INDEX

A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T, U, V, W.

Acanthus Foliage, 38, 263 “ Leaf (Greek) 264 “ “ (Roman) 266 “ “ (Byzantine) 267 Romanesque, 268 Gothic, 268 Italian Renaissance, 279 French Renaissance, 280 Jacobean, 280 Louis XIV, 283 Louis XV, 284 Louis XVI, 284 Grinling Gibbons, 285 Adam, 286 System of the, 286 Adam, Robert, 123 Alberti, Leo Battista, 76 Ancient Pottery, 8 Animals in Art, 331, 334 “ “ Compound, 336 Angelo, M., 79 Anthemion, The, 262 Anthemius, 45 Apathy, Public, 8 Appliqué, 296 Appreciation of Design, 288 Architecture, Egyptian, 22 Chaldean, 25 Greek, 28 Roman, 35 Byzantine, 43 Romanesque, 49 Gothic, 59 Renaissance, Italian, 75 “ Florentine, 76 “ Roman, 78 “ Venetian, 80 “ French, 85 “ in England, 88 “ Elizabethan, 91 “ Jacobean, 93 “ English, 102 “ Louis XIII, 103 “ Louis XIV, 106 “ Louis XV, 110 “ Later English, 113 Architectural Drawing, 158, 363 Architectural Features, Abacus, The, 173, 175, 178 Arch, 20 “ Pointed, 58 “ Decorated, 64 “ Perpendicular, 68 “ 184 Arcades, 200 “ Vaulted, 201 Architrave, 161, 164, 169, 172, 211 Archivolt, The, 186, 187 Attic, The, 208 Baluster, The, 191 Balustrading, 193 Battlement, The, 66 Base, The Doric, 181 “ The Ionic, 182 “ The Corinthian, 183 Basement, The, 207 Buttress, The, 59 Capital, The Doric, 173 “ The Ionic, 175 “ The Corinthian, 178 Clerestory, The, 51, 67 Column, The, 172 “ Employment of, 194 “ Disposition and Spacing of, 195 Corinthian Order, The, 163 Cornice, 161, 164, 169, 171, 209 Doric Order, The, 161 Doors, 211 Entablature, The Doric, 164 “ The Ionic, 169 “ The Corinthian, 171 Frieze, The, 161, 164, 167, 169, 171, 213, 226 Impost, The Doric, 185 “ The Ionic, 186 “ The Corinthian, 187 Ionic Order, The, 163 Keystone, The, 187 Lintel, The, 19 Mouldings, 61, 64, 68, 97, 107 “ Profiles, 138 “ Purpose of, 139 “ Decoration of, 143 “ Employment of 147 Mutule, The, 164 Order, The, 160 “ The Doric, 161 “ The Ionic, 163 “ The Corinthian, 163 Pedestal, The, 188 Pedestal, The Doric, 189 “ The Ionic, 190 “ The Corinthian, 190 Pediment, The, 209 Piers, 60, 184, 200, 205 Pilaster, The, 160, 199, 235 Plynth, The, 161, 181, 183, 184, 188, 190, 191, 193, 204, 208 Rustication, 205 Subsidiary Order, The, 202 Superimposed Orders, 197, 204 System of Proportion, 159 Triforium, The, 53, 60, 67 Vault, The, 20, 36, 53 “ Treatment of, 224 Vaulting, Fan, 68 Volute, The, 175 Windows, 60, 213 “ Plate Tracery, 61 “ Tracery of, 63, 64 Art, Interest in, 1 Definition of, 5 As an Appeal, 5 Ethical Side of, 14 Desire for Novelty in, 15 Egyptian, 23 Chaldean, 25 Greek, 33 Roman, 38 Græco-Roman, 40 Byzantine, 45 Artistic Phases of Expression, 10 Aureole, The, 340 Baluster, The, 153, 191, 246 Bank of Ireland, 136 Base, The Doric, 181 Base, The Ionic, 182 “ The Corinthian, 183 Basement, The, 207 Battlement, The, 66 