Section II. FURNISHING DEPARTMENTS (continued 4)

Yours faithfully, (Lady) M. STRATHALLAN.

[815]

Removal from 15 Lowndes Square, to Coombe Place, Lewes.

March 14th, 1911.

I have to advise you that the removal of my things has been done promptly and nothing has been broken.

Removal from Guildford to The Vicarage, Bembridge, Isle of Wight.

June 13th, 1911.

I have great pleasure in saying how efficiently your men carried out their work with practically no damage at all, nothing of the least consequence was broken, and the foreman and his assistants gave every satisfaction.

Yours truly, (Rev.) E. C. USHERWOOD.

Removal from 29 Collingham Road to Store, thence to Kilguharity, Dalbeattie, N.B.

July 14th, 1911.

Mrs. GLENDINNING wishes to say that your foreman was most careful about the removal of furniture here, and under rather trying circumstances which reflected the greater credit upon him.

Removal from Charterhouse, Godalming, to Deedham, Essex.

August 31st, 1911.

I should like to say how thoroughly well satisfied I was with the way in which the work was performed. Among all the glass and china, of which the total amount was large, not a single breakage occurred. The pictures were carefully handled at both ends, and in dealing with the very heavy item of books, the men were patient and thorough from first to last, and they were obliging, civil and careful in all respects.

Yours faithfully, (Dr.) G. H. RENDALL.

Removal from Fernbrook, Mann Court Road, Hanwell, to Davenport, Stockport.

October 2nd, 1911.

I desire to express my appreciation of the excellent and expeditious way in which the removal has been effected. I also wish to give a word of praise to your foreman. He has been most obliging and hard working, and I am sure you could not have sent a better man for the job.

Yours faithfully, H. S. RUSSELL.

Removal from 2 Cumberland Place, Regents Park, to 88 Lansdowne Road, W.

October 9th, 1911.

Mrs. HERTZ wishes to express her satisfaction with the foreman and staff of men sent, their behaviour was very quiet, and they did their best to make the removal as little disagreeable as possible.

Removal from St. Albans to Santa Rosa, Hampstead Green.

October 9th, 1911.

I wish to express my great satisfaction with the manner in which your foreman and his assistants performed their work.

Yours faithfully, E. H. COLE.

Removal from E. Grinstead to Kensington.

October 9th, 1911.

Miss COBB wishes to say she is very pleased with the way the moving has been done, and the extreme civility, obligingness and consideration of the foreman, also the quiet behaviour and willingness of the men.

Removal from Kensington to Brookfield, Arundel.

October 11th, 1911.

I am glad to avail myself of the opportunity of expressing my satisfaction with the way in which the removal of my furniture was carried out.

Yours truly, ARTHUR W. PRITT.

Removal from 87 Maida Vale to Store, thence to 20 York Avenue, Hove, Sussex.

October 21st, 1911.

I think the goods came out very well indeed after being stored for three years, and please accept my thanks for your attention.

Yours faithfully, (Mrs.) M. J. THOMPSON.

Removal from Fernielaw, Colinton, N.B., to our Depository, thence back to the above address.

December 1st, 1911.

We are very pleased indeed with the way you removed the furniture from here to London, and from London back here, and we give all praise for doing it so nicely.

Yours truly, PAT TURNBULL.

[816]

Removal from 12 Roland Gardens, to 8 Kensington Court Gardens, W.

October 14th, 1911.

In justice to the men employed by you for our removal to this address, I wish to say that they did their work admirably. They not only did all that was necessary with care and skill, but were most helpful to Mrs. Turner and my servants, and their conduct was all that could have been desired in every way. In the foreman you possess an invaluable servant and no praise would be too great for him.

Yours faithfully, E. F. TURNER.

Removal from Summers Place, Billingshurst, to 193 Queen’s Gate, S.W.

December 1st, 1911.

I write a few lines to say how thoroughly pleased I am at the way in which all our furniture, pictures, china, plate, etc., have been moved here from Sussex, and how admirably the work has been done by your foreman and his men at the Sussex end, and by your foreman and his men at this end; nothing could have been better managed and I am glad to be able to write you how well all has been managed.

Yours truly, (Mrs.) S. LEYLAND.

Wedding Presents packed and dispatched to Bassein, Burma.

December 16th, 1911.

I am writing to say that we are extremely satisfied with the way in which our wedding presents were packed by you. We shall highly recommend you for transport packing to all our friends.

Yours faithfully, (Mrs.) TREVOR HUDSON.

Removal from Surbiton to Store, thence to Epsom.

December 20th, 1911.

I enclose cheque for removing furniture; everything was nicely done and our furniture none the worse for being stored. I can speak very highly of the men whose business it was to unpack and place the furniture; all were most obliging.

(Mrs.) L. BOTTENHAM.

Removal from Upper Chine House, Shanklin, to Montreux, Switzerland.

January 5th, 1912.

This is to certify that I am quite satisfied with the men sent by Harrods; everything has arrived in good order and they have been most civil and obliging, and given great satisfaction.

(Mrs.) J. COSTER.

Removal from Kensington to Store.

January 8th, 1912.

I wish to inform you that your men removed the furniture from my flat in a most workmanlike fashion. The tenants above and below me said they would not have known that moving was being done, had they not seen the cases. The Head Porter told me it was the tidiest and best managed move he had ever seen. A tenant of another flat told me she had been much struck with the excellent neatness re packing cases and general work she saw done from her windows (Flat 2.) I think you may hear from her later on. For myself, I cannot speak too highly of your excellent methods. You moved for us and stored our goods for one year some years ago, and when our furniture came back to us there was absolutely no fault to find, nothing but praise for excellent care shown. The thing that gave us most pleasure was the total absence of damp in every instance.

Yours very truly, (Mrs.) M. BREMNER.

Displaying Wedding Presents at the Hans Crescent Hotel.

January 9th, 1912.

I am writing just to express our satisfaction at the way your packers have done their work in removing and displaying the wedding presents.

Yours truly, (Mrs.) K. MANWARING.

Removal from Broadstairs, to Upper Norwood, S.E.

January 15th, 1912.

May I take this opportunity of saying how exceedingly well and carefully the whole move was carried out. Our thanks are particularly due to your foreman, who was civil and attentive throughout.

Yours faithfully, CHARLES GARTH.

Removal from Copenhagen to The Hermitage, Ascot.

November 1st, 1911.

I wish to say that I am most satisfied at the way in which the work has been carried out, and at the condition in which everything has arrived. I would particularly commend the foreman, who has shown himself to be a first-rate packer, and I cannot speak too highly of his civility and diligence.

Yours faithfully, LIONEL C. LIDDELL.

[817]

Pianoforte & Musical Instrument Department

A PUBLIC TELEPHONE IS PROVIDED IN THIS DEPARTMENT FOR CUSTOMERS’ USE.

The prospective purchaser will find this list a reliable guide of the best English and Continental Pianos. It contains only a small representation of Harrods’ enormous stocks, but every care has been taken to make it as representative as possible within the space limit. The majority of the instruments illustrated are always in stock at Harrods’, where purchasers have the advantage of testing the touch and tone of various makes side by side in the most spacious and elegant showrooms in the Kingdom.

Should it be desired, however, to purchase a Piano direct from the manufacturers, Harrods will be pleased to send an expert by appointment to accompany clients and offer advice in the selection of the instrument.

Any Piano selected from Harrods’ stock which is not approved may be exchanged free of charge within three months of the date of purchase for any other make of equal value, provided, of course, it has not been damaged in any way.

Harrods’ Equitable System of Deferred Payments (With Surrender Value) OFFERS SPECIAL FACILITIES FOR ACQUIRING PIANOS BY QUARTERLY INSTALMENTS, EXTENDING OVER A PERIOD OF ONE, TWO, OR THREE YEARS.

All Pianos in stock are marked at nett cash prices, and when purchased on above system, in most cases only 10 per cent. is added to the prices for the full three years.

(There are exceptions and variations in the case of certain makers, but generally speaking the above rule holds.)

The same terms apply where Harrods allow special discounts off Manufacturers’ List Prices, the full discounts, ranging from 20 per cent. upwards, are given and only 10 per cent. added for three years’ purchase.

In addition, should any purchaser of a Piano desire through unforeseen circumstances to discontinue payments, Harrods are quite willing to take the instrument back and treat the matter on the Monthly Hire Scale, and return any balance, provided of course that the instrument has been properly taken care of, kept in a dry, even temperature, and been regularly tuned by Harrods.

In the event of any purchase being completed in a shorter period than that originally arranged a special allowance is made from the full price.

£ s. d. £ s. d.

Example.— Makers’ List Price 48 guineas 50 8 0

Harrods’ Cash Price 36 guineas 37 16 0

Interest for 3 years 3 16 0

41 12 0

Payable by 12 quarterly instalments of £3 9 4.

MONTHLY HIRE TERMS.

UPRIGHT PIANOS Per Month £ s. d.

By Cramer, Bord, Bond & Bradley, etc. from 0 10 6

By Challen, Cramer, Broadwood, Obermeier, Max Adolph, etc. from 0 12 6

By Brinsmead, Broadwood, Collard, Hopkinson, Ibach, Knauss, etc. from 0 15 0

By Broadwood, Pleyel, Brinsmead, Collard, Schiedmayer, Bechstein, Bluthner, etc. from 0 18 0

GRAND PIANOS

Baby Grands from 25/- per month

By Broadwood, Brinsmead, Collard, Ibach, Schiedmayer, etc. from 1 11 6

By Pleyel, Bechstein, Erard, Bluthner, etc. from 1 17 6

ORGANS

By various makers from 0 10 6

PIANO PLAYERS (to attach to existing Pianos) from 1 10 0

A charge is made for adjusting to Pianos.

PLAYER PIANOS

(Combined Instruments)

“Bond & Bradley,” “Auto-player,” etc. 1 11 6

Simplex-Eberhardt, Cecilian, etc. 2 2 0

Broadwood Player Piano, Collard Fortepiano, etc. 2 12 6

MUSIC LIBRARY TERMS for PIANO PLAYERS, etc. 10/6 for 1 month; 21/- for 3 months; 3 Guineas per annum.

Should a hired Piano be purchased, an allowance is made from its original cash price, according to the amount paid for hire.

DELIVERY CHARGES

Inclusive charge for delivery and collection within 3 miles:—

Uprights 4/- } Beyond this distance and above the second floor an extra charge is made.

Grands and Player Pianos 6/-

Beyond 12 miles Hired Pianos are sent Carriage forward, hirer paying rail charges to and fro.

[818]

TUNING AND REPAIRING DEPARTMENT.

Harrods employ an efficient staff of Tuners and Regulators, who are duly qualified to attend and adjust any make of piano.

SCALE OF CHARGES

LONDON DISTRICT (within 4 miles cab radius).

Single Tuning.4 times per annum.

Cottage Piano, Trichord3/612/6

Upright Grand Overstrung4/015/0

Horizontal Grand5/018/0

Player Piano (tuning and ordinary attention) 6/021/0

SUBURBAN DISTRICTS (within 15 miles radius and not more than 1 mile from railway station).

Upright or Grand Piano (one instrument) 21/0

Player Piano 27/6

Upright or Grand Pianos (two instruments in the same house)31/6

COUNTRY DISTRICTS (within 35 miles radius and not more than 2 miles from railway station).

Upright or Grand (one instrument)35/0

Player Piano42/0

Upright or Grand (two instruments in the same house)52/6

Contracts arranged for periodical attention to Piano Players, Reed or Pipe Organs.

These terms are based on the understanding that the tunings are done periodically when our Tuner visits the district. Special journeys charged extra. We strongly recommend our customers having their Pianos properly attended to at regular intervals, in order to preserve the instrument and keep the required pitch.

The Tuners have strict instructions not to alter the pitch of any Piano when tuning unless requested to do so.

EXAMINATIONS MADE AND ESTIMATES SUBMITTED FOR REPAIRS, PURCHASE, OR EXCHANGE, FREE OF CHARGE.

RETURNED HIRE PIANOS AT REDUCED PRICES.

In consequence of the extensive hiring business done by Harrods, it is possible to offer at most times a wonderful range of instruments which have had, as a rule, only slight use.

These comprise models by the most famous makers, and having been on hire only to the best houses are for all practical purposes as useful as new instruments.

Harrods cordially invite correspondence from clients unable to visit the stores, and if customers will kindly indicate their wishes regarding style and price, suggestions and advice will be gladly submitted.

Hints on the Proper Care of a Piano.

In order to assist those who are anxious to preserve the quality, tone, touch, and appearance of their Pianofortes, and obtain the utmost pleasure from them, HARRODS respectfully submit the following suggestions:—

Damp is the greatest enemy of a Piano. The instrument should never be kept in a lower temperature than 60 degrees Fahr. Extreme heat is also injurious. Pianos should not be placed in a direct draught—against the outside wall—adjacent to a window or conservatory, or very near a fire, unless well protected. Should any noise or jarring sound be heard when a Piano is played, it is advisable to ascertain the cause before condemning the instrument. Often it is found to arise from a loose key or candle bracket, or possibly some hard substance dropped inside, or by some adjacent ornaments which sound in sympathy with certain chords and notes. Pianos should be dusted with a soft cloth, and finished with a dry chamois leather to keep the polish bright. Any dulness of polish due to natural oils working through the wood can easily be removed, if attended to at once.

