Volume 6 — INDEX FOR VOLUME VI

A

A cappella singing, xvii-f. Abert (Bach transcription), 438. Abington, Henry, 447. Abrici, Vincenzo, 425. Abt, Franz, 177. Accompaniments, (Scarlatti), 108; (Carissimi), 108f. Act of Supremacy, 89. Acworth, H. A., 213. Adam de la Hâle, 25f. Adams, Thomas, 475. Adieu, mes amours (in French mass), 42. Agnus Dei, 47f. Agricola, Martin, 51. Akimenko, 396. Albert V, 56, 57. [d’] Albert (Bach transcription), 440 (footnote). Albert Hall, London (organ in), 411. Albrechtsberger, Johann Georg, 458. Aldrich, Richard (cited on Roman liturgy), 341. Alexander Severus, 399. Allegri, Gregorio, 66f. Alphege, Bishop of Winchester, 401. Amateur singers, xv. Ambrogio, Alfredo, 393. Ambros (cited on Palestrina), 68. [St.] Ambrose, 8ff, 484. Ambrosian hymns, 9. America (choral music), 379ff; (organs), 408; (organ music), 495ff. American Guild of Organists, 496. Ammerbach, 428. Andersen, Carl, 170. André (organ builder), 405. Andrews, Mark, 501. [d’] Anglebert, Jean Henri, 442, 443. Anglican Church (origin of), 89f. Anglican Church music, 93ff; (second period), 133f; (third period), 134f; (introduction of hymn), 135f; (nineteenth century), 184f; (use of Magnificat), 321. Animuccia, 224. [d’] Annunzio, Gabriele, 387. Antegnati, Constanzo, 423. Anthem (English), 90, 133f, 134f. Antiphonal singing, 8. Antokolsky, 395. Arensky, 395; Fountain of Bachtchissarai, 395. Arne, Thomas (English organ composer), 472. Arnold, [Sir] Edwin, 219f. Arnold, Robert Franz, 353. Arras (festival to Adam de la Hâle), 26. Assyrians, 1. Attaignant, Pierre, 441. Attengnati family (organ builders), 405. Aubade, 25 (footnote). Austin, John T., 409. Augsburg (as centre of organ music), 431. Avery (organ builder), 406.

B

Bach, Johann Sebastian, 88, 91, 117, 119ff, 432, 434, 468; (attitude toward church music), 121; (arias), 122; (church cantata), 122f; (and the chorale), 123; (vocal polyphony), 124; (motets), 138; (oratorio), 239f; (mass), 319; (church music), 325f; (organ fingering), 423; (chorale preludes), 429; (organ music), 435ff, 456; (pupils), 457f. ‘Ich hatte viel Bekümmerniss,’ 125. ‘Gottes Zeit ist die allerbeste Zeit,’ 125f. ‘Ein’ feste Burg,’ 126f. Christmas Oratorio, 240. Passion According to St. Matthew, 241f. Mass in B minor, 325ff. Magnificat in D, 327. Organ Preludes and Fugues, 437. Fantasia in G minor, 438. Organ sonatas, 439. Bach, Wilhelm Friedemann, 456, 457. Back positive. See Rückpositiv. Baini (cited on Palestrina), 64; (cit. on Frescobaldi), 424. Baisez-moi (in mass), 42. Bantock, Granville, 371f. ‘The Fire Worshippers,’ 372f. ‘Omar Khayyam,’ 372f. Masses, 374. Barker, C. S. (organ builder), 407. Barnby, Joseph, 208. ‘Rebekah,’ 208. Bartholomew, William, 179, 284. Bartlett, Homer N., 499. Basilica, Antonius, 491f. Bassani, Giovanni Battista, 109, 425. Basso ostinato. See Ground-bass. Bates, Arlo, 222. Batiste, Antoine Édouard, 467f. Battishill, Jonathan, 472. Bau, Édouard, 305. Beach, Mrs. H. H. A., 222. Becker, René, 501. Beckwith, John Christmas (English organ composer), 472. Beethoven, Ludwig van, 144f, 324, 458; (oratorio), 264; (mass), 319, 335f; ‘The Ruins of Athens,’ 144f. Die Weihe des Hauses, 145. ‘The Glorious Moment,’ 145f. ‘Christ on the Mount of Olives,’ 264f. Missa Solemnis, 335f. Benedict, [Sir] Julius, 178f, 282. ‘The Legend of St. Cecilia,’ 179. ‘Benedictines of Solesme,’ 467. Benedictus, Jacobus de, 320. Bennett, Joseph, 207, 306, 308, 314. Bennett, W. Sterndale, 183f. ‘The May Queen,’ 183f. The Woman of Samaria, 282f. Benoist, François, 466f. Benoît, Pierre Léopold, 301f, 392. Lucifer, 301f. Berg, Alban, 353. Berger, Wilhelm, 357. Berlioz, Hector, 156ff, 170 (footnote). The Damnation of Faust, 157f. The Childhood of Christ, 286. Requiem, 337f. Te Deum, 339. Bernard de Morlaix (12th cent. writer), 315. Best, William Thomas, 477, 493. Bird, Arthur, 460. Blair, Hugh, 495. Blasi, Luca, 405. Blitheman (English organist), 448. Blockx, Jan, 392. Blow, John, 451, 475. Blowers (organ), 403. Boehm, 131. Boëllmann, Leon, 486. Boëly, Alexandre Pierre François, 466. [St.] Bonaventura, 320. Bonnal, Ermand, 486. Bonnet, Joseph, 486. Book of Common Prayer, 90. ‘Book of Orm,’ 369. Borowski, Felix, 501. Bossi, Enrico, 393; (organ music), 491. Boston, U.S. (Handel and Haydn society), 219, 242, 314, 380; (early and famous organs), 496f. Boulestin, Xaver M. (quoted on Holbrooke), 376. Bourgault-Ducoudray, 392. Bourgeois, 96. Boyce, William (English organ composer), 472. Brahms, Johannes, 193f, 334; (as organ composer), 463f. Song of Triumph, 194. Song of Destiny, 195f. ‘Rinaldo,’ 196. German Requiem, 292f. Brattle, Thomas, 496. Brattle organ (America), 496. Breitkopf & Härtel, 65, 71 (footnote), 332. Brewer, A. H., 379. Bridge, Sir John Frederick, 493. Bridges, Robert (poet), 210. Brockes, B. H., 244. Bromfield, Edward, 496. Brosig, Moritz (church composer), 324. Browning, Robert, 369, 458. Bruch, Max, 197ff. ‘Frithjof,’ 197f. ‘Fair Ellen,’ 198f. ‘The Cross of Fire,’ 199f. ‘Lay of the Bell,’ 200. Odysseus, 200f. Achilles, 201. Arminius, 201. Brucken-Fock, G. H. G. von, 358. Bruckner, Anton, 488. Bruneau, Alfred (quot. on Debussy), 387. Buchanan, Robert, 369, 370. Buck, Dudley, 218f, 498. ‘The Golden Legend,’ 219. ‘The Light of Asia,’ 219f. Budapest Conservatory, 277. Bull, John, 448, 449. Bülow, Hans von (quoted on Verdi’s Mass), 344. Bungert, August, 355f. Burney (cited), 72, 102f. Burns, 210. Busch, Carl, 384. Busoni, Ferruccio, 440, 492. Buus, Jacques, 417. Buxtehude, Dietrich, 433f, 436. Byrd, William, 75, 98, 136, 449.

