Volume 1 — MASTER MARTIN, THE COOPER, AND HIS MEN.

MASTER MARTIN, THE COOPER, AND HIS MEN.

Dear reader, doubtless you, like others, feel your heart swell with emotion when you wander about some spot where the glorious monuments of old German art bear witness, in eloquent language, to the brightness, the pious, diligent industry, the truthfulness of beautiful days which are no more. Does not it seem as though you were entering some old, deserted dwelling? The pious book which the good house-father had been reading is still lying open on the table; the mother's needlework is still in the place where she left it; cherished presents, given on birthdays, and other festivals, stand about in carefully-kept cupboards. You feel as though some members of the household would come in presently and greet you with cordial hospitality. But you wait for them in vain. The ever-rolling wheel of time has carried them away. You may give yourself up to the sweet dream which brings the old masters back to you, so that you hear them talking to you with a pious energy which goes to the very marrow of your bones. And it is then that you begin to understand the deep meaning of their labours; for you are living in their days, and you understand the period which produced them and their works. But alas! what happens is, that just as you would clasp this beautiful dream-image to your heart with loving arms, it flies away coyly on the light clouds of the morning, scared at the noise and uproar of the day, and you gaze at its vanishing after-shimmer with eyes filled with burning tears. Hard beset by the surges of the life around you, you wake suddenly from the beautiful dream, and all that remains to you is the deep, endless longing which penetrates your heart with thrills of sweet emotion. Feelings such as those, dear reader, have at all times filled the breast of him who writes those pages for you, when his way has led him to the world-renowned town of Nürnberg. Delaying before the wondrous fabric of the fountain in the market-place, or contemplating the monument in St. Sebald, or the Pyx in St. Laurenz, or Albert Dürer's works of deep meaning in the Rathhaus, he has yielded himself wholly to the sweet dreams which took him back into the midst of the glories of the old Imperial free-town; and many a picture of the doughty burgher-life of those old days, when art and handicraft held out hands of help and friendship to each other in eager emulation, has risen up in clearness, and impressed itself on his mind with a peculiar pleasure and serenity of cheerfulness. Let it please you, dear reader, to have one of those pictures displayed to you. Perhaps you may look upon it with a sense of pleasure and satisfaction, or even with genial smiles; perhaps you may feel at home in Master Martin's house, and linger gladly amongst his vats and barrels. At all events, may that come to pass which the writer from the depths of his heart most cordially desires.

HOW MASTER MARTIN WAS ELECTED ONE OF THE CHIEFS OF HIS GUILD, AND DULY RETURNED THANKS FOR THAT HONOUR.

On the first of May of the year one thousand five hundred and eighty, the Honourable Guild of Coopers in the free Imperial town of Nürnberg held its solemn annual meeting, according to use and wont. A short time previously one of its "Vorsteher," or presidents, had been carried to his grave; so that it was necessary to appoint his successor. The choice fell upon Master Martin, and, in truth, no one could equal him in strong and elegant building of vats; nor did any one understand as he did the keeping of wine in cellar; for which reason he had the grandest lords and gentry for his patrons, and lived in the utmost comfort; nay, in absolute wealth, so that the worthy town councillor, Jacobus Paumgartner (who was president of the Guild), said, "You have done right well, my worthy friends, to pitch upon Master Martin for this appointment, which could not be in better hands. Master Martin is highly esteemed by all who have the pleasure of his acquaintance, for his great ability, and his profound experience in the art of storing and caring for the noble wine. His ceaseless, honest industry, his life of piety, in spite of the wealth which he has amassed, are an example to you all."

"So I offer you a thousand congratulations on your election, my dear Master Martin."

Thus saying, Paumgartner rose from his chair, and stepped forward a pace or two with extended arms, expecting that Master Martin would advance towards him in reciprocation. Upon which Master Martin pressed his arms on the elbows of his chair, and raised himself as slowly and heavily as his well-nourished "corporation" admitted of his doing; after which, with equal deliberateness, he walked into Paumgartner's hearty embrace, which he scarcely returned.

"Well, Master Martin," said Paumgartner, a little astonished, "is there anything not quite to your liking in having been elected Syndic?"

Master Martin, as was his habit, threw his head well back, fingered his paunch with both hands, and looked around the assemblage with his eyes opened very wide, and his nether lip protruded; then, turning to Paumgartner, he said: "My dear and worthy sir! how should it be otherwise than to my liking that I receive what is my just due? Who despises the reward of his hard work? Who sends from his door a bad debtor who comes at last to pay the money he has owed so long? My good friends"--here he turned to the Masters--"it has struck you at last, has it, that I ought to be elected Syndic of our Honourable Guild? What, think you, are the qualifications you expect in your Syndic? Ought he to be the best hand at his work?--Go and look at my two-fudder vat, hooped without firing, my great masterpiece there, and then come and tell me if e'er a one of you can boast of a piece of work its equal in strength and beauty. Should your Syndic be a man of money and property?--Call at my house, and I will open my chests and my coffers, and you shall gladden your eyes with the sight of the glittering gold and silver. Should he be honoured and esteemed by high and low, great and small?--Ask our honourable gentlemen of the Council; ask Princes und Lords all round our good town of Nürnberg; ask the Right Rev. Bishop of Bamberg; ask them all what they think of Master Martin--and I don't think you will hear much to his disadvantage."

With which Master Martin patted his fat corporation with much complacent contentment, twinkled his half-closed eyes, and, as all were silent, and only a half-suppressed throat-clearing, of a somewhat dubious character, was audible here and there, he continued as follows:

"However, I perceive--in fact I am well aware--that I ought now to return thanks, to the best of my ability, that it has pleased the Lord at last to enlighten your minds to make this election. Certainly, when I am paid for my work, or when my debtor returns me the sum he borrowed, I always write at the bottom of the receipt, 'With thanks. Tobias Martin, cooper in this town;' so I return you all my hearty thanks that you have paid off an old debt by electing me your Syndic. For the rest, I promise that I will perform the duties of my office with all truth and faithfulness; that I shall ever be ready to stand by the Guild, or any of its members, in word and deed, in time of need, to the utmost of my power. It will be my heart's earnest desire to maintain our Honourable Company in all the honour and dignity which it possesses at present; and, dear friends and Masters, I invite you, one and all, to dinner on Sunday next, when, over a good glass of Hochheimer, Johannisberger, or whatever other good wine out of my cellar you may prefer, we may consider and discuss what further may be expedient for our common advantage. Once more, consider yourselves all cordially invited."

The faces of the Honourable Society, which had darkened considerably at Martin's arrogant words, now brightened again, and the gloomy silence was succeeded by lively conversation, in which much was said concerning the eminent merits of Master Martin, and of his celebrated cellar. Every one promised to appear on the Sunday, and gave his hand to the newly-elected Syndic, who shook them all cordially,--and he even pressed one or two of the Masters just the least little bit against his waistcoat, as if he half thought of embracing them.

The meeting dispersed in the best of humour, and the highest spirits.

WHAT HAPPENED AFTER THAT, IN MASTER MARTIN'S HOUSE.

It so chanced that Master Jacobus Paumgartner, on his way to his own dwelling, had to pass the door of Master Martin's house; and when they, together, had reached the said door, and Paumgartner was about to proceed on his way, Master Martin, taking off his little cap and bowing as low as he could, said to the Councillor: "Ah! if you would not think it beneath you, my dear and honoured sir, to step into this poor house of mine for a brief hour; if you would but be so very kind as to grant me the opportunity of profiting by, and delighting in, your wise conversation."

"I am sure, Master Martin," said the Councillor with a smile, "I shall only be too happy to accept your invitation to come in; though how you can call your house a poor one I cannot imagine. I know well that the wealthiest of our citizens do not surpass you in the costliness of your furniture and appointments. It is only the other day that you have finished those additions to your house which have made it one of the finest specimens of street architecture in all this famous town, of which it is one of the ornaments; of the interior arrangements I say nothing, for I am aware that of them no nobleman in the land need be ashamed."

Old Paumgartner was right; for when the brightly-waxed and polished door, all over rich brass-work, was opened, the spacious entrance-hall, with its beautifully-inlaid floor, fine pictures on the walls, rich carpets, and elegant cabinets and chairs, was seen to be like some fine drawing-room; so that everyone willingly obeyed the instructions which, according to an old-world custom, were inscribed on a tablet hung up close to the door, in verse, as follows:

It was warm weather, and the air in the rooms, now that the evening twilight was falling, was heavy and steamy; for which reason Master Martin took his guest into the cool, spacious "best kitchen;" such at that time was named the apartment which, in the houses of wealthy merchants, was indeed furnished like a kitchen, but, at the same time, adorned not for use, but solely for display--with all manner of costly implements of household necessity. As soon as they came in, Master Martin cried loudly, "Rosa! Rosa!" The door presently opened, and Rosa, Master Martin's only daughter, entered.