It is important that all Pianos should be regularly tuned and attended to, whether in constant use or not, by competent tuners.

[819]

Examples of popular Instruments and their Nett Cash prices, showing that Harrods offer the best possible value for all standard makes.

DESIGNS AND ESTIMATES SUBMITTED FOR PIANOS IN SPECIAL PERIOD CASES.

Prices include Carriage to any Station in the United Kingdom.

UPRIGHTS.

Makers’ List Price. Guineas. Maker. Wood. Height. in. Harrods’ Cash Price. Guineas.

45 BROADWOOD Rosewood 46 36

An ideal boudoir Piano.

63 ,, ,, 51 50

Overstrung Upright Grand.

78 ,, (Barless) ,, 52 62

Fine full tone.

70 BECHSTEIN ,, 51 56

Upright Cottage, full tone.

75 ,, Mahogany 48½ 60

Sheraton inlaid case.

50 COLLARD & COLLARD Rosewood 50 37

Overstrung Upright Grand.

65 BLÜTHNER Ebonized 51 52

Pure clear tone of great beauty.

58 IBACH Rosewood 50 40

Full tone, fine quality workmanship.

85 STEINWAY ,, 51½ 68

Upright Grand, magnificent tone.

63 SCHIEDMAYER Ebonized 50½ 47

High quality and lasting tone.

47 BRINSMEAD ,, 50 37

Upright Grand, excellent value.

60 PLEYEL Rosewood 49 48

Overstrung, handsomely designed case.

44 CHAPPELL ,, 47 35

A dainty Piano for boudoir, sweet tone.

26 CRAMER Ebonized, Rosewood or Oak 44 20

No smaller full compass Piano built.

32 CHALLEN Ebonized or Rosewood 45½ 23

Small cottage Piano. Most suitable for schoolroom, etc.

50 HOPKINSON Rosewood or Black 49 36

Upright Overstrung Grand, fine full tone.

48 OBERMEIER Rosewood 49 30

Overstrung Upright Grand.

42 EBERHARDT Walnut or Rosewood 46 25

Small Overstrung, suitable for small rooms.

60 BRINSMEAD Rosewood 46 45

Charming Small Overstrung, beautiful tone.

60 LIPP ,, 50 48

Vertical Upright Grand.

GRANDS.

Makers’ List Price. Guineas. Maker. Wood. Length. in. Harrods’ Cash Price. Guineas.

100 BROADWOOD Rosewood 60 80

Baby Grand, splendid tone.

115 BECHSTEIN Ebonized 72 92

Miniature Grand, full rich tone.

100 COLLARD & COLLARD Rosewood 60 75

Dainty Baby Grand, beautifully finished.

115 BLÜTHNER Rosewood 68 92

The smallest Blüthner Grand.

100 IBACH Ebonized 60 75

Baby Grand, Powerful tone.

120 ERARD Rosewood 70 96

145 STEINWAY ,, 72 116

Miniature size, superb tone.

100 SCHIEDMAYER ,, 60 75

Baby Grand, suitable for trying conditions.

100 BRINSMEAD ,, 60 75

Baby Grand, clear tone, suitable for accompanying.

105 PLEYEL ,, 63 84

High quality finish and easy touch.

130 BECHSTEIN Ebonized 80 104

Boudoir size.

120 BLÜTHNER (Aliquot Scaling) Blackwood 68 96

155 BLÜTHNER (Drawing Room Grand) Rosewood 84 124

125 BROADWOOD (Steel Barless Frame) ,, 67 100

98 CHAPPELL ,, 55 78

Baby Grand, sweet tone and easy touch.

84 CRAMER ,, 60 63

Baby Grand, soundly built, six square legs.

85 LIEHR ,, 59 55

7¼ Octaves, full free tone.

80 MAX ADOLPH ,, 55 50

Smallest Grand made, suitable for quite small rooms.

90 ,, ,, 55 60

Inlaid Sheraton Case and 6 square legs.

93 MAX ADOLPH Satinwood 55 62

95 LIPP ,, 60 76

Magnificent tone and finest quality throughout.

105 OBERMEIER Rosewood 60 58

Three legs in Louis XV style.

90 WINKELMANN Rosewood 63 58

Strongly recommended.

Harrods’ Deferred Payment System involves (in most cases) an extra cost of 10 per cent. only in three years. See page 817.

[820]

EXAMPLES OF PIANO VALUES AT HARRODS.

Harrods will gladly assist Customers unable to visit London by suggesting suitable instruments. If clients will kindly indicate the price of instrument desired, size of room, and if for accompaniment or solos, a suitable selection will be submitted. Every Piano receives expert overhaul before despatch.

“JOHN RALPH” (London).

The “JOHN RALPH” pianos are manufactured of selected well-seasoned material under practical supervision, and although the price is exceptionally low these instruments may be depended upon for good service and lasting quality. Iron frames, full trichord, 7 octaves, check action. Full free tone and easy touch.

Height. Width. Cash price. Or by 12 quarterly payments of

Style A, Ebonized Case 44 in. 53 in. 15 gns. £1 9 0

,,A, Mahogany or Solid Oak 44,, 53,, 16 ,, 1 10 9

In Solid Wood, prepared for extreme climates 46,, 55,, 23 ,, 2 4 3

Style B, Rosewood Case. Handsome Sheraton design 48,, 56,, 21 ,, 2 0 6

Style C, Upright Grand Overstrung, Rosewood Case, full rich tone, good touch 51,, 59,, 30 ,, 2 17 9

Tropical Model, pinned keys, &c., prepared for extreme climates, in solid wood 51,, 59,, 30 ,, 2 17 9

“SCHUBERT” (Berlin).

Overstrung Pianos of Fine Quality, suitable for fair-sized room, and for accompanying the voice. Excellent Value.

Height in. Width in. Depth in. Nett Cash. Or by 12 quarterly payments of

1. Walnut or Blackwood 44¼ 53 21 19 gns. £1 16 9

2. Rosewood or Black Overstrung 48½ 57 23 25 gns. 2 8 3

3. Mahogany Inlaid Overstrung 51 60 25 32 gns. 3 1 6

“CRAMER”

One of the most satisfactory Pianettes, produced at a low price. Rosewood, Mahogany, Oak, or Walnut Cases. Cash Price. 20 gns. Or by 12 quarterly payments of £1 18 6 Height in. 44 in.

“CHALLEN” (London).

Most Reliable Instrument, Good Tone and Touch. Cash Price 23 gns. Or by 12 quarterly payments of £2 4 3 Strongly recommended. Height, 46 in.

Also supplied in Mahogany Inlaid Case, price 27 gns.

“BOND & BRADLEY” (London).

Excellent Small Upright, Suitable for Schoolroom, etc. All the latest improvements, Good Finish. Rosewood, Price 18 gns. Or by 12 quarterly payments of £1 14 9 Fumed Oak, Price 19 gns. Or by 12 quarterly payments of £1 16 9 Sheraton Model, Inlaid Case, very handsome design. Price 21 gns.

“BORD PIANETTES”

Height 44 in. Full Compass.

These Pianettes are renowned for their pure, free tone and great durability. Supplied in either Solid Walnut, Oak, or Ebonised Cases.

Cash Price, from 19½ gns.

“EBERHARDT” (Berlin).

Highly finished Overstrung Uprights, Sheraton Inlaid Case.

Rosewood, Mahogany, or Ebonised Case.

These Pianos have a sound reputation. The tone and touch are equal to many more expensive instruments, and they may be relied upon to stand many years of hard use.

Height. in. Compass. Octaves Nett. Cash. Or by 12 quarterly payments of

Small Upright Overstrung 44725 gns. £2 8 3

Rosewood, Walnut or Blackwood.

Boudoir Overstrung 49729 gns. 2 15 9

Rosewood Inlaid.

PIANOS TAKEN IN PART EXCHANGE, FULL VALUE ALLOWED.

RETURNED HIRE PIANOS.—WE FREQUENTLY HAVE A NUMBER OF HIGH-CLASS PIANOS IN STOCK THAT HAVE ONLY HAD A FEW MONTHS’ WEAR, WHICH ARE OFFERED AT EXCEPTIONALLY LOW PRICES.

[821]

MAKES ALWAYS TO BE SEEN IN HARRODS’ PIANO SALON.

“MAX ADOLPH” (Berlin).

Superior Overstrung Pianos. Full Tone. Excellent Finish. Rosewood Case. A High-Class Piano. A Moderate Price.

Small Boudoir Size, 24 Guineas. Or by 12 quarterly payments of £2 6 3

Upright Grand: Full Round Tone, 30 Guineas.

“KNAUSS” (Coblenz).

Upright Grand Overstrung.

A Piano with Great Beauty of Tone.

Very Superior Finish.

Recommended for hard use, and the Tone is especially suitable for accompanying the Voice.

The “Knauss” Pianos have a favourable reputation of over a quarter of a century. Cash Price, from 32 Guineas. Or by 12 quarterly payments of £3 1 6

“GEO. ROGERS & SONS” (London). Artistic Instruments of sound British Construction. The Tone is particularly full and free. An Ideal Students’ Piano. Iron Frame.Overstrung 7¼ Octaves. Height, 3 ft. 10 in.Width, 4 ft. 10 in. Cash Price, 31 Guineas. Or by 12 quarterly payments of £2 19 9 Model No. 3.—Height, 4 ft. 3 in. Width, 4 ft. 10 in. A powerful Upright Grand, with Rich Mellow Tone. Cash Price, 37 Guineas. Or by 12 quarterly payments of £3 11 3

JOHN BROADWOOD & SONS (London) These Instruments have a reputation for Fine Tone, combined with Elegance and Durability.

SMALL UPRIGHT. Rosewood Case. Height, 46 in. Cash Price, 36 Guineas. Or by 12 quarterly payments of £3 9 3

OVERSTRUNG UPRIGHT GRAND. Chippendale Style. Height, 51 in. Exceptionally Full Tone of Pure Quality. Cash Price 50 Guineas. Or by 12 quarterly payments of £4 16 3

BABY GRAND. Length, 5 ft. Width, 4 ft. 9 in. Very Suitable for Small Rooms. Excellent for Accompaniments. Cash Price, 80 Guineas. Or by 12 quarterly payments of £7 14 0

“WINKELMANN” UPRIGHT AND GRAND PIANOS

Strongly Recommended for Quality of Tone and Durability.

In Fine Rosewood or Mahogany Cases.

UPRIGHT GRANDS—From 36 Guineas.

BABY GRAND—Beautiful Tone and Finish. With three legs: Cash Price, 58 Guineas. With six legs: Cash Price, 63 Guineas.

“OBERMEIER” BABY GRAND.

Thoroughly Reliable and Excellent for either Solo or Accompaniment.

Full Compass. Fine Ivory Keys. Light Touch.

In Plain Rosewood, with 6 square legs in Sheraton style. Cash Price, 58 Guineas.

In Plain Rosewood, with 3 carved legs, in Louis XV. style. A most elegant model. Cash Price, 60 Guineas.

“COLLARD & COLLARD” BABY GRAND.

Length 5 ft.

Built on the most scientific principles to ensure Fulness and Evenness of Tone Quality.

These Instruments uphold these famous makers’ reputation for Durability and Excellence of Construction.

In Rosewood Case, with 3 artistic legs.

Cash Price 78 Guineas.

“MAX ADOLPH” (Berlin). BABY GRAND.

The Smallest Grand Made.

This dainty instrument is particularly suitable for small rooms where space is a consideration.

The Finish and Design are of the Highest Class, the Tone is sweet and pleasing, and the Touch easy.

The Size is 4 ft. 7 in. length, and 4 ft. 5 in. breadth.

In Plain Rosewood, with 3 round legs Cash Price 50 Guineas

Ditto with 6 square legs ,, 52 ,,

Ditto Inlaid Case, with 6 square legs ,, 58 ,,

In Fumed Oak, with 6 square legs ,, 55 ,,

In Fine Satinwood, with 6 square legs ,, 60 ,,

In Fine Satinwood and Inlaid ,, 65 ,,

If desired, these Pianos may be supplied upon Harrods’ Deferred Payment System for One, Two, or Three Years, involving an additional cost over Three Years of 10 per cent. only.

[822]

BECHSTEIN.

Upright Grands. Model. Height ft. in. Black wood. Gns. Rosewood or Walnut Gns. Solid Mahogany for tropical climates Gns.

6 Upright Concert Grand 4 10 115 125 120

7 Upright Drawing-Room Grand 4 5½ 95 105 105

8 Upright Boudoir Grand 4 2¾ 85 90 90

— Sheraton Design Satinwood 4 2¾ — 125 —

9 *Small Upright Grand 4 1 70 *75 70

Rosewood.

