THE COMPLIMENTS OF THE SEASON
Reading edition
(Founded upon the Farce of Christmas Cards.)
Scene—A London Drawing Room. Paterfamilias discovered reading a paper, and Materfamilias superintending the despatch of a number of cards.
Mater. (in a tone of irritation). I really think, John, that, considering you have nothing earthly to do this afternoon, you might come and help me.
Pater. You have said that twice before, my dear. Don't you see I am enjoying myself?
Mater. So like you! As if you couldn't give up that stupid paper—you declare there's no news in it—and do me a favour!
Pater. (putting down his paper). Well, anything for a quiet life! What is it?
Mater. I am sending a card to Mrs. Brown.
Pater. (taking up his paper again). Send it.
Mater. My dear John, do attend. I want to know what I shall put into the envelope.
Pater. (giving up paper, and examining Christmas Cards with some vague show of interest). Oh, well—here. (Casually picking up a picture of a country churchyard by moonlight). Won't this be the sort of thing?
Mater. (shocked). How can you, John! Don't you know that Mrs. Brown lost her husband only a year ago?
Pater. Then why are you wishing her "A Merry Christmas"?
Mater. Well, you see she has married again, and so I thought of sending her something with "A Happy New Year" in it.
Pater. (taking up a card showing an owl in an ivy bush). Why not this?
Mater. Well that would be better, but then she might think that the owl was intended for a sneer at her second husband. And then I always like to keep the happy new year cards till Christmas is over, as you can send them afterwards to the people who have remembered you when you have forgotten them.
Pater. But you wouldn't have "A Merry Christmas," and now you object to "A Happy New Year." What do you want?
Mater. Can't you get something impersonal?
Pater. (taking up card). Well, here's a yacht in full sail.
Mater. Oh, how cruel! It will remind her of her cousin who was lost at sea!
Pater. (selecting another sketch). Then why not this bouquet of flowers?
Mater. Not for worlds! One never knows what the flowers may mean, and we might offend her.
Pater. (trying again). Well, here is a windmill.
Mater. My dear John, you are absolutely provoking. A windmill is suggestive of frivolity, and I wouldn't let Mrs. Brown think that we meant that on any account.
Pater. (making another selection). Well, here's a parrot in a cage.
Mater. You surely are not serious? Fancy sending such a card! Why, as everyone knows that dear Mrs. Brown is rather talkative, all the world would say it was an "insult."
Pater. (losing patience). Oh, hang Mrs. Brown!
Mater. I am ashamed of you, John! And I suppose you would hang the cards, too! You would curse "Merry Christmas."
Pater. (promptly). That I would, and what is more, I would—well never mind—the glad New Year!
[Scene closing in upon an anti-seasonable squabble.

Disgusted Keeper (who has just beaten up a brace or so of Pheasants, which young Snookson has missed "clane and clever"—to dog, which has been "going seek" and "going find" from force of habit). "Ah, Ruby, Ruby, bad dog! T' heel, Ruby, t' heel! Ah muust apologise for Ruby, Sir. You see, Ruby's been accustomed to pick 'em up!"
THREE CHRISTMAS GREETINGS. Before the fireside's ruddy glow I sit, and let my thoughts fly free; Lo, these my Christmas greetings go To three good friends beyond the sea. Vain is the winter tempest's wrack, It cannot keep my greetings back. Oh wind and rain, and rain and wind, How purposeless and blind ye are, Like fate, for fate was surely blind That bade my three friends range afar. Like mine, perchance, their fancy strays To other scenes and distant days. Dear Frank, I think I see you now, My flaxen-haired American, Brave heart, grey eye, unclouded brow, Two stalwart yards of wilful man, How oft in laughter and in song With you I sped the hours along. Ah me, the days were all too short, Too swift the unreturning hours In that old town of Hall and court, Of ancient gateways flanked with towers, Where once we feared the near exam... And dared the dons, and stirred the Cam. You went, and now expound the law (As Bumble said, the law's a hass) And argue, as I note with awe, For litigants in Boston, Mass.; And, though you wear no warlike suit, They call you "General" to boot. And, Fred, how fares it now with you In that drear country of the North? Too great your needs, your means too few, A whim of temper drove you forth. On far Vancouver's shore, alone You hear the sad Pacific moan. With us, God wot, you little throve; Your life all fire, and storm, and fret, Against relentless fate you strove, But strove in vain—and yet, and yet God shapes in storm and fire his plan, And moulds a world or makes a man. Good luck be yours on that bleak shore, Some fortunate, some golden prize; Then be it mine to see once more Those friendly, lustrous, Irish eyes. Return and face with us your fate, The world is small and England great. You shall return and fill your place, But never shall I clasp his hand, Whose bright and smiling boyish face Makes sunshine in the shadowland. Yet shall the night my heart beguile, And let me dream I see him smile. Your voice I may not hear again, Oh dear and unforgotten friend, Beloved, but ah! beloved in vain, Whom love could mourn, but not defend. Still take, though far and lost you dwell, My love, dear Hugh, and so farewell. And thus before the fireside's glow I sit and let my thoughts fly free; Lo, these my Christmas greetings go To three good friends beyond the sea; To Frank, to Fred, and ah, to you, Beloved, irrevocable Hugh.
