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Measure for Measure

Volume 1 / Act 5 — V. 1 Scene I. The city-gate.

Reading edition

V. 1 Scene I. The city-gate.

Mariana veiled, Isabella, and Friar Peter, at their stand. Enter Duke, Varrius, Lords, Angelo, Escalus, Lucio, Provost, Officers, and Citizens, at several doors.

Duke. My very worthy cousin, fairly met! Our old and faithful friend, we are glad to see you.

Ang. Happy return be to your royal Grace! Escal.

Duke. Many and hearty thankings to you both. 5 We have made inquiry of you; and we hear Such goodness of your justice, that our soul Cannot but yield you forth to public thanks, Forerunning more requital.

Ang.

You make my bonds still greater.

Duke. O, your desert speaks loud; and I should wrong it, 10 To lock it in the wards of covert bosom, When it deserves, with characters of brass, A forted residence ’gainst the tooth of time And razure of oblivion. Give me your hand, And let the subject see, to make them know 15 That outward courtesies would fain proclaim Favours that keep within. Come, Escalus; You must walk by us on our other hand: And good supporters are you.

Friar Peter and Isabella come forward.

Fri. P. Now is your time: speak loud, and kneel before him.

20 Isab. Justice, O royal Duke! Vail your regard Upon a wrong’d, I would fain have said, a maid! O worthy prince, dishonour not your eye By throwing it on any other object Till you have heard me in my true complaint, V. 1 25 And given me justice, justice, justice, justice!

Duke. Relate your wrongs; in what? by whom? be brief. Here is Lord Angelo shall give you justice: Reveal yourself to him.

Isab. O worthy Duke, You bid me seek redemption of the devil: 30 Hear me yourself; for that which I must speak Must either punish me, not being believed, Or wring redress from you. Hear me, O hear me, here!

Ang. My lord, her wits, I fear me, are not firm: She hath been a suitor to me for her brother Cut off by course of justice,—

35 Isab.

By course of justice!

Ang. And she will speak most bitterly and strange.

Isab. Most strange, but yet most truly, will I speak: That Angelo’s forsworn; is it not strange? That Angelo’s a murderer; is’t not strange? 40 That Angelo is an adulterous thief, An hypocrite, a virgin-violator; Is it not strange and strange?

Duke.

Nay, it is ten times strange.

Isab. It is not truer he is Angelo Than this is all as true as it is strange: 45 Nay, it is ten times true; for truth is truth To th’ end of reckoning.

Duke. Away with her!—Poor soul, She speaks this in th’ infirmity of sense.

Isab. O prince, I conjure thee, as thou believest There is another comfort than this world, V. 1 50 That thou neglect me not, with that opinion That I am touch’d with madness! Make not impossible That which but seems unlike: ’tis not impossible But one, the wicked’st caitiff on the ground, May seem as shy, as grave, as just, as absolute 55 As Angelo; even so may Angelo, In all his dressings, characts, titles, forms, Be an arch-villain; believe it, royal prince: If he be less, he’s nothing; but he’s more, Had I more name for badness.

Duke. By mine honesty, 60 If she be mad,—as I believe no other,— Her madness hath the oddest frame of sense, Such a dependency of thing on thing, As e’er I heard in madness.

Isab. O gracious Duke, Harp not on that; nor do not banish reason 65 For inequality; but let your reason serve To make the truth appear where it seems hid, And hide the false seems true.

Duke. Many that are not mad Have, sure, more lack of reason. What would you say?

Isab. I am the sister of one Claudio, 70 Condemn’d upon the act of fornication To lose his head; condemn’d by Angelo: I, (in probation of a sisterhood,) Was sent to by my brother; one Lucio As then the messenger,—

Lucio. That’s I, an’t like your Grace: V. 1 75 I came to her from Claudio, and desired her To try her gracious fortune with Lord Angelo For her poor brother’s pardon.

Isab.

That’s he indeed.

Duke. You were not bid to speak.

Lucio. No, my good lord; Nor wish’d to hold my peace.

Duke. I wish you now, then; 80 Pray you, take note of it: and when you have A business for yourself, pray heaven you then Be perfect.

Lucio.

I warrant your honour.

Duke. The warrant’s for yourself; take heed to’t.

