INDEX

Alexander, portraits of, 82

allegory of Time and Truth, 13

archæological study of art, 3, 4

art as an index of life, 4, 57, 97, 133, 147 function of, 128

Athena, head of, from Cyrene, 135 f. date of, 142 local work, 149

beauty, Greek love of, 76

Bellini and Giorgione, 173, 181

Bellini, Bacchanal, 190

Berenson, 154, 157, 171, 172

Bernini, an estimate of, 3 f. architectural work, 40 f. classes of his work, 14 clay models, 21, 44 f. contemporary honour for, 6 designs for piazza of St. Peter’s, 50 f. early life of, 15 estimate and characterization of, 42 expression of religion, 22 influence of, 23 multiplicity of sketches, 19 originality of, 20 portraits of, 10 f. sculptor’s models, 21 f., 44 f. list of, 46 technique of, 18 f. versatility, 40

Bernini, works of, Æneas and Anchises, 16 angels, used in architecture, 23 f. Apollo and Daphne, 7, 17 Baldacchino in St. Peter’s, 33 Beata Albertona, 32 Cattedra in St. Peter’s, 33 Daniel in the lions’ den, 29 David, 16 fountains, 14, 34 Habakkuk, 26 Maria di Magdala, 32, 49 portraits, 14, 35 Bishop Santoni, 37 Costanza Buonavelli, 37 Francis I, 39 Louis XIV, 39 Mons. Francesco Barberini, 39 Mons. Montoya, 37 Paul V, 38 Proserpina, 17 saints, 25 Santa Bibiana, 26 St. Jerome, 27, 47 Saint Theresa, 30, 48 Truth, 13

Borghese pope, patronage of, 15

Borghese warrior, 17

Botticelli, 112, 156 Virgin and child in Boston, 157

Brandegee Collection, 21, 41, 45, 51, 85

Browning, 69

Brunn, H., 138

Bupalos and Athenis, 77

Carracci, 3

Cariani and Giorgione, 160, 166

Catena and Giorgione, 177 draperies of, 183 St. Jerome (National Gallery), 178 Knight adoring Infant Christ, 178, 182

Corbulo, portrait of, 57, 88

Cyrene, sculpture of, 136 f.

Dante, Greek spirit in, 113

Demetrius of Alopeke, 84

Egyptian portraiture, 60 sculpture, 61, 140

emotion controlled in Greece, 103

evolution of art, 4

216Farnese Hercules, 123

Florentine portraits, 90

Furtwaengler, A., 138

Futurists, 140

Ghirlandaio, 112

Giorgione, 155 f. draperies of, 183 life, 159 list of works, 203, 210 Anonimo Morelli, 163 Barri, 164 Berenson, 171 Crowe and Cavalcaselle, 168 Morelli, 169 Ridolfi, 161 Vasari, 159 paintings attributed to, 155 f. romantic quality of, 181 spirit of his work, 211 the true Giorgione, 172 f. treatment of landscape, 191

Giorgione, works of, Birth of Paris (copy, Buda-Pesth), 196 Christ carrying the Cross (San Rocco, Vienna), 184 David and Solomon (National Gallery), 208 Epiphany (National Gallery), 175 Gypsy Madonna (Vienna), 204 Head of Christ (Gardner Collection, Boston), 185 Holy Family (Benson), 183 f. Judgment of Solomon (Kingston Lacy), 172 f., 182 Knight of Malta (Uffizi), 58, 185 Madonna Enthroned (Castelfranco), 181 Pietà (Venice), 206 Portrait (Temple Newsam), 202 Portrait (Vienna), 209 San Liberale (National Gallery), 186 Shepherd’s Offering (Lord Allandale), 180 f. The Tempest (Venice), 181 Three Philosophers (Vienna), 181 Venus (Dresden), 174, 181

Giorgione, works attributed to, Allegory (Dresden), 195 Cassone pictures (Padua), 195 Concert (Pitti), 188 Daphne and Apollo (Venice), 194 Fête Champêtre (Louvre), 189 Head of Boy (Hampton Court), 187 Judith (St. Petersburg), 195 Madonna (Madrid), 193 Madonna and Saints (Louvre), 187 Nymph and Satyr (Pitti), 187 Orpheus and Eurydice (Bergamo), 200 Portrait (Berlin), 198 Portrait (Borghese), 196 Portrait (Buda-Pesth), 197 Portrait (from Crespi Collection), 202 Portrait (from Doetsch Collection), 201

Guido, 3

hair as a means of dating sculpture, 144

Hipponax, caricature of, 77

humanity of the Greek gods, 150

Kresilas, portrait of Pericles, 58, 75, 78 f.

Laocoon, 123

Laws of sculpture, 7

Leonardo, 140, 158

logical reasoning about pictures, 176

Longinus, 46

Lowell on Lincoln, 69

lucidity of Greek sculpture, 140

Lysippus, portraits of Alexander, 82

“Massacre of the Innocents,” 73

materials for sculpture, 145

Michael Angelo and Bernini, 16

Michael Angelo, 97 f. affectation of the period, 119, 120 complexity of his work, 101, 103 feeling for the nude figure, 101 muscles emphasized, 120, 123 period of, 98, 103, 111 pupils of, 122 sonnets and letters, 115

217Michael Angelo, works of, Bacchus, 116 f. Battle of the Centaurs, 133 David, 133 Eros, 116, 118, 120 Madonna of Bruges, 116, 131 Moses, 100, 102 Night and Dawn, 122 Pietà in St. Peter’s, 100 Sistine Chapel, 121, 125 f., 132 Victor, 116

Morelli on Giorgione, 155 f.

Mourning Athena, 148

Myron’s Discobolus, 17

mystical fervour in art, 3

Niobid group, 73

nude figure felt under drapery, 101 f.

Oberammergau, 31

origins of art, 3

Pausanias, 138

Pericles, portrait of, 58, 75, 78 f.

Pheidias and Michael Angelo, 93 f.

Pheidias, age of, 105, 109 and Pericles, 110 influence of, 94 f.

Pheidias, work of, Athena Parthenos, 131 Lemnian Athena, 101, 131 Parthenon, 3, 132 frieze, 118 pediments, 101, 121 Zeus, 108

photography and art criticism, 155

physical beauty prized by Greeks, 151

portraits of women and children, 89

portraits made for friends, 65

portraiture, art of, 57 f. commemorative, 60, 64 Egyptian, 60 Florentine, 90 Greek and Roman, 85 in language, 66 in large compositions, 62 in painting and sculpture, 59, 71, 74 motives for, 59 religious, 59 summary, 91

Raphael, Angelo Doni, 58

realism, in sculpture, 75

realism, Greek and Roman, 75

religion and art, 104, 106

Roselli, 156

Roman art, 4

Ruskin, 156

Scipio, so-called bust of, 57

Sheik-el-Beled, 57

Shelley, 66, 68

Silanion, 83

technical peculiarities in paintings, 157 f.

temple, significance of the Greek, 106

Tintoretto, Greek spirit of, 113

Titian, Duke of Norfolk, 58

Triton, 47

“Truth unveiled by Time,” 13

Turner’s Rizpah, 67

violence in art, 8

wealth and art, 64, 91

youth in Greek art, 111

TRANSCRIBER’S NOTES

Typos fixed; non-standard spelling and dialect retained.

Used numbers for footnotes, placing them all at the end of the last chapter.