INDEX
Reading edition
Accenting bands in wood, 105
Accentuation of functional parts, 79
Adapting data to material, 127
Analogous hues, 203
Analysis, intelligent, 7
Andiron design, 53
Aniline wood dyes, 199
Appendage design, 43-49
Appendage, use of, 43
Appendages, 43
Appendages and primary mass, 45
Appendages, contour enrichment of, 88
Appendages, design violations, 43
Appendages in clay, 47
Appendages, industrial applications, 47
Appendages, influence of tools and materials, 53
Appendages in metal, 51
Appendages in wood, 45
Artificial objects, 129
Architectural, horizontal divisions for, 21
Bands, wood inlay, 105
Backgrounds, 113, 201
Base metals, enrichment of, 87
Base and precious metals, surface enrichment of, 160, 163, 165, 167
Borders for wood, 107
Building, 165
Candlesticks, 81
Carving, 103
Carving and piercing, 141
Carving, design steps for, 105
Ceilings, 202-205
Center zone enrichment, 121
Chasing, 163
Chip carving, 115
Chroma, 197
Chromatic intensity, full, 195
Clay, coloring for underglaze, 151
Clay, decorative processes, 145
Clay, incising, 147
Clay, inlay, 149
Clay, introduction of pigments, 149
Clay, modeling, 147
Clay, piercing, 147
Clay, slip painting, 149
Clay, surface enrichment for, 145
Clay, surface enrichment, structural classification for, 151
Clay, underglaze painting, 151
Color for clay enrichment, 209
Color for small areas, 210
Color harmony, 201
Color pigments, 194
Color pigments, application of, 194
Color symbols, 198
Color systems, 194
Commercial pottery, 158
Complementary hues, 214
Conservative use of ornament, 101
Contrasted hues, 203
Containers, 81
Continuity and contrast, 63
Contour enrichment, influence of materials, 65
Contour enrichment, methods of varying, 70
Contour enrichment of clay, need of, 77
Contour enrichment, evolution of, 65
Contour enrichment, purpose of, 59
Contour enrichment, requirements of, 59
Contour enrichment, systematic development of, 81
Contour versus surface enrichment, 185
Corners, contour enrichment of, 88
Correlation, ideal, 11
Covers, design for, 49
Criticism, clear, 7
Criticism, non-technical, 7
Curve of beauty, 91
Curve of force, 61
Curve of force, approximate, 61
Curves for contour enrichment, 59
Curves, grouping of, 63
Curves of extravagance, 73
Dependent surface enrichment, 167
Details, contour enrichment of, 93
Design evolution, major divisions, 9
Design evolution, steps in, 11
Design, preliminary thought, 17
Dominant hue, 204
Dynamic curves and areas, 111
Edges, contour enrichment of, 87
Elements, 157
Enameling, 163, 212, 213, 215
Enrichment for small metal areas, 179
Enrichment, need and value of, 57
Enrichment of large metal areas, 179, 183
Enrichment, types of, 57
Essentials of good surface enrichment, 179
Exposures, 206, 207
Flat surfaces in base and precious metal, 185
Fobs, design of, 169
Four vertical minor divisions, 139
Free balance, 129
Free enrichment, 121
Free minor division treatment, 141
Free ornament, 117
Freehand curves, 30, 51, 63
Full size drawing, value of, 23
Functional parts, enrichment of, 88
Glazes for pottery, 149
Glazes related to interior decoration, 214
Glazes, stains for, 209
Greek scroll, 93
Handles, design for, 49
Harmonious color, need of, 194
Harmony of color, 210
High cylindrical forms in clay, 157
High cylindrical forms in metal, 191
Historic ornament in hardware, 186
Horizontal and vertical minor divisions, 137
Horizontal divisions, architectural precedent, 25
Horizontal divisions, nature and need of, 19
Horizontal divisions, steps in designing, 21
Horizontal minor divisions, 139
Hue and hue rectangles, 195
Hue groupings, 203
Industrial problems, requirements of, 9
Inceptive axes, 107, 121, 161
Inceptive axes for marginal enrichment, 119
Inlaying, 101-103
Intermediate points, contour enrichment of, 89
Ionic volute, 91
Leading lines, curved, 108
Links, 45
Links, contour enrichment of, 93
Low cylindrical forms in clay, 157
Low cylindrical forms in metal, 187
Major design division, first, 9
Major design division, second, 9
Major design division, third, 11
Marginal zone enrichment, 118
Material, adapting data to, 127
Material, economy of, 161
Material, relation to surface enrichment, 101
Metallic oxides, 210
Methods, architectural design, 13
Methods, industrial design, 13
Minor details, 141
Minor subdivisions in wood, 133
Moorish ornament, 107
Mouldings, 61
One vertical division, 35
Outlines, free and dependent, 87, 91 (See Contours.)