Isab. This gentleman told somewhat of my tale,—

85 Lucio. Right.

Duke. It may be right; but you are i’ the wrong To speak before your time. Proceed.

Isab. I went To this pernicious caitiff Deputy,—

Duke. That’s somewhat madly spoken.

Isab. Pardon it; 90 The phrase is to the matter.

Duke. Mended again. The matter;—proceed.

Isab. In brief,—to set the needless process by, How I persuaded, how I pray’d, and kneel’d, How he refell’d me, and how I replied,— 95 For this was of much length,—the vile conclusion I now begin with grief and shame to utter: He would not, but by gift of my chaste body To his concupiscible intemperate lust, Release my brother; and, after much debatement, V. 1 100 My sisterly remorse confutes mine honour, And I did yield to him: but the next morn betimes, His purpose surfeiting, he sends a warrant For my poor brother’s head.

Duke.

This is most likely!

Isab. O, that it were as like as it is true!

105 Duke. By heaven, fond wretch, thou know’st not what thou speak’st, Or else thou art suborn’d against his honour In hateful practice. First, his integrity Stands without blemish. Next, it imports no reason That with such vehemency he should pursue 110 Faults proper to himself: if he had so offended, He would have weigh’d thy brother by himself, And not have cut him off. Some one hath set you on: Confess the truth, and say by whose advice Thou camest here to complain.

Isab. And is this all? 115 Then, O you blessed ministers above, Keep me in patience, and with ripen’d time Unfold the evil which is here wrapt up In countenance!—Heaven shield your Grace from woe. As I, thus wrong’d, hence unbelieved go!

120 Duke. I know you’ld fain be gone.—An officer! To prison with her!—Shall we thus permit A blasting and a scandalous breath to fall On him so near us? This needs must be a practice. Who knew of your intent and coming hither?

V. 1 125 Isab. One that I would were here, Friar Lodowick.

Duke. A ghostly father, belike. Who knows that Lodowick?

Lucio. My lord, I know him; ’tis a meddling friar; I do not like the man: had he been lay, my lord, For certain words he spake against your Grace 130 In your retirement, I had swinged him soundly.

Duke. Words against me! this’s a good friar, belike! And to set on this wretched woman here Against our substitute! Let this friar be found.

Lucio. But yesternight, my lord, she and that friar, 135 I saw them at the prison: a saucy friar, A very scurvy fellow.

Fri. P. Blessed be your royal Grace! I have stood by, my lord, and I have heard Your royal ear abused. First, hath this woman 140 Most wrongfully accused your substitute, Who is as free from touch or soil with her As she from one ungot.

Duke. We did believe no less. Know you that Friar Lodowick that she speaks of?

Fri. P. I know him for a man divine and holy; Not scurvy, nor a temporary meddler, As he’s reported by this gentleman; And, on my trust, a man that never yet Did, as he vouches, misreport your Grace.

Lucio. My lord, most villanously; believe it.

V. 1 150 Fri. P. Well, he in time may come to clear himself; But at this instant he is sick, my lord, Of a strange fever. Upon his mere request,— Being come to knowledge that there was complaint Intended ’gainst Lord Angelo,—came I hither, 155 To speak, as from his mouth, what he doth know Is true and false; and what he with his oath And all probation will make up full clear, Whensoever he’s convented. First, for this woman, To justify this worthy nobleman, 160 So vulgarly and personally accused, Her shall you hear disproved to her eyes, Till she herself confess it.

Duke. Good friar, let’s hear it. Isabella is carried off guarded; and Mariana comes forward. Do you not smile at this, Lord Angelo?— O heaven, the vanity of wretched fools!— 165 Give us some seats. Come, cousin Angelo; In this I’ll be impartial; be you judge Of your own cause. Is this the witness, friar? First, let her show her face, and after speak.

Mari. Pardon, my lord; I will not show my face 170 Until my husband bid me.

Duke. What, are you married?

Mari. No, my lord.

Duke. Are you a maid?

Mari. No, my lord.

V. 1 175 Duke. A widow, then?

Mari. Neither, my lord.

Duke. Why, you are nothing, then:—neither maid, widow, nor wife?

Lucio. My lord, she may be a punk; for many of them 180 are neither maid, widow, nor wife.

Duke. Silence that fellow: I would he had some cause To prattle for himself.

