Part 1 — Chapter II Ancient Historical Legends

Section 1. The Legend of Haic

Section 2. The Legend of Ara and Semiramis

Section 3. Historical Background of the Legend of Ara and Semiramis

Moses’ history was read by St. Martin who became exceedingly interested in Van, and in the cuneiform inscriptions spoken of. It was due to him that the French government dispatched a mission to Armenia in 1827, under the direction of a young German Professor, Friedrich Edward Schulz. Schulz was murdered by the Kurds, a thing which rarely happens in Armenia, and his work was left incomplete. He had succeeded, however, in making copies of forty-two inscriptions, which were published in 1840, and proved to be remarkably accurate. Shortly afterward, orientalists made great discoveries in the Mesopotamian valley, but the inscriptions at Van did not tally with any syllabaries discovered up to that time, nor could they be translated in any known language. A number of them were found to be Assyrian, but the great majority were peculiar to Van, and entirely baffled the students. Not until 1880 were they finally unravelled. M. S. Guyard discovered at that time that the concluding phrase of many Vannic texts represented an imprecatory formula found in exactly the same place in Assyrian counterparts. This discovery enabled Professor Sayce, of Oxford, to decipher the inscriptions at a rapid rate.

Among the important facts discovered were that the nation was a rival nation of Assyria, and that its people were called Khaldeans, or children of Khaldis, much in the same way as the Assyrians reflected the name of their god, Assur. The country was a theocracy and Khaldis was supreme. In the tablets, his wrath was invoked against whomever should destroy them. The capital city was Dhuspus, modern Van, which is the Disp, or Tsp of Armenian writers, and the Turuspa of Assyrian annals. The Assyrians styled the kingdom Urardhu, or Urarthu, which is the name appearing in the Bible in the familiar form Ararat.

That the civilization and culture of the ancient Khaldeans were utilized is beyond doubt. Their most ancient cities, Van, Armavir, were foundations of Vannic kings, while recently it has been disclosed that the city of Hajk, southeast of Van, shows some of the familiar features of a Khaldean settlement. But their supreme god during the pre-Christian era was not Khaldis, but the Persian Ormuzd, which indicates that the Persians exercised an even greater influence.

Section 4. The Legend of Vahakn

Moses of Khorene writes as follows:

Concerning the birth of this king the legends say,

“Heaven and earth were in travail,

And the crimson waters were in travail,

And in the water, the crimson reed

Was also in travail.

From the mouth of the reed issued smoke,

From the mouth of the reed issued flame,

And out of the flame sprang the young child,

His hair was of fire, a beard had he of flame,

The flight of Vahakn before the Assyrian king is certainly more suggestive of the fear in which the Assyrians must have been regarded than of the valor of their god. The originators of the legend were good psychologists, however, in regarding the instincts of fear and of pugnacity as compatible. For even the slayer of demons must some day face his superiors in strength, and when he does, will he not be afraid? In fact he would be more afraid than another, for he could not well impute more mercy to his superior than he himself had shown to his inferiors.

The vein of humor is too rich to be left unnoted. If the Greeks could laugh at their gods, and even mock them, the Armenians could also make sport of them. For what could be more delightfully humorous than the picture of a bearded god, a slayer of dragons, whose hair was of flame and whose eyes like suns, stealing corn from the Assyrian king and dropping the ears from his shoulders in his hasty flight across heaven? The character thus brought out, together with the richness of imaginative quality, especially in the song of his birth, the wholesome and unveiled anthropomorphism (wholesome because it is unveiled), and the correspondence between the Greek fire-god Vulcan whose wife was Venus, the goddess of beauty, with the fire-god Vahakn whose wife Astghik was also goddess of beauty, stamp the legend with its unmistakable origin in Greek mythology.

Section 5. The Historic Background of the Legend of Vahakn

Section 6. The Period of National Integration

It was a practice among the minstrels of the time to compete with each other in public, and it is related how two minstrels entertained by a Persian prince were led out upon an open grass plot and seated, one facing the other. Five thousand people made a circle around the competitors while the rivals contended in song and verse, riddle and repartee. Each began where the other left off, until finally one failed to perceive the drift of his adversary, and answering at random, the spectators proclaimed him beaten. The triumphant bard was led to the vanquished, whose lyre was taken from him and broken. Robed in a prince’s mantle, the victor was taken to the highest seat in the banquet hall.