10 Upright Oblique 4 3 65 67 65

Oak & Steel Fittings. Mahogany & Brass Fittings.

— Medieval English Upright 4 0½ 85 90

(As supplied to Their Majesties the King and Queen).

— Mahogany, Adam Design 4 1 75

* Chippendale Mahogany, 68 Guineas.

Horizontal Grands. Model. Length. ft. in. Black wood. Gns. Rosewood or Walnut Gns. Solid Mahogany for tropical climates Gns.

A Miniature Grand 6 0 115 120 125

Mahogany, with Six Legs, 125 Gns.

B Boudoir Grand 6 8 130 *140 140

C Drawing-Room Grand 7 4 160 *170 175

D Full Grand 8 0 215 *225 225

E Full Concert Grand 9 0 300 — 350

* Rosewood Grands of Models B, C, and D have Six Legs.

BLÜTHNER.

Horizontal Grands.

Model. Compass. Octaves. Length. ft. in. Rosewood. Gns. Blackwood. Gns.

5 Miniature Grand 7¼ 5 8 *115 *110

7 Boudoir Grand 7¼ 6 3 *125 *120

9 Drawing-Room Grand 7¼ 7 0 155 150

10 Drawing-Room Grand 7¼ 7 8 190 180

11 Orchestral Grand 7¼ 9 0 300 275

* With Aliquot Scaling, 10 Guineas extra.

Upright Grands.

Model. Compass. Octaves. Height. ft. in. Rosewood. Gns. Blackwood. Gns.

1 Upright Grand 7 4 3 70 65

2 Upright Boudoir Grand 7 4 3 75 70

3 Upright Boudoir Grand 7 4 3 80 75

4 Upright Drawing-Room Grand 7½ 4 6 95 90

Mahogany.

— Tudor Model 7 4 3 85

— Sheraton Model 7 4 3 85

RUD IBACH SOHN.

Upright Pianos.

Style. Compass. Octaves. Height. ft. in. Rosewood. Gns. Blackwood. Gns. Walnut. Gns.

1 Oblique Cottage 7 4 2 58 — 63

2 Oblique Cottage, Inlaid 7 4 2 — 63 —

3 Overstrung 7 5 2 78 74 85

4 Overstrung, Engraved 7 4 2 85 80 —

5 Overstrung 7 4 4 95 90 98

6 Overstrung, Engraved 7 4 4 100 95 —

7 Overstrung 7 4 6 115 110 120

Horizontal Grands.

Style. Compass. Octaves. Length. ft. in. Blackwood. Gns. Walnut. Gns. Rosewood. Gns.

100 Semi-Grand 7¼ 5 10 100 110 110

200 Boudoir Grand 7¼ 6 7 120 130 130

300 Drawing-Room Grand 7¼ 7 9 150 175 175

400 Concert Grand 7¼ 9 0 275 — 300

Ibach Claviola Player-Piano 4 2 125 — 130

Ibach Claviola Player-Piano 4 4 140 — 145

SCHIEDMAYER & SONS.

Upright Pianos.

Style. Compass. Octaves. Height. ft. in. Rosewood. Blackwood, or Walnut. Gns.

10 Upright Grand 7 4 2½ 65

11 Upright Boudoir Grand 7 4 3 *70

27 Upright Grand, Modern Art Style 7 4 2½ 75

12 Upright Drawing-Room Grand 7 4 4 *80

* Also in Dark Mahogany.

Horizontal Grands.

Style. Length. ft. in. Compass. Octaves. Walnut, Rosewood or Blackwood. Gns.

5 Short Grand 5 0 7 105

4 Boudoir Grand 5 8 7 120

2 Drawing-Room Grand 6 6 7¼ 140

1 Concert Grand 8 2 7¼ 200

SCHIEDMAYER-SIMPLEX PLAYER-PIANO, Height 4 ft. 3 in., in Rosewood Case, 100 Guineas nett.

JOHN BROADWOOD & SONS.

JOHN BROADWOOD & SONS have perfected a construction which is a beautiful simplification of design, and at the same time greatly facilitates the production of Tone quality of hitherto unattainable purity.

Upright Pianos.

Model No. Compass. Octaves. Height. ft. in. List Price. Gns.

16 Bijou Upright, Rosewood Case 7 3 8 40

8 Bijou Upright, Rosewood Chippendale Case 7 3 10 45

23 Upright Overstrung, Rosewood Case 7 4 2 63

18 Barless Upright Overstrung, Rosewood Case 7¼ 4 4 78

Horizontal Grands.

Compass. Octaves. Length. ft. in. List Price. Gns.

Baby Grand, Rosewood Case 7 5 0 100

Quarter Grand Barless, Rosewood Case 7 5 7 125

Boudoir Barless 7¼ 6 7 160

Drawing-Room Barless 7¼ 7 6 225

For Combination Player-Pianos see pages 824, 825 & 826.

Export Models in Rosewood or Mahogany, packed in Zinc and Deal Cases.

Gns.

16 Weight, 616 lbs. Shipping Measurement, 51 ft. 48

22 ,, 672 lbs. ,, ,, 56 ft. 63

Gns.

Baby Grand, Weight, 896 lbs. Measurement, 61 ft. 110

Quarter Grand Barless, Weight, 990 lbs. Measurement, 67 ft. 150

COLLARD & COLLARD.

Horizontal Grands.

List Prices.

Length. ft. in. Compass. Octaves. Rosewood. Gns. Blackwood. Gns. Walnut Gns.

Concert Grand 8 6 7¼ 200 — 235

Drawing-Room Grand 7 10 7¼ 169 — 190

Boudoir Grand 6 9 7¼ 130 — 155

Berkeley Grand 6 1 7 110 110 125

Shortest Grand 5 0 7 105 100 115

Upright Grands.

List Prices.

Height. ft. in. Compass. Octaves. Rosewood. Gns. Blackwood. Gns. Walnut Gns.

Pianino Overstrung 4 2 7 50 50 50

Upright Grand, Overstrung 4 4 7¼ 63 63 70

Mahogany.

Upright Grand, Overstrung 4 4 7¼ — 75 —

Upright Grand, Overstrung 4 5 7¼ 78 78 85

Upright Grand, Overstrung 4 7 7¼ 95 100 105

Combination Player-Piano. FORTE PIANO, with PERFECTED INTERIOR PLAYER, without increasing the size, see page 825.

EVERY INSTRUMENT GUARANTEED AND EXCHANGED FREE, IF NOT APPROVED WITHIN THREE MONTHS.

THE ABOVE PRICES (EXCEPT PLAYER-PIANO) ARE SUBJECT TO HARRODS’ DISCOUNT FOR CASH RANGING FROM 20% UPWARDS.

[823]

J. BRINSMEAD & SONS.

Horizontal Grand.

Style. Compass. Octaves. Length. ft. in. Rosewood. Gns. Walnut or Blackwood. Gns. Extreme Climates. Gns.

36 Concert Grand 7⅓ 8 0 220 250 200

41 Drawing Room Grand 7⅓ 7 2 165 185 155

34 Boudoir Grand 7⅓ 6 3 — 120 120

Mahogany.

39 Baby Grand 7⅓ 5 5½ 105 110 100

Overstrung Upright Grands.

Height.

W Carved Panel 7⅓ 4 3 85 90 —

X2 Solid. With Bevelled Panels. 7⅓ 4 6 80 85 80

X Plain Panels — 3 11 62 63 —

X1 Plain Panels — 4 1 — 63 63

Upright Pianos (Vertical).

Q 3 Bevelled Panels 7 4 4 70 75 —

27 2 Bevelled Panels 7 4 6 — — 66

49 Plain Panels 7 4 2 55 58 —

17 Solid Mahogany Case 7 — — — 52

16 Plain Panels — — 45 47 —

Estimates and Designs submitted for Pianos in French, Mediæval and Art Moderne Cases.

CHAPPELL & Co.

Length. ft. in. Compass. Octaves. Rosewood or Blackwood. Gns.

Bijou Grand, Rosewood 5 0 7 98

Mignon Grand, Rosewood 6 0 7 114

Height.

Upright Grand 4 6 7 83

Upright Grand 4 3 7 66

Upright Grand 4 1 7 60

Walnut, Oak, or Mahogany.

Overstrung Upright 3 11 7 48

Boudoir Upright 3 11½ 7 44

Yacht Piano 3 4½ 5 38

Student’s Piano 3 8 5 32

J. B. CRAMER & Co.

Length. ft. in. Compass. Octaves. Rosewood or Blackwood. Gns.

Overstrung Upright Grand 4 3 7¼ 70

Overstrung Upright Grand 4 3 7 60

Overstrung Upright Grand 4 4 7 50

Boudoir Cottage 4 1 7 42

Vertical Pianino 4 1 7 36

Pianette 3 8 7 26

Length. Oak.

Portable Piano — 5 20

Baby Grand 4 9 — 84

GEORGE ROGERS & SONS, London.

Length. ft. in. Compass. Octaves. Gns.

Baby Grand 5 0 7¼ 95

Vocalist Model No. 1 3 10 7¼ 42

Model No. 3 Overstrung 4 3 7¼ 50

Osborne Model 4 2½ 7¼ 65

Height.

Students’ or School Piano 3 11 7 40

PLEYEL.

Horizontal Grands.

Specially manufactured to suit all Climates, with Complete Metal Frames. All are Overstrung.

Length. ft. in. Width. ft. in. Compass. Octaves. Rosewood or Blackwood. Gns.

1 Extra Model Full Concert Grand 9 0 5 2 7¼ 250

1B Concert Grand 8 9 5 0 7¼ 200

2 Drawing-Room Grand 7 1 4 10 7¼ 150

3 Boudoir Grand 6 4 4 10 7¼ 120

3B Bijou Grand 5 3 4 9 7 105

3 Reversed Grand. Curved side to the left 6 4 5 0 — 140

— Double Grand. Keyboard each end 8 0 4 9 7 200

— Orchestral Double Grand 8 1 4 11 7¼ 250

3B Bijou Grand. Style “Louis XVI.” 5 6 4 10 from 130

Upright Grands.

Height. ft. in. Width. ft. in. Depth. ft. in. Compass. Octaves. Rosewood or Blackwood. Gns.

4 Upright Grand. Overstrung 4 9 5 3 2 4 7¼ 110

5 Upright Grand. Oblique 4 6 5 0 2 0 7¼ 90

6 Grand Oblique. Overstrung 4 3 4 10 2 1 7 80

6B Oblique 4 3 4 10 2 1 7 70

Overstrung, Solid Mahogany.

8 Cottage, ¼ Oblique 4 3 4 10 2 1 7 63

9 New Model. Overstrung 4 1 4 9 2 1 7 60

— New Model 4 1 4 9 2 1 — 65

In Sheraton Mahogany Case.

9 New Model 4 1 4 10 2 2 — from 80

Overstrung, Style “Louis XVI.”

— Pedalier. 40

For Organ Practice, 30 Notes, C C C to F. Walnut Cases from 5 Guineas net, extra.

LIPP & SOHN.

Horizontal Grands.

Length. ft. in. Width. ft. in. Compass. Octaves. Rosewood or Blackwood. Gns.

Mimigrand 5 0 4 9½ 7¼ 95

Satinwood.

Mimigrand 5 0 4 9½ 7¼ 125

Rosewood or Blackwood.

Enfant Grand 5 9 4 10 7¼ 110

Boudoir Grand 6 6 5 1 7¼ 140

Upright Grands.

Height. ft. in. Width. ft. in. Depth. ft. in. Compass. Octaves. Rosewood or Blackwood. Gns.

A Upright Oblique 4 2 4 9½ 2 0 7 60

Plain Beaded Panel.

AA Upright Oblique 4 2 4 9½ 2 0 7 60

Three Plain Panels.

B Small Upright Grand 4 3 4 11½ 2 2½ 7 71

BB Upright Drawing-Room Grand 4 4½ 5 0 2 3 7 82

STEINWAY.

Horizontal Grands.

Length. ft. in. Compass. Octaves. Weight. lbs. Gns.

Miniature Grand. Black 5 10 7⅓ 605 140

Miniature Grand. Rosewood ,, ,, ,, 145

Boudoir Grand. Black 6 0 7⅓ 700 175

Boudoir Grand. Rosewood ,, ,, ,, 180

Drawing-Room Grand. Black 6 10 7⅓ 750 220

Drawing-Room Grand. Rosewood ,, ,, ,, 225

Concert Grand. Black 8 10 7⅓ 1040 340

Concert Grand. Rosewood ,, ,, ,, 350

Upright Grands.

Height. ft. in. Compass. Octaves. Weight. lbs. Gns.

Vertegrand. Black 4 3½ 7⅓ 625 85

Vertegrand. Rosewood ,, ,, ,, 90

Style R. Black 4 6 7⅓ 725 125

Style R. Rosewood ,, ,, ,, 130

Style X. Sheraton Mahogany 4 3 7⅓ 725 110

STEINWAY-WELTE PLAYER PIANO, Cash price, £275 WELTE-MIGNON PLAYER PIANO, Cash price, £195 Welte Player to attach to existing pianos, £125.

