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The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 572, October 20, 1832

THE PUBLIC JOURNALS.

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DRYBURGH ABBEY.

'Twas morn—but not the ray which falls the summer boughs among, When beauty walks in gladness forth, with all her light and song; 'Twas morn—but mist and cloud hung deep upon the lonely vale, And shadows, like the wings of death, were out upon the gale. For He whose spirit woke the dust of nations into life— That o'er the waste and barren earth spread flowers and fruitage rife— Whose genius, like the sun, illumed the mighty realms of mind— Had fled for ever from the fame, love, friendship of mankind! To wear a wreath in glory wrought his spirit swept afar, Beyond the soaring wing of thought, the light of moon or star; To drink immortal waters, free from every taint of earth— To breathe before the shrine of life, the source whence worlds had birth! There was wailing on the early breeze, and darkness in the sky, When, with sable plume, and cloak, and pall, a funeral train swept by; Methought—St. Mary, shield us well!—that other forms moved there, Than those of mortal brotherhood, the noble, young, and fair! Was it a dream?—how oft, in sleep, we ask, "Can this be true?" Whilst warm imagination paints her marvels to our view;— Earth's glory seems a tarnish'd crown to that which we behold, When dreams enchant our sight with things whose meanest garb is gold! Was it a dream?—methought the "dauntless Harold" passed me by— The proud "Fitz-James," with martial step, and dark, intrepid eye; That "Marmion's" haughty crest was there, a mourner for his sake; And she, the bold, the beautiful, sweet "Lady of the Lake." The "Minstrel," whose last lay was o'er, whose broken harp lay low, And with him glorious "Waverley," with glance and step of wo; And "Stuart's" voice rose there, as when, 'midst fate's disastrous war, He led the wild, ambitious, proud, and brave "Ich Ian Vohr." Next, marvelling at his sable suit, the "Dominie" stalk'd past, With "Bertram," "Julia" by his side, whose tears were flowing fast; "Guy Mannering," too, moved there, o'erpowered by that afflicting sight; And "Merrilies," as when she wept on Ellangowan's height. Solemn and grave, "Monkbarns" approached, amidst that burial line; And "Ochiltree" leant o'er his staff, and mourn'd for "Auld lang syne!" Slow march'd the gallant "McIntyre," whilst "Lovel" mused alone; For once, "Miss Wardour's" image left that bosom's faithful throne! With coronach, and arms reversed, forth came "MacGregor's" clan— Red "Dougal's" cry peal'd shrill and wild—"Rob Roy's" bold brow look'd wan; The fair "Diana" kissed her cross, and bless'd its sainted ray; And "Wae is me!" the "Bailie" sighed, "that I should see this day!" Next rode in melancholy guise, with sombre vest and scarf, Sir Edward, Laird of Ellieslaw, the far-renowned "Black Dwarf;" Upon his left, in bonnet blue, and white locks flowing free— The pious sculptor of the grave—stood "Old Mortality!" "Balfour of Burley," of "Claverhouse," the "Lord of Evandale," And stately "Lady Margaret," whose woe might naught avail! Fierce "Bothwell" on his charger black, as from the conflict won; And pale "Habakuk Mucklewrath," who cried, "God's will be done!" And like a rose, a young white rose, that blooms mid wildest scenes, Passed she,—the modest, eloquent, and virtuous "Jeanie Deans;" And "Dumbedikes," that silent laird, with love too deep to smile, And "Effie," with her noble friend, the good "Duke of Argyle." With lofty brow, and bearing high, dark "Ravenswood" advanced, Who on the false "Lord Keeper's" mien with eye indignant glanced; Whilst graceful as a lonely fawn, 'neath covert close and sure, Approached the beauty of all hearts—the "Bride of Lammermoor!" Then "Annot Lyle," the fairy queen of light and song, stepped near, The "Knight of Ardenvohr," and he, the gifted Hieland Seer: "Dalgetty," "Duncan," "Lord Monteith," and "Ranald," met my view— The hapless "Children of the Mist," and bold "Mhich-Connel-Dhu!" On swept "Bois Guilbert"—"Front de Boeuf"—"De Bracy's" plume of woe; And "Coeur de Lion's" crest shone near the valiant "Ivanhoe;" While soft as glides a summer cloud "Rowena" closer drew, With beautiful "Rebecca"—peerless daughter of the Jew! Still onward like the gathering night advanced that funeral train— Like billows when the tempest sweeps across the shadowy main; Where'er the eager gaze might reach, in noble ranks were seen, Dark plume, and glittering mail and crest, and woman's beauteous mien! A sound thrilled through that lengthening host! methought the vault was closed, Where in his glory and renown fair Scotia's bard reposed!— A sound thrilled through that length'ning host! and forth my vision fled! But, ah! that mournful dream proved true,—the immortal Scott was dead!

