon. Mortals, that would follow me, Love Virtue; she alone is free. She can teach ye how to climb 1020 Higher than the sphery chime; Or, if Virtue feeble were, Heaven itself would stoop to her.

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LYCIDAS.

In this Monody the Author bewails a learned Friend, unfortunately drowned in his passage from Chester on the Irish Seas, 1637; and, by occasion, foretells the ruin of our corrupted Clergy, then in their height.

Yet once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year. 5 Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer. Who would not sing for Lycidas? he knew 10 Himself to sing, and build the lofty rhyme. He must not float upon his watery bier Unwept, and welter to the parching wind, Without the meed of some melodious tear. Begin, then, Sisters of the sacred well 15 That from beneath the seat of Jove doth spring; Begin, and somewhat loudly sweep the string. Hence with denial vain and coy excuse: So may some gentle Muse With lucky words favor my destined urn, 20 And as he passes turn, And bid fair peace be to my sable shroud! For we were nursed upon the self-same hill, Fed the same flock, by fountain, shade, and rill; Together both, ere the high lawns appeared 25 Under the opening eyelids of the Morn, We drove a-field, and both together heard [63] What time the gray-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright 30 Toward heaven’s descent had sloped his westering wheel. Meanwhile the rural ditties were not mute; Tempered to the oaten flute Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long; 35 And old Damœtas loved to hear our song. But, oh! the heavy change, now thou art gone, Now thou art gone and never must return! Thee, Shepherd, thee the woods and desert caves, With wild thyme and the gadding vine o’ergrown, 40 And all their echoes, mourn. The willows, and the hazel copses green, Shall now no more be seen Fanning their joyous leaves to thy soft lays. As killing as the canker to the rose, 45 Or taint-worm to the weanling herds that graze, Or frost to flowers, that their gay wardrobe wear, When first the white-thorn blows; Such Lycidas, thy loss to shepherd’s ear. Where were ye, Nymphs, when the remorseless deep 50 Closed o’er the head of your loved Lycidas? For neither were ye playing on the steep Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream. 55 Ay me! I fondly dream “Had ye been there,” ... for what could that have done? What could the Muse herself that Orpheus bore, The Muse herself, for her enchanting son, Whom universal nature did lament, 60 [64] When, by the rout that made the hideous roar, His gory visage down the stream was sent, Down the swift Hebrus to the Lesbian shore? Alas! what boots it with uncessant care To tend the homely, slighted, shepherd’s trade, 65 And strictly meditate the thankless Muse? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neæra’s hair? Fame is the spur that the clear spirit doth raise 70 (That last infirmity of noble mind) To scorn delights and live laborious days; But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with the abhorred shears, 75 And slits the thin-spun life. “But not the praise,” Phœbus replied, and touched my trembling ears: “Fame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumor lies, 80 But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.” O fountain Arethuse, and thou honored flood, 85 Smooth-sliding Mincius, crowned with vocal reeds, That strain I heard was of a higher mood. But now my oat proceeds, And listens to the Herald of the Sea, That came in Neptune’s plea. 90 He asked the waves, and asked the felon winds, What hard mishap hath doomed this gentle swain? [65] And questioned every gust of rugged wings That blows from off each beaked promontory. They knew not of his story; 95 And sage Hippotades their answer brings, That not a blast was from his dungeon strayed: The air was calm, and on the level brine Sleek Panope with all her sisters played. It was that fatal and perfidious bark, 100 Built in the eclipse, and rigged with curses dark, That sunk so low that sacred head of thine. Next, Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge 105 Like to that sanguine flower inscribed with woe. “Ah! who hath reft,” quoth he, “my dearest pledge?” Last came, and last did go, The Pilot of the Galilean Lake; Two massy keys he bore of metals twain 110 (The golden opes, the iron shuts amain). He shook his mitred locks, and stern bespake:— “How well could I have spared for thee, young swain, Enow of such as, for their bellies’ sake, Creep, and intrude, and climb into the fold! 115 Of other care they little reckoning make Than how to scramble at the shearers’ feast, And shove away the worthy bidden guest. Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learnt aught else the least 120 That to the faithful herdman’s art belongs! What recks it them? What need they? They are sped; And, when they list, their lean and flashy songs Grate on their scrannel pipes of wretched straw; The hungry sheep look up, and are not fed, 125 But swoln with wind and the rank mist they draw, [66] Rot inwardly, and foul contagion spread; Besides what the grim wolf with privy paw Daily devours apace, and nothing said. But that two-handed engine at the door 130 Stands ready to smite once, and smite no more.” Return, Alpheus; the dread voice is past That shrunk thy streams; return, Sicilian Muse, And call the vales, and bid them hither cast Their bells and flowerets of a thousand hues. 135 Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honeyed showers, 140 And purple all the ground with vernal flowers. Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet, 145 The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears; Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears, 150 To strew the laureate hearse where Lycid lies. For so, to interpose a little ease, Let our frail thoughts dally with false surmise. Ay me! whilst thee the shores and sounding seas Wash far away, where’er thy bones are hurled; 155 Whether beyond the stormy Hebrides, Where thou perhaps under the whelming tide Visit’st the bottom of the monstrous world; Or whether thou, to our moist vows denied, Sleep’st by the fable of Bellerus old, 160 [67] Where the great Vision of the guarded mount Looks toward Namancos and Bayona’s hold. Look homeward, Angel, now, and melt with ruth: And, O ye dolphins, waft the hapless youth. Weep no more, woeful shepherds, weep no more, 165 For Lycidas, your sorrow, is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore 170 Flames in the forehead of the morning sky: So Lycidas sunk low, but mounted high, Through the dear might of Him that walked the waves, Where, other groves and other streams along, With nectar pure his oozy locks he laves, 175 And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love. There entertain him all the Saints above, In solemn troops, and sweet societies, That sing, and singing in their glory move, 180 And wipe the tears forever from his eyes. Now, Lycidas, the shepherds weep no more; Henceforth thou art the Genius of the shore, In thy large recompense, and shalt be good To all that wander in that perilous flood. 185

Thus sang the uncouth swain to the oaks and rills, While the still morn went out with sandals gray: He touched the tender stops of various quills, With eager thought warbling his Doric lay: And now the sun had stretched out all the hills, 190 And now was dropt into the western bay. At last he rose, and twitched his mantle blue; To-morrow to fresh woods, and pastures new.

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SONNETS.

I.

TO THE NIGHTINGALE.

O Nightingale that on yon bloomy spray Warblest at eve, when all the woods are still, Thou with fresh hope the lover’s heart dost fill, While the jolly Hours lead on propitious May. Thy liquid notes that close the eye of day, 5 First heard before the shallow cuckoo’s bill, Portend success in love. O, if Jove’s will Have linked that amorous power to thy soft lay, Now timely sing, ere the rude bird of hate Foretell my hopeless doom, in some grove nigh; 10 As thou from year to year hast sung too late For my relief, yet hadst no reason why. Whether the Muse or Love called thee his mate, Both them I serve, and of their train am I.

II.

ON HIS HAVING ARRIVED AT THE AGE OF TWENTY-THREE.

How soon hath Time, the subtle thief of youth, Stolen on his wing my three-and-twentieth year! My hasting days fly on with full career, But my late spring no bud or blossom shew’th. Perhaps my semblance might deceive the truth 5 That I to manhood am arrived so near; And inward ripeness doth much less appear, [69] That some more timely-happy spirits endu’th. Yet, be it less or more, or soon or slow, It shall be still in strictest measure even 10 To that same lot, however mean or high, Toward which Time leads me, and the will of Heaven. All is, if I have grace to use it so, As ever in my great Task-Master’s eye.

VIII.

WHEN THE ASSAULT WAS INTENDED TO THE CITY.

Captain or Colonel, or Knight in Arms, Whose chance on these defenceless doors may seize, If deed of honor did thee ever please, Guard them, and him within protect from harms. He can requite thee; for he knows the charms 5 That call fame on such gentle acts as these, And he can spread thy name o’er lands and seas, Whatever clime the sun’s bright circle warms. Lift not thy spear against the Muses’ bower: The great Emathian conqueror bid spare 10 The house of Pindarus, when temple and tower Went to the ground; and the repeated air Of sad Electra’s poet had the power To save the Athenian walls from ruin bare.

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IX.

TO A VIRTUOUS YOUNG LADY.

Lady, that in the prime of earliest youth Wisely hast shunned the broad way and the green, And with those few art eminently seen That labor up the hill of heavenly Truth, The better part with Mary and with Ruth 5 Chosen thou hast; and they that overween, And at thy growing virtues fret their spleen, No anger find in thee, but pity and ruth. Thy care is fixed, and zealously attends To fill thy odorous lamp with deeds of light, 10 And hope that reaps not shame. Therefore be sure Thou, when the Bridegroom with his feastful friends Passes to bliss at the mid-hour of night, Hast gained thy entrance, Virgin wise, and pure.

X.

TO THE LADY MARGARET LEY.

Daughter to that good Earl, once President Of England’s Council and her Treasury, Who lived in both unstained with gold or fee, And left them both, more in himself content, Till the sad breaking of that Parliament 5 Broke him, as that dishonest victory At Chæronea, fatal to liberty, [71] Killed with report that old man eloquent, Though later born than to have known the days Wherein your father flourished, yet by you, 10 Madam, methinks I see him living yet: So well your words his noble virtues praise That all both judge you to relate them true And to possess them, honored Margaret.