Gracious reader! I must here ask you to call to remembrance, as vividly as you can, the masterpieces of our grand Albrecht Dürer. Let those beautiful virgin forms which he has pourtrayed, instinct with grace and suavity, sweetness, gentleness, pious meekness, rise before you. Think of the noble, tender shapes; the pure, rounded foreheads white as snow; the rose-tint suffusing the cheeks; the delicate lips, red as cherries; the eyes, looking far away, in dreamy longing, half shadowed by the dark lashes, as moonlight is by thick leafage. Think on the silky hair, carefully gathered and knotted. Think on all the heavenly beauty of those virgin forms, and you will see the lovely Rosa. He who relates this tale cannot hope otherwise to pourtray her. Let me, however, remind you of another grand painter into whose soul a ray from those ancient days has penetrated: I mean our German Master, Cornelius. Just as he has made Margaret (in his illustrations to Goethe's mighty 'Faust') appear, as she says--

"I'm not a lady; nor am I fair,"

such was Rosa, when she felt constrained, bashfully and modestly, to evade the ardent advances of some admirer.

She now bent low before Paumgartner, in child-like deference, took his hand, and pressed it to her lips. The old gentleman's pale cheeks glowed. As the radiance of the evening sky fading away into darkness, brightens up suddenly for a last moment, gilding the dark foliage ere it sinks into night, so did the fire of youth long-perished flash up in his eyes. "Ah, Master Martin!" he cried, "you are a wealthy, prosperous man, but by far the most precious gift that Heaven has bestowed on you is your charming Rosa. The sight of her makes the hearts of us old fellows beat, as we sit at the Council Board: and if we can't turn our eyes away from her, who can blame the young gallants if they stand staring like stone images when they meet her in the street; or see only her in church, and not the parson? What marvel that, when there is a fête in the common meadow, they drive the other girls to despair, by all running after your daughter, following her exclusively with their sighs, love-looks, honeyed speeches? Master Martin, you are well aware you may pick and choose among the best patrician blood in the country-side for your son-in-law, whenever you have a mind."

Master Martin's face crumpled up into sombre folds. He told his daughter to go and bring some fine old wine; and when she, blushing over and over as to her cheeks, and with eyes fixed on the ground, had hurried away for it, he said to old Paumgartner:--

"Ay, honourable sir! it is no doubt the truth that my daughter is gifted with exceptional beauty, and that Heaven has made me rich in that respect as well as in others; but how could you speak of it in the girl's presence?--and as to an aristocratic son-in-law, that's all moonshine."

"Nay, nay, Master Martin," answered Paumgartner; "out of the abundance of the heart, the tongue speaketh,' you know. My old sluggish blood begins to dance in my veins when I look at Rosa; and there can't be much harm in my saying what she must know well enough to be true."

Rosa brought the wine, and two magnificent goblets. Martin drew the great table, richly carved, to the centre of the room; but just as the old fellows had taken their places, and Martin was filling the goblets, a tramping of horses was heard in front of the house. Some cavalier seemed to be drawing bridle; his voice was heard ringing loud in the hall. Rosa hastened to the door, and came back to say that the old Lord Heinrich, of Spangenberg, was there and wished to speak with Master Martin.

"Well!" said Martin, "this is really a wondrous lucky evening, since my good friend--my oldest patron and customer--has come to pay me a call. New orders, no doubt; something fresh to lay down in the cellar." With which he made off as glibly as he could, to greet the new visitor.

HOW MASTER MARTIN EXTOLLED HIS CALLING ABOVE ALL OTHERS.

The wine of Hochheimer glittered like pearls in the beautiful, cut goblets, and opened the hearts, and loosened the tongues of the three old fellows; and old Spangenberg, advanced in years, but still glowing with life and vigour, served up many a quaint tale and adventure of his younger days; so that Master Martin's paunch waggled heartily, and he had, times without end, to wipe tears of irrepressible laughter from his eyes, Paumgartner, too, forgot his senatorial gravity more than usual, and gave himself thoroughly up to the enjoyment of the noble liquor and the entertaining talk; then Rosa came in with a pretty basket, whence she brought out table-linen, dazzling as snow. She tripped here and there with housewifely eagerness; laid the table, and covered it with all sorts of well-flavoured dishes, appetizing of odour, and begged the gentlemen, with sweetest smiles, not to disdain what had been got ready in haste. The laughter and the flow of conversation ceased. Paumgartner and Spangenberg could neither of them move his eyes away from the beautiful girl, and even Master Martin watched her housewifely activities with a smile of satisfaction, as he leant back in his chair with folded hands. When Rosa would have left them, old Spangenberg jumped up as briskly as a youth, took her by both shoulders, and cried over and over again, with tears in his eyes, "Oh thou good, precious angel!--thou sweet, kind, charming creature!" Then he kissed her three times on the forehead, and went back to his chair in deep reflection. Paumgartner drank a toast to her health.

"Ay!" began Spangenberg, when she had left the room; "ay, Master Martin! Heaven has, in that daughter of yours, bestowed on you a jewel which you cannot prize too highly. She will bring you to great honour one day. Who--be he of whatsoever condition he may--would be otherwise than only too happy to be your son-in-law?"

"You see," said Paumgartner; "you see, Master Martin, the noble Herr von Spangenberg thinks exactly as I do. Already I see my darling Rosa a nobleman's bride, with the rich pearls in her lovely fair hair!"

"Dear, dear! good gentlemen!" cried Master Martin, looking quite out of temper, "why should you persist in talking about a matter which has not even begun to enter my thoughts? My daughter Rosa is only just eighteen; she is too young to be thinking of a husband; and how matters may come to pass hereafter, I leave wholly in God's hands. But thus much is certain that neither a noble nor any other man shall have my daughter's hand, save and except that cooper who proves himself, to my satisfaction, to be the most utterly perfect master of his craft--always supposing that my daughter loves him; for I am not going to constrain my darling daughter to anything whatever in the world, least of all to a marriage that does not please her."

Spangenberg and Paumgartner looked each other in the face, much astonished at this remarkable statement of the Master's. Presently, after clearing his throat a good deal, Spangenberg began:

"Then your daughter is not to marry out of her own class, is she?"

"God forbid that she should," answered Martin.

"But," continued Spangenberg, "suppose some doughty young Master belonging to some other craft--say, a goldsmith, or perhaps a talented young painter--were to come wooing your daughter, and pleased her very specially, much more than any of her other wooers, how were it then?"

Master Martin answered, drawing himself up, and throwing back his head:

"'Show me,' I should say, 'show me, my good young sir, the two-fudder cask that you have built as your masterpiece.' And if he couldn't do that I should open the door politely, and beg him, as civilly as I could, to try his luck elsewhere."

Spangenberg resumed:

"Suppose the young fellow said, 'I cannot show you a small-scale piece of work such as you speak of; but come with me to the market-place, and look at that stately building, reaching its pinnacles proudly up to the skies. That is my masterpiece.'"

"Ah, my good sir!" Martin interrupted impatiently; "what is the good of your taking all this trouble to alter my determination. My son-in-law shall belong to my own craft, and to no other; for I look upon my craft as being the most glorious that exists on earth. Do you suppose that all that is necessary to make a cask hold together is to fit the hoops on to the staves? Ah! ha! The glory and the beauty of our craft is that it presupposes a knowledge of the preservation and the nursing of that most precious of heaven's gifts--the noble wine, that so it may ripen, and penetrate us with its strength and sweetness, a glowing spirit of life. Then there is the build of the cask itself. If the build is to be successful, we have to measure and calculate all the curves, and the other dimensions, with rule and compass with the utmost accuracy. Geometers and arithmeticians we must be, that we may compute the proportions and the capacities of our casks. Ah, good sir, I can tell you my very heart laughs within my body when I see a fair, well-proportioned cask laid on to the end-stool, the staves all beautifully finished off with the riving knife and the broad-axe, and the men set to with the mallets, and 'clipp, clapp' ring; the strokes of the driver. Ha! ha! that is merry music. There stands then the work, perfect; and well may I look round me with a dash of pride when I take my marking-iron and mark it with my own trade-mark on the head of the cask--my own mark, known and respected by all genuine vineyard-masters in the land. You spoke of architects, dear sir. Very good; a grand, stately house is a fine work beyond doubt. But if I were an architect, and passed by one of my works, and saw some dirty-minded creature, some good-for-nothing, despicable wretch who had happened to become the owner of that house, looking down at me from one of the balconies, I should feel a shame at the bottom of my heart; I should long to dash that work of mine to pieces from sheer annoyance and disgust. Nothing of that sort can ever happen to me, for in my works dwells ever the very purest thing on earth--the noble wine. God's blessing on my craft!"

"Your encomium," said Spangenberg, "was admirable, and heartily felt on your part. It is to your honour that you hold your craft in high esteem. But please be patient with me if I do not leave you in peace even now. Suppose one of the nobility did actually come and ask you for your daughter. Sometimes, when a matter really comes very close to one, much in it begins to assume a different appearance to what one thought."

"Ah," cried Martin a little warmly, "what could I say, except with a polite bow, 'Honoured sir, if you were but a clever cooper; but, being as you are----'"

"Listen further," said Spangenberg. "If some fine morning a handsome noble were to come on a splendid charger, with a brilliant following all in grand clothes, and rein up at your door and ask for Rosa for his helpmate?"