Literary Gazette.

LORD BYRON'S "LOVE."

From Lady Blessington's Conversations.

Of love he had strange notions: he said that most people had le besoin d'aimer, and that with this besoin the first person who fell in one's way contented one. He maintained that those who possessed the most imagination, poets for example, were most likely to be constant in their attachments, as with the beau ideal in their heads, with which they identified the object of their attachment, they had nothing to desire, and viewed their mistresses through the brilliant medium of fancy, instead of the common one of the eyes. "A poet, therefore (said Byron), endows the person he loves with all the charms with which his mind is stored, and has no need of actual beauty to fill up the picture. Hence he should select a woman, who is rather good-looking than beautiful, leaving the latter for those who, having no imagination, require actual beauty to satisfy their tastes. And after all (said he), where is the actual beauty that can come up to the bright 'imaginings' of the poet? where can one see women that equal the visions, half mortal, half angelic, that people his fancy? Love, who is painted blind (an allegory that proves the uselessness of beauty), can supply all deficiencies with his aid; we can invest her whom we admire with all the attributes of loveliness, and though time may steal the roses from her cheek, and the lustre from her eye, still the original beau ideal remains, filling the mind and intoxicating the soul with the overpowering presence of loveliness. I flatter myself that my Leila, Zuleika, Gulnare, Medora, and Haidee will always vouch for my taste in beauty: these are the bright creations of my fancy, with rounded forms, and delicacy of limbs, nearly so incompatible as to be rarely if ever united; for where, with some rare exceptions, do we see roundness of contour accompanied by lightness, and those fairy hands and feet that are at once the type of beauty and refinement. I like to shut myself up, close my eyes, and fancy one of the creatures of my imagination, with taper and rose-tipped fingers, playing with my hair, touching my cheek, or resting its little snowy-dimpled hand on mine. I like to fancy the fairy foot, round and pulpy, but small to diminutiveness, peeping from beneath the drapery that half conceals it, or moving in the mazes of the dance. I detest thin women; and unfortunately all, or nearly all plump women, have clumsy hands and feet, so that I am obliged to have recourse to imagination for my beauties, and there I always find them. I can so well understand the lover leaving his mistress that he might write to her, I should leave mine, not to write to, but to think of her, to dress her up in the habiliments of my ideal beauty, investing her with all the charms of the latter, and then adoring the idol I had formed. You must have observed that I give my heroines extreme refinement, joined to great simplicity and want of education. Now, refinement and want of education are incompatible, at least I have ever found them so: so here again, you see, I am forced to have recourse to imagination, and certainly it furnishes me with creatures as unlike the sophisticated beings of civilized existence, as they are to the still less tempting, coarse realities of vulgar life. In short, I am of opinion that poets do not require great beauty in the objects of their affection; all that is necessary for them is a strong and devoted attachment from the object, and where this exists, joined to health and good temper, little more is required, at least in early youth, though with advancing years, men become more exigeants." Talking of the difference between love in early youth and in maturity, Byron said, "that, like the measles, love was most dangerous when it came late in life."

New Monthly Magazine.

UMBRELLAS.

By one of the year 1750.

Umbrellas, in my youth, were not ordinary things; few but the macaronis of the day, as the dandies were then called, would venture to display them. For a long while it was not usual for men to carry them without incurring the brand of effeminacy, and they were vulgarly considered as the characteristics of a person whom the mob hugely disliked, namely, a mincing Frenchman! At first, a single umbrella seems to have been kept at a coffee-house for some extraordinary occasion—lent as a coach or chair in a heavy shower—but not commonly carried by the walkers. The Female Tatler advertises, "the young gentleman belonging to the custom-house who, in fear of rain, borrowed the umbrella from Wilks' Coffee-House, shall the next time be welcome to the maid's pattens." An umbrella carried by a man was obviously then considered as extreme effeminacy. As late as in 1778, one John Macdonald, a footman, who has written his own life, informs us that when he used "a fine silk umbrella, which he had brought from Spain, he could not with any comfort to himself use it; the people calling out 'Frenchman! why don't you get a coach?'" The fact was that the hackney-coachmen and the chairmen, joining with the true esprit de corps, were clamorous against this portentous rival. This footman, in 1778, gives us further information. "At this time there were no umbrellas wore in London, except in noblemen's and gentlemen's houses, where there was a large one hung in the hall to hold over a lady or a gentleman, if it rained between the door and their carriage." His sister was compelled to quit his arm one day from the abuse he drew down on himself and his umbrella. But he adds, that "he persisted for three months till they took no further notice of this novelty. Foreigners began to use theirs, and then the English. Now it is become a great trade in London." This footman, if he does not arrogate too much to his own confidence, was the first man distinguished by carrying and using a silken umbrella. He is the founder of a most populous school. The state of our population might now in some degree be ascertained by the number of umbrellas.