C

Cabezón, 445. Caccini, 101. Callaerts, Joseph, 470. Calvin, 95, 96. Campbell, 211. Campion (English writer of odes), 141. Candeille, 466. Canon (earliest example), 32f. Cantata, ix, 91, 99ff; (German Church), 91, 113ff; (first use of name), 101; (17th cent.), 103f; (early examples), 104; (Italian), 109f; (in France), 111; (in Germany), 111f; (texts), 117f; (in 19th cent.), 142ff; (chronological grouping), 189; (modern), 189ff; (English, late 19th cent.), 208; (in United States), 218. Cantata da camera, 101. Canterbury Cathedral (organ), 408. Cantors, 87f. Cantus firmus, 20. Canzona Francese, 418. Canzonet, 25 (footnote), 140. Capel-Cure, [Rev.] E., 361. Capocci, Filippo, 491. Cardiff Festival, 369. Carissimi, Giacomo, 101f, 108, 227f; (contemporaries), 230; (oratorios), 247. Jephta, 228f. Carlyle (quot. on Séjan), 466. Carrera, Rafael, 232. Catoire, Georges, 396. Cavaillé-Coll, Aristide, 407, 411. Cavalieri, Emilio de, 100, 101 (footnote), 224f; (contemporaries), 227. Cecilia Society of Frankfort, 270. Cecilian Society, 323. Celles, Dom Jean François Bedos de, 445. Cesti, Marc’ Antonio, 105. Chadwick, George Whitfield, 221, 381, 464. ‘Judith,’ 381f. ‘Noël,’ 382. Chamber organ, 411f. Chamberlyn (organ builder), 405. Chambonnières, Jacques Champion de, 442. Chanson, 25 (footnote), 29, 46ff. Chant, 21; (oral transmission of), 5. See also Gregorian chant. Chapman (English masque writer), 141. Charlemagne, 17f, 400. Charles II, King of England, 90. Charles IX, King of France, 57. Charpentier, 391. Cherubini, Luigi, 324, 333f. Requiem Mass in C minor, 333. Requiem Mass in D minor, 333f. Eight Voice Credo, 334. Mass in D minor, 334. Choirs (double, etc.), 69. Choral folk-singing, xii-f. Choral music (origin and development), ix-f; (divisions), xii-f; (conditions essential to efficient performance), xiv; (forms in use in United States), xiv-f; (influence of), xviii; (in Middle Ages), 1-98; (kinds used in mediæval era), 52 (footnote); (melody in treble), 83; (contemporary), 347-397. See also Cantata, Mass, Oratorio, Part-Song, etc. Choral Societies, xv-f; (first German), 185f; (in France in 19th cent.), 187f. Chorale, 79f, 83, 123. Chorley, Henry F., 179, 183, 253. Chromatic tones (first use), 22. Church choirs, xv. Church of England, 89. See Anglican church. Church music (early Christian) 1ff; (influence of Hebrews), 3; (influence of Græco-Roman music), 3; (outside of Italy), 17; (introduction of organ in service), 399; See also Anglican church music; Lutheran church; Roman Catholic church, etc. Church singers (importance in mediæval music), 22. Civic choruses, xix. Clarke-Whitfield, John, 473f. Clement VII, Pope, 89. Clemm, John, 496. Clérambault, Louis Nicolas, 444. Cole, Rossetter Gleason, 384f, 501. Coleridge-Taylor, Samuel, 215f; (choral works), 370f. ‘Scenes from the Song of Hiawatha,’ 216f. Collin, Paul (poet), 296. Collins (writer of odes), 141. Cologne (early organ), 401. Colomb (librettist for Franck), 297. Columbi, Vincenzo, 405. Comic opera (earliest example), 26f. Commer, Franz, 425 (footnote). Compenius (organ builder), 405. Composition pedals (organ), 407. Concert organ, 411f. Concerto (name applied to cantata), 122 (footnote). Congregational singing, xiv, 96f. Constantine. See Konstantine. Contemporaneous choral music, 359ff. Converse, Frederick Shepherd, 383f. ‘Job,’ 383. Cooke, Benjamin (English organ composer), 472. Cooley, Elsie Jones, 384. Cornelius Severus, 399. Costa, Michael, 179. ‘The Dream,’ 179f. ‘Eli,’ 283f. Councils. See Trent, Council of. Couperin, François, 436, 442, 443f. Couwenbergh, H. V., 409. Coward, Henry, 368. Cowen, Frederic Hymen, 314, 369f. Cranach, Lucas, 427. Crequillon, 421. Croce, Giovanni, 70. Croft, William, 451. Cromwell, 452. Crotch, William, 474. Crowest, F. J. (quot. on ‘Messiah’), 252. Crüger, Johann, 86. Cueppers, F., 201. Currendi, 88f.