Bazzi Gian Antonio (Sodoma), 83 Berain, Claude, 106 “ Jean, 106 Bernini, 80 Book Decoration, 300 Borders, 227 “ Treatment, 233 Boule, André Charles, 106, 109 “ Work, 298 Bramante, 78 Branching, Types of, 273 Brunelleschi, 76 Buttress, The, 59 Byzantine, Art, 45 Caduceus, The, 342. Cannibalism, 336 Capital, The, 22, 50 Capital, Doric, 173 Ionic, 175 Corinthian, 178 Carved Work, 301 Design for, 302 Ceilings, Jacobean, 97 Louis XIII, 105 Louis XIV, 108 Louis XV, 112 Treatment of, 218 Centaur, The, 339 Chaldean Art, 25 Chambers, Sir William, 136 Chambord, Chateau de, 86 Champleve Enamel, 47 Chenonceaux, sur Loire, 86 Chimney-piece, Jacobean, 94 Chippendale, 121 Choragic Monument, 32 Christian Art, Early, 46 Circle, Symbolic meaning of, 340 Cipriani, 126 Clerestory, The, 51, 67 Colour, Symbolism of, 345 Use of, 353 Opaque, 360 Column, The, 172 Employment of, 194 Disposition and Spacing of, 195 Commercial Production, 6 Intercourse, 12 Convention, 292 Accepted, 351 Cornucopia, The, 346 Corinthian, Order, 163 Entablature, 171 Capital, 178 Base, 184 Pedestal, 190 Impost, 187 Craft Restriction, 256 Cressent, Charles, 111 Cross, The, 343 Crozier, The, 344 Crux Ansata, 343 Customs, Survival of, 311 Early Burial, 322 Dance, George, 136 Decorative, Materials, 289 Deities, Egyptian, 318 Deities, Greek and Roman, 316 Scandinavian, 317 Pan, 339 Delorme, Philibert, 87 Dentils, 146 Design, Mental vision in, 1 Inspired, 2 Process and material in, 2, 8 Considerations in, 3 Public demand, 3 Training in, 4 Influence in, 4, 8, 12, 18 Architectural influence in, 14 Appreciation of, 288 Structural, 363 Domes, Byzantine, 43 Treatment of, 224 Domestic Conditions, 54, 72, 74 Donatello, 76 Doors, Jacobean, 96 Proportions and Treatment, 211 Doric Order, 28, 161 Entablature, 164 Capital, 173 Base, 181 Pedestal, 189 Impost, 185 Ecole de Médécine, 132 Echo, 319 Egyptian Art, 22 Enamel, Byzantine, 47 Endymion, 319 Enlarging Drawings, 360 Equipment, Mathematical, 365 Eurydice, 324 Evangelists, 331 Evolute Scroll, The, 234, 261 Farnese Palace, 79 Fates, 318, 320 Figure Composition, 244 Filagree Jewellery, 258 Flowers, in Ornament 270 Fontainebleau, Palace of, 86 Forms in the round, 245 Four Courts, Dublin, 136 French Renaissance, 85 Louis XIII, 103 Louis XIV, 106 Régence, 111 Louis XV, 110 Louis XVI, 127 Empire, 135 Frieze, The, 226, 266 Furniture, Egyptian, 24 Chaldean, 27 Greek, 32 Roman, 39 Middle Age, 54 Decorated Gothic, 66, 73 Italian Renaissance, 84 English Renaissance, 92 Jacobean, 98 Louis XIII, 105 Louis XIV, 108 Louis XV, 113 English (Dutch Influence) 118 Queen Anne, 120 Chippendale, 121 Lacquered, 113, 126 Painted, 126 Sheraton, 127 Louis XVI, 133 Empire, 135 Gallo, Antonio San, 79 Gallo, Giuliano di San, 79 Gandon, James, 136 Gems, Symbolism of, 345 Gibbons, Grinling, 114, 137, 285 Gibbs, James, 