New Monthly Magazine.

GIPSIES.

Gipsies in times of yore were the scape-goats of the peasantry: if "cock" were "purloined" or any other rural mischief done by night, it was immediately fathered upon a neighbouring tent of "the dark race." No further evidence was required than the pot boiling on stick transverse: no one hesitated to conclude that the said pot contained the corpus delicti: that the individual missing cock was there parboiling, and that the swarthy race lolling around the fire, or peeping from beneath the canvass roof, were resting from the unholy labours of the night. Crime, however, has made such rapid marches that it has long been seen that the gipsies could not perpetrate the whole of it: and now it is pretty clear they are, and probably have always been, innocent of the whole of it. It is an event of extreme rarity to see a gipsy in a court of justice, and we have reason to believe that it has come to pass that farmers entertain a belief that the tent of the wanderer, with its nightly blaze and its dark shadows flitting about it, is a protection to their property. There is every probability in favour of the justice of this character. The life of the gipsy is not unlucrative: his wants are few and coarse, and the calls upon him are scarcely any. He pays no rent: he is exempt from taxes: he spends nothing in the luxury of attire: no man can bring him in a bill. Being himself a mender and universal repairer, he is under the necessity of demanding no man's aid. His horse or his ass feeds on Nature's common, the hedge-side, the waste corner, the forest thicket, well known and long haunted by him and his tribe. Gipsies are subject to few diseases: they seldom ask the doctor's assistance but for one friendly office, and that serves a man his lifetime. The open air, the inconstancy of their labour, the sufficiency of their food, and the quantity of healthy exercise, necessarily render these Arabs of civilization the healthiest part of the people. As the monks of old always managed to select a happy site for their establishments, so does the gipsy always contrive to fix upon a pleasant and healthy spot for the pitching of his tent. It is sure to be near a brook for the supply of fresh water for the pot, and a washing-place for the family rags: it generally lies under the shelter of some umbrageous tree, it will always be found to have a view of the road, and invariably placed on the edge of some nice short and sweet morsel of grass for the recreation of the quadrupeds of the party.

The character of the gipsy has not been well understood. It is altogether oriental: he is quiet, patient, sober, long suffering, pleasant in speech, indolent but handy, far from speculative, and yet good at succedaneum: when his anger is kindled, it descends like lightning: unlike his dog, his wrath gives no notice by grumbling: he blazes up like one of his own fires of dried fern. Quarrels do not often take place among them, but when they do, they are dreadful. The laws of the country in which they sojourn have so far banished the use of knives from among them that they only grind them, otherwise these conflicts would always be fatal. They fight like tigers with tooth and nail, and knee and toe, and seem animated only with the spirit of daemonism. Luckily the worst weapon they use is a stick, and, if the devil tempts, a hedge-stake.

We have been put in mind to say something of the gipsies by having witnessed the consequences of one of these affrays, which has brought us still better acquainted with these singular people. A quarrel originating in jealousy had produced results of the most serious nature. A blow on the head with a tent-pole had evidently produced concussion of the brain if not fracture, and the victim was lying on his straw bed in a state of profound coma. The tent was tripartite, being formed of three main tops meeting in a centre: one was sacred to the women—the gynekeion of the Greeks, the anderoon of the Persians: in the others were collected the whole faction of the dying man. Nine or ten swarthy but handsome countenances were anxiously watching the struggling breath of their unhappy comrade—some sobbing, some grief-stricken, some sombre, none savage. An old crone was administering ineffectual milk, perhaps the very woman who had found the same fluid so nutritious some thirty years ago. Before, or rather, under her lay as noble a form as nature ever moulded, with a fine dark, but thoroughly Indian face, covered with the clammy sweat of apoplectic death. There was no want of light, the fire at the mouth every now and then sent in a volume of illumination, and when the medical men arrived there was scarcely a hand that did not contain a candle in the hope of aiding their investigation. The man died on the fourth day: the surgeons were compelled to mangle him in their search for a fracture; after his death justice demanded a still further investigation of the corpse: and yet during all these trying circumstances an important witness can declare that the behaviour of the supposed lawless people was not merely decent—it was more than exemplary—it was delicate, tender, nay, refined; it was moreover exempt from prejudice, at the same time that it was full of feeling. Were the details in place here, it would perhaps be allowed that few brighter examples of friendship and right feeling were to be found than in this instance occurred among the "dark race," as they call themselves.

New Monthly Magazine.

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