EVERY INSTRUMENT GUARANTEED AND EXCHANGED FREE IF NOT APPROVED WITHIN THREE MONTHS.

THE ABOVE PRICES ARE SUBJECT TO HARRODS’ SPECIAL DISCOUNT FOR CASH, RANGING FROM 20% UPWARDS.

IF DESIRED, THESE PIANOS MAY BE SUPPLIED UPON HARRODS’ DEFERRED PAYMENT SYSTEM FOR ONE, TWO, OR THREE YEARS.

[824]

PLAYER-PIANOS.

Harrods offer the finest value and hold by far the largest and most varied range of these popular instruments. Any instrument supplied may be exchanged within 3 months if unsuitable.

“BROADWOOD” PLAYER-PIANOS.

Made throughout by JOHN BROADWOOD & SONS.

The experience of the House (which extends back for nearly 200 years), combined with the most modern inventions, enables John Broadwood & Sons to place on the market a most complete and highly-perfected Player-Piano. The Player mechanism interferes in no way with the use of the instrument as a Pianoforte.

“BROADWOOD” UPRIGHT PLAYER-PIANOS.

(Piano and Player made throughout in Broadwood’s Factory.)

Specifications:

Style 50.

Overstrung Scale. Compass, 7 Octaves. Rosewood Case. Under Damper Action. Height, 4 ft. 5 in. Width 5 ft. 3 in. Makers’ List Price, 100 Guineas. Cash Price, 80 Guineas.

Style 51.

Patent Steel Barless Frame. Overstrung Scale. Compass, 7¾ Octaves. Rosewood Case. Under Damper Action. Height, 4 ft. 7 in. Width, 5 ft. 3 in. Makers’ List Price, 135 Guineas. Cash Price, 108 Guineas.

“Broadwood” Player-Pianos are all Full Scale.

“BROADWOOD” PLAYER-GRAND.

Can be supplied specially prepared for extreme climates.

All Broadwood Player-Pianos are Full Scale and have Automatic Tracking device which ensures perfect results.

Miniature Grand, Length 5 ft. 10 in. Makers’ List Price, 175 Guineas. Cash Price, 140 Guineas.

Steel Barless Grand, Length 6 ft. 3 in. Makers’ List Price, 225 Guineas. Cash price, 180 Guineas.

“KASTNER-BROADWOOD” PLAYER-PIANOS.

(Broadwood Pianos, with the famous “Autopiano” action.)

UPRIGHT PLAYER PIANOS.

Makers’ List Price Cash Price

65-Note Scale 95 Guineas 76 Guineas

65-Note and 88-Note Scale (interchangeable) 165 ,, 132 ,,

Ditto, but with Kastonome Action 180 ,, 144 ,,

AUTOGRANDS (BROADWOOD PIANOFORTES).

(Iron Frame.)

Makers’ List Price Cash Price

65-Note Scale 175 Guineas 140 Guineas

Full Scale Action 185 ,, 148 ,,

Ditto, but with Steel Barless Grand (Broadwood Patent) 250 ,, 200 ,,

“THE AUTOPIANO.”

(KASTNER’S PATENTS.)

Autopianos are supplied with various makes of Pianos, all of the highest quality. Perfect expression may be obtained by means of the Patent devices now incorporated; and easy pedalling is combined with a satisfying “attack” whenever desired.

Uprights from 72 Guineas Grands from 140 ,,

Complete Catalogue on application.

THE “ELECTRELLE” PLAYER.

A Reliable Electric Player, which can be incorporated into any Ordinary Upright Piano.

The expense of running it is almost nil, the current being taken from the ordinary house supply or from batteries.

The performer has entire control of the expression, and the effects are wonderful. Its features are:—

No foot pumping. Takes ordinary rolls. Transposes into different keys. No interference with Piano for hand playing. Casework of Piano is not touched in any way. Price 48 Guineas.

Estimates will be gladly submitted for Cases in any of the Historic Furniture Styles.

Carriage paid to any Railway Station in the United Kingdom.

[825]

PLAYER-PIANOS, Etc.

The Player-Piano is one complete instrument, a combination of piano and the means to play it artistically, even by those possessing little or no musical knowledge. All interested may enjoy the advantage of testing the tone and control of various Player-Pianos in Harrods’ Showrooms.

A PLAYER-PIANO ANSWERS EXACTLY THE SAME PURPOSE FOR HAND PLAYING AS AN ORDINARY PIANO.

HARRODS’ “AUTO-PLAYER.”

A fully guaranteed instrument at a low price. Sound London-built Piano. The player-action simple, yet entirely effective and reliable.

There is no finer value obtainable.

Cash Price, 42 Guineas.

THE “JOHN RALPH” PLAYER-PIANOS.

Full-Toned Upright Grand, with Overstrung Scaling. Finished in fine Rosewood.

Model B. With very sensitive Action, Melody Stops, Automatic Tracking Device, ensuring perfect results. 65-Note Scale.

Cash Price, 52 Guineas.

Model C. With Full Scale Action, Automatic Pedal and Solo Devices.

Capable of splendid results.

Very easy pedalling.

Cash Price, 68 Guineas.

“SIMPLEX-EBERHARDT” PLAYER-PIANO.

A highly-artistic instrument, the Piano being a good class Berlin Overstrung Model, with great beauty and Tone.

Cash Price, 76 Guineas.

Any of these Instruments may be acquired by Harrods’ System of Deferred Payments, involving only a slight increase on the cash prices.

Pianos taken in part exchange, full market value allowed.

“SIMPLEX-SCHIED-MAYER” PLAYER-PIANO.

Every part of the finest Workmanship. A very effective combination.

Cash Price, 100 Guineas.

ELECTRA MUSIC ROLLS.

Standard 65-Note or Full Scale Rolls at same prices.

Prices from 1/0 to 4/0

These rolls are equal and in many points superior to any rolls yet produced, although the prices are the lowest ever offered.

Special Features of these Rolls are:—Self-adjusting flanges; fine quality paper, perfect registration; metal frictionless ends; correct musical indications; perfect alignment; patent overlap end fastener.

Full particulars and list on application.

Suitable for any standard 65-Note or Full Scale Player.

“COLLARD” FORTE-PIANO.

An efficient Player, incorporated into a Collard Overstrung Piano, without any increase in size.

Wonderful Control of Expression.

Made throughout by Collard and Collard.

Cash Price, 95 Guineas.

LIBRARY SYSTEM FOR MUSIC ROLL SUPPLY.

Harrods have made arrangements whereby one of the largest Libraries of Music Rolls is accessible to owners of Players.

Circulating Library System.

All transportation charges payable by the Subscriber.

Number of Rolls per Month, 24.

£ s. d.

One Year 3 3 0

Six Months 2 2 0

Three Months 1 8 6

One Month 0 10 6

Number of Rolls per Month, 12.

£ s. d.

One Year 2 2 0

Six Months 1 8 6

Three Months 0 18 6

One Month 0 7 6

Subscriptions are payable in advance.

“BLUTHNER” PLAYER-PIANO.

Style A. 65-Note. Maker’s List Price, 135 Guineas. Cash Price, 108 Guineas.

Style B. 65-and 88-Note. With Transposing and Melody Device. There is no finer instrument made. Maker’s List Price, 210 Guineas. Cash Price, 168 Guineas.

“BLUTHNER” GRAND PIANO-PLAYER.

(With Aliquot Scaling.) With both 88-and 65-Note Action. Containing every device of recognised value. Net Cash Price, £300.

“CECILIAN” PLAYER-PIANOS.

Very sensitive Player, producing most artistic results with a minimum of effort.

British Model Cash Price72Guineas

Hopkinson Model,,100,,

Chappell Model,,108,,

Schiedmayer Model,,130,,

The instruments are also supplied with 88-Note Action, at a slightly enhanced price.

[826]

PLAYER꞊PIANOS.

All Makes and all Prices. Harrods hold the most varied stock of Player Goods to be seen anywhere.

THE WELTE-MIGNON. STEINWAY PIANO, without Keyboard. Compass 80 Notes.

The Welte-Mignon consists of an Upright Pianoforte with a pneumatic attachment, which is actuated by electricity instead of foot power. This attachment represents the highest possible development of the pneumatic piano-player, inasmuch as it furnishes a reproduction of the actual interpretation placed upon the written score of a great composer by the great modern executant. The Welte-Mignon catches the great masters in the act of playing and fixes their style for ever.

Cash Price, £195.

THE “SOLOPHONOLA.”

There is no more expressive “Player” manufactured. The control is completely at the command of the player and allows immense scope for individuality in playing. The lightness and delicacy of touch will astonish those who have not personally tested these instruments.

Upright Grands. Model I. and II. Cash Price, 132 Guineas. Upright Grand (Ronisch Piano). Cash Price, 180 Guineas. Horizontal Grand (with Solophonola) may be used in the ordinary way for hand playing. Cash Price, 232 Guineas.

Ronisch Grand (with Solophonola). Cash Price, 260 Guineas.

THE “LEWIS” GRAND AUTOMATIC ORGAN.

Played either from the keyboard or by the internal player for fine organ music. Specifications will be sent on application and designs and estimates submitted for Automatic Organs suitable either for church or home. Prices from £150, erected free within 50 miles of Harrods.

“ST. CECILIA” ORGANS WITH ORGANOLA.

The “ORGANOLA”

is a substitute for the most skilled fingers, and will enable anyone old or young to play the Organ with the expression and technique of an accomplished musician, even though never having played an organ before. Extra cost fitted into St. Cecilia Organs £38 10 0

THE STEINWAY-WELTE.

EXACT AND INDIVIDUAL RENDERINGS OF CLASSICAL MUSIC PLAYED BY THE WORLD’S GREATEST ARTISTS.

Steinway Upright Grand Piano, with keyboard, may be used as an ordinary piano for hand playing, or with the marvellous Welte Player. Cash Price, £275.

“I had heard a great deal about the WELTE, and am more than delighted after having heard it play. What I found most astonishing was the perfect reproduction of the touch, even to the finest shadings. In short, the WELTE is not only human, but super-human. “MARK HAMBOURG.”

THE WELTE PLAYER. FOR EXISTING GRAND OR UPRIGHT PIANOS. Easily adjusted to any piano.

The Welte Player reproduces on a Grand or Upright Pianoforte, from the Music Roll, the artist’s rendering in the same accurate and astonishing manner as the other Welte instruments. Cash Price, £125.

MUSIC STOOLS. SUITABLE FOR USE WITH PLAYERS.

Adjustable Seat, very comfortable. Upholstered in various styles. Price 21/0

Ottoman Stool, with adjustable seat and receptacle for music rolls. Well finished in solid woods. Price 37/6

PIANO-PLAYERS to attach to existing Grand or Upright Pianos.

“SIMPLEX” PIANO-PLAYER.

Adapted without trouble to existing Grand or Upright Pianos. Rosewood, Mahogany or Black. May be played by anyone without musical knowledge.

Cash Price, from 38 Guineas.

THE “CECILIAN” PIANO-PLAYER.

This Player is provided with every desirable device for expression, control, and only very slight effort is required to use it.

Cash Price, from 40 Guineas.

“CLAVIOLA” PIANO-PLAYER.

A highly artistic instrument, having an extended compass, which avoids mutilation of the original compositions.

Easy pedalling, and absolute control of expression.

Cash Price, from 50 Guineas.

“CHASE & BAKER” PIANO-PLAYER.

Very simple control of expression. A well-constructed instrument which can be fully recommended for hard use.

Cash Price, from 34 Guineas.

Any of the Instruments described can be supplied in Special Construction for extreme climates. An extra charge is made of from 10 to 15%

[827]

ORGANS

Suggestions and full particulars gladly submitted for suitable instruments for Schools, Chapels, &c.

PORTABLE ORGANS.

Walnut Case, 3 Octaves £4 4 0

Oak Case, 4 Octaves, 2 sets Reeds, Viola, Flute and Forte Stops 6 6 0

THE LATEST “ESTEY” FOLDING ORGAN.

Four octaves compass, well voiced, ample wind power. Provided with strong leather handles for safe and easy moving. Furnished in Oak only.

Cash Price, 7 gns.

Larger Size, with two full 4-Octave sets Of Reeds and Octave coupler. Suitable for extreme climates.

Cash Price, 12 gns.

BELL ORGANS (Canadian). Half a Century’s Reputation.

“QUEEN’S” MODEL.

Makers’ List Price Harrods’ Cash Price

Traveller Organ 12 gns. 8 gns.

Portable ,, 14 ,, 9 ,,

Diadem Model(low top) 22 ,, 13 ,,

,, ,, (high top) 24 ,, 14 ,,

Choir Model 26 ,, 14 ,,

Queen’s Model(low top) 31 ,, 17 ,,

,, ,, (high top) 33 ,, 19 ,,

,, ,, (pipe top) 35 ,, 20 ,,

With Action 253 1 gn. extra.

