Chapter VIII · (continued 2)

[Sidenote: 1564]

The results of their labors were published by Paul IV under the name of the Tridentine Index. It was more sweeping, and at the same time more discriminating than the former Index. Erasmus was changed to the second class, only a portion of his works being now condemned. Among the non-ecclesiastical authors banned were Machiavelli, Guicciardini and Boccaccio. It is noteworthy that the Decameron was expurgated not chiefly for its indecency but for its satire of ecclesiastics. Thus, a tale of the seduction of an abbess is rendered acceptable by changing the abbess into a countess; the story of how a priest led a woman astray by impersonating the angel Gabriel is merely changed by making the priest a layman masquerading as a fairy king.

The principles upon which the prohibition of books rested were set forth in ten rules. The most interesting are the following: (1) Books printed before 1515 condemned by popes or council; (2) Versions of the Bible; (3) books of heretics; (4) obscene books; (5) works on witchcraft and necromancy.

In order to keep the Index up to date continual revision was necessary. To insure this Pius V appointed a special Congregation of the Index, which has lasted until the present day. From his time to ours more than forty Indices have been issued. Those of the sixteenth century were concerned mainly with Protestant books, those of later centuries chiefly deal, for the purposes of internal discipline, with books written by Catholics. One of the functions of the Congregation was to expurgate books, taking out the offensive passages. A separate Index expurgatorius, pointing out the passages to be deleted or corrected was {423} published, and this name has sometimes incorrectly been applied to the Index of prohibited books.

[Sidenote: Effect of the censorship]

The effect of the censorship of the press has been variously estimated. The Index was early dubbed sica destricta in omnes scriptores and Sarpi called it "the finest secret ever discovered for applying religion to the purpose of making men idiotic." Milton thundered against the censorship in England as "the greatest discouragement and affront that can be offered to learning and learned men." The evil of the system of Rome was, in his opinion, double, for, as he wrote in his immortal Areopagitica, "The Council of Trent and the Spanish Inquisition engendering together brought forth and perfected those catalogues and expurging indexes that rake through the entrails of many an old good author with a violation worse than any that could be offered to his tomb." When we remember that the greatest works of literature, such as the Divine Comedy, were tampered with, and that, in the Spanish Expurgatorial Index of 1640 the list of passages to be deleted or to be altered in Erasmus's works takes 59 double-columned, closely printed folio pages, we can easily see the point of Milton's indignant protest. But, to his mind, it was still worse to subject a book to the examination of unfit men before it could secure its imprimatur. Not without reason has liberty of the press been made one of the cornerstones of the temple of freedom.

Various writers have labored to demonstrate the blighting effect that the censorship was supposed to have on literature. But it is surprising how few examples they can bring. Lea, who ought to know the Spanish field exhaustively, can only point to a few professors of theology who were persecuted and silenced for expressing unconventional views on biblical criticism. He conjectures that others must have {424} remained mute through fear. But, as the golden age of Spanish literature came after the law made the printing of unlicensed books punishable by death, [Sidenote: 1558] it is hard to see wherein literature can have suffered. The Roman Inquisition did not prevent the appearance of Galileo's work, though it made him recant afterwards. The strict English law that playwrights should not "meddle with matters of divinity or state" made Shakespeare careful not to express his religious and political views, but it is hard to see in what way it hampered his genius.

And yet the influence of the various press laws was incalculably great and was just what it was intended to be. It affected science less than one would think, and literature hardly at all, but it moulded the opinions of the masses like putty in their rulers' hands. That the rank and file of Spaniards and Italians remained Catholic, and the vast majority of Britons Protestant, was due more to the bondage of the press than to any other one cause. Originality was discouraged, the people to some degree unfitted for the free debate that is at the bottom of self-government, the hope of tolerance blighted, and the path opened that led to religious wars.

[1] Matthew xiii, 28-30.

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