Volume 9 / Part 1 — ABSALOM AND ACHITOPHEL.
Reading edition
The following poem has been uniformly and universally admired, not only as one of Dryden's most excellent performances, but as indisputably the best and most nervous political satire that ever was written. It is said to have been undertaken at the command of Charles; and if so, no king was ever better obeyed. The general state of parties in England during the last years of the reign of Charles II. has been often noticed, particularly in the notes on "The Duke of Guise," Vol. VI. Shaftesbury, dismissed from the administration, had bent his whole genius for intrigue, to effect the exclusion of the Duke of York from the crown of England, even at the risque of a civil war. Monmouth had thrown himself into the arms of the same party, flattered by the prospect of occupying that place from which his uncle was to be excluded. Every thing seemed to flatter his ambition. The pretensions of the Duke's daughters must necessarily have been compromised by the exclusion of their father. At any rate, they were not likely to be supported by a powerful party, while Monmouth, by his own personal influence, and that of Shaftesbury, was at the head of all, whom zeal for religion, disappointed ambition, restlessness of temper, love of liberty, or desire of licentiousness, had united in opposition to the measures of the court. Every engine which judgement or wit could dictate, was employed by either party to place their cause in the most favourable light, and prejudice that of their adversaries. Among these, the poem which follows was the most powerful, and the most successful. The time of its appearance was chosen with as much art, as the poem displays genius. Shaftesbury had been committed to the Tower on a charge of high treason on the 2d July, and the poem was published a few days before a bill of indictment was presented against him. The sensation excited by such a poem, at such a time, was intense and universal.
It has been hitherto generally supposed, that the idea of applying to Charles and Monmouth the apt characters and story of Absalom and Achitophel, and indeed the general plan of drawing a poetical parallel from scriptural history to modern times, was exclusively our author's. This appears to be a mistake. So far back as 1679, some favourer of Lord Stafford and of the Catholic cause ventured to paraphrase the story of Naboth's vineyard, and to apply it to the condemnation of that unfortunate nobleman for the Catholic plot. In that piece, the scripture names and characters are given to the objects of the poet's satire, precisely on the plan adopted by Dryden in "Absalom and Achitophel,"[208] as the reader will perceive from the extracts in the note. Not only had the scheme of a similar poem been conceived, but the very passage of Scripture, adopted by Dryden as the foundation of his parable, had been already applied to Charles and his undutiful son. There appeared, in 1680, a small tract, called "Absalom's Conspiracy, or the Tragedy of Treason," which, as it seems to have furnished the general argument of Dryden's poem, and has been unnoticed by any former commentator, I have subjoined to these introductory remarks. (See p. 205.)
In a "Letter also to his grace the duke of Monmouth, this 15 July 1680, by a true lover of his person and the peace of the kingdom," the same adaptation is thus warmly urged.
"These are the men (speaking of Monmouth's advisers) that would, with Joab, send for the wise woman to persuade king David to admit of a return for Absalom his son; and when they had effected it, leave him to himself, till anger and passion had set fire to the field of Joab. These are the men, that would have advised Absalom to make chariots, and to take fifty men to run before him, and appoint his time and station beside the way of the gate, to enquire of the tribes of Israel, that came up to the king for justice, what their controversies and matters were. These are the men, that would have advised young Absalom, that since David had appointed no one to hear their grieveances (which was a political lye), and relieve their oppressions, to wish, "Oh that I were made judge in the land, that every man that hath any suit or cause might come to me, and I would do him justice!" In short, these unprincipled men were they that set on Absalom to steal away the hearts of the people from the king; these are they, that advised him to go to Hebron to pay his vow; and these are the men, that led him into actual rebellion against his father, and to be destroyed by some of the very hands that had assisted him in those pernicious counsels." Somers' Tracts, p. 111.
The parallel, from its aptness to the circumstances, appears to have become popular; for Shaftesbury was distinguished by the nickname of Achitophel[209] before the appearance of the following poem.