Lucio. Well, my lord.

Mari. My lord, I do confess I ne’er was married; 185 And I confess, besides, I am no maid: I have known my husband; yet my husband Knows not that ever he knew me.

Lucio. He was drunk, then, my lord: it can be no better.

Duke. For the benefit of silence, would thou wert so too!

190 Lucio. Well, my lord.

Duke. This is no witness for Lord Angelo.

Mari. Now I come to’t, my lord: She that accuses him of fornication, In self-same manner doth accuse my husband; 195 And charges him, my lord, with such a time When I’ll depose I had him in mine arms With all th’ effect of love.

Ang. Charges she more than me?

Mari.

Not that I know.

Duke. No? you say your husband.

V. 1 200 Mari. Why, just, my lord, and that is Angelo, Who thinks he knows that he ne’er knew my body, But knows he thinks that he knows Isabel’s.

Ang. This is a strange abuse. Let’s see thy face.

Mari. My husband bids me; now I will unmask. Unveiling. 205 This is that face, thou cruel Angelo, Which once thou sworest was worth the looking on; This is the hand which, with a vow’d contract, Was fast belock’d in thine; this is the body That took away the match from Isabel, 210 And did supply thee at thy garden-house In her imagined person.

Duke.

Know you this woman?

Lucio. Carnally, she says.

Duke.

Sirrah, no more!

Lucio. Enough, my lord.

Ang. My lord, I must confess I know this woman: 215 And five years since there was some speech of marriage Betwixt myself and her; which was broke off, Partly for that her promised proportions Came short of composition; but in chief, For that her reputation was disvalued 220 In levity: since which time of five years I never spake with her, saw her, nor heard from her, Upon my faith and honour.

Mari. Noble prince, As there comes light from heaven and words from breath, As there is sense in truth and truth in virtue, V. 1 225 I am affianced this man’s wife as strongly As words could make up vows: and, my good lord, But Tuesday night last gone in’s garden-house He knew me as a wife. As this is true, Let me in safety raise me from my knees; 230 Or else for ever be confixed here, A marble monument!

Ang. I did but smile till now: Now, good my lord, give me the scope of justice; My patience here is touch’d. I do perceive These poor informal women are no more 235 But instruments of some more mightier member That sets them on: let me have way, my lord, To find this practice out.

Duke. Ay, with my heart; And punish them to your height of pleasure. Thou foolish friar; and thou pernicious woman, 240 Compact with her that’s gone, think’st thou thy oaths, Though they would swear down each particular saint, Were testimonies against his worth and credit, That’s seal’d in approbation? You, Lord Escalus, Sit with my cousin; lend him your kind pains 245 To find out this abuse, whence ’tis derived. There is another friar that set them on; Let him be sent for.

Fri. P. Would he were here, my lord! for he, indeed, Hath set the women on to this complaint: V. 1 250 Your provost knows the place where he abides, And he may fetch him.

Duke. Go do it instantly. Exit Provost. And you, my noble and well-warranted cousin, Whom it concerns to hear this matter forth, Do with your injuries as seems you best, 255 In any chastisement: I for a while will leave you; But stir not you till you have well determined Upon these slanderers.

Escal. My lord, we’ll do it throughly. [Exit Duke.] Signior Lucio, did not you say you knew that Friar Lodowick 260 to be a dishonest person?

Lucio. ‘Cucullus non facit monachum:’ honest in nothing but in his clothes; and one that hath spoke most villanous speeches of the Duke.

Escal. We shall entreat you to abide here till he come, 265 and enforce them against him: we shall find this friar a notable fellow.

Lucio. As any in Vienna, on my word.

Escal. Call that same Isabel here once again: I would speak with her. [Exit an Attendant.] Pray you, my lord, 270 give me leave to question; you shall see how I’ll handle her.

Lucio. Not better than he, by her own report.

Escal. Say you?

Lucio. Marry, sir, I think, if you handled her privately, V. 1 275 she would sooner confess: perchance, publicly, she’ll be ashamed.

Escal. I will go darkly to work with her.

Lucio. That’s the way; for women are light at midnight.

Re-enter Officers with Isabella; and Provost with the Duke in his friar’s habit.

Escal. Come on, mistress: here’s a gentlewoman denies 280 all that you have said.