D

‘Damnation of Faust’ (Berlioz), 170 (footnote). Damrémont, General, 337. Damrosch, Leopold, 220. Dance songs, xii. David, Félicien, 175f. ‘The Desert,’ 176f. Davies, Henry Walford, 377f. Everyman, 377f. The Temple, 377f. Hervé Riel, 378. Day (choral collection), 91. Dayas, William H., 500. Debussy, Claude, 387f. La Demoiselle élue, 387. Le martyre de Saint-Sébastien, 387f. Delaney (quot. on Mrs. Cibber), 251. Delmotte, Heinrich (cited on Lassus), 58. Dethier, Gaston, 501. Dettingen Te Deum, 327f. Devrient, Édouard, 242 (footnote). Dialogue (name applied to cantata), 122 (footnote). Diaphone (organ), 411. Dickinson, Edward (quot.), 38, 63, 122; (cited on Bach’s cantatas), 122. Diminution (organ playing), 422. Diruta, Girolamo, 422f. Discant, 2, 20. Division (in organ mechanism), 404. Doddridge, 135f. Doles, Johann Friedrich, 457. Draeseke, Felix, 355. Dresden (Royal Library), 109; (Royal Chapel organ), 406. Dryden, 110, 141, 210. Dryvers, L., 409. Dubois, Théodore, 206, 479, 485. ‘Paradise Lost,’ 305f. Duddyngton (organ builder), 405. Dufay (use of popular songs), 42 (footnote), 47f. Dukas, 392. Duke of Weimar, 277. Dunham, Henry M., 500. [St.] Dunstan, 401. Duplex stop control, 409. Dupuis, Thomas Sanders, 472. Durante, 137. Dvořák, Antonin, 202f, 322. ‘The Spectre’s Bride,’ 202f. ‘St. Ludmila,’ 293. Requiem, 342. Stabat Mater, 342f.

E

Early Christian music. See Church music. Eccard, Johann, 85f. Echo (in the organ), 406. Eddy, Clarence, 460. Edward VI of England, 90, 449. Edwards (English madrigalist), 75. Egyptians, 1. Eisenach, 77 (footnote). Electricity (applied to organ action), 407, 408f. Elgar, [Sir] Edward, 211ff, 355, 359f; (organ compositions), 494. ‘The Black Knight,’ 212. ‘The Banner of St. George,’ 212f. ‘Scenes from the Saga of King Olaf,’ 213. ‘Caractacus,’ 213f. ‘The Light of Life,’ 361f. ‘The Dream of Gerontius,’ 362f. ‘The Apostles,’ 364f. ‘The Kingdom,’ 366f. ‘The Music Makers,’ 367f. Elizabeth, Queen of England, 90, 93, 448, 449. Elwyn, Earl of, 401. England (contemporary choral music), 359ff; (organs, 15th cent.), 404. Englefried, George and Charles, 410. Enoch, Frederick, 181. Erbach, Christian, 431. Esterhazy, Count, 335. Ett, Kaspar, 323. Eyken, Jan Albert van, 469.

F

Fährmann, Ernst Hans, 487. Faisst, Immanuel Gottlob Friedrich, 463. Families of tone (in organ), 410. Fantasia, 419. Farmer, Henry, 346. Fasolo, Giovanni Battista, 425. Faulkes, William, 494. Federlin, Gottfried H., 501. Ferdinand III, 431. Festa, Constanzo, 72. Festivals (in England), 178. Fétis (cited on Scarlatti), 231 (footnote); (cited on Landino), 416; (cited on Merulo), 420; (cited on Gigault), 442; (cited on Rinck), 459. Fischer, Michael Gotthard, 458, 459. Fitzwilliam Virginal Book, 449. Fletcher (as writer of masques), 141. Folk-song, xi, xii, 23f, 34; (relation to art-music), 35f; (influence upon German ritual), 93f; (in Lutheran ritual), 113; (rel. to part-song), 140. Fontane, Theodor, 380. Foote, Arthur, 221, 449. Förner, C. F., 405. France (modern choral music), 386ff; (famous organs), 404; (supremacy in modern organ music), 479. Francesco degli organi, 416. Franck, César, 295f; (organ works), 470f. ‘Ruth and Boaz,’ 295. ‘The Beatitudes,’ 296f. ‘La Redemption,’ 296. ‘Rébecca,’ 296. ‘Psyché,’ 296. Franco of Cologne, 18. Franz, Robert, 177. Frederick the Great, 245. Frederick William of Prussia, 179. Freiberg minster (organ), 406. Frescobaldi, Girolamo, 424f, 436. Fried, Oscar, 357. Friedrich Augustus of Saxony, 148. Froberger, Johann Jacob, 431, 442. Frottola, 29f. Fuchs, Albert, 355. Fürst, 269.

G

Gabrieli, Andrea, 69, 421. Gabrieli, Giovanni, 69, 234, 421. Gade, Niels Wilhelm, 169ff. ‘The Crusaders,’ 170f. ‘The Erl-King’s Daughter,’ 171f. ‘Christmas Eve,’ 172f. ‘Comala,’ 173f. ‘Zion,’ 174f. ‘Spring’s Message,’ 175. Gallo-Belgic School, 36f. Garrett, George Mursell, 493. Gauntlett, Henry John, 407. Geibel, Emanuel, 198, 222. George II, King of England, 250. German church cantata, 114f. Germany (church music), 111f; (modern choral music), 347ff; (famous organs), 404. Giacomo, Lorenzo di, 405. Gibbons, Orlando, 75, 98, 449f, 475. Gibbons, Cardinal (quot. on Catholic mass), 38f. Gigout, Eugène, 485. Glazounoff, 395. Glee, 138f. Glière, 396. Glosada, 404. Goethe, 168, 172, 196, 348; (quot. on Bach), 435. Goetz, Hermann, 204. Goss, [Sir] John, 475. Gossec, 284. Goudimel, 96. Gounod, Charles, 205f; (passion music), 245; (oratorio), 286f; (masses), 341f. ‘The Redemption,’ 287f. Mors et Vita, 289f. Graff, Wilhelm Paul (poet), 200. Grainger, Percy, 377. Grandval, C. de, 392. Grapheus of Nuremberg (quot. on early masses), 37. Graun, Karl Heinrich, 245f. ‘The Death of Jesus,’ 245f. Prague Te Deum, 328. Greek Orthodox Church, x; (music of), 394. Greeks, Ancient, 1. Green, Samuel, 406. Greene, Maurice, 451f. Gregorian chant, 10, 36, 37, 285; (modern reform movement), 299. Gregorian Antiphonary, 11ff. Gregory the Great, Pope, 9f. Gregory VII, 13. Grieg, Edvard Hagerup, 205. Grignón, 396. Grillparzer (librettist to Schubert), 150. Ground-bass (first recorded use), 33. Grove’s Dictionary (cited), 33, 66 (footnote), 106. Guami, Gioseffo, 422. Guéranger, Prosper, 467. Guido d’Arezzo, 18. Guilmant, Félix Alexandre, 442 (footnote), 444, 468, 479, 480ff, 490. Fugue in D, 482. Funeral March and Seraphic Song, 482. Lamentation, 482. Gutenberg, 155.