On the merits of Dryden's satire, all critics have been long agreed. "If it be considered," says Dr Johnson, "as a poem political and controversial, it will be found to comprise all the excellencies of which the subject is susceptible; acrimony of censure, elegance of praise, artful delineation of character, variety and vigour of sentiment, happy turns of language, and pleasing harmony of numbers; and all these raised to such a height as can scarcely be found in any other English composition." The more deeply we examine the plan of the piece, the more reason we will find to applaud the exquisite skill of the author. In the character of Absalom, particularly, he had a delicate task to perform. He was to draw the misguided and offending son, but not the hardened reprobate; for Charles, notwithstanding his just indignation, was to the end of his reign partial to this unfortunate prince, and anxious to detach him from his desperate counsellors. Dryden has, accordingly, liberally transferred all the fouler part of the accusation to the shoulders of Achitophel, while he is tender of the fame of Absalom. We may suppose, that, in doing so, the poet indulged his own feelings: the Duchess of Buccleuch had been his most early patroness, and he had received personal favours from Monmouth himself,[210] These recollections must have had weight with him, when engaged in composing this party poem; and we may readily believe him, when he affirms, that David could not be more tender of the young man's life, than he would be of his reputation. In many of the other characters, that of Buckingham in particular, a certain degree of mercy is preserved, even amid the severity of satire. The follies of Zimri are exposed to ridicule; but his guilt, (and the age accused him of most foul crimes,) is left in the shade. Even in drawing the character of Achitophel, such a degree of justice is rendered to his acute talents, and to his merits as a judge, that we are gained by the poet's apparent candour to give him credit for the truth of the portrait in its harsher features. It is remarkable, that the only considerable additions made to the poem, after the first edition, have a tendency rather to mollify than to sharpen the satire. The following additional passage, in the character of Achitophel, stands in this predicament:
So easy still it proves in factious times, With public zeal to cancel private crimes. How safe is treason, and how sacred ill, Where none can sin against the people's will? Where crowds can wink, and no offence be known, Since in another's guilt they find their own? Yet fame deserved no enemy can grudge; The statesman we abhor, but praise the judge. In Israel's courts ne'er sat an Abethdin With more discerning eyes, or hands more clean, Unbribed, unsought, the wretched to redress; Swift of dispatch, and easy of access.
A report was circulated, and has crept into the "Biographia Britannica," that this addition was made in consequence of Shaftesbury's having conferred a favour upon Dryden, and his family,[211] in the interval between the first and second edition of "Absalom and Achitophel;" but this Mr Malone has refuted in the most satisfactory manner.
A passage, expressive of kind wishes towards Monmouth, was also added in the second addition:
But oh that yet he would repent and live! How easy 'tis for parents to forgive; With how few tears a pardon might be won, From nature pleading for a darling son!
These, and other passages, in which Dryden has softened the severity of his muse, evince not only the poet's taste and judgment, but that tone of honourable and just feeling, which distinguishes a true satire from a libellous lampoon.
It was not consistent with Dryden's subject to introduce much imagery or description into "Absalom and Achitophel;" but, though Dr Johnson has remarked this as a disadvantage to the poem, it was, I think, amply compensated by the good effects which the restraint produced on our author's style of composition. The reader has already seen in how many instances Dryden gave way to the false taste of his age, which, indeed, furnished the strongest temptation to a vigorous mind, naturally delighting to exert itself in working out an ingenious parallel between remote and dissimilar ideas. A fiery horse is taught his regular paces by the restraining discipline of the manege; and, in the same way, the subject of "Absalom and Achitophel," which confined the poet to the expression of sentiment and character, and left no room for excursions into the regions of metaphysical poetry, probably had the effect of restraining his exertions within the bounds of true taste, whose precincts he would be less likely to overleap, even when again turned loose upon a more fanciful theme. It is certain that "Absalom and Achitophel" is as remarkable for correctness of taste, as for fire and spirit of composition; nor ought the reader, amidst so many appropriate beauties, to regret those flights of imagination, which could not have been indulged without impropriety.