Lucio. My lord, here comes the rascal I spoke of; here with the provost.

Escal. In very good time: speak not you to him till we call upon you.

285 Lucio. Mum.

Escal. Come, sir: did you set these women on to slander Lord Angelo? they have confessed you did.

Duke. ’Tis false.

Escal. How! know you where you are?

290 Duke. Respect to your great place! and let the devil Be sometime honour’d for his burning throne! Where is the Duke? ’tis he should hear me speak.

Escal. The Duke’s in us; and we will hear you speak: Look you speak justly.

295 Duke. Boldly, at least. But, O, poor souls, Come you to seek the lamb here of the fox? Good night to your redress! Is the Duke gone? Then is your cause gone too. The Duke’s unjust, Thus to retort your manifest appeal, V. 1 300 And put your trial in the villain’s mouth Which here you come to accuse.

Lucio. This is the rascal; this is he I spoke of.

Escal. Why, thou unreverend and unhallow’d friar, Is’t not enough thou hast suborn’d these women 305 To accuse this worthy man, but, in foul mouth, And in the witness of his proper ear, To call him villain? and then to glance from him To the Duke himself, to tax him with injustice? Take him hence; to the rack with him! We’ll touse you 310 Joint by joint, but we will know his purpose. What, ‘unjust’!

Duke. Be not so hot; the Duke Dare no more stretch this finger of mine than he Dare rack his own: his subject am I not, Nor here provincial. My business in this state 315 Made me a looker-on here in Vienna, Where I have seen corruption boil and bubble Till it o’er-run the stew; laws for all faults, But faults so countenanced, that the strong statutes Stand like the forfeits in a barber’s shop, 320 As much in mock as mark.

Escal. Slander to the state! Away with him to prison!

Ang. What can you vouch against him, Signior Lucio? Is this the man that you did tell us of?

Lucio. ’Tis he, my lord. Come hither, goodman bald-pate: V. 1 325 do you know me?

Duke. I remember you, sir, by the sound of your voice: I met you at the prison, in the absence of the Duke.

Lucio. O, did you so? And do you remember what you said of the Duke?

330 Duke. Most notedly, sir.

Lucio. Do you so, sir? And was the Duke a flesh-monger, a fool, and a coward, as you then reported him to be?

Duke. You must, sir, change persons with me, ere you 335 make that my report: you, indeed, spoke so of him; and much more, much worse.

Lucio. O thou damnable fellow! Did not I pluck thee by the nose for thy speeches?

Duke. I protest I love the Duke as I love myself.

340 Ang. Hark, how the villain would close now, after his treasonable abuses!

Escal. Such a fellow is not to be talked withal. Away with him to prison! Where is the provost? Away with him to prison! lay bolts enough upon him: let him speak 345 no more. Away with those giglets too, and with the other confederate companion!

Duke. [To Provost] Stay, sir; stay awhile.

Ang. What, resists he? Help him, Lucio.

Lucio. Come, sir; come, sir; come, sir; foh, sir! V. 1 350 Why, you bald-pated, lying rascal, you must be hooded, must you? Show your knave’s visage, with a pox to you! show your sheep-biting face, and be hanged an hour! Will’t not off?

Pulls off the friar’s hood, and discovers the Duke.

Duke. Thou art the first knave that e’er madest a Duke. 355 First, provost, let me bail these gentle three. [To Lucio] Sneak not away, sir; for the friar and you Must have a word anon. Lay hold on him.

Lucio. This may prove worse than hanging.

Duke. [To Escalus] What you have spoke I pardon: sit you down: 360 We’ll borrow place of him. [To Angelo] Sir, by your leave. Hast thou or word, or wit, or impudence, That yet can do thee office? If thou hast, Rely upon it till my tale be heard, And hold no longer out.

Ang. O my dread lord, 365 I should be guiltier than my guiltiness, To think I can be undiscernible, When I perceive your Grace, like power divine, Hath look’d upon my passes. Then, good prince, No longer session hold upon my shame, 370 But let my trial be mine own confession: Immediate sentence then, and sequent death, Is all the grace I beg.

Duke. Come hither, Mariana. Say, wast thou e’er contracted to this woman?

Ang. I was, my lord.