H

Haberl, F. X. (cited on Palestrina), 64 (footnote), 425 (footnote). Hadley, Henry K., 383. Hadow, W. H. (quot. on Beethoven), 336f. Hahn, Reynaldo, 355, 388. Halberstadt (early organ at), 402. Hale, Philip, 460. Hamburg (as centre of organ art), 433. Hamerling (German poet), 210. Hamilton, Newburg, 256. Hammerschmidt, Andreas, 114 (footnote). Handel, George Frederick, 127f, 134, 322, 434; (passion music), 244; (oratorios), 246ff; (as organist), 452f; (organ works), 454f. ‘Acis and Galatea,’ 127f. ‘Alexander’s Feast,’ 129. ‘L’Allegro,’ 129f. ‘Messiah,’ 249ff. ‘Israel in Egypt,’ 252f. ‘Judas Maccabæus,’ 254f. ‘Samson,’ 256f. ‘Utrecht Te Deum,’ 327f. Handel and Haydn Society of Boston, 219, 242, 314, 380. Harmony, 2. Harris, René, 406. Harrison, Julius, 495. Harwood, Basil, 494f. Haskell, C. S., 408. Haskell, W. E., 410. Hassler, Hans Leo, 421. Herzlich thut mich verlangen, 430. Hastings, 497. Haupt, Karl August, 460. Hauptmann, Maurice, 88. Hausegger, Siegmund von, 357f. Hawkins, [Sir] John (cit. on organ fantasias), 419; (quot. on Handel), 454. Haydn, Joseph, 130f; (oratorio), 258ff. Ariadne auf Naxos, 130f. ‘The Seven Words of Jesus on the Cross,’ 130. ‘The Creation,’ 259ff. ‘The Seasons,’ 261f. Stabat Mater, 329. Hebrews, 1. Heliogabalus, 399. Henrici, Friedrich, 244. Henry VIII, King of England, 89, 449. Henschel, Georg, 345. Herbeck, 334. Herder (poet), 192. Hereford Festival, 322. Hertz, Henrik, 182. Hesse, Adolf Friedrich, 459f. Heyse, Paul, 202. Hiel, Emanuel (librettist to Benoît), 301. Hildebrandt (organ builder), 405. Hiller, Ferdinand, 168. ‘A Song of Victory,’ 168f. Hobrecht, Jacob, 48. Hofmann, Heinrich Karl Johann, 203f. ‘Melusina,’ 203f. Hohenlohe, Archbishop, 280. Holbrooke, Joseph, 374f. ‘Byron,’ 375. ‘The Bells,’ 375. Dramatic Choral Symphony, 375. ‘Queen Mab,’ 375f. ‘To Zanthe,’ 376. Apollo and the Seaman, 376. Hölderlin, 195. Hollins, Alfred, 494. Holmès, Augusta, 391. Holst, Gustave von, 376f. [L’]Homme armé, 42 and footnote. Hook and Hastings (organ builders), 497. Hooker, Brian, 380. Hope-Jones, Robert, 410f. Hopkins, Edward John, 476. Horn, C. F., 473. Horn, Moritz, 166. Horwitz, Karl, 353. Huber, Hans, 358. Huberti, G. L., 392. Hucbald, 2, 18. Humberston, F. W., 379. Humfrey, Pelham, 133. Hummel, 458. Humperdinck, Engelbert, 357. Huneker, James (quoted on Schönberg), 353. Hungarian national march, 158. ‘Hunt’s-up’ (English song), 180 and footnote. Hutchings, George S., 411. Hydraulic organ, 398. Hymnody (Luther’s influence on), 78ff.

I

[d’]Indy, Vincent, 386, 390f. ‘Song of the Bell,’ 391. Innocent III, Pope, 320. Instruments (in early Christian era), 7f. Intervals, 1f; (in part writing), 21. Ippolitoff-Ivanoff, 396. Irving, Washington, 219. Italian cantata, 101ff. Italy (modern choral music), 392ff; (famous organs), 404. Ivanovitch, Sergius, 396.

J

Jacobsen, Jens Peter, 353. Jacobus de Benedictus, 320. Jahn, Otto, 323. Jalowetz, Heinrich, 353. Jennens, Charles (librettist), 249. Johann Georg, Elector of Saxony, 236. Jonson, Ben, 141. Jordans (organ builder), 406. Josquin des Près, 48, 49ff. Julian the Apostate, 400. Julianus, Spanish bishop, 400.

K

Karg-Elert, Sigfrid, 489. Karlsruhe Philharmonic Society, 195. Kaun, Hugo, 358. Kerl, Johann Kaspar, 431. Keuchenthal (passion music), 236 (footnote). Keyboard (organ), 402. Kiesewetter, R. G. (quot. on Okeghem), 48. Kind, Friedrich, 148. Kinder, Ralph, 501. Kindermann, Erasmus, 430. Kingsley, Charles, 277, 379. Kirbye (English madrigalist), 75. Kirnberger, Johann Philipp, 457. Kittel, Johann Christian, 458. Klose, Friedrich, 488. Koch, Friedrich, 357. Köchel, 132 (footnote), 332. Koninck, Lodemijk de (librettist), 299. Konstantine, Kopronynus, 400. Kotzebue, 141. Kranz (organ builder), 405. Krebs, Johann Ludwig, 458. Kretzschmar, Hermann (quoted on Mozart), 329; (cited on Beethoven), 335. Ktesibos, 398. Kuhnau, Johann, 88, 425. L Lachner, Franz, 150. Lady Nevill’s Virginal Book, 449. Laloy, Pierre (quot. on Debussy), 388. Lambillotte, Louis, 467. ‘Lament’ for Charlemagne, 24 (footnote). Lampadius (quot. on ‘St. Paul’), 270. Landino, Francesco, 415, 427. Lang, Benjamin Johnson, 497. Langdon, W. C., 381. Lange, Samuel de, 358, 469. Lasso, Orlando di. See Lassus. Lassus, Orlandus, 49, 56ff; (secular compositions), 59f. ‘Penitential Psalms,’ 57f. Gustate et Videte, 58f. Leading motives, 301. Le Bègue, Nicolas Antoine, 442. Leeds festival, 322, 368. Le Fanu, J. S., 211. Lefebure-Wély, Louis J. A., 467. Legrenzi, Giovanni, 105f. Lemare, Henry, 494. Lemmens, Nicolas Jacques, 468f. Leo, Leonardo, 137. Leo XIII, Pope, 289, 345. Lerch (of minnesingers), 28 (footnote). Lesueur, François, 285f. Christmas Oratorio, 285f. Liadoff, 395. Lidley (librettist to Haydn), 259. Lied (of minnesingers), 28 (footnote). Lingg, H. (librettist), 197. Liszt, Franz, 191f; (choral works), 277f; (Bach transcriptions), 438, 440 (footnote); (as organ composer), 462. ‘The Bells of Strassburg,’ 191f. ‘Prometheus,’ 192f. ‘The Legend of St. Elizabeth,’ 277f. Christus, 279f. Missa Solemnis, 340f. ‘Hungarian Coronation Mass,’ 341. Liturgic chant, 4. Liturgy (Roman Catholic), x, 3f, 5, 318. See also Mass. Liverpool (organ at St. George’s Hall), 411. Lobsinger (organ builder), 405. Lohr, Harvey, 379. London (Albert Hall organ), 411. Longfellow, 191, 207, 212, 213, 216, 219, 221, 370, 380, 384. Louis XII, King of France, 50. Louis the Debonnaire, 400. Lucinius, 427. Luther, Martin, 53, 77ff, 89, 90, 236f, 484; (compositions), 79, 80 (footnote). Lutheran service, 77f, 81, 115f; (Deutsche Messe), 82. Luzzaschi, Luzzasco, 422.