,, 254 3 ,,

,, 257 3 ,,

,, 258 7 ,,

Cathedral Model 55 gns. 31 gns.

Regal Model (low top) 70 ,, 37 ,,

,, ,, (high top) 75 ,, 39 ,,

,, ,, (pipe top) 80 ,, 42 ,,

With Action 413 3 gns. extra.

,,461 7 ,,

Student’s Model (2 Manuals & Pedals) 85 gns. 46 gns.

“ESTEY” ORGANS.

375,000 have been sold.

Style 14. Walnut Case, 2 Full Sets powerful tone.

Cash Price, £9 15 0

Style 844. 13 stops. In Handsome Walnut Case, High Top with Bevelled Mirror. Height, 6 ft. 11 in.

Cash Price, 20 gns.

Style H 40. 16 Stops. Chancel Style in Oak with Panelled Back, suitable for Small Church, &c. Good full tone.

Cash Price, 28 gns.

“Estey” 2 Manual and Pedal Organ, 15 Stops, 10 Rows of Reeds, with full accessories.

Cash Price, 80 gns.

MASON AND HAMLYN ORGANS.

Portable Organs Cash Price, from 6 gns

Mission Organs ,, ,, ,, 8 ,,

Chancel Organs ,, ,, ,, 12,,

Drawing Room Organs with high tops and bevelled mirrors, very handsome designs. Cash Price, from 14,,

LISZT ORGANS.

With bench and pedal point. Cash Price, from 80,,

LISZT ORGAN.

Two Manual and Pedal Organ. Cash Price, from 145,,

Full illustrated Catalogue on Application.

“PACKARD” ORGANS.

Strongly recommended for their sound construction and clear pipe-like tone. Handsome High Tops with Bevelled Mirror.

StyleCash Price

340.10Stops, 4Sets ofReeds14gns.

345.15 ,, 7 ,, ,,17 ,,

374.15 ,, 7 ,, ,,20 ,,

379A.14 ,,10 ,, ,,25 ,,

699.15 ,,11 ,, ,,32 ,,

Chapel Styles.—Low Top with Panelled Backs, supplied with above Specifications and at same price as with High Tops.

“KARN” CANADIAN ORGANS.

Can be supplied in various cases of beautiful design. The tone is extremely rich in quality, and these Organs may be depended upon to perform satisfactorily in trying climates.

Style G. A popular Chancel Style in Solid Oak, Handsome Panelled Back, with 21 Stops and 12 Sets of Reeds. Rich, full tone with plenty of variety. Cash Price, 27 gns.

Style E. Suitable for Home use. Handsome High Top with Bevelled Mirror and Music Receptacle. Carved Walnut. 13 Stops, 6 Sets of Reeds. Fine tone. Cash Price, 17 gns.

“KARN” STUDENT’S ORGAN. STUDENT’S DOUBLE MANUAL PEDAL ORGAN. Price, 45 gns. Cash.

Or by our Quarterly Payment System. Five complete Rows of Reeds—two on each Manual and one on Pedals. 10 Stops. Accessories: Wind Indicator, Oak Bench, Balance Swell, Grand Organ, Side Blower, also Double Foot Blowers—arranged to fold up when not required. Remarks: Contains a total of 274 Reeds; Pedals are R.C.O. Scale and Removable; Manuals extend well over pedals; one stop draws complete row of reeds; Top Lid made to open.

Carriage paid to any Railway Station.

[828]

PIPE ORGANS: Estimates and Specifications submitted for Pipe Organs for all purposes, Expert advice given.

“ST. CECILIA” PIPE ORGANS.

The Tone is produced, exclusively, from full-scale Organ Pipes of the finest quality which are the same as used in the largest Two and Three-Manual Church Organs. The ST. Cecilia Organ is built in several models, but the smallest pattern is far superior to the largest and most costly “American” Reed Organ or Harmonium. It possesses much more variety of tone and also greater carrying power; for blending with and supporting the voice it is unequalled.

The ingenious Pneumatic Action introduced enables the “double bass” stop to give a Pedal Organ effect, actuating from the Manual. On this stop only the lowest note held in a Bass chord is sounded, thus it removes the difficulty of using the Pedals, while preserving the effect, and a perfect 16-feet Pedal Bass is obtained. For those that prefer a Pedal Board, special Models are manufactured.

Cash Prices, from £50.

Specifications furnished on application.

“ST. CECILIA” ORGANS WITH ORGANOLA.

The “ORGANOLA”

is a substitute for the most skilled fingers, and will enable anyone old or young to play the Organ with the expression and technique of an accomplished musician, even though never having played an organ before. Extra cost fitted into St. Cecilia Organs £38 10 0

THE “POSITIVE” PIPE ORGAN.

FOR CHURCH, HOME AND SCHOOL.

The “Positive” Organ—an entirely British invention and production—was originally designed as a real Organ to replace the Reed Instruments hitherto commonly in use in Village Churches, Mission Rooms, etc. Real Organ Pipes alone are used to produce the tone. A skilled organist is not required, since, from its single keyboard, anyone who can play a Harmonium correctly can obtain perfectly the absolute effect of a Two-Manual and Pedal Organ, and can also transpose.

The precise effect of skilful pedalling is obtained by A Patent Pedal-Bass Stop, which plays in the 16 ft. tone the lowest note only of any chord or succession of chords. The effect of a second manual is obtained by Patent Melodic Solo Stops, whereby the melody of a hymn or voluntary is made to stand out above the accompaniment. To obtain these effects no special skill is necessary. The Transposer enables the pitch of a tune to be changed to bring the music within the reach of the singer or congregation. The “Positive” Organ can easily be blown by the feet or by a hand-blower. The “Positive” Organ occupies no more floor-space than a Harmonium.

SCHOOL ORGAN. Three stops with swell, decorated front Cash price £45 0 0

PATTERN 40. Four Stops, of ample power for Churches, etc., seating up to 250 persons Cash Price £70 0

“POSITIVE” SELF-PLAYING ORGANS. With swell Cash price £110 0 0 Other Specifications, Designs, and Prices sent post free on application.

THE BACH ORGAN. BY Thomas Lewis, London.

Suitable either for small Church, or for the practice of Two-Manual and Pedal Music.

Lower Manual, CC to C, 61 notes. Upper Manual, CC to C, 61 notes. Pedal Organ, CCC to F, 36 notes.

Tubular Pneumatic Action throughout, with a perfect touch, having sufficient firmness to ensure good Technique.

The quality of this organ is of the usual excellence found in all instruments by this famous builder.

In Oak Case, floor space required, 5 ft. 6 in. by 2 ft. only. Cash Price, 60 Guineas.

With Carved Oak Case, Couplers and Swell, Cash Price, 80 Guineas, or by Deferred Payments.

Absolutely the finest instrument procurable for a Student, as the touch and scale of keys and pedals are correct in every detail

THE “LEWIS” GRAND AUTOMATIC ORGAN.

Played either from the keyboard or by the internal player for fine organ music. Specifications will be sent on application and designs and estimates submitted for Automatic Organs suitable either for church or home. Prices from £150, erected free within 50 miles of Harrods.

[829]

GRAMOPHONES. (His Master’s Voice.)

Style 4.—Genuine Gramophone. Oak Cabinet, strong single spring motor, 10 in. turn-table, taper arm, exhibition soundbox, Model B speed indicator, flower horn (as illustration). £5 10 0

Or with wood horn, £6 7 6

Style 1.—Genuine Gramophone. Plain Oak Cabinet, wooden grill, single spring motor, taper arm, exhibition junior soundbox, 10 in. turn-table, (as illustration). £3 10 0

Style 5. Genuine Gramophone. Oak Cabinet, double spring motor, 10 in. turn-table, taper arm, exhibition soundbox, Model B speed indicator, large flower horn £7 10 0 Or with wood horn 8 10 0

Style 2.—Genuine Gramophone. Oak Cabinet, single spring motor, 10 in. turn-table, small taper arm, exhibition soundbox, flower horn £4 10 0 Or with wood horn 5 10 0

Style 7.—Genuine Gramophone. Oak or Mahogany Cabinet, with hand-carved pilasters, latest triple spring motor, taper arm, exhibition soundbox, 12 in. turn-table, speed indicator, large flower horn (as illustration). £11 0 0 Or with wood horn (as illustration). £12 0 0

HARRODS’ stock the following Records. Gramophone, Zono, Twin, Odeon, and Jumbo.

Lists of new Records, published monthly, will be forwarded regularly free to those desirous of receiving same.

For the convenience of customers separate rooms are provided for trying records.

Style 13. Genuine Gramophone. Cabinet Grand,figured mahogany, horn enclosed in cabinet, triple spring motor, 12 in. turn-table, speed indicator, gramophone taper arm, exhibition soundbox, drawer for holding needles, and specially constructed chambers for holding Record albums. £40 0 0

Style 12a.—Genuine Gramophone. Cabinet grand polished mahogany, with chamber for holding records, old brass fittings, wooden grill, triple spring motor, 12 in. turn-table, improved cast iron horn of wonderful tonal quality, taper tone arm, speed indicator, exhibition soundbox, the latest model (as illustration) £35

Style 10.—Genuine Gramophone. Cabinet Grand, inlaid fumed oak, horn enclosed in cabinet, triple spring motor taper arm, exhibition soundbox, 12 in. turn-table, speed indicator, £20 0 0 (as illustration).

Gramophone Records. (His Master’s Voice). 10 in. black label, 3/6 12 in.,, ,,5/6 10 in. violet,,4/6 12 in.,, ,,6/6

Celebrity Records.

Melba, Tetrazzini, Patti, Clara Butt, Kirkby Lunn, Calvé, Geraldine Farrar, all 12/6 each. Caruso, 8/- & 12/6 John M‘Cormack, 9/- Plancon, 12/6 Zono Twin Record, 12 in., 4/- double-sided, 10 in., 2/6 Odeon Records, 10¾d. double-sided, 4/- Jumbo Records, 10 in. double-sided, 2/6 Full lists on application.

Style 11.—Genuine Gramophone. Cabinet Grand, mahogany inlay, horn enclosed in cabinet, triple spring motor, taper arm, exhibition soundbox, 12 in. turn-table, speed indicator, £25 0 0

Style 14.—Genuine Gramophone. Cabinet Grand, figured Circassian wood, horn enclosed in cabinet, triple spring motor, 12 in. turn-table, speed indicator, gramophone taper arm, exhibition soundbox, drawer for holding needles, specially constructed chambers for holding record albums, (as illustration). £50 0 0

Style 8.—Genuine Gramophone. Fumed Oak Case, double spring motor, taper arm, exhibition soundbox, 12 in. turn-table, Speed indicator (as illustration) £12 10 0

Style 9.—Genuine Gramophone. Same design as No. 8. Mahogany French polished, brass gilt fittings, wooden grill, double spring motor, taper arm and patent goose neck, exhibition soundbox, 12 in. turn-table, speed indicator, £15 0 0

Style 3.—Genuine Gramophone. Oak Cabinet, inlaid, wooden grill, latest single spring motor, taper arm, exhibition soundbox, Model B speed indicator, 10 in. turn-table, (as illustration). £5 10 0

Style 9A.—Genuine Gramophone. Polished mahogany inlay, wooden grill, brass gilt fittings, new iron horn, double-spring motor, 12 in. turn-table, taper arm and patent goose neck speed indicator. £20 0 0

Style 6.—Genuine Gramophone. Panelled French Polished Quartered Oak Cabinet, wooden grill, double spring motor, taper arm, exhibition soundbox, 12 in. turn-table, speed indicator, (as illustration). £8 8 0

[830]

DISC TALKING MACHINES.