MR. PUNCH'S CHRISTMAS BOXES. To Japan.—A piece of china. To China.—A japanned hot-water can. To Russia.—A slice of turkey. To Turkey.—A russia bag. To the French Republic.—A napoleon or a louis. To Hawaii.—A sovereign. To the King of Spain.—Half a sovereign. To Don Carlos.—A crown. To King Milan.—Half a crown. To the German Emperor.—A few notes, and a good mark (for attention to harmony). To Mr. Labouchere.—An antique noble.
"Sound Critics."—Musical ones.

A CHRISTMAS IDYLL.
The Snapdragon Galop.]
TO PHILADELPHIA. To Resolve his Doubt. I have no passion to bestow, My heart no more can beat Like the caged bird that to and fro Flutters your hand to greet. In a sad peace no raptures stir My twilight years have set, Embalming but in bitter myrrh All I cannot forget. When hope is dead, and sweet desire And love's brief April rains, Only the spirit to inquire Unconquered still remains. 'Tis that that bows my soul; although I'm prostrate at your feet, Only because I want to know— That's why I ask you, sweet!
Suggested Title.—George Newnes brings out Zigzags at the Zoo, writ by Morrison and drawn most humorously by the Gentle Shepherd. A good title would have been Fore-Newnes at the Zoo.
A DOG ON HIS DAY. (A Pitiful Epistle from Pongo to Mr. Punch at Christmastide.) Every dog has his day—so they say,— And mine it seems comes round once a year. When all the painter fellows mix their blacks and browns and yellows, And paint me, in some attitude that's queer, And unnatural, and silly; spilling milk or supping skilly; With a bonnet or a bib on, or tied up in bows of ribbon! Oh, the Dogs' "Decline and Fall" might inspire a doggish Gibbon! And they make me most unhappy, and my temper sharp and snappy, Do these pictures poor and pappy. I'm a decent doggish chappie, But in gaudy Christmas Numbers, watching o'er the sloppy slumbers Of a baby pink and podgy; or squatting scared and stodgy, Like a noodle of a poodle—oh! its really wretched foodle!— At a beetle or a frog staring wildly, in a fog, Or lapping baby's custard, or refusing baby's mustard, Or dress'd up like a guy, or winking t'other eye, In a gown, trimmed with down, like a clown, Or coquetting with a cat, Or chasing that old rat Down that everlasting hole in the stable! On my soul, A dog as is a dog, and not a duffer, When the Yuletide pictures come is bound to suffer Endless agonies of shame at the loss of his good name As the sonsie friend of man, and a watchful guar-di-an, Not an adjunct of the nursery! At this happy anniversary (Mr. Punch) I could cr-r-r-runch! The daubers who malign me, and such stupid rôles assign me. Why, it's worse than hydrophoby!!! Mr. Punch, do turn on Toby, As our champion canine to request each painter chap To turn off the old stale tap of the porridge and the pap, and the baby in the cap, or the kid (who needs a slap) and the pug (not worth a rap) in an apoplectic nap, the toy-terrier on the snap, or a-sniffing at a trap, or essaying milk to lap, like a small pot-bellied Jap; and all the old clap-trap Which makes a decent doggy in sheer desperation say That he'd rather be a kitten with a ball and string to play, Or live on clockwork rats, or make breakfast on chopped hay, Or be smeared all o'er with mustard like a cold beef sandwich,—Aye! Or—whisper!—Bite a Baby!!—on the nose!! in nursery play!!! Better dare renewed distemper than another Christmas Day!! For unless I have your promise—and dear Toby's—I much fear I must spend a pappy Christmas and a yappy New Year!