M

Macfarlane, Will C., 501. Macfarren, George Alexander, 180f, 282, 322. ‘May Day,’ 180. ‘The Lady of the Lake,’ 180f. Mackenzie, Alexander Campbell, 210f, 368. ‘The Rose of Sharon,’ 306f. ‘Bethlehem,’ 308. McLean, M., 379. Macy, John, 384. Madan’s Collection of Psalms and Hymn Tunes, 135. Madrigal, xii, 30f, 70ff; (of Netherland period), 46ff; (in Germany), 72f; (in France), 73; (in England), 73f; (decline), 138. Magnard, 392. Magnificat, 321; (Dufay), 54f. Mahler, Gustav, 357. Maitland, J. H. Fuller (quoted on Brahms’ ‘German Requiem’), 293. Male choruses, xvi. Malling, Otto, 489f. Malory (Morte d’Arthur), 368. Mansfield, Purcell J., 495. Manuals (organ), 405, 406. Manuscripts (earliest known), 7. Manzoni, Alessandro, 343. Mapes, Walter, 60. Maquaire, A., 486. Marcellus II, Pope, 64. Marchand, Louis, 444. Marenzio, Luca, 72. Martin, George C., 493. Martini, Padre, 458. Marx, A. B., 269. Mary, Queen of England, 449. Mary, Queen of Scots, 103. Masque, 141. Mass, xii, 38ff; (use of secular subjects), 41f; (origin of name), 42; (development during Netherland period), 46ff; (introduction of hymn), 85; (order of movements), 318f; (classification), 319ff; (19th-cent. reform), 323; (Mozart), 323, 329; (Bach), 324ff; (Haydn), 329; (Cherubini), 333f; (Beethoven), 335f; (Liszt), 340f; (Gounod), 341f; (modern), 345f. Massenet, Jules, 206; (oratorio), 303f. Ève, 303f. Marie Madeleine, 304. Mathieu, Émile, 392. Mattheson, Johann, 118. Mattheson (friend of Mendelssohn), 453. Matthison, Arthur, 208. Maximilian, Emperor of Austria, 427. Measured music, 5. Mees, Arthur (quot.), 62, 243. Meistersinger, 27f. Melody (placed in treble), 83. Mendelssohn, Arnold, 357. Mendelssohn-Bartholdy, Felix, 151ff; (part-song), 186; (oratorio), 268ff; (quot. on Bach), 437; (organ works), 461f. ‘The First Walpurgis Night,’ 152f. ‘As the Hart Pants,’ 153f. ‘Come, Let Us Sing,’ 154f. Gutenberg Festival Cantata, 155. Lauda Sion, 155. ‘Antigone,’ 155f. ‘Œdipus at Colonos,’ 156. ‘St. Paul,’ 269ff. ‘Elijah,’ 272ff. ‘Hymn of Praise,’ 276. Merkel, Gustav Adolf, 463. Merulo, Claudio, 420, 422. Middelschulte, Wilhelm, 440 (footnote), 500. Miller, Russell King, 501. Milton, John (English masque writer), 141, 210, 256, 259. Minnesingers, 26ff. Miracle plays, 224. Modal harmony, 56. Monasteries (St. Gall), 8; (study of music), 18. Monophonic music, 1. Monteverdi, 101. Moore, Thomas (author of ‘Lalla Rookh’), 163. Morell, Rev. Thomas (librettist to Handel), 254. Morgan, George W., 460, 497. Motet (Netherland period), 46ff; (Josquin), 50; (early history), 52f; (subjects and early examples), 54f; (18th cent.), 136f; (19th cent.), 185. Moussorgsky, Modeste, 395; Destruction of Sennacherib, 395. Mozart, Wolfgang Amadeus, 131f; (relation to Haydn), 258 and footnote; (mass), 323, 331f. ‘King Thamos,’ 131. Masonic Cantatas, 132. Davidde Penitente, 132. Requiem, 329ff. Coronation Mass, 332f. Muffat, Georg, 432. Multiple stop control, 409. Mumford, Ethel Watts, 383. Musæ Sioniæ (hymn collection), 86. Music festivals (in England), 178. Musica Transalpina (madrigal collection), 72, 73. Musical Art Society of New York, xviii.

N

Napier, Hampdon (librettist to Weber), 148. Napoleon I, 259, 339. Nares, James (English organ composer), 472. Nassare, Pablo, 445. National Conservatory of Music, New York, 222. National songs, xii. Naumann, Emil (cit.), 24; (quot. on Ecce Ancilla), 47; (cited on Okeghem), 49; (cited on Luther’s hymns), 85. Nekrassoff, 395. Nero, 399. Netherland schools, 46ff; (mass), 37f; (use of secular subjects), 43f; (texts), 44; (differentiation of schools), 47f; (organists), 417. Neumes, 5f. Newman, Cardinal (cited on dream of Gerontius), 362. Newman, Ernest (quoted on Schönberg), 354. Nicetas, Bishop of Remesiana, 322. Nicholl, Horace Wadhams, 500. Nigond, Gabriel, 389. Ninfale, 415. Nisard, Theódore, 467. Noordt, Anthony van, 466. Normand. See Nisard. Nottebohm (cited on Schubert), 150. Novello, Vincent, 332, 475. Nowowiejski, Felix, 396. Nuremberg (first chorale collection published at), 83 (footnote); (as home of organ music), 430.