"Hey! hey!" cried Master Martin more impetuously than before; "I should run as fast as I could and bolt and bar the door. Then I should cry and shout, 'Ride on your road, your lordship. Roses such as mine do not bloom for you. I dare say my cellar and my cash-box please you well, and you think you may have the girl into the bargain. Ride on your road.'"

Old Spangenberg rose up, his face red as fire. He leaned both hands on the table and looked down before him. "Well," he began, after a short silence, "this is my last question, Master Martin. If the young noble at your door were my own son, if I myself were at your door with him, would you bar the door? Would you think we had come only for the sake of your cellar and your cash-box?"

"Most certainly not," answered Master Martin. "My honoured and dear sir, I should open the door politely to you; everything in my house should be at your and your son's command. But as regards Rosa, I should say, 'Had it pleased Heaven that your noble son had been a clever cooper, no one on earth would have been more welcome to me as a son-in-law than himself. As it is, however----' But why should you plague me with all those extraordinary questions, honoured sir? Our delightful conversation has come to an end, and our glasses are standing full. Let us leave the questions of the son-in-law and Rosa's marriage on one side. I drink your son's good health. People say he is a fine handsome gentleman."

Master Martin took up his goblet, and Paumgartner followed his example, saying "A truce to captious conversation; here's to your son's health."

Spangenberg touched glasses with them, and then said, with a forced laugh, "You saw, of course, that I was only speaking in jest. My son, who has only to ask and have amongst the best and noblest in the land, were a raving lunatic to come here begging for your daughter."

"Ah, my dear sir," answered Martin, "even were it jest I could answer it in no other manner, without loss of my proper self-respect. For you must confess, yourselves, that you are aware that I am justified in holding myself to be the best cooper in all the country-side; that all that can be known as to wine, I know it; that I hold faithfully by the wine-laws framed in the days of our departed Emperor Maximilian; that, as a pious man, I hate and despise all godlessness; that I never burn beyond an ounce of sulphur in a two-fudder cask, which is needful for the preservation thereof. All this, dear and honoured sirs, you can sufficiently trace the savour of, in my wine here."

Spangenberg, resuming his seat, strove to assume a happier expression of countenance again, and Paumgartner led the conversation to other topics. But as the strings of an instrument, when once they have gone out of tune, stretch and warp more and more, and the master cannot evoke from it the well sounding chords which he could produce before, nothing that those old fellows tried to say would harmonise any longer. Spangenberg called his servants and went away depressed and out of temper from Martin's house, which he had come to in such a jovial mood.

THE OLD GRANDMOTHER'S PROPHECY.

Master Martin was somewhat concerned at his old friend and patron's having gone away annoyed. He said to Paumgartner, who had finished his last goblet and was leaving too:

"I really cannot make out what the old gentleman was driving at with all those odd questions; and why should he be so vexed when he went away?"

"Dear Master Martin," answered Paumgartner, "you are a fine, grand, noble, upright fellow, and you are right to set a value on what, by the help of God, you have brought to such a prosperous issue and carried on so well, and what has been a source of wealth and fortune to you at the same time. Still, this should not lead you to ostentation and pride, which are contrary to all Christian feeling. In the first place, it was hardly right in you to set yourself above all the other masters at the meeting to-day as you did. Very likely you do know more of your craft than all the rest of them put together; but to go and cast this straight in their teeth could only give rise to anger and annoyance. And then your conduct of this evening; you surely could not have been so blind as not to see that what Spangenberg was driving at was to find out how far your headstrong pride would really carry you. It could not but have hurt the worthy gentleman sorely to hear you attribute any young noble's wooing of your daughter to mere greed for your money. And it would have all been well enough if you had got back into the right road when he began to talk about his own son. If you had said, 'Ah, my good and honoured sir, if you were to come with your son to ask for my daughter (an honour on which, certainly, I could never have reckoned), I should waver in the firmness of my determination.' If you had said that, what would have been the consequence, but that old Spangenberg, quite forgetting his previous wrongs, would have smiled, and got back into the fine temper he was in before."

"Scold me well," said Master Martin; "I deserve it, I know. But when the old gentleman spoke such non sense, I really could not bring myself to give him any other answer."

"Then," Paumgartner continued, "this silly notion of yours that you won't give your daughter to anybody but a cooper. Was ever such nonsense heard of? You say your daughter's destiny shall be left in God's hands, and yet you go and wrest it out of God's hands yourself, by deciding that you will choose your son-in-law out of one limited circle. This may be the very destruction of both her and you. Leave off such unchristian, childish folly, Master Martin. Commit the matter to the Almighty. He will place the right decision in your daughter's pious heart."

"Ah, my dear sir," said Master Martin quite dejectedly, "I see now, for the first time, how wrong I was not to make a clean breast of the whole business at once. You, of course, suppose that it is merely my high opinion of the cooper's craft which makes me resolve never to give Rosa to anybody but a master cooper. But that is by no means the case; there is another reason. I can't let you go away until I have told you all this. You shall not pass a single night, even, with a bad opinion of me in your mind. Sit down again; I beg it as a favour. See, here is still another bottle of my oldest wine; Spangenberg was too much offended to taste it. Sit, and stay but a few minutes longer."

Paumgartner was surprised at Master Martin's friendly insistance, which was not in his usual nature. It seemed as if something lay heavy on his mind which he felt eager to be clear of. When Paumgartner had resumed his seat, and taken some of the wine, Master Martin commenced as follows:

"You are aware, dear sir, that my beloved wife died soon after Rosa's birth from the effects of a difficult confinement. My own grandmother was still alive at a great age (if one can call it being 'alive,' to be stone deaf, quite blind, scarcely able to speak, paralysed in every limb, and completely bedridden). My Rosa had been baptized, and the nurse was sitting with her in the room where the old grandmother lay. I was so sorrowful, and (when I looked at the child) so wonderfully happy, and yet so sad--I was so deeply touched that I found it impossible to do any work, and I was standing, sunk in my thoughts, beside my grandmother's bed, envying her, and thinking how well for her it was that she had done with earthly pain. And as I was so looking into her pale face, all at once she began to smile in the strangest way; her wrinkled features seemed to smooth out, her pale cheeks took on a colour; she sat up in her bed and stretched her powerless arms as she had not been able to do for a long time, and, as if suddenly inspired by some miraculous power, she called out distinctly, in a soft, sweet voice, 'Rosa! darling Rosa!' The nurse gave her the child. She took it and dandled it in her arms. But now, my dear sir, picture my amazement, nay, my terror, when the old lady began, in a strong, clear voice, a song, in the lofty, joyful 'manner' of Herr Hans Berchler,⁵ host at the sign of the Spirit, in Strasbourg, to the following effect:--

"And when the old grandmother had sung this song, she put the child gently and carefully down on the bedcover, and laying her withered, trembling hands upon its forehead, whispered words which were wholly unintelligible, though the inspired and sublime expression of her face showed that she was praying. Then she sunk back with her head on the pillow, and as the nurse lifted the child she gave a deep sigh--she was gone."

"A wonderful story," said Paumgartner. "Still I don't see how this prophetic song of the old grandmother has any connection with your obstinate determination to give Rosa to nobody but a master cooper."

"What can be clearer," said Master Martin, "than that the old lady, specially enlightened by the Lord during the last moments of her life, declared in prophecy how matters are to go with Rosa, if she is to be happy and fortunate? The wooer who is to bring wealth, luck and happiness into her dwelling with a beautiful House; who can that be but a clever cooper, who shall finish his masterpiece, the beautiful House of his building, in my workshop? In what other house do streams of sweet savour flow up and down but in a wine-cask? And when the wine is working it rustles, and hums, and plashes; and that is the singing of the angels as they float on the tiny ripples. Ay, ay! no other bridegroom did the old grandmother mean but the master cooper. To that I pin my faith."

"Good Master Martin," said Paumgartner, "you interpret the old lady's words after your own manner; but I cannot altogether agree with your interpretation, and I still maintain that you ought to leave the whole matter in the hands of God, and in your daughter's heart: for the true meaning and the proper deciding of it most certainly lie hidden there."

"And I, as far as I am concerned," said Master Martin, "stick to my own opinion, that my son-in-law shall be none but a clever cooper. This I hold to, for once and for all."

Paumgartner was beginning almost to lose his temper over Martin's obstinacy. But he controlled himself, and rose from his chair, saying:

"It is getting late, Master Martin; I think we have had as much wine and as much conversation as are good for us."

And, as they were making for the door, there appeared a young woman with five boys, of whom the eldest might have been scarcely eight, and the youngest scarcely half a year old. The woman was weeping and sobbing. Rosa hastened to meet them, crying, "Ah! Heavens! Valentine must be dead. Here are his wife and children." "What? Valentine dead?" cried Master Martin, much shocked, "Oh, what a misfortune! What a misfortune! My dear sir, Valentine was the best of all my workmen; a hardworking, good, honest fellow. A short time ago he hurt himself dangerously with an adze, during the building of a big cask. His wound got worse and worse; he fell into a violent fever, and now he has had to die in the prime of his years." Master Martin went up to the disconsolate woman, who was bathed in tears, lamenting that she must perish in misery and distress.