XIII.

TO MR. H. LAWES ON HIS AIRS.

Harry, whose tuneful and well-measured song First taught our English music how to span Words with just note and accent, not to scan With Midas’ ears, committing short and long, Thy worth and skill exempts thee from the throng, 5 With praise enough for Envy to look wan; To after age thou shalt be writ the man That with smooth air couldst humor best our tongue. Thou honor’st Verse, and Verse must send her wing To honor thee, the priest of Phœbus’ quire, 10 That tunest their happiest lines in hymn or story. Dante shall give Fame leave to set thee higher Than his Casella, whom he wooed to sing, Met in the milder shades of Purgatory.

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XV.

ON THE LORD GENERAL FAIRFAX, AT THE SIEGE OF COLCHESTER.

Fairfax, whose name in arms through Europe rings, Filling each mouth with envy or with praise, And all her jealous monarchs with amaze, And rumors loud that daunt remotest kings, Thy firm unshaken virtue ever brings 5 Victory home, though new rebellions raise Their Hydra heads, and the false North displays Her broken league to imp their serpent wings. O yet a nobler task awaits thy hand (For what can war but endless war still breed?) 10 Till truth and right from violence be freed, And public faith cleared from the shameful brand Of public fraud. In vain doth Valor bleed, While Avarice and Rapine share the land.

XVI.

TO THE LORD GENERAL CROMWELL, MAY, 1652,

ON THE PROPOSALS OF CERTAIN MINISTERS AT THE COMMITTEE FOR PROPAGATION OF THE GOSPEL.

Cromwell, our chief of men, who through a cloud Not of war only, but detractions rude, Guided by faith and matchless fortitude, To peace and truth thy glorious way hast ploughed, And on the neck of crowned Fortune proud 5 Hast reared God’s trophies, and his work pursued, While Darwen stream, with blood of Scots imbrued, [73] And Dunbar field, resounds thy praises loud, And Worcester’s laureate wreath: yet much remains To conquer still; Peace hath her victories 10 No less renowned than War: new foes arise, Threatening to bind our souls with secular chains. Help us to save free conscience from the paw Of hireling wolves, whose Gospel is their maw.

XVII.

TO SIR HENRY VANE THE YOUNGER.

Vane, young in years, but in sage counsel old, Than whom a better senator ne’er held The helm of Rome, when gowns, not arms, repelled The fierce Epirot and the African bold, Whether to settle peace, or to unfold 5 The drift of hollow states hard to be spelled; Then to advise how war may best, upheld, Move by her two main nerves, iron and gold, In all her equipage; besides, to know Both spiritual power and civil, what each means, 10 What severs each, thou hast learned, which few have done. The bounds of either sword to thee we owe: Therefore on thy firm hand Religion leans In peace, and reckons thee her eldest son.

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XVIII.

ON THE LATE MASSACRE IN PIEDMONT.

Avenge, O Lord, thy slaughtered saints, whose bones Lie scattered on the Alpine mountains cold; Even them who kept thy truth so pure of old, When all our fathers worshiped stocks and stones, Forget not: in thy book record their groans 5 Who were thy sheep, and in their ancient fold Slain by the bloody Piedmontese, that rolled Mother with infant down the rocks. Their moans The vales redoubled to the hills, and they To heaven. Their martyred blood and ashes sow 10 O’er all the Italian fields, where still doth sway The triple Tyrant; that from these may grow A hundredfold, who, having learnt thy way, Early may fly the Babylonian woe.

XIX.

ON HIS BLINDNESS.

When I consider how my light is spent Ere half my days in this dark world and wide, And that one talent which is death to hide Lodged with me useless, though my soul more bent To serve therewith my Maker, and present 5 My true account, lest He returning chide, “Doth God exact day-labor, light denied?” [75] I fondly ask. But Patience, to prevent That murmur, soon replies, “God doth not need Either man’s work or his own gifts. Who best 10 Bear his mild yoke, they serve him best. His state Is kingly; thousands at his bidding speed, And post o’er land and ocean without rest; They also serve who only stand and wait.”

XX.

TO MR. LAWRENCE.

Lawrence, of virtuous father virtuous son, Now that the fields are dank, and ways are mire, Where shall we sometimes meet, and by the fire Help waste a sullen day, what may be won From the hard season gaining? Time will run 5 On smoother, till Favonius reinspire The frozen earth, and clothe in fresh attire The lily and rose, that neither sowed nor spun. What neat repast shall feast us, light and choice, Of Attic taste, with wine, whence we may rise 10 To hear the lute well touched, or artful voice Warble immortal notes and Tuscan air? He who of those delights can judge, and spare To interpose them oft, is not unwise.

[76]

XXI.

TO CYRIACK SKINNER.

Cyriack, whose grandsire on the royal bench Of British Themis, with no mean applause, Pronounced, and in his volumes taught, our laws, Which others at their bar so often wrench, To-day deep thoughts resolve with me to drench 5 In mirth that after no repenting draws; Let Euclid rest, and Archimedes pause, And what the Swede intend, and what the French. To measure life learn thou betimes, and know Toward solid good what leads the nearest way; 10 For other things mild Heaven a time ordains, And disapproves that care, though wise in show, That with superfluous burden loads the day, And, when God sends a cheerful hour, refrains.

XXII.

TO THE SAME.

Cyriack, this three years’ day these eyes, though clear, To outward view, of blemish or of spot, Bereft of light, their seeing have forgot; Nor to their idle orbs doth sight appear Of sun, or moon, or star, throughout the year, 5 Or man, or woman. Yet I argue not Against Heaven’s hand or will, nor bate a jot [77] Of heart or hope, but still bear up and steer Right onward. What supports me, dost thou ask? The conscience, friend, to have lost them overplied 10 In Liberty’s defence, my noble task, Of which all Europe rings from side to side. This thought might lead me through the world’s vain mask Content, though blind, had I no better guide.