Style C, £1 11 6

Style A. Light Oak Cabinet, single spring motor, flower horn, 19/6

Style B. Oak Cabinet, single spring motor, flower horn, plays 10-in. and 12-in. records, £1 5 6

Style C. Oak Cabinet, strong motor, taper tone arm, seamless flower horn, £1 11 6

Style D. Oak Cabinet, worm gear, silent running motor, speed indicator, taper tone arm, new flower shape seamless horn, £2 7 6

Style E. Fumed Oak Cabinet, best English manufacture, worm gear, silent running motor, speed indicator, taper tone arm, new flower shape seamless horn, superior tone, £2 15 6

Style F. Solid Oak Cabinet, 14½ by 14½ by 7 in., double spring motor, taper tone arm, 12 in. turn-table, speed indicator, wood horn, £3 17 6

Style G. Portable Hornless Machine, oak cabinet, single spring motor, £1 8 0

Style H. A neat and compact Model, with wood internal horn, oak cabinet, single spring motor, wood doors in front of sound chamber, taper tone arm, £2 5 0

Style I. Oak Cabinet, black and white boxwood marqueterie inlaid doors and sides, sound chamber of polished oak, worm gear motor, will play two 10-in. records with one winding, speed indicator, taper tone arm, crescendo sound box, £3 3 0

CINCH ZONOPHONE. Oak Cabinet, size 14½ by 12 by 10½ inches, Zonophone taper arm, 10-inch turn-table, new Zonophone sound box, interior wood horn. Price £2 12 6

RECORD ALBUMS. Record Albums, to hold 12 records, 10 in., 1/8, 3/0, 4/0 Ditto, ditto, to hold 12 records, 12 in. 2/3, 3/9, 5/0

GRAMOPHONE STAND. Gramophone Stand, polished mahogany or oak, with cupboard to hold six 12-inch and six 10-inch albums. Price £3 16 6 Ditto, inlaid Sheraton £4 17 6

BASSANOPHONE. (Sheraton Cabinet). Silent motor, nickeled throughout, plays ten 12-inch records with one winding, 12-inch turn-table, speed indicator, special soft tone sound box, automatic stopping device, which stops the record immediately it is finished. Price £31 10 0

TITLE OF RECORD DIVISION SLIP

HARRODS’ UNIVERSAL RECORD CARRIER (Rose’s Patent.) The record titles are visible at a glance. Each record division has a transparent pocket to hold the printed or written title of the record, which can be easily replaced with any new title required. For 12-in. records, carrier holding 28 records, 8/9 For 10-in. records, carrier holding 30 records, 7/3

GRAMOPHONE RECORD CASES. Cowhide leather, to hold 24 (10 in.) records, 11/6 ,, ,, ,,(12 in.),,12/9 Gramophone Needles, 8d. per box of 200, or 3/0 per 1,000; Melba Needles, 1/6 per box of 200.

GRAMOPHONE CARRYING CASES.

These cases do not take the horn.

Stiff canvas, lined green baize. Cowhide, lined green baize.

For Style No.114/925/6

,,,,216/926/6

,,,,314/925/6

,,,,416/926/6

,,,,517/630/0

,,,,7, 7A17/630/0

GRAMOPHONE HORN BASKETS. For Styles Nos. 2 and 4, 16/9; Nos. 5, 7 and 7A, 19/6

POLYPHON MUSICAL BOXES.

(Self-acting)

£ s. d.

30 Notes, Polished Imitation Rosewood Case, including 6 tunes 1 5 5

41 Notes, Polished Walnut Case, price including 6 tunes 1 17 6

46 Notes, Polished Walnut Case, price, including 6 tunes 2 17 6

56 Notes, Polished Inlaid Walnut Case, price, including 6 tunes 4 7 6

78 Notes, Polished Inlaid Walnut Case, price, including 6 tunes 6 8 6

TUNES FOR POLYPHON MUSICAL BOXES. 30 Notes, 0/5; 41 Notes, 0/7; 46 Notes, 1/1; 56 Notes, 1/5; 78 Notes, 2/3 each.

MUSICAL BOXES.

Musical box,6airs,3¼inchbarrel 25/6

,, 6 ,,4¾,, 32/6

,, 8 ,,6,, 42/6

,,10 ,,8,, 2/17/6

,,12 ,,10¾,, 3/18/6

,, 6 ,,4¾,,with bells 3/3/0

,, 8 ,,6,,,, 3/12/6

,,12 ,,12¾,,,, 7/15/0

,, 8 ,,9,,,, and drums 4/10/6

SMALL SIZE MUSICAL BOXES. 2 airs, 7/11; 3 airs, 10/9; 4 airs, 13/9; 6 airs, 18/9

[831]

VIOLINS.

£ s. d.

Violin(Full Size)Red Colour 0 4 10

,,,,,,or Brown 0 6 3

,,,,Orange Colour, Oriental Varnish 0 9 0

,,,,Red or Brown Colour, Purfled, Ebony Fittings 0 14 0

,,,,do. do. Superior 0 18 6

,,,,Red or Brown Colour, Barnabette 1 2 6

,,,,Red Varnish, Grandini 1 8 6

,,,,Copy of Stradivarius 1 17 6

,,,,,,Stainer 2 2 0

,,,,,,Guarnerius 2 18 6

,,,,Buthod, Light Red Oil Varnish 3 10 6

,,,,Thibouville 4 7 6

,,,,Copy of Nicolas Lupot 5 5 0

,,,,Stradivarius, Copy, special transparent Oil Varnish of great beauty, resembling the Varnish of fine Cremona instruments 8 10 0

LADIES’ VIOLINS. Between ¾ and Full Size.

Copy of Italian Masters 0 9 6

,,Very Fine Varnish 0 19 6

,,Amati 1 15 0

,,Italian Masters 2 15 0

VIOLINS (Small Size).

¼½¾

Violins,Red or Brown Varnish4/64/64/6

,,,, ,,5/65/116/3

,,Compagnon, Purfled, Ebony Fittings7/37/98/3

,,Imitation of Old Masters8/68/119/3

,,Labelled Stradivarius10/611/912/6

,,Italian Copy, Selected Wood17/918/318/9

MANDOLINES (Italian).

Rosewood,MachineHead 0 7 11

,,,,Inlaid 0 10 6

,,,,Tulip Wood 0 12 6

,,,,Pearl Inlaid 0 15 0

,,,,Copy of De Meglio 1 5 6

,,,, Do. do. Superior Finish 1 17 6

,,,,Richly Inlaid 2 5 6

,,,,De Meglio 2 9 6

,,,,,,Superior 3 9 6

GUITARS.

FRENCH GUITARS.

Maple, G. S. Frets, Varnished Sound Board, Machine Head 0 18 9

,, ,,Pearl Rosette, Machine Hd. 1 5 6

Rosewood, G. S. Frets, Pearl Rosette, Machine Head 1 12 6

,, do. Inlaid Borders, Machine Hd. 2 5 0

,, ,,Fancy Pearl Rosette, Fine Inlaid Borders, Machine Hd. 2 15 6

,, ,,Pearl Inlaid Sound Board, Nickel Machine 4 4 0

SPANISH GUITARS.

£ s. d.

Mahogany, Machine Head 0 14 0

Walnut, Inlaid, Machine Head 0 17 9

Rosewood ,, ,, ,,Superior 1 1 0

,,Pearl Inlaid, Machine Head 2 2 0

TENORS.

Red Shaded Varnish 0 9 11

Oriental,, 0 12 6

Breton Yellow,, 1 1 0

Italian Copy, fine wood 1 9 6

,, ,, ,, ,,superior 2 12 6

Ruggieri, Imitation, old 2 2 0

VIOLONCELLOS.

Well-seasoned wood, good finish 1 10 0

,, ,, ,,Oriental Varnish 1 19 6

Steiner, Orange Red Varnish 2 12 6

Breton, Yellow Varnish 3 12 6

Barnabette, Brown,, 3 17 6

Grandini, fine figured wood 5 18 6

Double Bass, Flat Back, 3 strings 4 17 6

,, ,,Purfled, well finished, 4 strings 5 15 0

,, ,,Cremona Copy 8 8 0

,, ,,Violin Shape 11 5 0

BANJOS (Ordinary).

(5 Strings), 6 and 7 Strings to order.

Nickel Hoop, Walnut Neck, Peg Head 0 15 9

(Temletts) Nickel Hoop, 12 Fittings, Walnut Neck, Peg Head 1 1 0

(Temletts) Nickel Hoop, 16 Fittings 1 5 0

Do. do. 18 Fittings, Ebony Finger Board 1 11 6

(Temletts) Nickel Hoop, 20 Fittings, Special Finger Board, Pearl Inlaid Positions 2 7 6

(Temletts) Nickel Hoop, Canadian Walnut Neck, 22 brets (3 complete Octaves), 24 Fittings 3 7 6

ZITHER BANJOS.

(5 Strings), 6 and 7 Strings to order.

Walnut Neck, Machine Head 1 1 0

Do. do. Better Finish 1 5 0

(Temletts) Walnut Neck, Machine Head 1 12 6

,, ,,Ebony Fingerboard, Rosewood Veneered outside Hoop 2 2 0

(Temletts) Walnut Neck, with 2 Veneers of Ebony and Sycamore Fingerboard, Pearl Stars and Position Dots 3 3 0

Rosewood Veneered outside Hoop, Inlaid with Pearl, Nickel-plated inside Hoop, Rosetree Neck with 4 Veneers 4 4 0

Rosewood Veneered outside Hoop, Registered Grooved Neck, German Silver Machine Head, Pearl Inlaid Positions 6 6 0

MANDOLINE BANJOS.

Walnut Back, Mahogany Neck 0 17 9

Rosewood Back, Walnut Neck, Covered Machine Head 1 5 6

Rosewood Do. do. do.Superior 1 11 6

Cases for Mandoline Banjos (American Cloth) 0 2 11

VIOLIN BOWS.

Full Size 1/8, 1/11, 2/6, 3/6, 5/3, 6/3, 10/6

Pernambuco Wood, full, G.S. Mounted 14/0

,, ,,full, Silver Mounted 23/6

¾ Size 1/4, 2/0, 2/9, 3/6, 7/3

½,, 1/4, 2/0, 2/9

¼,, 1/4, 2/0, 2/9

VIOLIN CASES.

£ s. d.

Violin Case, Wood, Black Varnish, Full Lined 0 3 3

Do., do., do., Spring Clasps 0 4 3

Do., do., do., Hook Clasps, Bent Ends 0 5 9

Shaped Violin Case, Wood, Black Varnish, Full Lined 0 8 9

Do., do., do., Imitation Walnut, Full Lined, Leather Bag, handle 0 12 9

Do., do., do., Superior Finish 0 17 9

Do., do., do., Wood Covered Imitation Leather, Full Lined, 10/9 and 0 14 3

Do., do., do., Wood, Covered real Black Leather, Full Lined Silk Plush Lining 2 2 0

Do., do., do., Wood, Covered Real Brown Crocodile Leather 2 2 0

Do., do., do., Solid Oak, Silk Plush Lining 32/6 and 1 17 6

Violin Case, The Reliance, Superior American Cloth 0 9 6

Do., do., do., Brown Basil Leather, Scarlet Lining 1 0 0

Do., do., do., Brown Cowhide, Velvet Lining 1 12 0

Japanned Tin Airtight Violin Case, Lined Baize, for extreme climates 2 7 6

Violin Case Cover, Waterproof Canvas 8/6 and 0 10 6

Tenor Case, Wood, Black Varnish 0 6 6

Do., do., do., Shaped 0 13 9

Do., do., do., Imitation Walnut 1 3 6

Do., do., do., American Cloth Lined 10/0 and 0 14 3

Violoncello Cases, Wood,21/0, 32/0 2 0 0

Do., do., do., Waterproof Canvas, Leather Bound 14/9 and 0 18 9

BANJO CASES.

American Cloth 0 5 6

,, ,,Stitched, with Lock 0 7 9

Basil Leather, Nickel Lock 1 0 0

Cowhide,, ,, 1 5 0

Waterpf. Canvas Bag, Leather Bound 0 5 6

Green Baize Bags 0 1 11

GUITAR CASES.

American Cloth 0 5 11

,, ,,Stitched, with Lock, Superior 0 9 6

Brown Basil Leather, Swansdown Lining, with Lock 1 1 6

Leather, Cowhide, with Lock 1 11 6

Waterpf. Canvas Bag, Leather Bound 0 5 6

MANDOLINE CASES.

American Cloth, open on top 0 3 0

,, ,,superior stitched 0 6 6

Cowhide 0 15 0

Waterproof Canvas, Leather Bound 0 3 11

[832]

CONCERTINAS.

Concertinas (German) 2/11, 3/9, 5/6, 8/3, 11/9

CONCERTINAS, ANGLO-GERMAN.

(Lachenal’s Make.)

Mahogany.Rosewood.

20 Keys . . . £1 1 0 £1 5 6

22,, . . . 1 4 6 1 9 6

24,, . . . 1 6 6 1 10 6

26,, . . . 1 9 6 1 13 6

ENGLISH CONCERTINAS.

(Lachenal’s Make.)

48 Keys, Double Action Screwed Notes, and Warranted 3⅜ Octaves, from G below to Second C above Stave.

Mahogany in Deal Box £1 19 6

Rosewood, in Mahogany Box 2 10 6

Rosewood, 5-fold Bellows, Superior Tone and Finish 2 19 6

Rosewood, Best Finish, 5-fold Morocco Bellows, Key Holes Bushed to prevent rattling, in Rosewood Box 3 19 6

Rosewood, 5-fold Bellows, Best Finish, German Silver Keys, in Rosewood Box 5 7 6

ACCORDIONS.

IMPERIAL ACCORDION

Accordions, German, 10 Keys,3/11, 5/6, 7/6, 9/6, 12/9

,, ,,19,,Chromatic 19/6

,, ,, ,, ,, 23/6

,, ,, ,, ,, 29/6

ORGAN ACCORDIONS.

Organ Accordions, 3 Octaves, 1 Stop, in Box £3 16 9

,, ,, ,,Superior 4 4 0

Stand for Organ Accordion, 10/6

TOY SYMPHONY INSTRUMENTS.