There are other reasons for giving this period the social importance that I have ascribed to it. The conversion of the people to Christianity about the third century after Christ was achieved in no sentimental fashion, but, as I believe, in a manner in which it alone could have been done, namely, at the point of the sword of their own king, Tiridates, who was converted from paganism to Christianity by Gregory the Illuminator. The traditions in connection with this important event will be told later. Suffice it to say at this point that the whole process of conversion was carried out so thoroughly and completely, that it may be described as a national volte-face, and therefore did not result in the disintegration, civil strife, and social chaos that would unquestionably have been the result had the process been carried out by means of peaceful penetration and propaganda.

Section 7. Legends of Artasches and Artavasd

Writes Moses:

Concerning this, the poets of that land sing in their songs:

“Brave King Artasches

Mounted his fine black charger,

And took the red leathern cord

With the golden ring.

Like a swift winged eagle

He passed over the river

And cast the golden ring

Round the waist of the Alan Princess;

Causing much pain to the tender maiden

As he bore her swiftly back to his camp.”

Which being interpreted meaneth that he was commanded to give much gold, leather, and crimson dye in exchange for the maiden. So also they sing of the wedding:

“It rained showers of gold when Artasches became a bridegroom,

It rained pearls when Satenik became a bride.”

The couplet quoted is still sung by the Armenians, and it is still customary for the bridegroom to scatter money on his way to the church, and though it may be for queens to scatter pearls, the Armenian bride is not to be outdone. She is given a partly opened pomegranate which she throws at the door of the bridegroom upon the arrival at the bridegroom’s home after the ceremony at the church, the bits of pomegranate scattering themselves about as pearls.

“When thou ridest forth to hunt

Over the free heights of Ararat,

The strong ones shall have thee,

And shall take thee up

On to the free heights of Ararat.

There shalt thou abide,

One day while out hunting Artavasd was seized by some visionary terror and lost his reason. Urging his horse down a steep bank he fell into a chasm where he sank and disappeared. Old women told how he was confined in a cavern and bound with iron chains which his two dogs gnawed at daily in order to set him free. But somehow at the sound of the hammers striking on the anvils, the chains were continually strengthened, and it was customary among the blacksmiths of the time to strike the anvil three or four times to strengthen, as they said, the chains of Artavasd. And so the tradition was kept up by singers and blacksmiths; the blacksmiths and old women having consigned the jealous king to the world’s nethermost regions, while the singers left him to the solitude of Ararat in accordance with the curse of Artasches.

Section 8. Conclusions

Such are the ancient legends of Armenia, in their respective historical settings: the legends of Haic, of Semiramis and Ara, of Vahakn, of Artasches and Satenik, and of Artavasd. All of them antedate the Christian era, and some of them by many centuries. Each one of them is told by Moses of Khorene. But as to origin and probable historic roots Moses was silent, for he was writing a history. He constantly laments the absolute dearth of material and sources and begins his accounts of these legends with the words “This is as it is told,” or “the singers say,” indicating that his only sources for them were the songs and reports current among the people during his own time. The legends of Haic and of Semiramis and Ara are told by Moses as though he believed them historic fact, but of course Moses had no materials to serve as a basis of criticism. He is careful to quote Mar Apas Catina as his only source for this material. The other three legends are regarded as such. Artavasd is spoken of as an historical king who lost his reason while riding horseback and fell into a deep chasm. The practice of suicide at the death of Artasches, his father, was a pagan custom. The curse of the spirit of the dead father, the chains, the dogs, and the anvils were of course recognized as the work of ingenious fancy. In view therefore, of the questionable character of Moses’ sources these legends have very little historic value. They do, however, have a high social value inasmuch as the common knowledge of them among the people was the only ultimate source at the disposal of the historian.

The second conclusion is that these legends formed a very important part of the larger mass of tradition and songs that served to cement the people into a nation. Just how important, it would be difficult to say, but the fact that they were current at the time Moses wrote indicates that they were current and passed on from generation to generation during the whole period of the Arsacidae kings. And as the people had no alphabet during this whole period, they must have been passed on by song and word of mouth. This was a time of special activity on the part of the minstrels and singers, and therefore the development of the national consciousness characteristic of the period must have been brought about in a large measure through the medium of these legendary beliefs.

Furthermore these legends are known by the Armenian people to-day and are taught in the schools that are not too severely under the rules of Turkish and Russian censorship. Naturally enough, they are a source of great pride since they breathe national independence and loyalty. But of course, the Turks and Russians have suppressed all public singing of songs, and public teaching of history and legend that may possibly be construed as partaking of the national spirit.