Notes in this chapter

Note 1 · 5. For so the holy sages once did sing. See Par. Lost XII 324.Note 2 · 6. our deadly forfeit should release. Compare Par. Lost III 221, and see the idea of releasing a forfeit otherwise expressed in the MerchantNote 3 · 10. he wont. This is the past tense of the verb wont, meaning to be accustomed. See the present, Par. Lost I 764, and the participle, I 332.Note 4 · 15. thy sacred vein. See vein in the same sense, Par. Lost VI 628.Note 5 · 19. the Sun’s team. Compare Comus 95, and read the story of Phaëthon in Ovid’s Metamorphoses II 106.Note 6 · 24. prevent them with thy humble ode. See prevent in this sense, in Shakespeare’s Julius Cæsar V 1 105, and in Psalm XXI 3.Note 7 · 28. touched with hallowed fire. See Acts II 3. On the meaning of secret, compare Par. Lost X 32.Note 8 · 41. Pollute is the participle, exactly equivalent to polluted.Note 9 · 48. the turning sphere. For poetical purposes Milton everywhere adopts the popular astronomy of his day, which was based on the ancient, i.eNote 10 · 50. With turtle wing. With the wing of a turtle-dove.Note 11 · 56. The hooked chariot. War chariots sometimes had scythes, or hooks, attached to their axles. See 2 Maccabees XIII 2.Note 12 · 60. sovran. Milton always uses this form in preference to sovereign.Note 13 · 62. the Prince of Light. Note the corresponding epithet applied to Satan, Par. Lost X 383.Note 14 · 64. The winds, with wonder whist. The word whist, originally an interjection, becomes an adjective, as here and in The Tempest I 2 378.Note 15 · 66. Make three syllables of Oceän, and make it rhyme with began.Note 16 · 68. birds of calm. The birds referred to are doubtless halcyons. Dr. Murray defines halcyon thus: “A bird of which the ancients fabled that Note 17 · 71. their precious influence. The word influence is originally a term of astrology,—“a flowing in, or influent course, of the planets; theirNote 18 · 73. For all the morning light. As in Burns’s “We dare be poor for a’ that,” for meaning in spite of.Note 19 · 74. Lucifer. See Par. Lost VII 131-133.Note 20 · 81. As, for as if.Note 21 · 86. Or ere the point of dawn. The two words or ere mean simply before, as in Hamlet I 2 147, “A little month, or ere those shoes were old.” Note 22 · 88. Full little thought they than. Than is an ancient form of then, not wholly obsolete in Milton’s day.Note 23 · 89. the mighty Pan. The poet takes the point of view of the shepherds and uses the name of their special deity.Note 24 · 95. by mortal finger strook. Milton uses the three participle forms, strook, struck, and strucken.Note 25 · 98. As all their souls in blissful rapture took. The verb take has here the same meaning as in Hamlet I 1 163, “no fairy takes nor witch hatNote 26 · 103. Cynthia’s seat. See Penseroso 59, and Romeo and Juliet III 5 20.Note 27 · 108. Make the line rhyme properly, giving to union three syllables.Note 28 · 112. The helmed cherubim. See Genesis III 24.Note 29 · 113. The sworded seraphim. See Isaiah VI 2-6.Note 30 · 116. With unexpressive notes, meaning beyond the power of human expression. So in Lycidas 176; Par. Lost V 595; and in As You Like It, “the Note 31 · 119. But when of old the Sons of Morning sung. See Job XXXVIII 7.Note 32 · 124. the weltering waves. Compare Lycidas 13.Note 33 · 125. Ring out, ye crystal spheres. See note, line 48. The elder poetry is full of the notion that the spheres in their revolutions made musiNote 34 · 136. speckled Vanity. The leopard that confronts Dante in Canto I of Hell is beautiful with its dappled skin, but symbolizes vain glory.Note 35 · 143. like glories wearing. The adjective like means nothing without a complement, though the complement sometimes has to be supplied, as in Note 36 · 155. those ychained in sleep. The poets, in order to gain a syllable, long continued to use the ancient participle prefix y. See yclept, AllNote 37 · 157. With such a horrid clang. See Exodus XIX.Note 38 · 168. The Old Dragon. See Revelation XII 9.Note 39 · 173. Stanzas XIX-XXVI announce the deposition and expulsion of the pagan deities, and the ruin of the ancient religions. In accordance with Note 40 · 176. Apollo, the great god, whose oracle was at Delphi, or Delphos.Note 41 · 179. spell, as in Comus 853, and often.Note 42 · 186. Genius. A Latin word, signifying a tutelary or guardian spirit supposed to preside over a person or place. See Lycidas 183, and PenseroNote 43 · 191. The Lars and Lemures. In the Roman mythology these were the spirits of dead ancestors, worshipped or propitiated in families as having Note 44 · 194. Affrights the flamens. The Roman flamens were the priests of particular gods.Note 45 · 195. the chill marble seems to sweat. Many instances of this phenomenon are reported. Thus Cicero, in his De Divinatione, tells us: “It was Note 46 · 197. Peor and Baälim. Syrian false gods. See Numbers XXV 3.Note 47 · 199. that twice-battered god of Palestine. See I Samuel V 2.Note 48 · 200. mooned Ashtaroth. See I Kings XI 33.Note 49 · 203. The Lybic Hammon. “Hammon had a famous temple in Africa, where he was adored under the symbolic figure of a ram.”Note 50 · 204. their wounded Thammuz. See Ezekiel VIII 14.Note 51 · 205. sullen Moloch. See Par. Lost I 392-396.Note 52 · 210. the furnace blue. Compare Arcades 52.Note 53 · 212. Isis, and Orus, and the dog Anubis. Egyptian deities, the latter figured as having the head of a dog.Note 54 · 213. Nor is Osiris seen. Osiris was the principal god of the Egyptians, [84] brother and husband of Isis. His highest function was as god ofNote 55 · 215. the unshowered grass. Remember, this was in Egypt.Note 56 · 223. his dusky eyn. This ancient plural of eye occurs several times in Shakespeare, as in As You Like It IV 3 50.Note 57 · 240. Heaven’s youngest-teemed star. Compare Comus 175.Note 58 · 241. Hath fixed her polished car. Fix has its proper meaning, stopped. The star “came and stood over where the young child was.”Note 59 · 4. star-ypointing. To make the decasyllabic verse, the poet takes the liberty of prefixing to the present participle the y which properly beNote 60 · 8. a livelong monument. Instead of livelong, the first issue of the lines, in the Shakespeare folio of 1632, has lasting. The change is MiltNote 61 · 10-12. and that each heart hath ... took. The conjunction that simply repeats the whilst.Note 62 · 11. thy unvalued book. In Hamlet I 3 19 unvalued persons are persons of no value, or of no rank. In Macbeth III 1 94 the valued file is the Note 63 · 12. Those Delphic lines: lines so crowded with meaning as to seem the utterances of an oracle.Note 64 · 13. our fancy of itself bereaving: transporting us into an ecstasy, or making us rapt with thought.Note 65 · 14. Dost make us marble with too much conceiving. The concentrated attention required to penetrate Shakespeare’s meaning makes statues of usNote 66 · 15. Make the word sepulchred fit metrically into the iambic verse.Note 67 · 2. Of Cerberus and blackest Midnight born. Milton follows the example of the ancient poets in announcing the parentage of the principal beinNote 68 · 3. The Stygian cave is so called from the Styx, the infernal river, “the flood of deadly hate.”Note 69 · 5. some uncouth cell. Uncouth may be used here in its original sense of unknown, as in Par. Lost VIII 230.Note 70 · 10. In dark Cimmerian desert. The Cimmerians were a people fabled by the ancients to live in perpetual darkness.Note 71 · 12. yclept is the participle of the obsolete verb clepe, with the ancient prefix y, as in ychained, Hymn on the Nativity 155.Note 72 · 15. two sister Graces more. Hesiod names, as the three Graces, Euphrosyne, Aglaia, and Thalia, but he makes them the daughters of Zeus and ENote 73 · 18. The frolic wind. See frolic again as an adjective, Comus 59.Note 74 · 24. So buxom, blithe, and debonair. See Shakespeare’s Pericles, I Gower 23. All these words are interesting to look up for etymologies and cNote 75 · 25-36. We readily accept and understand the personification of [87] Jest, Jollity, Sport, Laughter, and Liberty, but the plurals, Quips, CraNote 76 · 28. Smiles may be said to be wreathed because they inwreathe the face. See Par. Lost III 361.Note 77 · 33. trip it, as you go. So in Shakespeare, “I’ll queen it no inch further; Rather than fool it so; I’ll go brave it at the court, lording itNote 78 · 41. With this line begins a series of illustrations of the unreproved pleasures which L’Allegro is going to enjoy during a day of leisure. ANote 79 · 45-46. Then to come, in spite of sorrow,Note 80 · 53. Oft listening how the hounds and horn. This “pleasure” and the next—sometime walking—are introduced with present participles. There is nNote 81 · 57. Sometime walking, not unseen. See the counterpart of this line, Penseroso 65. Todd quotes the note of Bishop Hurd,—“Happy men love witneNote 82 · 59. against, i.e. toward.Note 83 · 62. The clouds in thousand liveries dight. Dight is the participle of the verb to dight, meaning to adorn. It is still used as an archaism.Note 84 · 67. And every shepherd tells his tale. This undoubtedly means counts the number of his flock. In Shakespeare we find, to tell money, years, Note 85 · 68. With this line ends the long, loose sentence that began with line 37. We now come to a full stop, and with line 69 begin a new sentence.Note 86 · 70. the landskip. A word of late origin in English, of unsettled spelling in Milton’s day.Note 87 · 71. Russet lawns. In Milton, lawn means field or pasture. See Lycidas 25.Note 88 · 77. In this line the subject, mine eye, is resumed.Note 89 · 80. The cynosure of neighboring eyes. In the constellation Cynosure, usually called the Lesser Bear, is the pole-star, to which very many eyNote 90 · 81. A new “pleasure” is introduced, with a new grammatical subject.Note 91 · 83. Where Corydon and Thyrsis met. The proper names in lines 83-88 add to the poem a pleasing touch of pastoral simplicity