V. 1 375 Duke. Go take her hence, and marry her instantly. Do you the office, friar; which consummate, Return him here again. Go with him, provost.

Exeunt Angelo, Mariana, Friar Peter and Provost.

Escal. My lord, I am more amazed at his dishonour Than at the strangeness of it.

Duke. Come hither, Isabel. 380 Your friar is now your prince: as I was then Advertising and holy to your business, Not changing heart with habit, I am still Attorney’d at your service.

Isab. O, give me pardon, That I, your vassal, have employ’d and pain’d Your unknown sovereignty!

385 Duke. You are pardon’d, Isabel: And now, dear maid, be you as free to us. Your brother’s death, I know, sits at your heart; And you may marvel why I obscured myself, Labouring to save his life, and would not rather 390 Make rash remonstrance of my hidden power Than let him so be lost. O most kind maid, It was the swift celerity of his death, Which I did think with slower foot came on, That brain’d my purpose. But, peace be with him! 395 That life is better life, past fearing death, Than that which lives to fear: make it your comfort, So happy is your brother.

Isab.

I do, my lord.

Re-enter Angelo, Mariana, Friar Peter, and Provost.

Duke. For this new-married man, approaching here, Whose salt imagination yet hath wrong’d V. 1 400 Your well-defended honour, you must pardon For Mariana’s sake: but as he adjudged your brother,— Being criminal, in double violation Of sacred chastity, and of promise-breach Thereon dependent, for your brother’s life,— 405 The very mercy of the law cries out Most audible, even from his proper tongue, ‘An Angelo for Claudio, death for death!’ Haste still pays haste, and leisure answers leisure; Like doth quit like, and MEASURE still FOR MEASURE. 410 Then, Angelo, thy fault’s thus manifested; Which, though thou wouldst deny, denies thee vantage. We do condemn thee to the very block Where Claudio stoop’d to death, and with like haste. Away with him!

Mari. O my most gracious lord, 415 I hope you will not mock me with a husband.

Duke. It is your husband mock’d you with a husband. Consenting to the safeguard of your honour, I thought your marriage fit; else imputation, For that he knew you, might reproach your life, 420 And choke your good to come: for his possessions, Although by confiscation they are ours, We do instate and widow you withal, To buy you a better husband.

Mari. O my dear lord, I crave no other, nor no better man.

V. 1 425 Duke. Never crave him; we are definitive.

Mari. Gentle my liege,— Kneeling.

Duke. You do but lose your labour. Away with him to death! [To Lucio] Now, sir, to you.

Mari. O my good lord! Sweet Isabel, take my part; Lend me your knees, and all my life to come 430 I’ll lend you all my life to do you service.

Duke. Against all sense you do importune her: Should she kneel down in mercy of this fact, Her brother’s ghost his paved bed would break, And take her hence in horror.

Mari. Isabel, 435 Sweet Isabel, do yet but kneel by me; Hold up your hands, say nothing,—I’ll speak all. They say, best men are moulded out of faults; And, for the most, become much more the better For being a little bad: so may my husband. 440 O Isabel, will you not lend a knee?

Duke. He dies for Claudio’s death.

Isab. Most bounteous sir, Kneeling. Look, if it please you, on this man condemn’d, As if my brother lived: I partly think A due sincerity govern’d his deeds, 445 Till he did look on me: since it is so, Let him not die. My brother had but justice, In that he did the thing for which he died: For Angelo, His act did not o’ertake his bad intent; V. 1 450 And must be buried but as an intent That perish’d by the way: thoughts are no subjects; Intents, but merely thoughts.

Mari.

Merely, my lord.

Duke. Your suit’s unprofitable; stand up, I say. I have bethought me of another fault. 455 Provost, how came it Claudio was beheaded At an unusual hour?

Prov.

It was commanded so.

Duke. Had you a special warrant for the deed?

Prov. No, my good lord; it was by private message.

Duke. For which I do discharge you of your office: Give up your keys.

460 Prov. Pardon me, noble lord: I thought it was a fault, but knew it not; Yet did repent me, after more advice: For testimony whereof, one in the prison, That should by private order else have died, I have reserved alive.

Duke.

What’s he?

465 Prov.

His name is Barnardine.

Duke. I would thou hadst done so by Claudio. Go fetch him hither; let me look upon him.