"What think you of me?" asked Master Martin. "Your husband came by his death in my service, and do you suppose I am going to abandon you in your need? God forbid! You all belong to my house henceforth. To-morrow, or when you choose, we will bury your husband, poor fellow, and then you and your boys go to my farm before the Lady-gate, where my great workshop is, and be there with my men. You can look after the housekeeping; I will bring up those fine young boys of yours as though they were my own. More than that, your old father shall come and live here too. He was a grand journeyman cooper while he had strength in his arms for the work. If he can't wield the mallet now-a-days, or the notching-tool, or the hooping-iron, or take his stroke at the grooving-bench, why he can manage to turn out hoops with the rounding-knife. Whether or not, into my house he comes with the rest of you."

Had not Master Martin held the woman up, she would have fallen at his feet overwhelmed with emotion. The elder boys hung upon his doublet, and the two youngest, whom Rosa had taken in her arms, held out their little hands to him, as if they understood what he said.

Quoth old Paumgartner, smiling, with tears in his eyes, "One can't be vexed with you, Master Martin," and he betook himself to his dwelling.

HOW THE TWO YOUNG JOURNEYMEN, FRIEDRICH AND REINHOLD, MADE EACH OTHER'S ACQUAINTANCE.

The evening was falling as a young journeyman, very handsome and distinguished-looking, Friedrich by name, was lying on a little grassy hillock, shaded by leafy trees. The sun had set, and rosy flames were shooting up from the deep abyss of the western sky. The famous town of Nürnberg could be distinctly seen in the distance, broadening out in the valley, its proud towers stretching up into the evening red, which darted bright rays, streaming on to their summits. The young mechanic had his arm propped upon his bundle, or travelling knapsack, and was gazing down into the valley with longing eyes. He plucked a flower or two from the grass, and cast them into the air towards the sunset sky; then once more he gazed mournfully before him, and the hot tears came to his eyes. At length he lifted his head, stretched out his arms, as if he were embracing some beloved form, and sang the following song, in a rich, tuneful voice:

When Friedrich had finished this song, he took some wax from his bundle, warmed it in his breast, and began to model a beautiful rose, with its hundreds of delicate petals, in the most skilful and artistic manner. As he worked at it, he kept singing detached phrases of his song; and, thus absorbed, he did not notice a handsome lad who had been standing behind him for a considerable time, eagerly watching him as he worked.

"My friend," said this young fellow, "that is an exquisite piece of work you are doing."

Friedrich looked round, startled. But when he saw the stranger's kindly dark eyes, he felt as if he had known him long. So he answered, with a smile, "Ah, my dear sir, how can you care to look at this trifle, which serves to pass a little of my time on my journey?"

The stranger answered, "If you call that flower, so accurately studied and copied from nature, and so tenderly executed, a 'trifle,' a plaything, you must be a remarkably finished and accomplished artist in that line. You delight me in a double sense. First, your song, which you sung so charmingly (in the tender 'Letter-Mode' of Martin Haescher), went quite to my heart; and now I have to admire your masterly skill in modelling. Whither are you bound to-day?"

"The goal of my journey," answered Friedrich, "lies there before our eyes. I am bound for my home there, the renowned town of Nürnberg. As the sun is far beneath the horizon, I shall pass the night down in the village there; but I shall push on as early as I can in the morning, and be in Nürnberg by noon."

"Ah, how well that falls in," cried the lad; "I am bound for Nürnberg too. I shall pass the night along with you in the village, and we can go on together in the morning. So let us talk together a little."

The lad, whose name was Reinhold, threw himself down on the grass beside Friedrich, and went on as follows:

"If I do not mistake, you are a splendid metal-worker. I see that by your style of moulding. You work in gold and silver, do you not?"

Friedrich looked sadly down, and began, quite dejectedly:

"Ah, my dear sir, you take me for something much higher and better than I really am. I must tell you candidly that I learnt the craft of a cooper, and I wish to go and work with a well-known master of that craft in Nürnberg. You will despise me that I do not model and cast glorious images, figures, groups, and only shape hoops for casks and barrels."

"This is delightful," cried Reinhold, laughing aloud. "The idea of my despising you for being a cooper, when I am nothing else myself!"

Friedrich looked at him fixedly; he did not know what to think. Reinhold's dress was like anything rather than that of a journeyman cooper on his travels. The doublet of fine black cloth trimmed with velvet, the delicate lace cravat, short sword, barret cap, with long drooping feather, seemed more appropriate to a well-to-do merchant; and yet there was a certain wonderful something in the face and whole bearing of the lad which excluded the idea of a merchant. Reinhold saw Friedrich's doubts; he opened his knapsack, and brought out his cooper's leather apron and case of tools, crying, "Look there, friend; have you any doubt now as to my being your comrade? I dare say my clothes may strike you a little; but I come from Strassburg, where the coopers dress like gentry. Certainly, like yourself, I once had ideas of something different; but now I think the cooper's craft the finest in the world, and I have based many of my fairest life-hopes on it. Is not this your case, too, comrade? But it almost seems to me as if some dark cloud-shadow had come over the happiness of your life, preventing you from looking around you with any gladness. Your song was all love-longing and sorrow; but there were tones in it which seemed to come shining out of my own breast, and I feel as though I knew everything which is imprisoned within you. That is all the more reason why you should tell me all about it. As we are going to be intimate friends and companions in Nürnberg, confide in me." Reinhold put an arm about Friedrich, and looked him kindly in the eyes.

"The more I look at you, you charming fellow," Friedrich said, "the more I am drawn to you. I distinctly hear a wondrous voice within me echoing a monition of my soul, which tells me you are my true friend. So I must tell you everything. Not that a poor fellow such as I has anything really important to confide to you, but merely because the breast of a true friend has room for a man's sorrows; and, from the first moment of our acquaintance, I felt that you are the truest friend I possess. I am a cooper now, and I may say I know my craft well. But all my devotion was given to another--perhaps a better--art. From my childhood my desire was to be a silversmith, a great Master in the art of modelling and working in silver, such as Peter Fischer, or the Italian, Benvenuto Cellini. I worked at this with fervent zeal, under Master Johannes Holzschuer, the famous silversmith in my native town, who, although he did not himself cast images of the kind I refer to, had it in his power to give me instruction in that direction and province. Into Herr Holzschuer's house came, not seldom, Herr Tobias Martin, the master cooper, with his daughter, the beautiful charming Rosa. I fell in love with her, without quite being aware of it myself. I left home, and went to Augsburg, to learn image-casting properly, and it was not till then that the love-flames blazed up in my heart. I saw and heard only Rosa. I loathed every effort, every endeavour that did not lead to her; so I started off upon the only path which did lead to her. Master Martin will give his daughter to no man save the cooper who, in his house, shall make the most perfect masterpiece which a cooper can produce, and whom at the same time his daughter shall look upon favourably into the bargain. I cast my own art on one side, I learned the cooper's craft, and I am going to Nürnberg to work in Master Martin's workshop. That is my object and intention. But now that my home lies before me, and Rosa's image glows vividly before my eyes, I could swoon for hesitation, anxiety, dread. I see now the folly of my undertaking clearly. Can I tell whether Rosa loves me, or ever will love me?"

Reinhold had listened with even closer attention. He now rested his head on his arm, and, placing his hand over his eyes, asked, in a hollow, gloomy voice:

"Has Rosa ever given you any sign that she cares for you?"

"Ah," said Friedrich, "when I left Nürnberg, Rosa was more a child than a girl. She certainly did not dislike me. She used to smile charmingly on me when I never wearied of gathering flowers and making wreaths in Herr Holzschuer's garden. But----"

"Well, there is some hope in that case," Reinhold cried out suddenly, so violently, and in such an unpleasant, yelling tone, that Friedrich felt almost frightened. Reinhold started to his feet, the sword at his side rattled, and as he stood drawn up to his full height, the evening shadows fell on his pale face, and distorted his gentle features in such an ill-favoured sort that Friedrich cried, in real anxiety:

"What has come to you so suddenly?"

As he spoke he stepped backward, touching Reinhold's bundle with his foot. A sound of strings rang forth of it, and Reinhold cried, angrily:

"Don't smash my lute, you villain!"

He took the instrument from his bundle and struck its strings stormily, as if he would tear them in pieces. But soon his touch upon them grew soft and tuneful.

"Let us go on down to the village, brother! I have here a fine remedy against the Evil Spirits which stand in our way, and are in opposition principally to me."

"Why should Evil Spirits stand in our way, dear brother?" asked Friedrich. "But oh! your playing is beautiful, Please to go on with it."

The gold stars had come forth in the dark azure of the heavens; the night-wind was breathing in soft whispers over the perfumed meadows; the streams were murmuring louder; the dark trees of the forest were rustling all round in the distance. Reinhold and Friedrich went down into the valley, playing and singing; and clear and bright, as on shining pinions, their songs of Love and Longing floated on the breeze.

When they reached their night-quarters, Reinhold threw his lute and his knapsack down, and pressed Friedrich stormily to his heart. Friedrich felt burning tears upon his cheek; they came from Reinhold's eyes.

HOW THE TWO YOUNG JOURNEYMEN, REINHOLD AND FRIEDRICH, WERE RECEIVED INTO MASTER MARTIN'S HOUSE.