Drum, 4/6; Cuckoos, 2/6 and 4/11; Quails, 1/6 and 2/6; Triangle, 1/0; Rattle, 1/6; Nightingale, 6d.; Trumpets in C and G, 2/11 each. Bells, 2/0.

Set of Instruments for Hayden and Rombergs Toy Symphony, Best London Manufacture, Per Set 23/0.

DUMB KEYBOARDS.

Dumb Keyboard Oak Case, 2 Octaves £1 19 6

,, ,, ,,3 Octaves 2 18 6

METRONOMES.

(French.)

Without Bell.With Bell.

Mahogany, with Fixed Key7/611/0

Walnut, Ditto7/911/3

SUPERIOR QUALITY.

The movements are very carefully made, and mechanism mathematically regulated.

Without Bell.With Bell.

Mahogany 10/915/3

Walnut 11/315/9

English 15/925/6

Pinfolds, Brass 3/6—

,,Nickel Plated 6/3—

Pocket Tape, Metronomes 1/6—

TAMBOURINES.

Tambourines, 9 in. Beech Hoop 1/0

,,9 in. Scalloped, Beech Hoop 1/2

,,10 in.,, ,, ,, 1/4

,,9 in. Painted Hoop, 3 pairs Jingles 1/5

,,10 in. Painted Black and Gold, 4 Pairs Jingles 1/8

,,Oak Hoop, 10 in. 6 Pairs Nickel Jingles 2/6

,,Oak Hoop, 10 in., 12 pairs Brass Jingles, 3 Brass Bells 4/3

Violin Strings, A, D and E, 3d., 4d., 6d., 10d. each.

,, ,,G 3d., 4d., 6d.,,,

,, ,,G, Real Silver 1/0, 1/6,,

,, ,,Acribelle Firsts 4d., 6d.,,

Tenor Strings, A and D 4d., 6d., 10d.,,

,, ,,G 4d., 6d.,,

,, ,,C 6d., 8d.,,

Violoncello Strings, A and D 6d., 8d.,,

,, ,,G 8d., 1/0,,

,, ,,C 8d., 1/0,,

Double Bass,,Firsts 1/6, 2/3,,

,, ,, ,,Seconds 2/6, 3/0,,

,, ,, ,,Thirds, Gut 4/0, 5/6,,

,, ,, ,, ,, covered 4/6,,

Guitar Strings, D, A, E Silk or Wire covered 4d., 6d.,,

First, Second, Third, same as Violin.

Banjo Strings, 1st, 2nd, 3rd, Gut 3d.,,

,, ,,Silk or Wire covered 4d.,,

,, ,,Steel Wire, 1st 2nd, 3rd and 5ths 1d., 2d.,,

Mandoline Strings, 1st and 2nd Steel 1d., 2d.,,

,, ,,3rds and 4ths 2d., 4d.,,

Zither Strings Per Set 3/11, 4/9

Harp Strings, Set of 5 Octaves, Gut 13/9, 16/9

,, ,,Set 8 covered Strings 8/6

,, ,,Single Strings, First Octave 2½d.

,, ,, ,, ,,Second,, 3½d.

,, ,, ,, ,,Third ,, 5d.

,, ,, ,, ,,Fourth ,, 8d.

,, ,, ,, ,,Fifth,, 9d.

CONDUCTORS’ BATONS.

Baton, White Wood Sycamore, polished 0/6

,, ,, ,,jointed, with Ferrule, in two parts 0/8

Do. do. plain Ebony 1/0

,, ,,Ebony, 3 plain Silver Mounts, 5/6, 7/6

,, ,, ,,3 Engraved Silver Mounts 8/6, 12/6, 16/6

,,Ivory Jointed, 3 Silver Mounts, in Satin Lined Case 40/0

,,Ebony, Jointed, 3 Silver Mounts, in Satin Lined Case 22/6

,,Ivory, 3 Silver Mounts, Engraved 48/0, 58/0

,,Cases, Velvet or Satin Lined 5/6

,, ,, ,,Leather covered 9/0

AUTO-HARPS.

Auto-Harp. 6 Bars £0 7 11

Monopol, 6 Bars, 24 Strings, small size 0 10 6

Orpheus, 11 Bars, 33 Strings 1 10 6

Erato, 12 Bars, 36 Chords, 37 Strings 1 18 0

MISCELLANEOUS.

Violin Bridges 2d., 4d., 6d.

,,Pegs 2d., 4d.

,,Tailpieces, fitted with Gut 6d.

,,Chin Rests 6d., 1/0, 1/6, 2/11

,,Mutes 3d., 4d., 6d., 9d.

Banjo Pegs 2d., 4d.

,,Bridges 2d., 4d., 6d.

Guitar Bridge Pins 1d.

,,Capodastras, German Silver 1/0

Resin, for Violin and Violoncella 3d., 4d., 6d., 8d.

Piccolo Cases 2/11, 4/6, 6/6

Flute Cases 2/11, 6/6, 10/6

,,Cleaners or Mops 3d., 9d.

Clarionet Reed 2d., 3d., 4d.

Oboe Reed 1/0, 1/6

Bassoon Reed 11d.

Violoncello End Pins, adjustable 2/0, 3/6

Mandoline Plectra, real Tortoiseshell 1½d. each

String Wallets, Leather, 4 pockets 1/9

Tuning Forks, Blue Steel, Best Quality 10d.

Pitch Pipes, German Silver, in Metal Case, A, C or G, 3d. each 1/0, 1/4, 1/8

Nigger Bones 1/0, 1/4, 1/8

,, ,,Ebony each 1/0, 1/2

MUSIC STANDS.

Folding Music Stand, Iron, Bronze connected Desk 2/6, 2/11, 4/3

Do., do., do. Brass Rod 5/3

Do., do., do. all Brass 10/0, 12/0, 18/6, 25/6

Do., do., do. Nickel Plated 7/6, 17/9

Duet Folding Music Stand, Bronzed Iron, double Desk 10/0

Do., do., do. all Brass 30/0

Music Stand Cases, Waterproof 1/9, 2/3

Do., do. American Cloth 1/11

Table Music Stand, Bronzed Iron 3/9

Do., do., do. Brass 7/6

[833]

£ s. d.

B♭ Cornet, Central Bell, B♭ and A Shanks 0 18 9

Do. German Silver Valves, Detached Bell, B♭ and A Shanks 1 3 0

B♭ Cornet, Full Bore, Detached Bell, Curtois Model, German Silver Valves, Single Water Key, B♭ and A Shanks 1 15 6

Do. do. do. Nickel Plated 2 5 6

B♭ Cornet, First Quality, Detached Bell, English Model, German Silver Valves, Full Bore, Water Key, B♭ and A Shanks 2 15 6

Do. do. do. Nickel Plated 3 2 0

B♭ Cornet, Concert Model, superior Quality, German Silver Valves, Water Key, B♭ and A Shanks 4 17 6

Do. do. do. Nickel Plated 5 5 0

Do. do. do. Silver Plated 5 19 6

E♭ Soprano Cornet, Full Bore, German Silver Valves, Water Key 2 18 6

Do. Best Quality 4 7 6

E♭ Tenor Saxhorn, German Silver Valves 1 18 6

F and E♭ Tenor Saxhorn, superior Quality, German Silver Valves, Full Bore, Silver Plated Valve Tops and Mouthpiece, Water Key 4 2 6

B♭ Baritone Saxhorn, Ger. Sil. Valves 2 7 6

Do. do. Superior Quality 4 15 6

B♭ Euphonium, Three Valves, Ger. Sil. 2 17 6

Do. do. Superior Quality, Full Bore, Water Key 4 19 6

B♭ Euphonium, 4 German Silver Valves 3 9 6

Do. do. Superior Qual., Full Bore 6 19 6

E♭ Bombardon, German Silver Valves 4 7 0

Do. do. Superior Qual., Water Key, Large Proportions 7 12 6

B♭ Bombardon, German Silver Valves 5 12 6

Do. do. Superior Qual., Water Key, Large Proportions 10 10 0

B♭ Helicon Bass, 3 German Silver Valves 5 18 6

B♭ Tenor Slide Trombone, Water Key 1 2 0

Do. do. Superior Qual., Improved Water Key 3 3 0

G Bass Slide Trombone, Tuning Slide and Water Key 1 9 6

Do, do. Superior Qual. 3 17 6

BAND FLUTES, F, OR THIRD FLUTES.

Cocus Wood, 1 G.S. Key and Tips 0 4 3

,, ,, 4,,Plain Head 0 7 6

,, ,, 4,,Slide,, 0 11 9

PICCOLOS, D, E♭, OR F. (Continental Make).

Cocoa or Ebony, G.S. Tipped. £ s. d.

1 G.S. Key, Slide Head 0 2 3

4,, ,, 0 3 0

5,, ,, 0 3 6

6,, ,, 0 3 11

6,, ,,Superior Quality 0 8 6

6,, ,,D or E♭ Superior Quality, 14/9, 23/6 & 1 9 6

Boehm System, D or E♭, G.S. Tips and G.S. Keys, Ebony 86/6 and 5 18 6

FLAGEOLETS.

Cocus Bark, D or E♭ 0 2 0

,, ,, ,,1 Brass Key 0 2 11

,, ,,B♭ 0 4 3

,,Wood, 1 G.S. Key, with Flute Head 0 5 6

,, ,, 4,, ,, ,, 0 7 6

,, ,, 5,, ,, ,, 0 8 6

,, ,, 6,, ,, ,, 0 9 6

,, ,, 6,, ,,Slide Head 0 14 0

BAND FLUTES, B♭. (English).

Cocus Wood, 1 G.S. Key & Tips, 1/11 0 2 11

,, ,, 1,,Key, Slide Head 0 4 9

,, ,, 4,, ,,Plain,, 0 5 11

,, ,, 4,, ,,Slide,, 0 8 0

,, ,, 6,, ,,Plain,, 0 7 9

,, ,, 6,, ,,Slide,, 0 9 3

,, ,, 6,, ,, ,, 0 15 0

CONCERT FLUTES, D. (English).

Cocus Wood, 1 G.S. Key, Plain Head 0 5 9

,, ,, 1,,Slide Head 0 7 6

,, ,, 4,, ,, 0 11 6

,, ,, 6,, ,, 0 13 9

,, ,, 8,, ,, 0 16 11

,, ,, 8,, ,, 1 7 6

CONCERT FLUTES (French).

Superior Quality, Key of D.

Cocoa or Ebony, 5 G.S. Keys & Tips 1 2 6

,, ,,6,, ,, ,, 1 5 0

,, ,,8,, ,, ,, 2 2 0

Boehm System, Conical Bore, Cocoa or Ebony, G.S. Keys and Tips 5 18 6

Do. do. do.Keys on Plates, Superior Quality 8 8 0

CLARIONETS, A, B♭, C OR E♭.

Boxwood, 13 Brass Keys 1 4 9

Ebony or Cocoa, 13 G.S. Keys and Tips, 2 Rings 1 15 6

Cocoa or Ebony, 13 G.S. Keys, 2 Rings, Stamped 2 2 0

Jerome Thibouville Lamy, Cocoa or Ebony, 14 G.S. Keys, C Sharp Key 2 10 0

Do.do.15 G.S. Keys, C Sharp and Double B♭ Keys 2 15 0

Oboe, Cocoa or Ebony, 13 G.S. Keys, 2 Rings 2 15 6

Do.do.15 G.S. Keys, New Model, 3 Rings, Cocoa or Ebony 6 6 0

Do.do.16 G.S. Keys, 4 Rings 9 9 0

HUNTING AND POST HORNS.

Brass.Copper.

Post Horn, Straight, 10 in.1/61/9

,, ,,12,, 1/102/2

,, ,,26,, 2/83/0

,, ,,10,,G. S. Mouthpiece —3/0

,,Long Model, 2 ,, Turns 3/9—

,, ,,3 ,, Large Size 4/3—

B♭ Field Bugle, Regulation Model, Copper, with G.S. Lipped Mouthpiece 0 12

Do. do. in C with B♭ Crook 0 12

B♭ Field Bugle, Regulation Model, Superior Quality 0 19

B♭Bugle, Copper, G.S. Lipped Mouthpiece, suitable for Boy Scouts 0 10

Bugle Cord and Tassels, Green, Red, or Tricolour 0 1

MAIL OR COACH HORNS.

Brass.Copper.

German Silver Rim and Mouthpiece 30 in.4/95/6

Do.do.40 in.5/96/11

Do.do.48 ,,6/97/11

CYMBALS.Per pair.

Brass Cymbals. 6 in 2/2

,,8 ,, 3/3

,,10 ,, 4/9

,,12 ,, 7/6

,,14 ,, 10/6

SIDE DRUMS.

Side Drum, 12 in. Brass Seamed Shell, Belt Hook 0 15

Do.do.14 in. 0 19

Do.do.15 ,, Stout Brass Seamed Shell, Belt Hook and Knee Rest 1 5

BASS DRUMS.