O

Oakley, Sir Hubert Stanley, 493. Obrecht. See Hobrecht. Ode, 141; (revival of), 209. Okeghem, Johannes, 48f. Opera, xii; (first), 99. Oratorio (first), 99; (origin and early examples), 223f; (Cavalieri’s stage directions), 225f; (17th-cent. Italian), 233ff; (German passion-music), 234ff; (Handel), 246ff; (Haydn), 258ff; (Beethoven), 264f; (Spohr), 266f; (Mendelssohn), 268ff; (Liszt), 277ff; (English composers), 281f; (in modern France), 284f; (modern), 292ff; (modern English), 306f; (American), 314f. Oratorio Society of New York, xv-f. Orchestra (employment of, in ritual music), 134. Organ, 83; (history and development), 397ff; (10th-11th cent.), 400ff; (portative), 402, 415; (15th-17th cent.), 404f; (18th-19th cent.), 406; (modern development), 407ff; (modern concert organ), 411f; (early use in church service), 418; (first in America), 496. Organ blowers, 403. Organ-building (10th-11th cent.), 400f; (12th-14th cent.), 401ff; (15th-16th cent.), 403ff; (17th-19th cent.), 405ff; (modern), 407ff. Organ keyboard, 402. See also Pneumatic action; Electricity. ‘Organ Magnificats,’ 321. Organ music (early masters), 415ff; (early forms), 418f; (Saxon or Thuringian school), 434ff; (Bach), 435ff; (early French), 441ff; (Spain and Portugal), 445; (early English), 446ff; (Handel), 452; (after Bach and Handel), 456ff; (19th-cent. German), 459ff; (19th-cent. French), 466ff; (19th-cent. English), 472ff; (arrangements), 473; (modern French), 479ff; (modern German), 487f; (modern Italian), 490f; (in United States), 495ff; (American composers), 499f. Organ pedals, 403. Organ playing (methods), iii, 422f, 459, 460. Organists (in Germany), 426ff; (in France), 441; (in Spain and Portugal), 445f; (Belgium), 469f; (English), 472; (younger French school), 486; (younger English school), 493; (American), 497ff. Organum, 2, 19f. Organum pulsare, 402. Ornamentation (organ music), 423. O’Shaughnessy, Arthur, 367. Osiander, Lucas (published first chorale book), 83 (footnote). Ottoboni, Cardinal, 453. Ouseley, [Sir] Frederick Arthur Gore, 476f.

P

Pachelbel, Johann, 429, 430f, 436. Paine, John K., 314f, 460, 497. ‘St. Peter,’ 314f. Paix, Jacob, 428. Palestrina, x, 17, 49, 60ff, 91, 422; (contemporaries), 67f; (motets), 136, 138. Missa Papæ Marcelli, 63f. Palestrina style, 61f, 322. Pareja, Ramis de, 445. Parker, Horatio William, 221f, 464, 499. Hora Novissima, 315f. ‘The Legend of St. Christopher,’ 316f. ‘Morven and the Grail,’ 380f. Parker, James Cutler Dunn, 497. Parratt, [Sir] Walter, 493. Parry, [Sir] C. Hubert H., 20 (footnote), 209f, 322; (quot. on Rossi), 104f; (quot. on 17th-cent. cantatas), 108. ‘Judith,’ 308f. ‘Job,’ 309. ‘King Saul,’ 309f. ‘The Vision of Life,’ 369f. ‘The Pied Piper of Hamelin,’ 369. Partida (organ mechanism), 404. Part-singing, 19f. Part-song (origin), 140; (German, 19th cent.), 186f; (English, 19th cent.), 187; (French, 19th cent.), 188. Pasquini, Bernardo, 425f. Passion-music (origin and development), 234f; (Schütz), 236f; (Bach), 239ff; (Graun), 245f. Pastourelle, 25 (footnote). Paul IV, Pope, 66. Paumann, Conrad, 427. Peace, Albert Lister, 493. Pedals (organ), 403, 405. Pedrell, Felipe, 396. ‘Penitential Psalms’ (Lassus), 57f. People’s Choral Union (New York), xv. People’s Singing Classes (New York), xv. Pepin, 400. Pergolesi, Giov. Battista, 137, 327. Stabat Mater, 327. Peri, 100, 101, 405. Periods of musical progress, 142f. Perosi, Don Lorenzo, 392f, 492. Perrot (organ builder), 405. Péschard (organ builder), 407. Petrali, Vincenzo Antonio, 491. Petrarch, 71 (footnote). Petronius, 399. Philip of Vitry, 53. Philip II, King of Spain, 404. Picander. See Henrici. Pierluigi, Giovanni. See Palestrina. Pierné, Gabriel, 355, 386, 388f. Les enfants de Bethlehem, 388. ‘The Children’s Crusade,’ 389. Saint-François d’Assisi, 389f. Pius X, Pope, 6. Piutti, Carl, 487. Plainsong. See Gregorian chant; Gregorian antiphonary. Platen, August von, 172. Platz, Wilhelm, 355. Pneumatic action (in organ), 398, 400, 407. Pneumatic lever (organ), 407. Pneumatic organ, 400. Poe, Edgar Allan, 376, 396. Pohl, Richard, 166. Poland (contemporaneous choral music), 396. Polyphonic period, 36ff. Pope, 210. Portative organ, 399, 403, 405, 416. Positive organ, 399. Possessoris, 398. Poushkin, 395. Prætorius, Jacob, 432 (footnote). Prætorius, Michael, 86, 402, 421. Prague Te Deum, 328f. Pratt, Waldo S. (quot. on Palestrina), 62. Prelude, 429. Professional choruses, xvii. Prölz, Adolphus, 155. Proske, Karl, 323, 467; (quot. on Lassus), 56f. Protestant church music, 76ff; (substitution of vernacular for Latin), 78; (in England), 89f. Protestant composers (early), 86f, 94. Protestant hymnody, 78. Protestant service (Reformed church), 95f. See Lutheran service. Psalmists, 95. Psalmody, 95; (18th cent.), 135. Public school choruses, xvi. Purcell, Henry, 133, 322; (as organ composer), 452. Puritanism, 96.

Q

Quantz, Johann Joachim, 474f; (quoted), 456. Quef, Charles, 486.