When Friedrich awoke the next morning, he missed his new friend, who had thrown himself down by his side on the straw bed; and as he saw neither the lute nor the bundle, he thought Reinhold, for reasons to him unknown, had left him and taken another road. When he went out, however, he saw Reinhold with his lute under his arm, and his knapsack, bat dressed quite differently to what he had been the day before. He had taken the feather from his cap, was not wearing his sword, and had on a homely citizen's doublet, of sober hue, instead of the velvet slashed one he had previously.

"Now, brother," he cried, with a kindly smile, "I am sure you see that I really am your comrade and fellow-journeyman. However, I must say you slept wonderfully well for a man in love. Look how high the sun is. Let's be off at once."

Friedrich was silent and thoughtful; he scarcely answered Reinhold, or paid any attention to his jests, for he darted about hither and thither in the highest spirits, shouting aloud, and throwing his cap into the air; but even he became quieter as they approached the town, quieter and quieter.

"I cannot go any further, I am so anxious, so uncertain, so filled with delicious unrest," said Friedrich, throwing himself down as one exhausted, when they had all but arrived at the gates of Nürnberg. Reinhold sat down beside him, and after a time said:--

"Last night I must have seemed to you to be a very strange creature, good brother, but when you told me of your love, and were so disconsolate, all manner of absurd nonsense came into my head, making me feel confused. I think I should have gone crazy at last, had not your singing and my lute driven the evil spirits away. This morning, when the first rays of the sun awoke me, all my sense of enjoyment in life had come back to me. I went out, and as I strolled up and down amongst the trees, all manner of glorious thoughts came into my mind; the way in which I had met you--how my whole heart had so turned to you. I remembered a pretty tale of a matter which happened some time ago in Italy when I chanced to be there. I should like to tell it to you, as it shows very vividly what true friendship can accomplish. It so happened that a certain noble prince, a zealous friend and protector of the Arts, offered a valuable prize for a picture, the subject of which, very interesting, and not over-difficult to treat, was duly announced. Two young painters, who were united in bonds of the closest friendship, determined to compete for this prize. They were in the habit of working together; they told each other their respective ideas on the subject, showed each other their sketches for it, and talked much together as to the difficulties to be overcome. The elder of the two, who had more experience than the other in drawing and grouping, had soon grasped the idea of his picture, had sketched it, and was helping the younger with all his power; for the latter was so discouraged at the very threshold of his sketch for the picture, that he would have given up all idea of going on had not the elder unceasingly encouraged him, and given him advice and suggestions. Now when they began to paint their pictures, the younger, who was quite a master of colour, was able to give the elder many suggestions, which he skilfully adopted and availed himself of; thus, the elder had never coloured a picture so well, and the younger had never drawn one so well. When the pictures were finished, the masters embraced each other, each of them inwardly delighted with the work of the other, and each convinced that the well-earned prize belonged of right to the other. The younger, however, was the gainer of the prize; upon which he cried out, thoroughly ashamed: 'Why should I have it? What is my merit compared to my friend's? I could not have accomplished anything worthy of praise but for his help.' But the elder said: 'And did you not help me with valuable counsel and advice? No doubt my picture is by no means bad; but you have got the prize, as was proper. To strive towards the same goal, bravely and openly, that is real friendship. Then the laurel which the victor gains honours the vanquished too. I like you all the more for your having laboured so doughtily, and brought me, too, honour and renown by your victory.' Now, Friedrich, that painter was right, was he not? Would it not rather truly and intimately unite than separate true friends to strive for the same prize, honestly, openly, genuinely, to the utmost of their power? Can petty envy or hatred find place in noble minds?"

"Never!" answered Friedrich; "assuredly never! We are now loving brethren; very likely we shall both ere long set to work to turn out the great Nürnberg 'masterpiece'--the two-fudder cask, without firing--each on his own account. But heaven forfend that I should be able to trace in myself the faintest tinge of envy, if yours, dear brother Reinhold, should be a better one than mine."

"Ha, ha, ha!" laughed Reinhold. "What does your 'masterpiece' signify? You will soon make that, I have no doubt, to the admiration of all competent coopers; and let me tell you that, as far as concerns the measurements, the proportions, curves, etc., you have found in me your man; moreover, you can trust me as to the choice of the timber, staves of red oak, felled in the winter, free from worm-holes, red or white stripes, or blaze-marks--that is what we will seek out. You can trust my eye; I will give you the best possible advice about everything, and my own 'masterpiece' will be none the worse for that."

"But, heaven help us," cried Friedrich, "why should we talk about 'masterpieces,' and which of us is going to succeed there? Is that what we are going to contend for? The real 'masterpiece' is winning Rosa; how are we to set about that? My head reels at it."

"Well, brother," cried Reinhold, still laughing; "really we were not saying anything about Rosa at that moment; you are a dreamer. Come along, let us get to the town, at all events."

Friedrich rose, and walked along, perplexed in mind. As they were washing and brushing themselves in the inn, Reinhold said:

"For my part, I don't know in the least what master I am going to work with. I don't know a creature in the place, so I was thinking that perhaps you would take me with you to Master Martin's, dear brother; perhaps he would give me work."

"You take a weight from my heart," answered Friedrich; "for if you are with me I shall find it easier to overcome my anxiety and my uneasiness."

So they set out together stoutly for the house of the renowned cooper, Master Martin.

It happened to be the very Sunday on which Master Martin was giving his great official dinner in honour of his appointment, and it was exactly dinner-time. Thus, when Reinhold and Friedrich crossed Master Martin's threshold, they became aware of a ringing of wine-glasses, and the confused buzz of a merry dinner-company.

"Ah!" said Friedrich, despondingly; "I fear we have come at an unfortunate time."

"I think just the contrary," said Reinhold; "for Master Martin will be in a fine temper, after all that good cheer, and disposed to grant our requests."

And presently Master Martin--to whom they had caused their coming to be announced--came out to them, in festal attire, and with no small amount of rubicundity of nose and cheeks. As soon as he saw Friedrich, he cried out, "Aha, Friedrich, good lad, thou art home again! That is well; and thou hast betaken thyself to the noble cooper-craft, too! No doubt Herr Holzschuer makes terrible faces when thy name is mentioned, and says a really great artist is spoilt in thee, and that thou couldst very likely have cast all sorts of little niminy-piminy figures, like those in St. Sebald's--that, and trellis-work, such as there is in Fugger's house in Augsburg. Stupid stuff and nonsense; thou hast done the proper thing in turning to what is right; many thousand welcomes to thee." With which Master Martin took him by the shoulders and embraced him, according to his wont when highly pleased. Friedrich completely revived at Master Martin's kind reception of him. All his bashfulness abandoned him: he not only laid his own desires before Master Martin, fully and unhesitatingly, but begged him to take Reinhold into his service too.

"Well," said Master Martin, "you could not possibly have come at a better time; there is heaps of work, and I'm greatly in need of men. You are both heartily welcome. Take off your bundles and come in; dinner is nearly done, but there is room at the table, and Rosa will take every care of you." And Master Martin went in with the two journeymen.

The worthy and honourable masters were all seated there, Herr Paumgartner in the place of honour. Their faces were all aglow; dessert was just served, and a noble wine was pearling in the great drinking-glasses. Matters had arrived at a point when each of the masters was talking, very loud, about something different from all the others, yet they all thought they quite followed and understood; and now one, and now another, laughed loud, without quite knowing why or wherefore. But when Master Martin, with Friedrich and Reinhold in either hand, announced that those two fine young journeymen, with good certificates, the sort of fellows after his own heart, had come offering to work for him, all grew silent, and everybody looked at the handsome lads with a pleasant satisfaction. Reinhold glanced round him with his clear eyes, almost proudly; but Friedrich cast his down, and toyed with his barret-cap. Master Martin gave the two lads places at the bottom of the table. But they were the most glorious places of all, for presently Rosa came and sat down beside them, carefully helping and serving them with exquisite dishes and delicious wines. All this made a delightful picture to behold. The beautiful Rosa, the handsome lads, the bearded masters, one could not but think of some shining morning cloudlet rising up alone on a dark background of sky; or, perhaps, of pretty spring flowers, raising their heads from melancholy, colourless grass. Friedrich could hardly breathe for rapture and delight; only by stealth did he now and then glance at her who was filling all his soul. He stared down at his plate; how was it possible for him to swallow a morsel? Reinhold, on the other hand, never moved his eyes (from which sparkling lightnings flashed) from the girl. He began to talk of his far travels in such a marvellous style, that she had never heard anything like it before. All that he spoke of seemed to rise before her eyes in thousands of ever-changing images; she was all eye, all ear. She did not know where she was, or what was happening to her when Reinhold, in the fire of his discourse, grasped her hand and pressed it to his heart. "Friedrich," he cried, "why are you sitting mum and sad? Have you lost your tongue? Come, let's clink our glasses to the health of this young lady, who is taking such care of us here." Friedrich took, with trembling hand, the tall goblet which Reinhold had filled to the brim, and which, as Reinhold did not draw breath, he had to empty to the last drop. "Here's to our brave master!" Reinhold cried again, filling the glasses; and once more Friedrich had to empty his bumper. Then the fire-spirit of the wine permeated him, and set his halting blood a-moving, till it coursed, seething and dancing, through all his veins. "What a blissful feeling," he whispered, as the glowing scarlet mantled in his cheeks; "I cannot express how delightful; never did I feel so happy in all my life before."