Another objection, stated to this poem, has been the abrupt and unsatisfactory nature of the conclusion. The factions, and their leaders, are described; and, when our expectation is at the highest, the danger is at once dispelled by a speech from the throne. "Who," says Johnson, "can forbear to think of an enchanted castle, with a wide moat, and lofty battlements, which vanishes at once into air, when the destined knight blows his horn before it." Yet, with great deference to such authority, it may be considered as somewhat hard to expect the merit of a well-conducted story in a poem merely intended as a designation of various living characters. He, who collects a gallery of portraits, disclaims, by the very act of doing so, any intention of presenting a series of historical events. Each separate style of poetry has its merits and disadvantages, but we should not expect a historical work to contain the poignancy of a satire, or a satire to exhibit the majestic and interesting story of an epic poem. Besides, there had actually been an important crisis, and highly favourable to the court, produced by the king's behaviour at Oxford, and by the sudden dissolution of that parliament, which, according to Shaftesbury, was to have rendered the Duke of York as abandoned an exile as the first murderer Cain. This stroke of power was executed so unexpectedly, that the Commons had not the slightest suspicion of what was intended, till they were summoned by the Black Rod to attend the king. Oxford, so lately crowded with the armed factionaries and partizans of royalty and democracy, was at once deserted, and left to its usual stillness and seclusion. The blow was fatal to the country party, as it dispersed that body in which they had knit up their strength, and which alone could give their proceedings the sanction of law.
The success of "Absalom and Achitophel" was unexampled. Dr Johnson's father, a bookseller, told him, it was exceeded by nothing in his remembrance, excepting that of Sacheverel's Sermon. The allusions which it contained became universally known; and the allegorical names seemed to be inalienably entailed upon the persons to whom Dryden had assigned them. Not only were they in perpetual use amongst the court poets of the day,[212] but the parable was repeatedly inculcated and preached upon from the pulpit,[213] and echoed and re-echoed in all the addresses of the time.[214]
The poem was at first published without a name, a circumstance which must have added to the curiosity of the public; there were, however, few writers, save the author, who could be suspected even for a moment, and it is probable he did not remain long concealed. The poem was published on the 17th November, 1681,[215] and, as early as the 10th of December, Dryden is attacked as the author, in a miserable Grubstreet poem, called "Towser the Second," supposed to be written by Henry Care.[216] Then came forth, on the 14th, His Grace of Buckingham's "Poetical Reflections," which are amply analysed in our notes. A non-conformist clergyman (name unknown) advanced to the charge on the 25th, with a pamphlet termed, "A Whip for the Fool's Back;" and followed it up with the "Key with the Whip, to open the mystery and iniquity of the poem called Absalom and Achitophel." Then Samuel Pordage published "Azariah and Hushai;" and, finally, our author's old antagonist, Elkanah Settle, brought up the heavy rear with a ponderous pamphlet entitled, "Absalom Senior; or, Achitophel Transposed, a Poem." All these laborious and indignant vindications and rebutters served only to shew how much the faction was hurt by this spirited satire, and how unable they were to make an effectual retort. Were we to judge of their strength in other respects, from the efforts of their writers, we should esteem them very unworthy of Dryden's satire, and exclaim, as Tybalt does to Benvolio,
What dost thou, drawn, among these heartless hinds?
Accordingly, Dryden takes but slight and contemptuous notice of any of his antagonists, save Shadwell and Settle, on whom he inflicts a severe flagellation in the Second Part. On the other hand, Nahum Tate, and other tory poets, came forth with congratulatory verses, the inferiority of which served to shew that Dryden's force did not lie in the principles and subject which he had in common with these poetasters, but in the incommunicable resources of his own genius.
The first part of "Absalom and Achitophel" is in folio, "Printed for J. T. (Jacob Tonson) and are to be sold by W. Davis, in Amen corner, 1681." A second edition was issued before the end of December, which was followed by many more. Mr Malone believes that the edition which appeared in the Miscellanies was the sixth; and a quarto copy, now before me, dated 1692, calls itself "the Seventh Edition, augmented and revised." Two Latin versions of "Absalom and Achitophel" were executed; one by the famous Atterbury, afterwards bishop of Rochester, the other by Dr Coward.
"Absalom's Conspiracy: or, the Tragedy of Treason." London, printed in the year 1680. Folio, containing two pages. Reprinted in the Harleian Miscellany.
"There is nothing so dangerous either to societies in general, or to particular persons, as ambition; the temptations of sovereignty, and the glittering lustre of a crown, have been guilty of all the fearful consequences that can be within the compass of imagination. For this, mighty nations have been drowned in blood, populous cities have been made, desolate, laid in ashes, and left without inhabitants; for this, parents have lost all the sense and tenderness of nature; and children, all the sentiments of duty and obedience; the eternal laws of good and just, the laws of nature and of nations, of God and religion, have been violated; men have been transformed into the cruelty of beasts, and into the rage and malice of devils.