and cheerfulness.Note 92 · 87. bower means simply dwelling.Note 93 · 90. In the tanned haycock we see the hay dried and browned by the sun.Note 94 · 91. The scene changes and brings yet another “pleasure.” secure delight is delight without care, sine cura. See Samson Agonistes 55.Note 95 · 96. in the chequered shade. They danced under trees through whose foliage the sunlight filtered.Note 96 · 99. Evening comes on, and a new pleasure succeeds. Story-telling is now in order.Note 97 · 102. Sufficient information about Faery Mab can be got from Romeo and Juliet I 4 53-95.Note 98 · 103-104. She, i.e. one of the maids; And he,—one of the youths. The Friar’s lantern is the ignis fatuus, or will-o’-the-wisp, fabled to leadNote 99 · 105. A connective is lacking to make the syntax sound: the subject of tells must be he. the drudging goblin. This is Robin Goodfellow, knownNote 100 · 109. could not end. Dr. Murray gives this among other quotations as an instance of the verb end meaning to put into the barn, to get in. So Note 101 · 110. the lubber fiend. This goblin is loutish in shape and fiendish-looking, though so good to those who treat him well.Note 102 · 115. Thus done the tales. An absolute construction, imitating the Latin ablative absolute.Note 103 · 117. The country folk having gone early to bed, tired with their day’s labor, L’Allegro hastes to the city, where the pleasures of life are Note 104 · 120. In weeds of peace, high triumphs hold. This must mean such things as masques and revelries among the upper classes.Note 105 · 122. Rain influence. See note on Hymn on the Nativity 71.Note 106 · 124. What is the antecedent of whom?Note 107 · 125. What ceremony is here introduced?Note 108 · 128. Do not misunderstand the word mask. Its meaning becomes plain from the context.Note 109 · 131. To what pleasure does L’Allegro now betake himself?Note 110 · 132. Among the dramatists of the Jacobean time Ben Jonson had especially the repute of scholarship. The sock symbolizes comedy, as the buskiNote 111 · 133-134. Or sweetest Shakespeare, Fancy’s child,Note 112 · 135. The last of the “unreproved pleasures” that L’Allegro wishes he may enjoy, seems not so much planned to follow the rest in sequence of Note 113 · 136. Lap me in soft Lydian airs. The three chief modes, or moods, of Greek music were the Lydian, which was soft and pathetic; the Dorian, eNote 114 · 138. the meeting soul. The soul, in its eagerness, goes forth to meet and welcome the music.Note 115 · 139. The word bout seems to point at a piece of music somewhat in the nature of a round, or catch.Note 116 · 145. That Orpheus’ self may heave his head. Even Orpheus, who in his life “drew trees, stones, and floods” by the power of his music, and whNote 117 · 149. Orpheus, with his music, had succeeded in obtaining from Pluto only a conditional release of his wife Eurydice. He was not to look backNote 118 · 3. How little you bested. The verb bested means to avail, to be of service. It is not the same word that we find in Isaiah VIII 21, “hardly Note 119 · 6. fond here has its primitive meaning, foolish. Understand possess in the sense in which it is used in the Bible,—“possessed with devils.”Note 120 · 10. Make two syllables of Morpheus.Note 121 · 12. Note that while he invoked Mirth in L’Allegro under her Greek name Euphrosyne, the poet finds no corresponding Greek designation for MelNote 122 · 14. To hit the sense of human sight: to be gazed at by human eyes.Note 123 · 18. Prince Memnon was a fabled Ethiopian prince, black, and celebrated for his beauty. Recall Virgil’s nigri Memnonis arma.Note 124 · 19. that starred Ethiop queen. Cassiopeia, wife of the Ethiopian king Cepheus, boasted that she was more beautiful than the Nereids, for whiNote 125 · 23. bright-haired Vesta. Vesta—in Greek, Hestia—“was the goddess of the home, the guardian of family life. Her spotless purity fitted her peNote 126 · 30. Whilst yet there was no fear of Jove, i.e. before Saturn was dethroned by Jupiter.Note 127 · 33. All in a robe of darkest grain. In Par. Lost V 285, the third pair of Raphael’s wings have the color of sky-tinctured grain; and XI 242,Note 128 · 35. And sable stole of cypress lawn. Dr. Murray thus defines cypress lawn, “A light transparent material resembling cobweb lawn or crape; liNote 129 · 37. Come; but keep thy wonted state. Compare with this passage, L’Allegro 33.Note 130 · 40. Thy rapt soul sitting in thine eyes. In Cymbeline I 6 51 we find the present tense of the verb of which rapt is the participle: “What, dNote 131 · 42. Forget thyself to marble. With this compare On Shakespeare 14.Note 132 · 43. With a sad leaden downward cast. So in Love’s Labor’s Lost IV 3 321, “In leaden contemplation;” Othello III 4 177, “I have this while wiNote 133 · 45-55. Compare the company which Il Penseroso entreats Melancholy to bring along with her with that which L’Allegro wishes to see attending Note 134 · 46. Spare Fast, that oft with gods doth diet. Only the rigid ascetic has a spiritual ear so finely trained that he hears the celestial musicNote 135 · 48. Aye, as their rhymes show, is always pronounced by the poets with the vowel sound in day.Note 136 · 53. the fiery-wheeled throne. See Daniel VII 9.Note 137 · 54. The Cherub Contemplation. Pronounce contemplation with five syllables. It is difficult to form a distinct conception of the nature and oNote 138 · 55. hist, primarily an interjection commanding silence, becomes here a verb.Note 139 · 56. With the introduction of the nightingale comes the first intimation of the time of day at which Il Penseroso conceives the course of hisNote 140 · 57. Everywhere else in Milton plight is used with its modern connotations.Note 141 · 59. The moon stops to hear the nightingale’s song.Note 142 · 65. Remember L’Allegro’s not unseen.Note 143 · 77. Up to this point Il Penseroso has been walking in the open air.Note 144 · 78. removed,—remote, retired.Note 145 · 87. As the Bear never sets, to outwatch him must mean to sit up all night.Note 146 · 88. With thrice great Hermes. “Hermes Trismegistos—Hermes thrice-greatest—is the name given by the Neo-Platonists and the devotees of mysticNote 147 · 93-96. On the four classes of demons,—Salamanders, Sylphs, Nymphs, Gnomes,—see Pope’s Rape of the Lock. These demons are in complicity with Note 148 · 97-102. Thebes, Pelops’ line, and the tale of Troy are the staple subjects of the great Attic tragedians. It seems strange that the poet finNote 149 · 104-105. Musæus and Orpheus are semi-mythical bards, to whom is ascribed a greatness proportioned to their obscurity.Note 150 · 105-108. See note on L’Allegro, 149.Note 151 · 109-115. Or call up him that left half-told. This refers to Chaucer and to his Squieres Tale in the Canterbury Tales. It is left unfinished.Note 152 · 120. Stories in which more is meant than meets the ear refer to allegories, like the Fairy Queen.Note 153 · 121. Having thus filled the night with the occupations that he loves, Il Penseroso now greets the morning, which he hopes to find stormy witNote 154 · 122. civil-suited Morn: i.e. Morn in the everyday habiliments of business.Note 155 · 123-124. Eos—Aurora, the Dawn—carried off several youths distinguished for their beauty. the Attic boy is probably Cephalus, whom she stole Note 156 · 125. kerchieft in a comely cloud. Kerchief is here used in its original and proper sense. Look up its origin.Note 157 · 126. The winds may be called rocking because they visibly rock the trees, or because they shake houses.Note 158 · 127. Or ushered with a shower still. The shower falls gently, without wind.Note 159 · 130. With minute-drops from off the eaves. After the rain has ceased, and while the thatch is draining, the drops fall at regular intervals Note 160 · 131. The shower is past, and the sun appears, but Il Penseroso finds its beams flaring and distasteful. He seeks covert in the dense groves.Note 161 · 134. Sylvan is the god of the woods.Note 162 · 135. The monumental oak is so called from its great age and size.Note 163 · 140. Consciously nursing his melancholy, Il Penseroso deems the wood that hides him a sacred place, and resents intrusion as a profanation.Note 164 · 141. Hide me from day’s garish eye. See Richard III. IV 4 89, Romeo and Juliet III 2 25.Note 165 · 142. While the bee with honeyed thigh. Is this good apiology?Note 166 · 146. Entice the dewy-feathered Sleep. Note that sleep is represented as having feathers. These feathers, in their soft, gentle movement and Note 167 · 148. his refers to the dewy-feathered sleep. Il Penseroso asks that a strange, mysterious dream, hovering close by the wings of sleep, and lNote 168 · 155-166. The word studious in line 156 determines that the passage refers to college life and not to church attendance. The old English collNote 169 · 157. embowed means vaulted, or bent like a bow.Note 170 · 158. massy-proof: massive and proof against all failure to support their load.Note 171 · 159. And storied windows richly dight. Compare L’Allegro, 62.Note 172 · 170. The best possible comment on this use of the verb spell is Milton’s own language, Par. Regained IV 382, where Satan, addressing the SonNote 173 · 20. Latona (or Leto) was the mother of Apollo and Diana by Zeus.Note 174 · 21. the towered Cybele is Virgil’s Berecyntia Mater, the Phrygian mother, who, wearing her mural crown, drives in her chariot through [95] tNote 175 · 28. Of famous Arcady ye are. Arcadia, in the Peloponnesus, was peculiarly the home of music and song, especially among the shepherds. See ViNote 176 · 30. Divine Alpheus. See note on Lycidas 132.Note 177 · 46. curl the grove: bestow upon the grove dense, crisp foliage.Note 178 · 47. With ringlets quaint and wanton windings wove. The grove is intersected with a maze of circling and purposeless paths.Note 179 · 49. noisome: full of annoyance, injurious. See Par. Lost XI 478. blasting vapors. See note on Comus 