Rosa--to whom those words might, perhaps, convey another sense smiled on him with marvellous sweetness, and he, befreed from all his bashfulness, said: "Dear Rosa, I suppose you don't remember me at all, do you?"

"Now, Friedrich," answered Rosa, with downcast eyes; "how could it be possible that I should forget you so soon? At old Herr Holzschuer's I was only a child, certainly, but you did not think it beneath you to play with me; and you always talked of such charming things. And that beautiful little basket of silver wire which you gave me one Christmas, I still have, and shall always prize it as a precious keepsake." Tears stood in the lad's eyes, in the intoxication of his happiness. He tried to speak; but only the words, "Ah, Rosa! Dear Rosa!" came out of his heart like a deep sigh. Rosa went on to say: "I have always wished most heartily that I might see you again, but that you should take to the cooper's craft, I never could have imagined. Ah! when I think of the beautiful things you used to make at Herr Holzschuer's, it is really a shame that you do not keep to your own art."

"Ah, Rosa," said Friedrich, "it was all for your sake that I was faithless to my own beloved art." Scarcely were the words spoken than he would fain have sunk into the ground with shame and alarm. The most unintentional of avowals had come from his lips. Rosa, as if she saw it all, turned her face away from him. He strove in vain for words. However, Herr Paumgartner rapped on the table loudly with a knife, and announced to the company that Herr Vollrad, a worthy master-singer, would favour them with a song. So Herr Vollrad stood up, cleared his throat, and sung such a beautiful song in Hans Vogelsang's "golden tone," that all hearts throbbed for joy, and even Friedrich recovered from his serious embarrassment. After Herr Vollrad had sung other beautiful songs, in various other "tones" or "manners,"--such as the "sweet" tone, the "crooked horn" manner, the "flowery paradise" manner, the "fresh orange" manner, etc.,--he said that, should there be any at the table who knew anything of the gracious craft of the master-singers, he should now be so good as to sing a song. At this Reinhold rose, and said that, if he might be permitted to accompany himself on the lute, after the Italian manner, he too would be happy to sing a song, keeping, however, in it wholly to the German "modes." No one saying anything to the contrary, he got out his lute, and after preluding a little in the loveliest way, went on with the following song:--

(With a little more to the same effect.) This song pleased everyone beyond measure, but none so much as Master Martin, whose eyes beamed with joy and delight. Without attending to Herr Vollrad--who spake more than was necessary concerning that "manner" of "Herr Müller's" which the journeyman had "hit off by no means badly"--Master Martin rose, and, lifting his glass on high, cried: "Come here--thou--proper cooper and fine master-singer--come here! with me--with thy master--shalt thou empty this glass!"

Reinhold had to do as he was told. As he came back to his seat he whispered to the thoughtful Friedrich, "You must sing now, what you snug last night."

"You are mad," Friedrich cried, in anger. But Reinhold spoke out to the company, in a loud voice, saying:--

"Honourable gentlemen and masters, my dear brother Friedrich here knows much more beautiful songs and has a far finer voice than I. But the dust of the journey has got into his throat, so that he will sing to you in all 'manners' on another occasion."

Then they all begun praising and applauding Friedrich as if he had actually sung, and some of the masters even thought his voice was finer than Reinhold's. Herr Vollrad (after another glass) thought, and said, that Friedrich caught the beautiful German "modes" even better than Reinhold, who had just a little too much of the Italian school about him. But Master Martin threw his head back, smote his breast with his fist till it resounded again, and cried--

"Those are my men--mine, I say! Master Tobias Martin, the Cooper of Nürnberg's men."

And all the masters nodded their heads, and said, as they savoured the last drops out of their tall drinking-glasses--

"Aye, aye, it is so! All right! Master Martin's, the Cooper of Nürnberg's fine, clever men."

At last they all went home to bed; and Master Martin gave each of his new journeymen a nice bright chamber in his house.

HOW A THIRD JOURNEYMAN CAME TO MASTER MARTIN'S AND WHAT HAPPENED THEREUPON.

After Friedrich and Reinhold had worked with Master Martin for a week or two, he observed that, as regarded measurements, rule and compass work, calculations, and correctness of eye, Reinhold was probably without a rival. But it was otherwise as concerned work at the bench with the adze or the mallet. At those Reinhold soon wearied, and the work would not progress, let him exert himself as he would. Friedrich, on the other hand, hammered and planed away sturdily, and did not get very tired of it. What they both had in common, however, was a refinement of manner, to which there joined themselves, chiefly at Reinhold's instigation, much innocent merriment and witty fun. Moreover (especially when Rosa was by) they did not spare their throats, but sang many a beautiful song, often together, when their voices went delightfully. And when Friedrich, turning his eyes to Rosa, would tend towards falling into a melancholy and sentimental strain, Reinhold would immediately strike in with a comic ditty of his own devising, which began--

"The vat is not the zither--the zither not the vat,"

so that old Martin had often to drop the tool which he had in his hand raised in act to strike, and hold his sides for inward laughter. On the whole both the journeymen, but especially Reinhold, stood high in Master Martin's favour; and one might almost fancy that Rosa too sometimes found a pretext for lingering oftener and longer in the workshop than perhaps she otherwise would have done.

One day Master Martin went thoughtfully to his workshop outside the town gate, where work was carried on in the summer-time. Friedrich and Reinhold were just beginning a small cask. Master Martin placed himself before them with folded arms, and said:--

"I really cannot tell you, you two dear lads, how thoroughly I am satisfied with you. But I find myself in a considerable predicament. People write to me from the Rhine country that as regards crop this present year is going to be more blessed than any that has gone before it. A certain wise man has said that this comet which has appeared in the sky so fertilises the earth with its wonderful rays, that it will give forth all the heat which genders the noble metals out of its deepest depths, which will so stream and exhale up into the thirsting vines, that they will yield crops upon crops brimful of the liquid fire which has heated them. It seems there has not been such a lucky 'constellation' for well on to three hundred years. Very good; hence will spring great abundance of work. And, moreover, the Bishop of Bamberg has written to order a large vat. We shall not be able to finish it, so that I shall have to be looking out for another journeyman hand--a good one. All the same, I don't want to bring the first comer out of the street amongst us. And yet what's to be done? I see no choice. If you happen to know of a good hand anywhere whom you would have no objection to work with, say the word, and I'll send and get him though it should cost me no small sum."

Scarce had Master Martin said this, when a young man of tall, powerful figure cried in at the door, in a loud voice, "I say, is this Master Martin's?"

"Yea," said Master Martin, stepping up to the young man, "verily it is; but there's no occasion to shout in that murdering sort of style. That is not the way to come at people."

"Ha, ha, ha!" laughed the young man. "I see you are Master Martin yourself. You answer exactly to the description of him given to me--the fat corporation, the imposing double chin, the flashing eyes, and the red nose. My best respects to you, Master Martin."

"Well, sir," said Master Martin, greatly irritated, "and what may your business with Master Martin be?"

"I am a journeyman cooper," the young man answered, "and all I want is to know if you can give me a job of work here."

Master Martin took a step or two backward in sheer amazement at the notion that, just when he had made up his mind to look out for another hand, one should appear and offer himself; and he scanned the young man closely from head to foot. The latter met his gaze with which flashed. Now, as Master Martin observed the broad chest, athletic build, and powerful hands of the young man, he thought to himself, "This is just the stout, strong-built sort of fellow that I want." And he asked him for his certificates.

"I have not got them with me," the young man said, "but I will soon get them. In the meantime, I give you my word that I will do your work faithfully and honourably. That must suffice for the time." And therewith, without waiting for Master Martin's leave, he strode into the workshop, threw down his barret and his bundle, tied on his apron, and said, "Now then, Master Martin, tell me what to set about."

Master Martin, puzzled by this cool manner of setting about matters, had to take thought with himself for a moment. "Well," he said, "my lad, to show us that you are a trained cooper, set to with the notcher upon that cask there at the end stool."

The stranger journeyman accomplished the task told off to him with remarkable force, skill, and rapidity. And then, loudly laughing, he cried, "Now, master, have you any doubt that I am a trained cooper? But," he continued, as he strolled up and down the shop examining the tools, timber, &c., "you seem to have a good deal of queer stuff about here. Now here's a funny little bit of a mallet. I suppose your children amuse themselves with that. And the broad-axe yonder, that's for your apprentice boys, I presume; isn't it?" With that he whirled the great heavy mallet--which Reinhold could not wield, and which Friedrich could only use with difficulty--up to the rooftree, did the like with the ponderous broad-axe which Master Martin worked with, and then rolled great casks about as if they had been bowls; and, seizing a thick unshaped stave, he cried, "Master, this seems good sort of oak-heart. I reckon it will fly like glass!" and banged it against the grindstone, so that it broke right across into two pieces with a loud report.