"Instances, both modern and ancient, of this, are innumerable; but this of Absalom is a tragedy, whose antiquity and truth do equally recommend it as an example to all posterity, and a caution to all mankind, to take care how they embark in ambitious and unlawful designs; and it is a particular caveat to all young men, to beware of such counsellors as the old Achitophel, lest, while they are tempted with the hopes of a crown, they hasten on their own destiny, and come to an untimely end.
"Absalom was the third son of David by Maachah, the daughter of Talmai, king of Geshur, who was one of David's concubines; he, seeing his title to the crown upon the score of lawful succession would not do, resolved to make good what was defective in it by open force, by dethroning his father.
"Now the arts he used to accomplish his design were these. First, he studied popularity; he rose up early, he was industrious and diligent in his way; he placed himself in the way of the gate; and when any man came for judgment, he courteously entered into discourse with him. This feigned condescension was the first step of his ambition. Secondly, he depraved his father's government: the king was careless, drowned in his pleasures; the counsellors were evil; no man regarded the petitioners: Absalom said unto him,—See, thy matters are good and right, it is but reason that you petition for; but there is no man that will hear thee from the king; there is no justice to be found, your petitions are rejected. Thirdly, he insinuates what he would do if he were in authority; how easy access should be to him; he would do them justice; he would hear and redress their grievances, receive their petitions, and give them gracious answers:—Oh that I were made judge in the land, that every man might come unto me, and I would do him justice! And, when any man came to do him obeysance, he put forth his hand, and took him and kissed him; and thus he stole away the hearts of the people from their lawful king, his father and sovereign.
"But all this would not do; he therefore joins himself to one Achitophel, an old man of a shrewd head, and discontented heart. This Achitophel, it seems, had been a great counsellor of David's; but was now under some disgrace, as appears by Absalom's sending for him from Gilo, his city, whither he was in discontent retreated, because David had advanced Hushai into his privy-council; and no doubt can be made, but he was of the conspiracy before, by his ready joining with Absalom as soon as the matters were ripe for execution.
"Absalom having thus laid his train, and made secret provision for his intended rebellion, dispatches his emissaries abroad, to give notice by his spies, that all the confederates should be ready at the sound of the trumpet, and say, Absalom reigneth in Hebron; and immediately a great multitude was gathered to him; for the conspiracy was strong; some went out of malice, and some in their simplicity followed him, and knew not any thing.
"David is forced to fly from his son, but still he had a loyal party that stuck close to him. Achitophel gave devilish counsel, but God disappointed it strangely; for Hushai, pretending to come over to their party, put Absalom upon a plausible expedient, which proved his ruin. So impossible is it for treason to be secure, that no person who forms a conspiracy, but there may be some, who, under pretence of the greatest kindness, may insinuate themselves, only to discover their secrets, and ruin their intentions, either by revealing their treason, or disappointing it; and certainly, of all men, traitors are least to be trusted; for they who can be perfidious to one, can never be true to any.
"The matter comes at last to the decision of the sword. Absalom's party are defeated, and many slain, and Absalom himself, seeking to save himself by flight in the wood, is entangled in a tree by his own hair, which was his pride; and his mule going from under him, there left him hanging till Joab came, and, with three darts, made at once an end of his life and the rebellion. Thus ended his youthful and foolish ambition, making him an eternal monument of infamy, and an instance of the justice of divine vengeance, and what will be the conclusion of ambition, treason, and conspiracy, against lawful kings and governors: A severe admonition to all green heads, to avoid the temptations of grey Achitophels.
"Achitophel, the engineer of all this mischief, seeing his counsel despised, and foreseeing the event, prevented the hand of the executioner, and, in revenge upon himself, went home and hanged himself; give fair warning to all treacherous counsellors, to see what their devilish counsels will lead them to at last; mischievous counsel ever falling in conclusion upon the heads where first it was contrived, as naturally as dirty kennels fall into the common-sewer.
"Whatsoever was written aforetime, was written for our instruction: for holy men of God spake as they were moved by the Holy Ghost."