Oxidation, 213
Panels, 117, 123, 125, 127, 129
Panel design, steps in, 125
Parts differing in function, 77
Pendants and chains, design of, 173
Pierced enrichment, 123
Pigment table, 195
Pigments, wall and ceiling, 205
Pins and brooches, design of, 167
Point of concentration, 115, 161
Point of concentration for marginal enrichment, 119
Porcelain painting, 151
Pourers, 81
Precious metals, processes of enrichment, 161, 163, 165, 169
Primary hues, 198
Primary masses, 13
Primary mass, drawing of, 15
Primary mass, divisions of, 19
Primary masses, vertical and horizontal, 15
Primary masses, proportions of, 15
Proportionate distribution, 210
Ratios, unsatisfactory, 17
Rectangular panels, 127
Rings, design of, 169
Sequential progression, 135
Service, influence of, 9, 13, 15
Sets, designing of, 83
Shades, 197
Shallow circular forms in clay, 155
Shallow circular forms in metal, 187
Side walls, 202-205
Silver, color for, 215
Silver, contour enrichment of, 93
Silver, free outline enrichment, 97
Silver, motives for contour enrichment, 97
Spouts, design of, 49
Square and rectangular areas in clay, 153
Square panels, 125
Standard hues, 195
Standard hues, locating, 196
Stones, cutting, 95
Stones, relation to contour, 95
Stones, relation to metal, 173
Structural forms, classification, 160
Structural forms, classification for clay surface enrichment, 151
Structural reinforcement, 118
Surface design evolution, 180
Surface enrichment, nature and need of, 99
Surfaces, when and where to enrich, 99
Tangential junctions, 51, 93
Technical processes for metal, 163
Technical rendering, 161
Terminals, contour enrichment of, 89-91
Three horizontal divisions, 29
Three horizontal divisions in clay, 30
Three horizontal divisions in metal, 30
Three horizontal divisions in wood, 29
Three vertical divisions, 37
Three vertical divisions in clay, 39
Three vertical divisions in metal, 41
Three vertical divisions in wood, 39
Tints, 196
Transitional types in furniture, 139
Two horizontal divisions, 25
Two horizontal divisions in clay, 27
Two horizontal divisions in metal, 27
Two horizontal divisions in wood, 25
Two vertical divisions, 35
Two vertical divisions in clay, 37
Two vertical divisions in metal, 37
Two vertical divisions in wood, 35
Unit of measurement for vertical curves, 79
Unity, 29
Unity in clay design curves, 77
Value lines, 196
Varied panels, 129
Vertical divisions, architectural precedent, 33
Vertical divisions, more than three, 41
Vertical divisions, nature and need, 33
Vertical and horizontal division evolution, 40
Vertical sections and their minor divisions, 133-135
Vocabulary, designer's, 105
Walls and ceilings, 203-204
Walls and wood work, 202-203
Warm and cold colors, 198
Wood finishes, opaque, 206
Wood, methods of surface enrichment, 101
Wood stains, 198
Wood stains, chroma range, 205
Wood stain mixing, 199, 200
Wood stain rendering, 195
Wood stains, value range, 201
Wrought iron enrichment, 91
Zones of enrichment, 118