"My good sir," Master Martin cried, "all I beg of you is, don't smash up that two-fudder cask there, or bring the whole workshop down about our ears. You might make a mallet of one of the rafters; and, by way of a broad-axe to your liking, I'll send to the Town Hall for Roland's sword, three ells long."

"That would do for me nicely," said the young man, with sparkling eyes. But presently he cast them down, and spoke in a gentler tone:

"All I was thinking, dear Master Martin, was that your work needed men of thews and sinews. But perhaps I was a little hasty in swaggering as to my strength. Take me into your employ all the same. I will do what work you give me in first-rate style, you will see."

Master Martin looked him in the face, and had to own to himself that he had probably never seen nobler or more thoroughly honest features. Indeed he felt somehow that the young man's face stirred up a dim remembrance of someone whom he had known and esteemed for a very long time. But this would not become clear, although, for this cause, he at once agreed to employ the young man, merely stipulating that he should produce proper certificates to prove that he belonged to the craft.

Reinhold and Friedrich meanwhile had finished setting up the cask at which they were working, and were putting on the first hoops. At such times they were in the habit of singing, and they now begun a pretty song, in the "goldfinch manner" of Adam Puschmann. At this Conrad (such was the new-comer's name) shouted out from the planing bench where Master Martin had set him to work, "Ugh! what a cheeping and chirping. Sounds as though the mice were squeaking about the shop. If you're going to sing, sing something that will cheer a fellow up and put some heart into him to go on with his work. I sometimes sing a thing of that sort myself." With which he commenced a rough, wild hunting song, full of "Hulloh!" and "Hussah!" And he imitated the cry of the hounds and the shouts of the people in such a thundering, all-penetrating voice, that the workshop shook and resounded. Master Martin stopped both his ears with his hands, and the boys of Frau Martha (Valentine's widow), who were playing in the workshop, hid themselves in terror amongst the timber. Just then Rosa came in astonished, nay terrified, at the prodigious shouting, for "singing" it could not be called. Conrad was silent the moment he saw Rosa. He rose and went up to her in the most courteous manner, saying, in a soft voice, and with gleaming fire in his bright brown eyes: "Beautiful lady, how this old working cabin beamed with roseate splendour as soon as you entered it. Ah! had I but seen you a little sooner I should not have offended your ears with my rough hunting song." He turned to Master Martin and the workmen, and cried, "Hold that abominable noise, every one of you! Whenever this beautiful lady deigns to show herself here, hammers and mallets must stop. We will hear only her sweet voice, and listen with bowed heads to such commands as she may deign to issue to us--her humblest servants."

Reinhold and Friedrich gazed at each other in amazement; but Master Martin shouted with laughter, and said, "Well, Conrad, I must say you are the very drollest rascal that ever put on an apron. You come here, and seem to be going to set to work to smash the whole place to atoms, like some great lumbering giant. Next you bellow till we're all obliged to hold our ears; and, by way of a worthy finale, you treat my little daughter here as if she were a lady of quality, and you her page, in love with her."

"I know your lovely daughter quite well, Master Martin," answered Conrad unconcernedly; "and I tell you she is the most glorious lady that walks the earth, and would to heaven that she would permit her most devoted servitor to be her Paladin!"

Master Martin held his sides. He nearly suffocated himself before he made way for his laughter by dint of wheezing and coughing. He then managed to get out a "Good! very good! my dear young sir. Take my little girl Rosa for a lady of quality, if you will, but just get back to your work at the bench there."

Conrad stood rooted to the spot with eyes fixed on the ground; rubbed his forehead, and said softly, "So I must." He did as he was ordered. Rosa sat down on a small barrel, as she usually did when she came to the workshop. Reinhold and Friedrich brought this barrel forward for her as they were wont to do; and then they sang together (as Master Martin bade them) the pretty song in which Conrad had interrupted them. The latter went on with his task, silent and thoughtful. When the song was ended Master Martin said, "Heaven has endowed you two dear lads with a precious gift. You have no idea how much I honour the glorious Art of Song. In fact I once wanted to be a Master-singer myself. But it wouldn't do. I could make nothing of it, try as hard as I might. With all my endeavours I earned nothing but derision and jesting, when I tried my hand at the master-singing. I always made wrong 'annexations' or too many syllables, In fact there was always something askew with it. Well, well! you will make a better job of it. What the master couldn't manage, his men will. Next Sunday there will be a master-singing at the usual time, after noonday service, at Saint Catherine's Church; and there you two, Reinhold and Friedrich, may gain praise and honour by means of your beautiful art. For before the head-singing, a free-singing will be holden, open to strangers, at which you may try your skill. Now, Herr Conrad" (Master Martin called over to the planing bench), "mightn't you mount the singing stool too, and treat them to that beautiful hunting song of yours?"

"Don't jest, good master," answered Conrad, without looking up; "there's a place and time for everything: while you are edifying yourself at the Master-singing, I shall go in search of my own pleasure, to the Common Meadow."

Things turned out as Master Martin had expected. Reinhold mounted the singing stool and sang songs, which could not be classified as being any special "tones" or "manners," but which delighted all the Master-singers, albeit they were of opinion that, though the singer committed no actual errors, yet a certain "outlandish," or foreign style, which they could not quite define themselves, somewhat detracted from their merit. Soon after, Friedrich seated himself on the singing stool, took off his barret, and, after looking before him for a second or two, cast a glance at the assembly (which darted through Rosa's heart like a glowing arrow, so that she could not help sighing deeply), then began such a glorious song, in the tender "tone" of Heinrich Frauenlob, that all the masters declared unanimously that none of them could surpass this young journeyman.

When evening came, and the singing was over, Master Martin, by way of thoroughly completing the enjoyment of the day, betook himself with Rosa to the Common Meadow. Reinhold and Friedrich were allowed to go with them. Rosa walked between the two. Friedrich, in a state of great glorification by reason of the praise of the Master-singers, ventured, in the intoxication of his blissfulness, on many a daring word, which Rosa, drooping her eyes modestly, did not seem to wish to hear. She turned the rather to Reinhold, who, after his wont, chattered and made many a lively jest and sally, not hesitating to sling his arm round one of hers. When they came where the young men were engaged in divers athletic sports (some of them of knightly sort), they heard the people crying, over and over again, "He has won again!--nobody can stand before him! There! he wins again!--that strong one!" When Master Martin had pressed his way through the crowd, he found that all this shouting and acclamation were to the address of none other than his own journeyman, Conrad, who had excelled everybody at running, boxing, and throwing the javelin. Just as Master Martin came on the scene, Conrad was challenging all-comers to a bout of fencing with blunted rapiers, and several young patrician "bloods," skilled at this exercise, accepted; but he very soon conquered them all, with little difficulty, so that there was no end to the laudation of his strength and skill.

The sun had set; the evening sky was glowing red, and the twilight rapidly falling. Master Martin, Rosa, and the two journeymen had seated themselves beside a plashing fountain. Reinhold told many delightful things concerning far-away Italy; but Friedrich gazed, silent and happy, into Rosa's beautiful eyes. Then Conrad approached, with slow and hesitating steps, as if he had not quite made up his mind whether to join the others or not. So Master Martin called out: "Come along, come along, Conrad! You have held your own bravely; just as I like my journeymen to do. Don't be bashful, my lad; you have my full permission." Conrad flashed a penetrating glance at the master, who was nodding to him condescendingly, and said, in a hollow tone: "So far, I have not asked your permission whether I might join you or not. On the whole, it was not to you that I was thinking whether I should come, or otherwise. I have laid all my opponents prostrate in the dust in knightly play, and what I wanted to do was to ask this beautiful lady if she would not mind giving me, as my guerdon, those flowers which she wears in her breast." With which Conrad knelt on one knee before Rosa, looked her honestly in the face with his clear brown eyes, and petitioned, "Give me the flowers, if you will be so kind, fair Rosa; you can hardly refuse me." Rosa at once took the flowers from her breast, and gave them to him, saying, with a smile, "I am sure such a doughty knight deserves a prize of honour from a woman; so take my flowers, although they are beginning to wither a little." Conrad kissed them, and placed them in his barret cap; but Master Martin rose up crying, "Stupid stuff and nonsense! Let's get away home; it'll soon be dark." Martin walked first; Conrad, in a courtier-like fashion, gave Rosa his arm, and Reinhold and Friedrich brought up the rear, not in the best of temper. The people who met them stopped and looked after them, saying:

"Ey! look there!--that is Master Martin, the rich cooper, with his pretty daughter and his fine journeymen; happy folks, these, I can tell you!"

HOW FRAU MARTHA CONVERSED WITH ROSA ABOUT THE THREE JOURNEYMEN. CONRAD'S QUARREL WITH MASTER MARTIN.

Young girls are wont to live over again all the enjoyments of a festal day, in detail, on the subsequent morning, and this secondary feast seems then almost more delicious to them than the original itself. Thus did the fair Rosa sit pondering on the subsequent morning alone in her chamber, with her hands folded in her lap, and her head hung down in reverie, letting spindle and needle-work rest. Probably she was mentally listening again to Reinhold and Friedrich's singing, and again watching the athletic Conrad vanquishing his adversaries, and receiving from her the victor's prize. Now and then she would hum a line or two of some song; then she would say, "My flowers, do you want?" and then a deeper crimson mantled in her cheeks; flashes darted through her half-closed eyelids, faint sighs stole forth from her innermost breast.

