← Table of contents
The Works of Thomas Hood; Vol. 01 (of 11)

A WATERLOO BALLAD.

Reading edition

TO Waterloo, with sad ado, And many a sigh and groan, Amongst the dead, came Patty Head, To look for Peter Stone. “O prithee tell, good sentinel, If I shall find him here? I’m come to weep upon his corse, My Ninety-Second dear! “Into our town a serjeant came With ribands all so fine, A-flaunting in his cap—alas! His bow enlisted mine! “They taught him how to turn his toes, And stand as stiff as starch; I thought that it was love and May, But it was love and March! “A sorry March indeed to leave The friends he might have kep’,— No March of Intellect it was, But quite a foolish step.”

Illustration from The Works of Thomas Hood; Vol. 01 (of 11) Comic and Serious, in Prose and Verse, With All the Original Illustrations

“THE IDES OF MARCH ARE COME!”

“O prithee tell, good sentinel, If hereabouts he lies? I want a corpse with reddish hair, And very sweet blue eyes.” Her sorrow on the sentinel Appear’d to deeply strike:— “Walk in,” he said, “among the dead, And pick out which you like.” And soon she picked out Peter Stone, Half turned into a corse; A cannon was his bolster, and His mattress was a horse. “O Peter Stone, O Peter Stone, Lord, here has been a skrimmage; What have they done to your poor breast That used to hold my image?” “O Patty Head, O Patty Head, You’re come to my last kissing; Before I’m set in the Gazette As wounded, dead, and missing!”

Illustration from The Works of Thomas Hood; Vol. 01 (of 11) Comic and Serious, in Prose and Verse, With All the Original Illustrations

WAR DANCE.—THE OPENING OF THE BALL.

“Alas! a splinter of a shell Right in my stomach sticks; French mortars don’t agree so well With stomachs as French bricks. “This very night a merry dance At Brussels was to be;— Instead of opening a ball, A ball has open’d me. “Its billet every bullet has, And well it does fulfil it;— I wish mine hadn’t come so straight, But been a ‘crooked billet.’ “And then there came a cuirassier And cut me on the chest;— He had no pity in his heart, For he had steel’d his breast. “Next thing a lancer, with his lance, Began to thrust away; I call’d for quarter, but, alas! It was not Quarter-day. “He ran his spear right through my arm, Just here above the joint:— O Patty dear, it was no joke, Although it had a point. “With loss of blood I fainted off, As dead as women do— But soon by charging over me, The Coldstream brought me to. “With kicks and cuts, and balls and blows, I throb and ache all over; I’m quite convinc’d the field of Mars Is not a field of clover! “O why did I a soldier turn For any royal Guelph? I might have been a butcher, and In business for myself! “O why did I the bounty take (And here he gasp’d for breath). My shillingsworth of ’list is nail’d Upon the door of death! “Without a coffin I shall lie And sleep my sleep eternal: Not e’en a shell—my only chance Of being made a Kernel! “O Patty dear, our wedding bells Will never ring at Chester! Here I must lie in Honour’s bed, That isn’t worth a tester! “Farewell, my regimental mates, With whom I used to dress! My corps is changed, and I am now In quite another mess. “Farewell, my Patty dear, I have No dying consolations, Except when I am dead, you’ll go And see th’ illuminations.”

Illustration from The Works of Thomas Hood; Vol. 01 (of 11) Comic and Serious, in Prose and Verse, With All the Original Illustrations

FANCY PORTRAIT:—MR. HOBLER.

Explore with AITake your curiosity a little further.

Reading settings