Exit Provost.

Escal. I am sorry, one so learned and so wise As you, Lord Angelo, have still appear’d, 470 Should slip so grossly, both in the heat of blood, And lack of temper’d judgment afterward.

Ang. I am sorry that such sorrow I procure: And so deep sticks it in my penitent heart, That I crave death more willingly than mercy; V. 1 475 ’Tis my deserving, and I do entreat it.

Re-enter Provost, with Barnardine, Claudio muffled, and Juliet.

Duke. Which is that Barnardine?

Prov.

This, my lord.

Duke. There was a friar told me of this man. Sirrah, thou art said to have a stubborn soul, That apprehends no further than this world, 480 And squarest thy life according. Thou’rt condemn’d: But, for those earthly faults, I quit them all; And pray thee take this mercy to provide For better times to come. Friar, advise him; I leave him to your hand. What muffled fellow’s that?

485 Prov. This is another prisoner that I saved, Who should have died when Claudio lost his head; As like almost to Claudio as himself. Unmuffles Claudio.

Duke. [To Isabella] If he be like your brother, for his sake Is he pardon’d; and, for your lovely sake, 490 Give me your hand, and say you will be mine, He is my brother too: but fitter time for that. By this Lord Angelo perceives he’s safe; Methinks I see a quickening in his eye. Well, Angelo, your evil quits you well: 495 Look that you love your wife; her worth worth yours. I find an apt remission in myself; And yet here’s one in place I cannot pardon. [To Lucio] You, sirrah, that knew me for a fool, a coward, One all of luxury, an ass, a madman; V. 1 500 Wherein have I so deserved of you, That you extol me thus?

Lucio. ’Faith, my lord, I spoke it but according to the trick. If you will hang me for it, you may; but I had rather it would please you I might be whipt.

505 Duke. Whipt first, sir, and hang’d after. Proclaim it, provost, round about the city, Is any woman wrong’d by this lewd fellow, As I have heard him swear himself there’s one Whom he begot with child, let her appear, 510 And he shall marry her: the nuptial finish’d, Let him be whipt and hang’d.

Lucio. I beseech your highness, do not marry me to a whore. Your highness said even now, I made you a Duke: good my lord, do not recompense me in making me a 515 cuckold.

Duke. Upon mine honour, thou shalt marry her. Thy slanders I forgive; and therewithal Remit thy other forfeits.—Take him to prison; And see our pleasure herein executed.

520 Lucio. Marrying a punk, my lord, is pressing to death, whipping, and hanging.

Duke. Slandering a prince deserves it. Exeunt Officers with Lucio. She, Claudio, that you wrong’d, look you restore. Joy to you, Mariana! Love her, Angelo: V. 1 525 I have confess’d her, and I know her virtue. Thanks, good friend Escalus, for thy much goodness: There’s more behind that is more gratulate. Thanks, provost, for thy care and secrecy: We shall employ thee in a worthier place. 530 Forgive him, Angelo, that brought you home The head of Ragozine for Claudio’s: The offence pardons itself. Dear Isabel, I have a motion much imports your good; Whereto if you’ll a willing ear incline, 535 What’s mine is yours, and what is yours is mine. So, bring us to our palace; where we’ll show What’s yet behind, that’s meet you all should know.

Exeunt.

NOTES.

Note I.

I. 1. 8, 9. The suggestion that a line has been lost in this place came first from Theobald. It is scarcely necessary to say that there is no mark of omission in the Folios. Malone supposes that a similar omission has been made II. 4. 123. The compositor’s eye (he says) may have glanced from ‘succeed’ to ‘weakness’ in a subsequent hemistich.

In order to relieve the plethoric foot-note we set down in this place some conjectures for which we are indebted to Mr Halliwell’s note on the passage.

(1) Then no more remains To your sufficiency as your worth is able But that you let than work. Wheler MS.

(2) But task to your sufficience ... Dent. MS.

(3) But that your sufficiency as your worth be able ... Monck Mason.

(4) Then no more remains: To your sufficiency your worth be added, And let them work. T. Hull’s MS. Commentary.

(5) ... I let them work. Chalmers.

The reading assigned in the foot-note to Steevens is found in a note to the Edition of 1778. He afterwards changed his mind.

Note II.