Frau Martha came in, and Rosa was delighted to have the opportunity of giving her a circumstantial account of all that had happened in Saint Catherine's Church, and afterwards in the Common Meadow. When she had finished, Martha said, smiling, "Well, Rosa dear, you will soon have to make up your mind which of those three brave wooers you are going to choose."

"What are you talking about, Frau Martha?" Rosa cried; "I haven't got any wooers."

"Come, come," answered Martha, "don't pretend that you don't know what's going on. Anybody who has got eyes, and is not as blind as a mole, sees well enough that all the three, Reinhold, Friedrich, and Conrad, are over head and ears in love with you."

"What an idea!" cried Rosa, hiding her eyes with her hand.

"Come, come," said Martha, sitting down beside her and putting an arm about her; "you bonny bashful child, take your hand away; look me straight in the face, and then deny, if you can, that you have known for many a day that all the three of them are devoted to you, heart and soul! You see that you can't deny it. It would be a miracle if a woman's eye should not see a thing of that sort in an instant. When you come into the workshop, all their eyes turn away from their work, to you, and everything goes on in a different way, three times as swimmingly. Reinhold and Friedrich begin singing their prettiest songs; even that wild fellow Conrad turns quiet and kindly. They all try to get beside you; and fire flashes out of the face of whichever of them has a kind glance or a friendly word from you. Aha! little daughter! you are a very fortunate girl to have three such charming fellows paying attention to you. Whether you will ever choose either of them--and, if so, which--of course I cannot tell, for you are good and nice to them all; though I--but silence as to that! If you were to come to me, and say, 'Frau Martha, give me your advice,' I should freely answer, 'Doesn't your own heart speak out quite clearly and distinctly? Then he is the one. Of course, they're all pretty much alike, to me. I like Reinhold, and I like Friedrich too; and Conrad as well, for the matter of that; and still I have some objections to every one of them. Aye! the fact is, dear Rosa, when I look at those three young fellows at their work, I always think of my dear husband. And I must say, as far as the work which he did went, everything which he did was done in a different style to theirs. There was a swing and a go about it: you saw that his heart was in it; that he wasn't thinking of anything else. But they always seem to unto be doing it for the doing's sake, as if they all had something else at the bottom of their minds all the time; as if the work was a sort of task which they had taken up of their own accords, and were sticking to as well as they could, against the grain. I get on best with Friedrich. He is a nice, straight-forward fellow. He seems more like us, somehow. One understands whatever he says. And what I like about him is, that he loves you in such a silent sort of way, with all the bashfulness of a good child; that he hardly dares to look at you, and blushes whenever you say a word to him."

A tear came to Rosa's eye. She rose, turned to the window, and said: "Yes, I am very fond of Friedrich too; but you mustn't think too little of Reinhold, either."

"How should I?" said Martha; "he's the nicest-looking of them all, by far and away. When he looks one through and through, with his eyes like lightning, one can hardly bear it. Still, there is a something about him so strange and wonderful, that I feel a little inclined to draw back from him in a sort of awe. I think the master must feel, when he is at work in the workshop, as I should if somebody brought a lot of pots and pans all sparkling with gold and jewels into my kitchen, and I had to set to work with them as if they were so many ordinary pots and pans. I shouldn't dare to touch them. He talks, and tells tales, and it all sounds like beautiful music, and carries one away. But when I think seriously about what he has been saying after he has done, I haven't understood a word of it, really. And then, when he will sometimes joke and jest just like one of ourselves, and I think he is only one of us after all, all of a sudden he will look up at one so proudly, and seem such a gentleman, that one feels frightened. It is not that he ever swaggers, as plenty of the young gentlefolks do; it's something quite different. In one word, it strikes me--God forgive me for saying it!--that he must have dealing with higher powers; as if he really belonged to another world altogether, Conrad is a rough, overbearing sort of fellow, but he has something cursedly aristocratic about him, too, which doesn't go a bit well with the cooper's apron; and he goes on as if it were his place to give orders, which everybody else had to obey. In the little time that he has been here, you see he has got so far that even Master Martin himself has to obey him, when he roars at him with that thundering voice of his. But then, at the same time, Conrad is so good-humoured, and so thoroughly straight-forward and honourable, that one can't be vexed with him. In fact I must say that, in spite of his wildness, I like him better than Reinhold, almost; for though he does often speak roughly, yet one always understands what he is saying. I would wager he has once been a soldier, however he may pretend to disguise himself now. That's why he knows so well about weapons, and the knightly exercises, which become him so well. Now tell me, truly and sincerely, Rosa dear, which of them do you like the best?"

"Don't be so crafty with me, Frau Martha," Rosa replied. "One thing is certain--that I don't feel at all as you do about Friedrich. It is quite true that he is of quite a different sort to the others. When he talks, it seems as if some beautiful garden opened upon one, full of lovely flowers, blossoms, and fruit, the like of which are not to be found on earth; but it delights me to look into this garden. And many things strike me quite differently since Reinhold has been here. Many things which were dim and formless in my mind have grown so distinct and clear, that I can see them and understand them perfectly."

Frau Martha got up, and, as she departed, she threatened Rosa with uplifted finger, saying, "Well, Rosa! I suppose Reinhold is to be the one: I never should have dreamt he would have been."

"I beg and pray you, Martha dear, neither dream, nor anticipate anything. Leave it all to the future. What the future brings will be the will of Heaven, and to that we must all submit with resignation."

Meanwhile things were very stirring in Master Martin's workshop. To enable him to execute all his commissions he had taken on fresh hands and a few apprentices, and there was such a banging and hammering going on that it was audible far and wide. Reinhold had made out all the measurements for the Bishop of Bamberg's great vat, and set it up so cleverly that Master Martin's heart laughed in his body, and he cried out, over and over again, "that I do call a piece of work! that's going to be a cask such as I never turned out before--always excepting my own masterpiece." The three journeymen, hooping the cask, were hammering till the whole place rang. Old Valentine was shaving away busily with the hollowing-cramp. Frau Martha, with her two youngest children in her lap, was sitting just behind Conrad, while the others were playing and chasing each other about with the hoops. It was such a merry, boisterous affair altogether, that nobody noticed the incoming of old Master Johannes Holzschuer. However, Master Martin went up to him, and asked him courteously what might be his will.

"Well," said Master Holzschuer, "I wanted to see my dear Friedrich again, who is working away so hard there. But, besides that, Master Martin, I want a fine cask for my cellar, and I was going to ask you to turn me one out. See! there is just the sort of cask I want--that one your men have in hand there, let me have that one. You have but to tell me the price."

Reinhold, who, being a little tired, was resting, said on his way on to the scaffold again, "Ah, dear Herr Holzschuer, you will have to forego your fancy for this cask; we are making it for the Bishop of Bamberg."

Master Martin, folding his arms behind his back, advancing his left foot, and lifting his head proudly, blinked at the cask with his eyes, and said somewhat boastfully, "My dear master, you might know by the choiceness of the timber, and the superiority of the workmanship, that a masterpiece such as this is a thing for a Prince-Bishop's cellar alone. My journeyman Reinhold has said well. But when we have got the vintage off our hands, I will turn you out a tidy little cask, such as will be suitable for your cellar."

Old Holzschuer, annoyed with Master Martin's conceit, thought, for his part, that his money was just as good as the Bishop of Bamberg's, and that he would probably get as good value for it elsewhere; and he said so. Master Martin, overwhelmed with anger, contained himself with difficulty. He scarcely dared to offend old Holzschuer, friend of the Council as he was, highly esteemed by all the town. But just at that moment, Conrad was making such a tremendous hammering with his mallet on the cask that the whole place was ringing and resounding; and Master Martin's boiling wrath ran over, so that he spluttered out, with a shout, "Conrad--dunderhead that you are--don't whack away in that blind, furious style, man! You'll ruin that cask on our hands altogether."

"Ho! ho! you funny little master," Conrad cried, looking round with an angry face, "why shouldn't I?" and set to work again, hammering at the cask with such violence that the largest of the hoops burst with a "clirr," knocking Reinhold off the narrow board of the scaffold, whilst, from the hollow sound which followed, it was evident that one of the staves must have sprung as well. Overcome with rage and fury, Master Martin seized the stave which Valentine was shaving at, and, with a loud roar of, "Cursed hound!" dealt Conrad a heavy blow with it across the back.

When Conrad felt the blow, he turned quickly round, and stood for a moment as if unconscious, and then his eyes flamed with wild anger; he gnashed his teeth, howled out, "Struck!" got down, with one spring, from the scaffold, seized the broad-axe which was on the ground, and aimed with it a tremendous stroke at the master, which would have split his skull, had not Friedrich drawn him aside, so that it missed his head; but it fell on his arm, whence the blood at once streamed out. Martin, stout and unwieldy, lost his balance and stumbled over the bench, at which an apprentice was working, and on to the ground. All the rest now threw themselves around Conrad, who was raging, and wielding the bloody broad-axe in the air, yelling, in a terrible voice.