640.Note 180 · 51. thwarting thunder blue. Compare Julius Cæsar I 3 50, “the cross blue lightning.”Note 181 · 52. the cross dire-looking planet. Cross means adverse, unfavorable. See note on influence, Hymn on the Nativity 71.Note 182 · 54. evening gray. See note on Lycidas 187.Note 183 · 60. murmurs. Compare Comus 526.Note 184 · 63. the celestial Sirens’ harmony. The Sirens are here advanced to a high function and given a new Epithet. Compare Comus 253.Note 185 · 64. the nine infolded spheres. See note on Hymn on Nativity 48.Note 186 · 65-66. See note on Lycidas 75.Note 187 · 69. the daughters of Necessity: the Fates.Note 188 · 72-73. which none can hear Of human mould with gross unpurged ear. Compare Merchant of Venice V 1 64.Note 189 · 87. touch the warbled string: the string that is accompanied with the voice. See Il Penseroso 106.Note 190 · 97. Ladon, a river of Arcadia, flowing into the Alpheus.Note 191 · 98. Lycæus and Cyllene, mountains of Arcadia.Note 192 · 100. Erymanth. Erymanthus is a range of mountains separating Arcadia from Achaia and Elis.Note 193 · 102. Mænalus, another mountain of Arcadia.Note 194 · 106. Though Syrinx your Pan’s mistress were. Syrinx was an Arcadian nymph, who, being pursued by Pan, threw herself into the Ladon, where shNote 195 · 7. the sapphire-colored throne. See Ezekiel I 26.Note 196 · 27. consort is the word from which we derive our concert.Note 197 · 1. Before the starry threshold of Jove’s court. The attendant spirit not only announces himself as a dweller in heaven, but he specifies hisNote 198 · 3. insphered. Compare Il Penseroso 88.Note 199 · 7. Confined and pestered. Pester has its primitive meaning, to clog or encumber. In this pinfold here. Pinfold is probably not connected witNote 200 · 10. After this mortal change: after this life on earth, which is subject to death.Note 201 · 11. Amongst the enthroned gods. Make but two syllables of enthroned, and accent the first.Note 202 · The long sentence ending with line 11 is very loose in construction: the and in line 7 is a coördinate conjunction, but does not connect coöNote 203 · 13. To lay their just hands on that golden key. Compare Lycidas 110.Note 204 · 16. these pure ambrosial weeds. Ambrosial has its proper meaning,—pertaining to the immortals.Note 205 · 20. by lot ’twixt high and nether Jove. Neptune drew lots with Jupiter and Pluto. To Jupiter fell the region of the upper air, to Pluto the Note 206 · 25. By course commits to several government: in due order he assigns the islands to his tributaries, giving them an island apiece.Note 207 · 27. But this Isle is so large that he has to divide it.Note 208 · 29. Consider quarters to mean nothing more than divides. his blue-haired deities. The epithet is conventional, taken from the Greek poets, aNote 209 · 31. A noble Peer. This connects the poem with actual persons and announces its occasion. The noble peer is the Earl of Bridgewater, and the Note 210 · 33. The old and haughty nation are the Welsh.Note 211 · 34. his fair offspring are two sons and a daughter, who are to play the parts of the Two Brothers and the Lady in the mask.Note 212 · 37. the perplexed paths of this drear wood. Compare Par. Lost IV 176.Note 213 · 41. sovran. See note on Hymn on the Nativity 60.Note 214 · 45. in hall or bower. Hall and bower are conventionally coupled by the poets to signify the dwellings, respectively, of the gentry and the lNote 215 · 46. The transformation by Bacchus of the treacherous Tuscan sailors into dolphins belongs to the established myths of that god. But Milton eNote 216 · 48. After the Tuscan mariners transformed; a Latinism, meaning, after the transformation of the Tuscan mariners.Note 217 · 50. fell: chanced to land.Note 218 · For the story of Circe, see the Odyssey X.Note 219 · 58. Understand that no such distinct character as Comus belongs to the received mythology. Milton is a myth-maker.Note 220 · 59. frolic is used as an adjective, as in L’Allegro 18.Note 221 · 60. the Celtic and Iberian fields. The god traversed Gaul and Spain, on his way to Britain.Note 222 · 61. ominous: abounding in mysterious signs of danger.Note 223 · 65. His orient liquor. See line 673 of this poem.Note 224 · 72. Note that only the countenance is changed.Note 225 · 87. Well knows to still the wild winds. The poem moves throughout in the realm of romance. The swain Thyrsis is in his own character a practNote 226 · 88. nor of less faith. Thyrsis has just been described as a person of great skill.Note 227 · 90. Likeliest: most likely to be.Note 228 · 93. The transition from the stately mood of the Attendant Spirit’s exordium to the noisy exhilaration of Comus is marked by appropriate chanNote 229 · 96. doth allay: doth cool.Note 230 · 97. The epithet steep is applied to the ocean, though really it is the course of the downward-moving sun that is steep.Note 231 · 99-101. Milton uses pole, as the poets were wont to do, to mean the sky; and the passage means,—the sun, moving about the earth in his obliqNote 232 · 105. with rosy twine; with twined, or wreathed, roses.Note 233 · 108-109. Advice ... Age ... Severity. For these abstract terms substitute their concretes.Note 234 · 110. their grave saws. So Hamlet I 5 100, “all saws of books.”Note 235 · 116. in wavering morrice. See M. N. Dream II 1 98; All’s Well II 2 25.Note 236 · 118. the dapper elves. Dapper is akin to the German tapfer, but with a very different connotation.Note 237 · 124. Love: the Latin Amor, the Greek Eros, and our Cupid.Note 238 · 129. Dark-veiled Cotytto was a Thracian goddess, whose worship was connected with licentious frivolity.Note 239 · 133. makes one blot of all the air. Compare line 204 of this poem.Note 240 · 135. thou ridest with Hecat’. Hecate was a goddess of the lower world, mistress of witchcraft and the black arts.Note 241 · 139. The nice Morn. Nice is used in a disparaging sense, meaning over particular, minutely critical.Note 242 · 140. From her cabined loop-hole peep. As if morn dwelt in a cabin and clandestinely peeped from a small window.Note 243 · 141. descry must here mean reveal.Note 244 · 144. In a light fantastic round. Recall L’Allegro 34. Comus and his crew are now dancing.Note 245 · 147. shrouds: hiding-places. See the verb, line 316.Note 246 · 151. my wily trains. Trains are tricks, as in Macbeth IV 3 118.Note 247 · 154. The air is spongy because it absorbs his magic dust.Note 248 · 155. blear, usually applied to eyes, here refers to the effect of seeing objects with blear eyes.Note 249 · 174. the loose unlettered hinds. The hinds are farm-servants, usually with an implication of rudeness and rusticity, and they are loose becaNote 250 · 177. amiss: in wrong or unseemly ways.Note 251 · 178. swilled is a very contemptuous word.Note 252 · 179. wassailers. See Macbeth I 7 64. The word has an interesting etymology.Note 253 · 188. the grey-hooded Even. Milton is fond of applying the epithet gray to the evening and the dawn. See Par. Lost IV 598, Lycidas 187.Note 254 · 189. Like a sad votarist in palmer’s weed. The votarist is one who has made a vow. In this case he goes on a pilgrimage, carrying a palm braNote 255 · 203. the tumult of loud mirth was rife. As to the meaning of rife compare Sam. Ag. 866 and Par. Lost I 650.Note 256 · 204. Yet nought but single darkness do I find. The darkness is unbroken by any ray of light.Note 257 · 210. may startle well, but not astound. Astound is a strong word. See Par. Lost I 281.Note 258 · 212. a strong siding champion: a champion who sides with the virtuous mind.Note 259 · 222. her silver lining. Note Milton’s avoidance of the possessive its. In all his verse he uses its but three times.Note 260 · 231. Within thy airy shell. The airy shell in which Echo lives must be the “hollow round” of the atmosphere. Compare Hymn on the Nativity 10Note 261 · 232. The Meander is the river of Asia Minor, famous for its windings.Note 262 · 233-237. The mention of the nightingale and Narcissus in this passage suggests that it may be a reminiscence of the chorus in the Oedipus CoNote 263 · 237. Echo’s passion for the beautiful Narcissus was not requited, and she pined away till she became a mere voice, which she could not utterNote 264 · 241. Daughter of the Sphere: daughter of the air, which forms a hollow sphere about the earth.Note 265 · 243. And give resounding grace to all Heaven’s harmonies: by echoing back the music of the spheres.Note 266 · 249-252. Even darkness smiled, as if acknowledging itself agreeably caressed by the strains of the lady’s song.Note 267 · 251. At every fall. Fall, as a musical term, is “a sinking down or lowering of the note or voice; cadence” (New Eng. Dict.).Note 268 · 253. the Sirens dwelt on an island near Sicily, and by their sweet song allured mariners to destruction. See Odyssey XII.Note 269 · 254. the Naiades were nymphs attendant on Circe and the Sirens.Note 270 · 257. And lap it in Elysium. Compare L’Allegro 136.Note 271 · 257-259. Scylla and Charybdis were dangerous rocks and whirlpools on opposite sides of the strait of Messina. They were personified as cruelNote 272 · 260. Yet they: Circe and the Sirens.Note 273 · 267. Unless the goddess. Supply thou art.Note 274 · 273. extreme shift: a pressing necessity of devising some expedient.Note 275 · 277-290. These fourteen lines are an instance of “stichomythia, or conversation in alternate lines, which was always popular on the Attic stNote 276 · 289. Were they of manly prime or youthful bloom? Were they in the prime of adult manhood, or in the bloom of youth?Note 277 · 292. An ox in traces would now be a rare sight.Note 278 · 294. a green mantling vine. See Par. Lost IV 258.Note 279 · 299. gay creatures of the element: creatures of the air,—supernatural beings.Note 280 · 301. And play i’ the plighted clouds. Probably the poet means the plaited, or pleated, clouds, conceiving the clouds as appearing folded togNote 281 · 