I. 2. 15. Hanmer’s reading is recommended by the fact that in the old forms of ‘graces’ used in many colleges, and, as we are informed, at the Inns of Court, the prayer for peace comes always after, and never before, meat. But as the mistake may easily have been made by Shakespeare, or else deliberately put into the mouth of the ‘First Gentleman,’ we have not altered the text.

Note III.

I. 2. 22-26. In the remainder of this scene Hanmer and other Editors have made capricious changes in the distribution of the dialogue, which we have not thought it worth while to chronicle. It is impossible to discern any difference of character in the three speakers, or to introduce logical sequence into their buffoonery.

Note IV.

I. 2. 110. We retain here the stage direction of the Folio, ‘Enter ... Juliet, &c.’ for the preceding line makes it evident that she was on the stage. On the other hand, line 140 shows that she was not within hearing, nor near Claudio while he spoke. We may suppose that she was following at a distance behind, in her anxiety for the fate of her lover. She appears again as a mute personage at the end of the play.

Note V.

I. 2. 115, 116. Johnson in the first Edition, 1765, says, ‘I suspect that a line is lost.’ This note was omitted in the Edition of 1778.

Note VI.

I. 4. 70. ‘To soften Angelo: and that’s my pith of business.’ We have left this line as it is printed in the Folios. There is a line of similar length and rhythm in The Two Gentlemen of Verona, IV. 2. 16.

‘But here comes Thurio: now must we to her window.’

Note VII.

II. 2. 149. A writer, ‘A. E. B.’ in Notes and Queries (Vol. V. p. 325) points out that in Wickliffe’s bible, ‘shekels’ is spelt ‘sickles,’ which he says ought, therefore, to be retained. There is no doubt of the meaning; but we, in accordance with our custom, have modernized the spelling.

Note VIII.

II. 2. 155-161. The printing in the Folios gives no help towards the metrical arrangement of these and other broken lines. In the present case we might read:

‘Ang. Well, come to me to-morrow.

Luc. Well, come to me to-morrow. Go to: ’tis well; Away!

Isab. Away! Heaven keep your honour safe!

Ang. Away! Heaven keep your honour safe! Amen: To your sufficiency your worth be added, For I, &c.’

Or, considering the first two lines as prose, we might read the last:

Isab. Heaven keep your honour safe!

Ang. Heaven keep your honour safe! Amen: for I Am that way going to temptation Where prayers cross.’

Note IX.

II. 4. 9. ‘fear’d.’ Mr Collier, in Notes and Queries, Vol. VIII. p. 361, mentions that in Lord Ellesmere’s copy of the First Folio the reading is ‘sear’d.’

Note X.

II. 4. 94. ‘all-building.’ ‘Mr Theobald has binding in one of his copies.’ Johnson.

Note XI.

II. 4. 103. ‘That longing have been sick for.’ Delius says in his note on this passage, ‘Das I vor have lässt sich nach Shaksperischer Licenz leicht suppliren.’ The second person singular of the governing pronoun is frequently omitted by Shakespeare in familiar questions, but, as to the first and third persons, his usage rarely differs from the modern. If the text be genuine, we have an instance in this play of the omission of the third person singular I. 4. 72, ‘Has censured him.’ See also the early Quarto of the Merry Wives of Windsor, Sc. XIV. l. 40, p. 285 of our reprint:

‘Ile cloath my daughter, and aduertise Slender To know her by that signe, and steale her thence, And vnknowne to my wife, shall marrie her.’

Note XII.

II. 4. 111-113. Mr Sidney Walker adopts Steevens’ emendation, and affirms that among all the metrical licenses used by Shakespeare, the omission of the final syllable of the line is not one. But if the reading of the first Folio be allowed to stand, we can find many instances of lines which want the final syllable. The line immediately preceding may be so scanned:

‘Ignomy in ransom and free pardon.’

And in this same scene, line 143, we have

‘And you tell me that he shall die for’t.’

And in V. 1. 83:

‘The warrant’s for yourself; take heed to’t.’

It is conceivable that ‘mercy’ may be pronounced as a trisyllable; but in all the undoubted examples of such a metrical license, the liquid is the second of the two consonants, not the first. See, however, S. Walker’s Shakespeare’s Versification, pp. 207 sqq.