R

Rachmaninoff, 395. Raison, André, 442. Rameau, Jean Philippe, 444f. Ramler (librettist), 245. Ramsay (early organ at convent of), 401. Randebrock (organ builder), 409. Ravanello, Oreste, 491f. Ravel, Maurice, 392. Recitative, 230f. Redford, Thomas, 448. Refrains, xii. Regal, 405. Reger, Max (choral works), 352f, 429, 440 (footnote); (organ works), 488f. Reidel, Carl, 238. Reimann, Heinrich (quot. on Mozart), 323. Reinken, Johann Adam, 432 (footnote). Representative style, 100. Requiem mass, 320. Responsorial singing, 8. Resultant tone (organ), 459. Revolution of 1830, 337. Reubke, Julius, 463. Rheinberger, Joseph, 201f, 324; (masses), 345; (organ works), 464ff. Christophorus, 201f. Ribera (painter of ‘Magdalen’), 231. Ricercare, 418. Richter, E. F., 88. Rimsky-Korsakoff, 395. Rinck, J. C. H., 458, 459. Ritter August Gottfried, 425 (footnote), 460; (cit. on Crequillon), 421; (quot. on Guami), 422; (cit. on Hassler), 430; (quot. on Muffat), 432. Ritual (Pagan, Hebrew), 3; (uniformity in, of mediæval European composers), 76; (music in Anglican church), 90f. See also Roman Catholic church; Litany; Lutheran service. Rochlitz, Friedrich (librettist of ‘The Praise of Music’), 146. Rockstro (quoted), 23; (cited on first use of ‘madrigal’), 73 (footnote). Rococo organ embellishments, 406. Rogers, James Hotchkiss, 500. ‘Roland’s Song,’ 24 (footnote). Rolland, Romain (quot. on Strauss), 348; (quot. on modern choral school), 386; (quoted on oratorio), 393. Romberg, Andreas, 146f. ‘The Lay of the Bell,’ 146f. Roman Catholic church, x, 8, 38ff; (introduction of antiphonal psalmody), 9; (influence of Protestant hymn), 84; (movement for restoration), 323f. See also Gregorian chant; Mass, etc. Romans, 1. Roosevelt, Hilborne L., 408, 411. Rootham, Bradley, 379. Roquette, Otto (librettist), 278. Rossetti, Christina, 180, 387. Rossi, Luigi, 104f. Gelosia, 104f. Rossini, Gioacchino, 339f. Stabat Mater, 339f. Round, 32. Roundelay, 25 (footnote). Rousseau, Samuel Alexandre, 485f. Rückert, Friedrich, 167, 349, 350. Rückpositiv, 404. Rudolph, Emperor of Austria, 430. Russia (contemporary choral music), 394f. Rust, Wilhelm, 88.

S

Sachs, Hans, 27. Sacred Harmonic Society, London, 252f. St. Ambrose (hymns of), 8ff, 484. St. Filippo Nero, 224. St. George’s Hall, Liverpool (organ in), 411. St. Mark’s, Venice, 417, 419f. Saint-Saëns, Charles Camille (oratorio), 302f; (as organ composer), 480. Noël, 302. ‘The Deluge,’ 302f. Salamon, 259. Salomé, Théodore César, 485. Salto cattivo (organ playing), 423. Salzburg, Archbishop of, 332f. Santa Maria, Thomas de, 445. Santucci, Marco, 490f. Scandellus, 237. Scandinavia (contemporary choral music), 394. Scarlatti, Alessandro, 106ff, 137, 230f. Cantatas, 106f. Il trionfo della grazia, 231. Sedecia, rè di Gerusalemme, 231f. Scarlatti, Domenico, 109, 453. Scheidemann, Heinrich, 432 (footnote). Scheidt, Samuel, 432 (footnote). Schein, 88. Schering (quot. on Everyman), 378. Schikaneder, 131. Schildt, Melchior, 432 (footnote). Schiller, 146, 200, 204, 349, 395. Schlick, Arnold, 427. Schmid (organ builder), 405. Schmid, Bernard, 428. Schmidt (German organist), 450. Schmitt, Aloys, 333. Schmitt, Florent, 386, 390. Schneider, Johann Gottlob, 458, 459, 469. Schnitzker (organ builder), 405. Scholæ cantorum, 6, 10. Schönberg, Arnold, 353f. Gurrelieder, 354. Schubert, Franz, 149f; (part-song), 186; (masses), 334. Miriams Siegesgesang, 150. Schumann, Georg, 351f; (as organ composer), 462. ‘Ruth,’ 351. Schumann, Robert, 161ff; (part-song), 162f, 186, 204, 346; (quoted on Bach), 435. ‘Paradise and the Peri,’ 162f. ‘The Pilgrimage of the Rose,’ 166. ‘The Minstrel’s Curse,’ 166f. ‘Advent Hymn,’ 167. ‘New Year’s Hymn,’ 167f. ‘Mignon’s Requiem,’ 168. Schütz, Heinrich, 236f, 421. ‘Seven Words of Jesus,’ 237f. ‘Resurrection,’ 237. ‘Passions,’, 238. Schwob, Marcel, 389. Scott, [Sir] Walter, 180, 199, 380. Scriabine, 376. Secular music, 23ff; (earliest known examples), 25; (first use of polyphony), 29. See also Cantata; Chanson; Folk-song; Madrigal; Part-song. Seifert, Paul, 432 (footnote). Séjan, Nicolas, 466. Sequences, 14ff. Serenade, 25 (footnote). Servante, 25 (footnote). Seyfried, 458. Sguarcialupo, Antonio, 416. Sheffield Festival, 368. Shelley, Harry Rowe, 209, 501. Shirley, James, 210. Shubring (friend of Mendelssohn), 269. Silas, Eduard, 346. Silbermann family (organ builders), 406. Singing schools, 6f, 10, 13. Sistine Chapel, 11. Skinner, Ernest M., 411. Smart, [Sir] George, 265. Smart, Henry, 181f; (as organ composer), 475f. ‘The Bride of Dunkerron,’ 181f. ‘King René’s Daughter,’ 182f. Smith, David Stanley, 385. Smith, Father, 406, 450. Solmisation, 18. Sophocles, 155, 156. Spain (famous organs), 404. Spark, William, 476. Speth, Johann, 431. Spitta, Philipp (quot. on church music), 118; (on J. S. Bach), 120; (quot. on Bach), 437. Spohr, Ludwig, 150f, 266f. ‘The Last Judgment,’ 266f. ‘Calvary,’ 267f. Spruch (of minnesingers), 28 (footnote). Stabat Mater, 320f. Staff (origin of), 18. Staff notation (first use), 5. Stage directions for oratorio, 225f. Stainer, Sir John, 493; (cited), 31. Stanford, Charles Villiers, 211, 346. ‘The Three Holy Children,’ 310. ‘Eden,’ 310f. Stile rappresentativo, 100. Stradella, Alessandro, 232f. S. Giovanni Battista, 233. Strauss, Richard, 348f; (short choral works), 349; (religious music), 350. Wanderers Sturmlied, 348. Taillefer, 349. Der Abend, 349. Stravinsky, 396. Sullivan, [Sir] Arthur Seymour, 206f, 322. ‘The Golden Legend,’ 206f. ‘The Prodigal Son,’ 311f. ‘The Light of the World,’ 312f. ‘Sumer is icumen in,’ 32f. Süssmayer, 330. Sweelinck, J. P., 427, 429, 446. Swell chambers (organ), 409f. Swell (organ), 406. Swieten, Baron von, 259. Sydney, N. S. W. (organ), 411. Sylvester, Pope, 6. Syrinx, 397.