316. Or shroud within these limits. Shroud as a noun we saw above, line 147.Note 282 · 318. From her thatched pallet rouse. The lark builds on the ground, seeking a spot protected by overarching stems of grass or grain, which mNote 283 · 325. where it first was named. The derivation of the words courteous and courtesy from court is obvious.Note 284 · 327. Less warranted than this, or less secure. The lady says that she cannot be in any place less guaranteed than this against evil, and thaNote 285 · 329. square my trial To my proportioned strength: make my trial proportionate to my strength.Note 286 · 332. That wont’st to love. Wont’st, in the present tense, means, as we say, art wont.Note 287 · 333. Stoop thy pale visage. Stoop is thus used, transitively, Richard II. III 1 19, “myself ... have stooped my neck.”Note 288 · 334. And disinherit Chaos, that reigns here. Chaos, “the formless void of primordial matter,” is personified by Milton here and, much more cNote 289 · 338. a rush-candle: a candle made with a rush for a wick,—the cheapest kind of light. from the wicker hole Of some clay habitation. Imagine Note 290 · 341-342. The star of Arcady is the constellation of the Greater [106] Bear, and the Tyrian Cynosure that of the Lesser Bear. Stars in these Note 291 · 345. Or sound of pastoral reed with oaten stops. Compare Collins’s Ode to Evening,—If aught of oaten stop, or pastoral song. The shepherds oNote 292 · 349. innumerous boughs. Compare Par. Lost VII 455.Note 293 · 358. Of savage hunger, or of savage heat: of hungry savages, or of lustful savages.Note 294 · 361. grant they be so: grant that they are real evils.Note 295 · 365. Make four syllables of delusion.Note 296 · 366. I do not think my sister so to seek: I do not think she has her seeking, or learning, still to do: I do not think her so inexperienced.Note 297 · 373-375. Is this practical doctrine?Note 298 · 377. Make five syllables of Contemplation.Note 299 · 380. Were all to-ruffled. The particle to—Anglo Saxon tô, Modern German zer—has disappeared from Modern English. In Old English it was oftenNote 300 · 386. affects: likes, has an affection for.Note 301 · 390. weeds, as in line 84.Note 302 · 393. the fair Hesperian tree. See line 983.Note 303 · 394. had need the guard. An elliptical expression. Need is a noun, but is treated as if it were a verb.Note 304 · 395. The dragon Ladon was not able to defend the apples of Hesperides against Hercules.Note 305 · 401. will wink on Opportunity: will fail to see its chance.Note 306 · 404. it recks me not. The verb is thus used, impersonally, also in Lycidas 122.Note 307 · 407. The line has two hypermetric syllables, one after the third foot, and one at the end.Note 308 · 413. squint suspicion. An epithet applicable only to a physical infirmity is applied to a mental act.Note 309 · 422. quivered: bearing a quiver.Note 310 · 423. unharbored: furnishing no shelter.Note 311 · 424. Infamous hills. Accent infamous as we do now and as Milton does elsewhere. Verses thus beginning with trochees are common.Note 312 · 429. Look up the origin of the word grots.Note 313 · 430. unblenched: unstartled.Note 314 · 434. Blue meagre hag. The hag has the livid hue of hunger.Note 315 · 436. swart faery of the mine. A malignant demon dwelling under ground,—a gnome.Note 316 · 441. the huntress Dian. The powerful goddess Diana, or Artemis, twin sister of Apollo, was figured bearing a bow and arrows.Note 317 · 448. wise Minerva. Minerva, or Pallas Athene, is usually represented as wearing on her breast the ægis with a border of snakes and the GorgoNote 318 · 460-462. Note the different modes in begin and turns, where we should look for similar constructions.Note 319 · 487. The ellipsis of we had is readily supplied. Draw and stand are infinitives.Note 320 · 494. Thyrsis, a stock shepherd-name. The spirit henceforth appears to his fellow-actors in the mask as the shepherd with whom they are familNote 321 · 495-512. These lines express sudden emotion, and approximate lyric in character. Hence the rhyme.Note 322 · 508. How chance she is not. Supply the ellipsis.Note 323 · 517. Chimeras is here used vaguely in the plural to mean dangerous monsters.Note 324 · 526. With many murmurs mixed. The enchanter spoke or sang forms of incantation over his mixing and brewing. Recall Macbeth.Note 325 · 529. The word mintage has an interesting history. The human countenance is conceived as an imprint, like the characters on a coin.Note 326 · 530. Charactered in the face. The noun character Milton pronounces with accent on the first syllable, as does Shakespeare. Probably he also Note 327 · 531. crofts. The word is still in use in England, meaning a small farm.Note 328 · 540. by then the chewing flocks: by the time when, etc.Note 329 · 547. To meditate my rural minstrelsy: to play on my shepherd-pipe and to sing. To meditate the muse is a standard expression of the pastoralNote 330 · 552. What do we know was the cause of this unusual stop of sudden silence?Note 331 · 553-554. The cessation of the din gave to the steeds of sleep, and to people who were trying to sleep, relief from annoyance.Note 332 · 557-560. Be sure you understand the figure.Note 333 · 560. Still, in its very frequent sense, always.Note 334 · 562. Under the ribs of Death: in a skeleton.Note 335 · 575. such two; describing them.Note 336 · 586. Shall be unsaid for me: it is not necessary for me to make any change in my opinion to make it harmonize with this new aspect of affairNote 337 · 595. Gathered like scum, and settled to itself. The two metaphors thus combined make a rather strange mixture.Note 338 · 598. The pillared firmament. By the firmament is usually understood the sphere of the fixed stars. How to introduce the conception of pillarNote 339 · 604. Acheron. See Par. Lost II 578.Note 340 · 605. The Harpies were monstrous birds with women’s heads. Their doings are described Æneid III. The Hydra was a monster serpent with a hundrNote 341 · 607. his purchase: his acquisition.Note 342 · 610. I love thy courage yet, though thou hast spoken most unwisely.Note 343 · 611. can do thee little stead: can avail thee but little.Note 344 · 617. utmost shifts: most carefully devised precautions.Note 345 · 620. Of small regard to see to: of very insignificant appearance.Note 346 · 621. A virtuous plant is a plant which has virtues, i.e. powers or qualities.Note 347 · 624. Which when I did. The modern English has lost the power of beginning a sentence thus, with two relatives.Note 348 · 626. scrip, a word in no way connected with script.Note 349 · 627. And show me simples of a thousand names. Compare Hamlet IV 7 145, “no cataplasm so rare, Collected from all simples that have virtue UnNote 350 · 634. Unknown and like esteemed: neither known nor esteemed.Note 351 · 635. Treads on it daily with his clouted shoon. See 2 Henry VI. IV 2 195,—“Spare none but such as go in clouted shoon,” and Hamlet IV 5 26,—Note 352 · 636. The story of Hermes’ giving Ulysses the Moly read in Odyssey X. “Therewith the slayer of Argos gave me the plant that he had plucked frNote 353 · 638. He called it Hæmony. Hæmony is a nonce-word of Milton’s own coining. He may have derived it from a Greek word meaning skilful or from aNote 354 · 640. mildew blast, or damp. Blast is defined by Dr. Murray: “A sudden infection destructive to vegetable or animal life (formerly attributedNote 355 · 641. Or ghastly Furies’ apparition: or the appearance of terrifying ghosts.Note 356 · 646. Entered the very lime-twigs of his spells. Lime was a viscous substance, spread upon the twigs of trees and bushes to entangle the feetNote 357 · 657. apace: quickly.Note 358 · In the stage directions, goes about means, makes a movement.Note 359 · 661. as Daphne was, Root-bound, that fled Apollo. The great god, Apollo, pursuing the nymph Daphne, Diana saved her by transforming her intoNote 360 · 672. this cordial julep. Julep is a word of Persian origin, meaning rose-water. Note the poet’s skill in culling words of delicious sound.Note 361 · 675. Not that Nepenthes which the wife of Thone In Egypt gave to Jove-born Helena. See Odyssey IV: “Then Helen, daughter of Zeus, cast a druNote 362 · 685. the unexempt condition: the condition from which no one is exempt.Note 363 · 695. These oughly-headed monsters. Perhaps by this peculiar spelling, oughly, Milton meant to add to the word ugly a higher degree of uglineNote 364 · 698. With vizored falsehood: falsehood with its vizor, or face-piece, down, to conceal its identity.Note 365 · 700. With liquorish baits. Liquorish, now usually spelled lickerish, [110] is allied to lecherous, and has no connection with liquor or withNote 366 · 703. The goodness of the gift lies in the intention of the giver.Note 367 · 707. those budge doctors of the stoic fur. Budge is defined by Dr. Murray: “Solemn in demeanor, important-looking, pompous, stiff, formal.” Note 368 · 708. fetch their precepts from the Cynic tub: teach doctrines learned from the Cynic Diogenes, who is reputed to have lived in a tub.Note 369 · 719. hutched: stowed or laid away, as in a chest or hutch.Note 370 · 721. pulse; conceived as the simplest kind of food.Note 371 · 722. frieze; to be pronounced freeze.Note 372 · 724. and yet: and what is yet more.Note 373 · 728. Who refers back to Nature.Note 374 · 734. they below: the people of the lower world.Note 375 · 737. coy. See Lycidas 18. cozened. See Merchant of Venice II 9 38.Note 376 · 744. It refers back to beauty.Note 377 · 748. homely; in the modern disparaging sense.Note 378 · 750. grain: color.Note 379 · 751. To ply, or make, a sampler, as a proof of her skill with the needle, was, until very modern times, the duty of every young girl. The olNote 380 · 753. In what respect can tresses be said to be like the morn?Note 381 · 760. when vice can bolt her arguments. There are two verbs, spelled alike, bolt. One means to sift, and is