Possibly a word may have dropt out, and the original passage may have stood thus:

‘Ignomy in ransom and free pardon are Of two opposed houses: lawful mercy Is nothing kin to foul redemption.’

Note XIII.

III. 1. 29. Mr Collier’s copy of the second Folio has ‘sire.’ Notes and Queries, Vol. VI. p. 141.

Note XIV.

III. 1. 56, 57. The metrical arrangement is uncertain here. It is not probable that the last word of the Duke’s speech, ‘concealed,’ should be the first of a line which would be interrupted by his exit. Perhaps, too, the true reading of the following line may have been:

‘As comforts all are good, most good indeed.’

Note XV.

III. 1. 91, 94. The word ‘prenzie,’ occurring, as it does, twice in this passage, rests on such strong authority that it is better to seek to explain than to alter it. It may be etymologically connected with ‘prin,’ in old French, meaning ‘demure;’ also with ‘princox,’ a ‘coxcomb,’ and with the word ‘prender,’ which occurs more than once in Skelton: e.g.

‘This pevysh proud, this prender gest, When he is well, yet can he not rest.’

Mr Bullock mentions, in support of his conjecture, that ‘pensie’ is still used in some north-country dialects. ‘Primsie’ is also found in Burns’ poems with the signification of ‘demure, precise,’ according to the glossary.

Note XVI.

III. 1. 118. Johnson says the most plausible conjecture is ‘benighted.’ It does not appear by whom this conjecture was made.

Note XVII.

III. 1. 168. We must suppose that Claudio, as he is going out, stops to speak with his sister at the back of the stage within sight of the audience.

Note XVIII.

IV. 2. 91. This is a case in which we have thought it best to make an exception to our usual rule of modernizing the spelling. The metre requires ‘Haply’ to be pronounced as a trisyllable. Perhaps it would be well to retain the spelling of the first two Folios ‘Happely,’ and as a general rule it would be convenient if an obsolete spelling were retained in words used with an obsolete meaning. We have, however, abstained from introducing on our own authority this, or any other innovation in orthography. In IV. 3. 126, we have retained ‘covent,’ which had grown to be a distinct word from ‘convent,’ and differently pronounced. Shakespeare’s ear would hardly have tolerated the harsh-sounding line

‘One of our cónvent and his cónfessor.’

Note XIX.

IV. 3. 17. The reading ‘cry’ (i.e. ‘crie’) for ‘are’ was suggested by a passage in Nashe’s Apologie for Pierce Pennilesse, 1693, quoted by Malone: ‘At that time that thy joys were in the fleeting, and thus crying ‘for the Lord’s sake’ out at an iron window.’

Note XX.

IV. 3. 83. In order to avoid the unmetrical line 83, as given in the Folios and by all Editors to Johnson inclusive, the lines 82-85 have been arranged as five, thus:

If... Let... In secret... Ere... To the under... Capell.

If... Let... Both... The sun... The under... Steevens.

If... Let... Both... Ere... To yonder... Collier.

If... Let... Both... The sun... To yond... Singer.

Perhaps the best arrangement, because requiring the least change from the printing of the Folio, would be to put the words ‘And Claudio’ in a line by themselves. Many examples of such a broken line in the middle of a speech may be found (e.g. V. 1. 448), and it would add to the emphasis with which the Duke commends Claudio to the Provost’s care. The long line V. 1. 465, might be similarly reduced by reading

‘His name Is Barnardine.’

Note XXI.

IV. 5. 1. Mr Spedding suggests that Act V. should begin here. Dr Johnson says: “This play has two Friars, either of whom might singly have served. I should therefore imagine that ‘Friar Thomas,’ in the first Act, might be changed without any harm to ‘Friar Peter:’ for why should the Duke unnecessarily trust two in an affair which required only one? The name of Friar Thomas is never mentioned in the dialogue, and therefore seems arbitrarily placed at the head of the scene.”

Note XXII.

V. 1. 131. Mr Sidney Walker, in his Shakespeare’s Versification, pp. 80 sqq. suggests that in this and other passages we should read ‘this,’ because ‘This is is not unfrequently, like That is, &c. contracted into a monosyllable.’ For the reason assigned in Note (III) to The Tempest, I. 2. 173, we have preferred the more familiar spelling this’s.

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