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Homes and How to Make Them

LETTER IX.

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From the Architect.

A BROAD HOUSE IS BETTER THAN A HIGH ONE.

MY DEAR JOHN: It will not be necessary for you to send me a stone-heap or a section of pasture-wall for inspection. I would rather venture an opinion from your description.

Of course, these walls alone, if solid, as they doubtless must be, will be cold and damp; they must be furred off within to prevent moisture from condensing on the walls of the rooms. This furring should be done with light studs, secured to the floor timbers above

You say you would prefer not to build walls as high as a church tower of smooth cobblestones. Don't; it wouldn't be wise. Still I have seen them, of more humble dimensions, laid in good cement, as such walls always should be laid, that seem as firm as unbroken granite. But you will remember I only advise this mode of building on the condition that you are not ambitious of height. If you are, by all means curb your aspirations, or else

BREADTH AND HEIGHT.
BREADTH AND HEIGHT.

True, this would involve floors impervious to sound, and fire-proof,—by no means a fatal objection. Since we can neither "fly nor go" in the air, like birds and angels, it is well for us, having found our appropriate level, to abide thereon as far as may be. There is no doubt that where dwellings must be built compactly in "blocks," as we call them, the "flat" arrangement, each tenement being complete on one floor, is the cheapest and best. Even the fourth story in such a building is preferable to a house of eight or ten rooms, two on each floor. But this does not concern you, unless you have

One other fact besides the worth of co-operation I hope the dwellers in cities will learn to recognize practically. When there were no swift and screaming locomotives, no cosey and comfortable horse-cars, no red and yellow omnibuses even, there was good reason why men must forego the boon of country air; must forget the color of the ground, the smell of the green things growing, and the shape of the heavens above them. But the reason no longer exists. Doubtless the business of a city should be as compact as possible; but for its dwellings, every consideration of comfort and happiness, of physical and moral well-being, demands that the inhabitants shall make the most of their migratory resources and—scatter; find homes for themselves and their children. In the old time safety was found by crowding together within mural walls. Now the case is reversed. Where the population is densest, temptations and dangers do most abound. We've outgrown the walls, let us overcome the evils that were bred within them.

There may be a prejudice against another quality of these stone walls. They are rough. Roughness means want of culture and labor; that implies want of money, and that is—unpardonable. But roughness does not mean any such thing. What are mouldings and frets and carvings but a roughening of otherwise smooth surfaces? Artists of all kinds seek to remove even the appearance of an unbroken plane, and nature abhors a flat exterior, never allows one, even in the most plastic material, if it can be broken. See the waves of the ocean, the

I think you will like, both in exterior effect and in practical result, the plan of building the walls of the first story of stone with brick dressings, as described in my last letter, making the remainder of the house of wood, be the same more or less. If the sketches I send you do not make you in love with this style, or if you do not like to risk the experiment, examine

SECOND STORY OF WOOD.
SECOND STORY OF WOOD.

You must not think I would recommend this as a universal fashion, even where the materials are abundant, but give it place according to its merit.

I hope you will be spared the folly of building your house of dressed stone of uniform size and color, lest it be mistaken for a large tomb or a small jail. That you may not at present be compelled to take up your abode in either, is my sincere wish.

Explore with AITake your curiosity a little further.

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