T

Tablatura nova, 429. Tablature (organ), 422, 423. Tallis, Thomas, 136, 448f. Taneieff, Alexander, 396. Tartini, 490. Tasso (‘Jerusalem Delivered’), 170. Taubmann, Otto, 350f. Deutsche Messe, 350. Sängerweihe, 350. Taussig (Bach transcription), 440. Te Deum Laudamus, 322. Tebaldini, Giovanni, 393, 491. Tegner, Bishop (librettist), 197. Tempo (method of determining), 474f. Tennyson, 211. Tenzone, 25 (footnote). Thayer, Eugene W., 460, 497, 500. Theatre organs, 413. Thiele, Johann Friedrich Ludwig, 462. Thirty Years’ War (effect of, on chorale), 83. Thomas Aquinas (author of Lauda Sion), 155. Thomas (organ builder), 406. Thomas, Theodore, 288, 292. Thomasschule, 88. Thomson (author of ‘Seasons’), 261. Thuille, Ludwig, 357. Tinel, Edgar, 299f, 392, 470. Franciscus, 299f. Titelouze, Jean, 441f. Toccata, 418. Tombelle, Ferdinand de la, 486. Tone grouping (in organ), 410. Trampeli (organ builders), 405. Trench (librettist of ‘Apollo and the Seaman’), 376. Trent, Council of, 58, 64, 119. Tropes, 16. Troubadours, 24f; (historical significance), 28. Trouvères, 25; (historical significance), 28. Truette, E. E., 460. Tubular pneumatic action (in organ), 407. Tuckerman, Samuel Parkman, 497. Tuning, 405. Turpin, Edmund Hart, 493. Tye, Christopher, 98, 448, 475.

U

Uhland, 166, 212, 349. Unequal temperament, 405. Unit stop control, 409. Universal air chest, 409. Utrecht Te Deum, 327f, 453.

V

Valbecke, Ludwig van, 403. Vallotti, Francesco Antonio, 490. Vavrineoz, Mauritius, 396. Venetian school, 68f; (madrigalists), 71f. Verdi, Giuseppe, 343f. Manzoni Requiem, 343f. Vetruvius, 398 (footnote). Villanella, 140 (footnote). Vilotti, 458. Virginal Book of Queen Elizabeth, 449. Vitry, Philippe de, 53. Vittoria (compared with Palestrina), 68. Vogler, [Abbé] Georg Joseph, 458f, 490. Vrchlicky, Jaroslav, 293.

W

Wackernagel, Philip (cited on German hymns), 78 (footnote).

Wagner, Richard, 189f. ‘The Love-Feast of the Apostles,’ 190f. Walker, Ernest (quoted on the ‘Messiah’), 249f. Walsegg, Franz von, Count of Ruppach, 330. Walther, Johann, 85, 484. War songs, xii. Warren, George William, 497. Wasielewski (cit. on G. Gabrieli), 421, 422. Water organ, 398, 399. Water pressure (in organ), 398. Waterloo, 148. Watson: ‘Italian Madrigals Englished,’ 72 (footnote). Watts, 135f. Webbe, Samuel, 139f. Weber, Carl Maria von, 147, 186, 459; (masses), 337. ‘Jubilee Cantata,’ 147f. ‘Kampf und Sieg,’ 148f. Weber, Constance, 132. Webern, Anton von, 353. Weelkes (English madrigalist), 75. Weinmann, Karl (cited on mediæval music), 20; (quot. on Netherlanders), 43; (cited on Beethoven), 324. Weissenbach, Aloys, 145. Wellesz, Egon, 353. Wendt, Amadeus, 148. Wensley, Shapcott (librettist), 212. Wesley, Charles (Christmas hymn of), 155 (footnote). Wesley, Charles (organist), 472. Wesley, Samuel, 473. Wesley, Samuel Sebastian, 475. White (organ builder), 405. Whiteley, John W., 410. Whiting, Arthur, 222. Whiting, George Elbridge, 221, 500. Whittier, 368. Widor, Charles Marie, 468, 479, 482, 483f. Wilbye (English madrigalist), 75. Wilcox, John H., 497. Willaert, Adrian, 69, 417, 420. Willcox, John Henry, 497. William, Duke of Bavaria, 56. William of Malmesbury, 401. William IV, King of Prussia, 155. Williams, C. F. Abdy, 432 (footnote). Williams, C. Lee, 379. Williams, Ralph Vaughan, 377. Willis, H. W. (organ builder), 407, 408, 411. Winchester (famous early organs at), 401. Wind-chest, organ, 405; (separate), 407; (electro-pneumatic), 408f. Wind-gauge (organ), 405. Wind-power, regulation of (in organ), 405. Wind pressure (in organ), 398. Winterfeld (cited on Passion music), 236 (footnote). Witt, Franz (quoted on masses), 323. Wohlbrück (librettist), 148f. La vita nuova, 394. Wolf-Ferrari, Ermanno, 393f. Wolfrum, Philip, 355. Wolle, J. Frederick, 327. [St.] Wolstan, 401. Wolstenholme, William, 494. Woltz, Johann, 428. Women’s choruses, xvi. Wood, Anthony (quot. on Tye), 448. Wood, Henry, 379. Worms, Diet of, 89. Wotton, William, 405. Woyrsch, Felix, 356f. ‘The Dance of Death,’ 356f.

Z

Ziehn, Bernard, 492. Zipoli, Domenico, 426. Zucchetti, 419. Zwingli, 90.