used often of arguments and reasoNote 382 · 773. How is the line to be scanned?Note 383 · 780. Or have I said enow? In the edition of Comus published in 1645 this passage reads, Or have I said enough? In the edition of 1673, the lNote 384 · 788. thou art worthy that thou shouldst not know. A Latinism: dignus es qui non cognoscas.Note 385 · 793. the uncontrolled worth Of this pure cause: the invincible power inherent in the cause by virtue of its nature.Note 386 · 804. Speaks thunder and the chains of Erebus To some of Saturn’s crew: pronounces sentence upon his foes, condemning them to the punishmentsNote 387 · 808. the canon laws: the fundamental laws, or the Constitution. Canon law, generally speaking, is ecclesiastical law, or the law governing tNote 388 · 817. And backward mutters of dissevering power. The “many murmurs” with which his incantations have been mixed must be spoken backward in orNote 389 · 822. Melibœus is yet another of the stock names of pastoral poetry.Note 390 · 823. The soothest shepherd. The ancient adjective sooth means essentially nothing more than true.Note 391 · 826. Sabrina is her name. The story of Sabrina is told by Geoffrey of Monmouth, whose history is included in the volume of Bohn’s AntiquariaNote 392 · 827. Whilom is derived from the dative plural hwílum of the Old English noun hwíl, and originally meant at times.Note 393 · 831. What does Sabrina do in this line?Note 394 · 835. aged Nereus was one of the numerous Greek deities of the water. He and his wife Doris had fifty or a hundred daughters, who are called Note 395 · 838. In nectared lavers strewed with asphodel. The nectar of the gods, which we usually think of as their drink, was also applied to other pNote 396 · 840. ambrosial here means, conferring immortality.Note 397 · 845. Helping all urchin blasts; i.e. helping the victims of the blasts against their baleful influence. See note on line 640. See Merry WiveNote 398 · 851. The word daffodil is directly derived from asphodel, with a d unaccountably prefixed. The English daffodil is the narcissus.Note 399 · 858. adjuring: charging or entreating solemnly and earnestly, as if under oath.Note 400 · 868. Oceănus is the personified Ocean, a broad, flowing stream encircling the earth.Note 401 · 869. Earth-shaking is a Homeric epithet of Neptune. The mace of Neptune must be his trident.Note 402 · 870. Tethys is wife of Oceanus and mother of the Oceanids. She reared the great goddess Juno, wife of Jupiter. Her pace is suitable to her dNote 403 · 871. hoary Nereus. See note on line 835.Note 404 · 872. the Carpathian wizard’s hook. Proteus, son of Oceanus and Tethys, herded the sea-calves of Neptune on the island of Carpathus. As a herNote 405 · 873. Scaly Triton’s winding shell. Triton was herald of Neptune and so carried a shell, which he was wont to wind as a horn. His body was inNote 406 · 874. The soothsaying Glaucus was a prophet, and gave oracles at Delos. He is represented as a man whose hair and beard are dripping with watNote 407 · 875. By Leucothĕa’s lovely hands,Note 408 · 877. By Thetis’ tinsel-slippered feet. Thetis was the wife of Peleus, and the mother of Achilles. In Homer she has the epithet silver-footedNote 409 · 878. the songs of Sirens. See note on line 253.Note 410 · 879. By dead Parthenope’s dear tomb. Parthenope was one of the Sirens. At Naples her tomb was shown.Note 411 · 880. And fair Ligea’s golden comb. Ligea was probably also a siren. In Virgil, Georgics IV 336, we find a nymph of this name, spinning wool Note 412 · 887. In the reading make in an adverb.Note 413 · 892. My sliding chariot stays. Compare this use of stay with that found in lines 134, 577, 820.Note 414 · 893. the azurn sheen. With azurn compare cedarn, line 990.Note 415 · 908-909. Be careful what inflection you give these lines in the reading.Note 416 · 913. of precious cure: of precious power to cure.Note 417 · 921. To wait in Amphitrite’s bower. Amphitrite was a daughter of Oceanus and Tethys. She was goddess of the sea, had the care of its creaturNote 418 · 923. Sprung of old Anchises’ line. According to Geoffrey of Monmouth, Brutus the Trojan was the grandson of Æneas and founder of London. AncNote 419 · 924. thy brimmed waves. A river is happiest when full to its brim.Note 420 · 930. Of what parts of speech are torrent and flood?Note 421 · 933. It is very curious that our word beryl and the German Brille come directly from the same source.Note 422 · 937. And yet this river is the English Severn!Note 423 · 957. Note the impressive effect of the five-foot line ending the scene.Note 424 · The shepherds have their dance in rustic fashion. The words describing this dance are the familiar peasant words, jig, duck, nod. The playfuNote 425 · 964. With the mincing Dryades. “The Dryades were nymphs of woods and trees, dwelling in groves, ravines, and wooded valleys, and were fond oNote 426 · 980. I suck the liquid air: I inhale the upper air,—the æther [114] liquidus of the poets. So Ariel, Tempest V 1 102, “I drink the air beforNote 427 · 981. the gardens fair Of Hesperus and his daughters three. The number of the Hesperides and their parentage are differently given in variousNote 428 · 984. Along the crisped shades and bowers. Milton applies crisped to brooks, Par. Lost IV 237. Herrick has,—“the crisped yew,” and the AmericNote 429 · 985. spruce. A very interesting account of the origin of this word is given by Skeat in his Etymological Dictionary.Note 430 · 986. The Graces and the rosy-bosomed Hours. See note on L’Allegro 15. “The Graces were guardians of the vernal sweetness and beauty of naturNote 431 · 990. About the cedarn alleys: about the pathways through cedar groves. Coleridge, in Kubla Khan, has the line, “Down the green hill athwart Note 432 · 992. Iris is the messenger of the gods: her path is the rainbow.Note 433 · 993. Dr. Murray gives other instances of blow as a transitive verb.Note 434 · 999. Adonis was a young shepherd, the special favorite of Venus. His death was caused by a wild boar. The story is told in various forms. ObNote 435 · 1002. the Assyrian queen. The worship of Aphrodite (Venus) was brought into Greece from Assyria.Note 436 · 1005. Holds his dear Psyche. Psyche—the personification of the human soul—was a mortal maiden, beloved of Cupid. Venus, in her jealousy of PNote 437 · 1015. Where the bowed welkin slow doth bend: where the curvature of the vault of the sky seems less than higher up toward the zenith.Note 438 · 1021. the sphery chime. See notes, Hymn on the Nativity 48 and 125.Note 439 · 1-5. To pluck once more the berries of the evergreens, or to gather laurels,—is to make a new venture as a poet,—to compose a poem. The berrNote 440 · 6-7. A sad duty is imposed upon him, forbidding further delay on any personal grounds.Note 441 · 8. Lycidas is one of the stock names of pastoral poetry. The poem, though most serious in its main motive and intention, is to have a pastorNote 442 · 11. he knew Himself to sing and build the lofty rhyme. Edward King had, in accordance with the college custom of his time, written verses, aNote 443 · 13. and welter to the parching wind. See Par. Lost II 594, I 78.Note 444 · 15. Sisters of the sacred well. Ancient tradition connects the origin of the Muses with Pieria, a district of Macedonia at the foot of OlympNote 445 · 19. So may some gentle muse. A peculiar use of the word muse as masculine, and meaning poet.Note 446 · 23-31. We pursued the same studies, at the same college, and we studied from early morning sometimes till after midnight. The metaphors are Note 447 · 32-36. We wrote merry verse, bringing in the college jollities, in wanton student-fashion, and the good-natured old don who was our tutor afNote 448 · 34. Rough Satyrs danced, and Fauns with cloven heel. The Satyrs, represented as having human forms, with small goat’s horns and a small tailNote 449 · 37-49. Nature herself sympathizes with men, and mourns thy loss.Note 450 · 50. Nymphs: deities of the forests and streams.Note 451 · 52. on the steep Where your old bards, the famous Druids, lie. The shipwreck in which King was lost took place off the coast of Wales. Any oNote 452 · 54. Nor on the shaggy top of Mona high. Mona is the ancient and poetical name of the island of Anglesea.Note 453 · 55. Nor yet where Deva spreads her wizard stream. The Dee (Deva) below Chester expands into a broad estuary. In his lines [117] spoken At a Note 454 · 56-63. Even the Muse Calliope could do nothing for her son Orpheus, whom the Thracian women tore to pieces under the excitement of their BacNote 455 · 64. what boots it: of what use is it?Note 456 · 64-66. What good are we going to derive from this unremitting devotion to study?Note 457 · 67-69. Would it not be better to abandon ourselves to social enjoyment, and to lives of frivolous trifling? Amaryllis and Neæra are stock naNote 458 · 70-72. Understand clear, as applied to spirit, to mean “pure, guileless, unsophisticated.” Sir Henry Wotton, in his Panegyric to King CharleNote 459 · 75. the blind Fury with the abhorred shears. Milton here seems to ascribe to the Furies (Erinyes) the function belonging to the Fates (ParcæNote 460 · 76-77. But not the praise, Phœbus replied, and touched my trembling ears. The Fury cannot destroy the praise, which necessarily belongs to dNote 461 · 79. in the glistering foil Set off. See Shakespeare, Richard III. V 3 250,—“A base foul stone, made precious by the foil of England’s chair.Note 462 · 85-86. O fountain Arethuse, and thou honored flood, Smooth-sliding Mincius. Arethusa was a fresh-water fountain at Syracuse in Sicily, and tNote 463 · 88. Now I am on good terms again with the deities of lower rank. Oat is a common designation of the shepherd’s pipe, or syrinx.Note 464 · 89-90. Neptune, through his herald, Triton, pleads his freedom from all complicity in the drowning of Lycidas. Triton sends to Æolus, god ofNote 465 · 95-99. The winds prove their innocence, and Æŏlus himself comes to report to Triton that at the time of the disaster they were all at home aNote 466 · 96. sage Hippotădes. Æolus was the son of Hippotes. See all about him in Odyssey, book X. Read also Ruskin, Queen of the Air, section 19.Note 467 · 99. Panope was a Nereid, one of the numerous daughters of Nereus.Note 468 · 103. Now comes another grand personage to make inquiry about the death of Lycidas. Camus, the deity of the river Cam, stands for the UniversNote 469 · 104. His mantle hairy, and his bonnet sedge. The river god is represented as wearing a mantle made of water-grasses and reeds.Note 470 · 105-106. These lines refer to certain markings on the water-plants of the Cam, said to be correctly described here by the poet. The dimness Note 471 · 106. that sanguine flower inscribed with woe. This is the hyacinth, the flower that sprang up on the spot where the youth Hyacinthus had beeNote 472 · 107. Lycidas was one of those collegians whose scholarship, character, and piety promise to make them the pride of their Alma Mater.Note 473 · 109. The Pilot of the Galilean Lake. See Matthew XIV.Note 474 · 110. Two massy keys he bore of metals twain. See Matthew XVI 19. See also Comus 13 and Par. Lost III 485. The idea of two keys, one of gold Note 475 · 112. He shook his mitred locks. St. Peter wears the mitre as bishop.Note 476 · 113-131. St. Peter makes but little reference to Lycidas, and his words add almost nothing to the elegiac character of the poem. His speech Note 477 · 114. Enow is here used in its proper plural sense. See note on Comus 780.Note 478 · 115. climb into the fold. See John X 1. The metaphor of sheep and herdsmen is continued throughout the speech.Note 479 · 119. Blind mouths! As the relative pronoun beginning the next clause refers to this exclamation, mouths must be taken as a bold metaphor meaNote 480 · 122. What recks it them? See note on Comus 404. They are sped: they have succeeded in their purpose. See Antony and Cleopatra II 3 35. Note Note 481 · 123. their lean and flashy songs: their sermons.Note 482 · 125-127. The congregations are not edified. The miserable preaching they listen to fails to keep them sound in doctrine. They grow lax in thNote 483 · 128. the grim wolf with privy paw is undoubtedly the Roman church.Note 484 · 130-131. These lines evidently denounce some terrible retribution that is sure ere long to overtake the corrupt clergy described in the precNote 485 · 132. Return, Alphēus. The Alpheus was a river of the Peloponnesus, said to sink underground and to flow beneath the sea to Ortygia, near SyrNote 486 · 134-151. Milton is fond of thus collecting names of persons, places, and things, choosing them as well for their effect on the ear as for thNote 487 · 136. where the mild whispers use. The verb use, in this intransitive [121] sense, with only adverbial complement, and meaning dwell, is now Note 488 · 138. the swart star: the star that makes swart, or swarthy; i.e. the sun.Note 489 · 139. enamelled eyes are the flowers generally, which are to be specified. Scattered over the turf, the flowers seem to be looking upward, liNote 490 · 142. rathe is the adjective whose comparative is our rather.Note 491 · 149. amaranthus, by its etymology, means unfading.Note 492 · 150. Daffadil is derived from asphodel, with a curious, and altogether unusual, prefixed d.Note 493 · 153. dally with false surmise. King’s body was not found. There was no actual strewing of the laureate hearse with flowers.Note 494 · 156. the stormy Hebrides: islands off the northwest coast of Scotland.Note 495 · 160. Sleep’st by the fable of Bellerus old. The fable of Bellerus is the fabled Bellerus, or Bellerus of the fable. He was a mythical giant Note 496 · 161. the great Vision of the guarded mount. St. Michael’s Mount is a pyramidal rock in Mounts Bay on the coast of Cornwall. This was guardedNote 497 · 170. with new-spangled ore. Ore, from its original meaning of metal in the natural state, comes to signify metallic lustre generally. See CoNote 498 · 173. See Matthew XIV 25.Note 499 · 175. Compare Comus 838.Note 500 · 176. the unexpressive nuptial song. See Hymn on the Nativity 116. See also Revelation XIX 7-9.Note 501 · 181. And wipe the tears forever from his eyes. See Revelation XXI 4.Note 502 · 183. Henceforth thou art the genius of the shore. This is the same promotion that was accorded to Melicertes, son of Ino, who on his death bNote 503 · 186. uncouth; a self-depreciating expression meaning unknown or obscure.Note 504 · 187. Milton applies the epithet gray both to evening and to morning.Note 505 · 188. various quills are the tubes of the shepherd pipe.Note 506 · 189. Doric means simply pastoral, because the idylls of the first pastoral poets were written in the Doric dialect of Greek.Note 507 · 190. had stretched out all the hills: had caused the shadows of the hills to prolong themselves eastward on the plain.Note 508 · 4. the jolly Hours. See note on Comus 986.Note 509 · 5-6. To hear the nightingale before the cuckoo was for lovers a good sign. This superstition is a motive in the Cuckoo and the Nightingale, Note 510 · 9. the rude bird of hate. This gives to the cuckoo altogether too bad a character. The bird has on the whole a fair standing in English poetNote 511 · 8. timely-happy: wise with the wisdom proportionate to one’s years. Similar compounds of two adjectives in Shakespeare are very frequent; foNote 512 · 10. even: equal, adequate.Note 513 · 1. Note that Colonel has three syllables, according to the pronunciation prevailing in Milton’s time. Look up the etymology of this word.Note 514 · 10. The great Emathian conqueror: Alexander the Great, called Emathian from Emathia, a district of his kingdom of Macedonia.Note 515 · 11. bid spare The house of Pindarus, when temple and tower Went to the ground. Alexander destroyed the city of Thebes in 335 B.C. Pindar, thNote 516 · 12. the repeated air Of sad Electra’s poet had the power To save the Athenian walls from ruin bare. To quote from Plutarch, Life of LysanderNote 517 · 2. See the gospel of Matthew VII 13.Note 518 · 5. See Luke X 40-42; Ruth I 14.Note 519 · 8. Note the “identical” rhyme. The effect of such a rhyme is unpleasant. Modern poets avoid it.Note 520 · 9-14. See Matthew XXV 1-13.Note 521 · 6-8. that dishonest victory at Chæronea. The victory of Philip over the Greeks at Chæronea, B.C. 338, is called by the poet dishonest becausNote 522 · 9. later born than to have known: too late to have known. Serius nata quam ut cognosceres.Note 523 · 3-4. not to scan With Midas’ ears. The god Apollo, during the time of his servitude to Laomedon, had a quarrel with Pan, who insisted that tNote 524 · 4. committing short and long: setting long syllables and short ones to fight against each other, and so destroying harmony.Note 525 · 5. The subject is conceived as a single idea, and so takes the verb in the singular. exempts thee: singles thee out, selects thee.Note 526 · 8. couldst humor best our tongue: couldst best adapt or accommodate itself to our language.Note 527 · 10. Phœbus’ quire: the poets. Quire is Milton’s spelling of choir.Note 528 · 12-14. Read the story of Dante’s meeting with his friend, the musician Casella, in the second canto of Purgatory.Note 529 · 7. the false North displays Her broken league. The Scotch and the English accused each other of having violated the Solemn League and CovenaNote 530 · 8. to imp their serpent wings. To imp a wing with feathers is to attach feathers to it so as to strengthen or improve its flight. The word iNote 531 · 13-14. Valor, Avarice, Rapine; personified abstracts, after the manner of our earlier poetry.Note 532 · 7-9. Darwen stream, usually spoken of as the battle of Preston, was fought Aug. 17, 1648; Dunbar, Sept. 3, 1650; Worcester, Sept. 3, 1651.Note 533 · 12. to bind our souls with secular chains: to fetter our religious freedom with laws made by the civil power.Note 534 · 14. hireling wolves. Milton applies this degrading appellation to clergymen who received pay from the state. His appeal to Cromwell was not Note 535 · 1. Vane, young in years: Vane was born in 1613.Note 536 · 3. gowns, not arms: civilians, not soldiers. The expression is a Latinism, the gown standing for the toga.Note 537 · 4. The fierce Epirot and the African bold: Pyrrhus and Hannibal.Note 538 · 6. hard to be spelled. Compare Il Penseroso 170.Note 539 · 4. when all our fathers worshiped stocks and stones. Christianity had been introduced into the Waldensian country while Britain was still paNote 540 · 5. their groans Who were thy sheep: the groans of those who were.Note 541 · 12. The triple Tyrant. The Pope, who wore a triple crown.Note 542 · 14. the Babylonian woe. The puritans interpreted the Babylon of Revelation as the church of Rome. See Revelation XVIII.Note 543 · 2. Ere half my days. Milton’s blindness is considered to have become total in 1652, when he was at the age of forty-four. How shall we underNote 544 · 3. See the Parable of the Talents, Matthew XXV.Note 545 · 8. I fondly ask. See note on Il Pens. 6.Note 546 · 6. Favonius is the Latin name for Zephyrus, the west wind.Note 547 · 10. Attic: refined, delicate, poignant.Note 548 · 13. and spare To interpose them oft: refrain from too free enjoyment of them.Note 549 · 1-4. Cyriac Skinner’s mother was daughter of the famous lawyer and judge, Sir Edward Coke.Note 550 · 2. Themis is personified law, this being the meaning of the Greek word.Note 551 · 7. Let Euclid rest, and Archimedes pause: intermit for a day your severe mathematical studies.Note 552 · 8. And what the Swede intend, and what the French: and pay no heed to foreign news.Note 553 · 1. this three years’ day: three years ago to-day.Note 554 · 10. Milton’s duties as Latin secretary to the government were exceedingly arduous.
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