115 Giocondo, 79 Giotto, 83 Gondouin, Jacques, 132 Gouthière, 133 Graces, Christian, 329 Græco-Roman Art, 40 Greek Art, 28 Grimani Palace, 80 Growth, Consistency in, 273 Half Figures in Ornament, 278 Halo, The, 340 Hamadryads, 339 Hampton Court Palace, 114 Hand, Symbolism of the, 341 Harpy, The, 320, 338 Hawksmoor, Nicholas, 115 Hepplewhite, 126 Heraldry, 348 Holbein, 89 Holkham, Norfolk, 121 Holt, Thomas, 91 Horse Guards, Whitehall, 121 Husk Leaf, The, 269 Impost, Doric, 185 Ionic, 186 Corinthian, 187 Impressionism, Early, 10 Influence of Material, 8, 258 Political, 12, 17, 71 Religious, 12, 17 Commercial, 12, 17, 71 Civic, 70 Of the Crusades, 56 Of Fashion, 352 Inspiration, Belief in, 2 Intarsia, 297 Interior treatment, Græco-Roman, 39 Romanesque Church, 51 Domestic, Tudor, 73 Italian Renaissance, 83 Jacobean, 94 Louis XIII, 104 Louis XIV, 107 Louis, XV, 112 Wren Period, 116 Georgian, 121 Adam, 126 Louis, XVI, 133 Walls, 216 Ceilings, 218, 221, 222 Vaults and Domes, 224 Ionic Order, Greek, 32 Renaissance, 159 Proportions of, 163 Entablature, 169 Capital, 175 Base, 182 Pedestal, 190 Impost, 186 Italian Renaissance, 75, 78, 80 Jewellery, Filagree, 258 Jones, Inigo, 81, 102, 137 Kauffman, Angelica, 126 Kent, William, 121 Lace, 297 Lacquered Furniture, 113, 126 Lares, Roman, 322 Leaves, Employment of, 275 Treatment of, 293 Lebrun, 106 Legend, 323, 333 Lepautre, 106 Limitations, Human, 1 Lintel, The, 19 Louvre, 80, 86 Maderno, Carlo, 79 Madrid, Chateau de, 86 Magical Qualities, Belief in, 325 Mainwaring, 123 Majano, Benedetto da, 77 Mansart, Jules Hardouin, 106 Mansion House, London, 136 Marble, Byzantine use of, 47, 300 Marquetry, 298 Marot, Daniel, 106, 109 Martyrdom, Symbols of, 345 Masks, 346 Mathematical Equipment, 365 Material in Design, 258 Mayhew, 123 Medusa, 346 Metal Work, Bronze, 42 Byzantine, 47 Repoussé, 304 Cast, 306 Mounts in Furniture, 108, 135 Methods of Expression, 292 Micheli, San, 80 Modelling, 301, 304 Mosaics, Byzantine, 47, 299 Mouldings, Attitude of, 148 Bolection, 152 Decorated Gothic, 64 Decoration of, 143 Drawn Metal, 155 Employment of, 147 Jacobean, 97 Pointed Gothic, 61 Plaster, 153 Pottery, 154 Profiles of, 138 Purpose of, 139 Repoussé, 157 Rolled Metal, 155 Spun Metal, 157 Turned Wood, 153 Wood Panel, 149 Muses, 328 Mythology, Origin of, 312 Scandinavian, 317 Myths, Nature, 312 Season, 314 Sun, 315 Nature, Myths, 312 Study, 355 Natural Attraction, 288 Natural Suggestion, 353 Phenomena, Belief in, 315 Needlework, 296 Newgate Prison, 136 Nimbus, The, 340 Noon, 318 Numbers, Belief in, 328 Oppenord, Giles Marie, 111 Order, 160 Order, Doric, 161 Ionic, 163 Corinthian, 163 Originality, 1 Ornament, Roman, 39 Byzantine, 45 Romanesque, 50 Pointed Gothic, 63 Decorated Gothic, 65 Perpendicular Gothic, 69 French Renaissance, 88 English “ 88, 91 Later English “ 118 Louis XVI, 134 Empire, 135 Outline, Drawing, 254 Painted Decoration, Roman, 39 Renaissance, 82, 294 Painted Furniture, 126 Palazzo, Pitti, 77 Strozzi, 77 Palladio, 78, 81 Pan, 339 Panels, Treatment of, 236 Juxtaposition, 238 The Composing Lines, 241 Grouping and Massing, 242 Division of, 242 Pantheon, Rome, 36 Passion, Symbols of the, 345 Pastoral Staff, 344 Parthenon, 30 Perugino, 83 Peruzzi, Baldazzare, 79 Pineau, Nicholas, 111 Piers, Gothic, 60 Pinturrichio, 83 Potters, Elementary, 9 Pottery, Ancient, 8 Greek, 34 Predestination, 319 Prehistoric Workers, 9 Personal Production, 10 Primitive Essays, 8 Requirements, 11 Prohibition, 324 Propitiation, 320 Raffaelle, 79 Realism, 255 Régence, 111 Relief Work, Treatment of, 293, 301 Reproduction Processes, 304 Drawing for, 359 Riesener, 133 Rococo, 111 Romano Giulio, 83 Rosette, The, 270 Sacred Trees and Flowers, 329 Sacrifice, 321 Sansovino (Jacopo Tatti) 80 Sarto, Andrea del, 86 Scamozzi, Vincenzo, 81 Sceptre, The, 341 Scroll, The, 266 Season Myths, 314 Secular Symbols, 347 Serlio, 78, 87 Shells, Symbolism of, 345 Sheraton, 127 Sirens, The, 338 Social Conditions, Early, 11 Sodoma (Gian Antonio Bazzi) 83 Somerset House, 136 Soufflet, 110 Spires, Pointed Gothic, 64 Decorated Gothic, 66 Classic, 116 Spiritual Belief, Early, 323 St. Geneviéve (Pantheon) 110 George, Bloomsbury, 115 Mark, Library of, 81 Martin in the Fields, 115 Mary le Strand, 115 Mary, Woolnoth, 115 Paul, Covent Garden, 103 Peter’s, Rome, 78 Stephen’s, Walbrook, 116 Standards, 246 Starts in Ornament, 276 Stencilled Work, 295 Strapwork, 87 Structural Design, 363 Style, 16 Phases in, 18 “ “ Gothic, 60 Sun Myths, 315 Signs, 340 Supports, 246 Surface Interest, 294 Symbols of the Evangelists, 331 Symbolic Ornament, 310 Taboo, 322 Taste, 6 Tatti, 80 Technical Considerations, 292 Tendrils, 271 Textiles, Printed and Woven, 296, 361 Thorpe, Thomas, 91 Thyrsus, The, 342 Time, Symbols of, 346 Torches, 346 Torrigiano, 89 Totemism, 336 Tracery, 61 Pointed, 63, 64, 68 Tracings, 368 Trident, The, 343 Triforium, 53, 60, 67 Trinity College, Cambridge, 116 Trinity, Symbols of the, 341 Triton, 339 Trophies, 347 Tuileries, The, 87 Udine, Giovanni da, 83 Undulate, Line or Stem, 230, 266 Vaga, Pierino del, 83 Vase, Greek, 29, 258 Forms and Decoration, 248 Vase, Stretch out and Segments, 250 Vault, The, 20, 36, 53 Treatment of, 224 Vaulting, Fan, 68 Veneer, 298 Venetian, Renaissance, 80 Versailles, Palace of, 106 Vesica Piscis, The, 340 Vignola, 78, 80, 87, 159 Vinci, Leonardo da, 86 Volute, The, 175 Wallpaper, 290, 362 Whitehall, Banqueting House, 103 Windows, Glazing of, 47, 67 Pointed Gothic, 61 Decorated Gothic, 64 Perpendicular Gothic, 68 Domestic, 73, 74 Jacobean, 98 Treatment of, 213 Winds Personified, 319 Wood, Inlay, 297 Treatment of, 289 Wren, Sir Christopher, 81, 114, 137