Bass Drum, 30 in., Ash Shell, Cord and Buff Braces 2 15

Do.do.32 in., Polished Ash Shell, Cord and Buff Braces 3 8

BRASS TOY DRUMS.

(Regulation Pattern, Sticks included.)

1 Vellum Head 10 in., 3/11 12 in., 5

2,,Heads, 10 in. Royal Arms, 4 12 in., 6/6

TRIANGLES. (Best Quality)

Polished Steel, with Beater, Extra Stout, 3 in. 1/0; 4 in., 1/3; 6 in., 1/9; 8 in., 2/2; in., 2/9; 12 in., 3/2.

CASTANETS.

Ordinary.Large Size.

Boxwood, per Set (2 pairs)0/101/0

Rosewood ,, ,,1/31/6

Ebony,, ,,1/31/6

GRELOTS, OR WRIST BELLS

Bells fitted on Elastic Bracelet per pair 0

OCARINAS (MEZETTI’S)

No. P I Best Quality only.

640 Small size, Best Varnish, Lilliputian Model 0

642 Medium do. do. 1

644 Large do. do. 1

645,,extra best do. do. 1/

With Nickelled Tuning Slide, Nos. P I 643 an 644, 1/4 extra. No. P I 645, 1/11 extra.

Side Drum Sticks 1/0, 1/6, 2/0 pair

Side Drum Carriage, Black or Brown, Leather Buckles, Ring 1/6, 2

Bass Drum Sticks 2/11, 5/

Bass Drum Carriage, Black Leather, Buckle and Swivel 3/

Cornet Mouthpieces 0/9, 1/0, 1

Cornet Mutes 1/0, 1/11, 2

Cornet Cases, Wood, Lined 3/3, 4/6 5/11, 8/

Cornet Cases, American Cloth 6/

[834]

MUSIC DEPARTMENT

A PUBLIC TELEPHONE IS PROVIDED IN THIS DEPARTMENT FOR CUSTOMERS’ USE.

A large Selection of the Principal Songs and Vocal Duets, Pianoforte Solos and Duets, Dance Music, in addition to those mentioned in Catalogue, etc., kept in stock, at prices ranging from one-third to one-sixth below the full published prices.

Music not kept in stock can be procured at similar Prices as in Catalogue.

Customers are particularly requested when ordering Songs to state the Key or Voice they require; also, if possible, give name of Composer and Publisher.

Music procured to order, or sent through post, cannot be exchanged or allowed for under any circumstances.

TUTORS, STUDIES, EXERCISES, ETC.

AMERICAN ORGAN:

Stainer’s American Organ Tutor 1/8

BANJO:

Dallas’ Banjo School 1/11

Ellis’ Banjo School (5 strings) 1/11

Ellis’ Banjo School (6 and 7 strings) 1/11

CONCERTINA:

Francis & Day’s German 0/4½

FLUTE:

Young’s Flute and Piccolo Tutor 1/1½

Chappell’s Flute Tutor 1/6

GUITAR:

Ellis’ Practical School for Guitar 1/6

Madame Pratten’s Tutor, two parts, each 2/1

HARMONIUM:

King Hall, The Harmonium 1/6

MANDOLINE:

Dallas’ Mandoline Tutor 1/11

Ellis’ Mandoline Tutor 2/3

Francis & Day’s Mandoline Tutor 1/1½

Turner’s Mandoline Tutor 1/6

ORGAN:

Dr. Stainer’s Organ 1/6

PIANOFORTE:

Beringer Pianoforte Tutor 1/11

Beringer Daily Technical Studies, complete 3/5

Beringer Daily Technical Studies (without scales) 2/8

Bertini’s 25 Easy Studies. Op. 100 0/9

Cramer’s Pupil’s Daily Exercises and Scales 0/9

Cramer’s Studies, in four books, each 1/0

Czerny’s 101 Exercises, in two books, each 0/8

Czerny’s 101 Exercises, complete 1/4

Czerny’s Etude de Vélocite, in two books, each 1/0

Engel (Carl) Pianoforte School, four parts, each 1/1½

Hamilton’s Pianoforte Tutor 1/4

Ditto, cloth 2/4

Heller’s (Stephen) Studies, fifteen books each 2/0

Hemy’s Royal Modern Piano Tutor 1/6

Ditto, cloth 3/0

Kalkbrenner, Indispensable Scales 0/6

Macfarren’s Comprehensive Scales 2/0

Pauer (E.), The Pianoforte 1/6

Plaidy’s Technical Studies 1/6

Schloesser, Complete Scale and Arpeggio Tutor 2/0

Schmidt (Alois), Five Finger Exercises 0/6

Simplicity Piano Tutor (Johnstone) 2/1

Smallwood’s Celebrated Tutor 1/6

Ditto, cloth 3/0

Smallwood’s 55 Melodious Exercises 1/4

Sunbeam (Large Note) Pianoforte Tutor 1/1½

VOCAL:

Behnke’s Voice Training Exercises for Soprano, Mezzo, Contralto, Tenor, Baritone, Bass, each 1/6

Concone’s 25 Lessons, Medium Voice 1/1½

Concone’s 40 Lessons, Contralto 1/1½

Concone’s 40 Lessons, Baritone or Bass 1/1½

Concone’s (J.), 50 Lessons, Medium Voice 1/1½

Garcia, Hints on Singing 2/8

Holland’s Voice Production, in separate Voice Parts (Soprano, Mezzo, Contralto, Tenor, and Bass), each 1/1½

Marchesi’s Method 3/10

Righini’s Vocal Studies (Edition A: Soprano and Tenor; Edition B: Mezzo, Contralto, and Baritone), each 1/11

Randegger’s Singing Primer 3/0

Shakespeare, Art of Singing, three parts, each 1/11

Tosti’s (F. P.) Solfeggi, two books, each 1/11

VIOLONCELLO:

Swert’s Violoncello 1/6

VIOLIN:

Spohr’s Violin School, New Edition 3/0

Tours (B.), The Violin 1/6

Farmer’s Violin Tutor 1/8

Loder’s Violin Tutor. Edited by Carrodus 1/11

ZITHER:

Carl Fittig’s Zither Tutor 1/6

RUDIMENTS OF MUSIC, HARMONY, Etc.

Clark’s Catechism of the Rudiments of Music 0/9

Davenport’s Elements of Music 0/9

Goss’s Harmony 3/10

Hamilton’s Catechism of the Rudiment of Harmony and Thorough Bass 0/9

Hamilton’s Dictionary of 3,500 Musical Terms 0/9

Macfarren’s Harmony 3/10

Macpherson’s Harmony 3/5

Pinsuti, Hints to Students on Singing 0/9

Prout’s Counterpoint 3/10

Prout’s Harmony 3/10

PROGRESSIVE STUDIES. Edited by FRANKLIN TAYLOR. 26 Books. Each 0/9

1.Five Finger StudiesPart1

2.,, ,,,,2

3. Scales,,1

4.,,,,2

5. Broken Chords,,1

6.,, ,,,,2

7. Broken ChordsPart3

8.,, ,,,,4

9.,, ,,,,5

10. Left Hand,,1

11.,,,,2

12.,,,,3

13. Left HandPart4

14. Arpeggio,,1

15.,,,,2

16.,,,,3

17. Velocity,,1

18.,,,,2

19. VelocityPart3

20.,,,,4

21.,,,,5

22.,,,,6

23. ,,,,7

NOVELLO’S MUSIC PRIMERS.

Limp Paper.Boards.

Harmony. (Dr. Stainer) 1/6 1/11

The Harmonium. (King Hall) 1/6 1/11

The Organ. (Dr. Stainer) 1/6 1/11

The Pianoforte. (E. Pauer) 1/6 1/11

Limp Paper.Boards.

The Rudiments of Music. (W. H. Cummings) 0/9 1/1½

Singing. (Randegger) 3/0 3/10

The Violin. (B. Tours) 1/6 1/11

Violoncello. (J. de Swert) 1/6 1/11

ALBUMS OF PIANOFORTE MUSIC. SUITABLE FOR PRESENTS.

Beethoven Sonatas, paper 3/10

Ditto, cloth 5/8

Gavotte and Minuet Album, in cloth 3/0

Mendelssohn, Complete Pianoforte Compositions, including the Lieder ohne Worte, paper 5/8

Ditto, cloth 8/0

Mendelssohn, Lieder ohne Worte, cloth 3/5

Mendelssohn, Lieder ohne Worte, paper 1/11

Ditto, paper 0/9

Mendelssohn, Lieder ohne Worte, full music size, cloth 5/8

Mendelssohn, Lieder ohne Worte, full music size, paper 3/10

March Album (45), by various composers, in cloth 3/0

Mozart Sonatas, complete 2/3

Ditto, cloth 3/10

PIANOFORTE SOLOS.

ADAM, LEON:

Liselotte (Air de Ballet) 1/4

Lancelot (Air de Ballet) 1/4

ALBERT, L.:

Cherry (Two Step) 1/4

ALSTYNE, E. V.:

I’m Afraid to Come Home in the Dark (Two Step) 1/4

ANDERSON, J. G.:

Rodie Dear (Two Step) 1/4

ASCHER, J.:

Alice. Transcription 1/6

BADARZEWSKA:

Maiden’s Prayer 0/6

BACHMANN:

Les Sylphes 1/4

BATISTE:

Andante, G 0/6

BEETHOVEN:

Adieu to the Piano 0/6

Five Brilliant Waltzers 0/6

Idyll in G 1/4

Moonlight Sonata 0/8

Sonata Pathétique 0/10

Sonatas, complete, paper 3/10

Ditto, cloth 5/8

BERGER:

Joyeux negres 1/4

March Electrique 1/4

BERLIN, J.:

Alexander’s Rag Time (Two Step) 1/4

BLAKE, C. D.:

Grand March 0/8

BLON, FRANZ VON:

Sizilletta 1/4

BOCCHERINI:

Celebrated Minuet 0/6

BOGGETTI, E.:

Bewitching Gavotte 1/4

BOHM (CARL):

Lyric Suite 2/3

Musical Souvenir 2/3

BONHEUR, THEO.:

Imps’ Revels 1/4

Dance of the Witches 1/4

Zinga Mazurka 1/4

BOREL-CLERC:

La Maxixe 1/6

La Flickette 1/4

BOROWSKI, F.:

Madrigal 1/4

Valsette 1/4

Menuet 1/4

La Coquette 1/4

Melodie 1/4

BRAHMS:

Hungarian Dances (21) 2/3

Drei Intermezzi, Op. 117 2/8

BRATTON, J. W.:

Spangles (Two Step) 1/4

In a Pagoda (Two Step) 1/4

Jungle Jubilee (Two Step) 1/4

Teddy Bears’ Picnic 1/4

BUCALOSSI, E.:

Incidental Music to Monsieur Beaucaire 1/11

BUNNING, H.:

Three Dances from Robin Hood 2/0

BURGMULLER, F.:

March, Norma 0/6

CHOPIN:

Funeral March (Marche Funèbre) 0/6

Ballades 1/3

Etudes 1/3

Impromptus 1/3

Mazurkas 1/8

Nocturnes 1/3

Polonaises 1/3

Preludes 1/3

Scherzos 1/3

Valses 1/3

CHAMINADE, C.:

Pastel 1/4

Pas de Sylphes 1/4

Les Noces d’Or 1/4

Tristesse 1/4

Expansion 1/4

Danse Creole 1/4

La Lisonjera 1/8

Caprice Humorestique 1/4

Pas des Amphores (Second Air de Ballet) 1/4

Serenade, Op. 29 1/4

Studio, Op. 66 1/4

Les Sylvains, Op. 60 1/4

Arabesque, Op. 61 1/4

Le Morina, Op. 67 1/4

Air de Ballet, Op. 30 1/4

Valse Caprice, Op. 33 1/4

Automne, 2nd Study 1/4

Fileuse, 3rd Study 1/8

2nd Gavotte, Op. 121 1/4

Toccata, Op. 39 1/4

Pas des Echarpes (3rd Air de Ballet) 1/4

Callirhoe (4th Air de Ballet) 1/4

Contes Blues, 1, 2, 3, Op. 122 each 1/4

Pastorelle, Op. 114 1/4

Sous le Masque 1/4

Valse Romantique, Op. 115 1/4

Variations, Op. 120 1/8

Pierrette (Air de Ballet, Op. 41) 1/4

Chanson Napolitaine 1/4

Ballade, Op. 86 1/4

Vert Galant, Op. 85 1/4

Valse Tendre, Op. 119 1/4

Ritournelle 1/4

Sous Bois 1/4

CLARKE, R. C.:

Cock a Hoop (Two Step) 1/6

CLARKE, S.:

Marche aux Flambeaux 1/0

[835]

CLERICE:

La Kraquette 1/4

COOPER, CHARLES PASTON:

Four Album Leaves 3/0

COSTA, SIR M.:

March of the Israelites (The) 1/0

COSTA, P. MARIO:

Frangesa March 1/4

COWEN, F. H.:

Four English Dances 1/11

Suite of Old English Dances 2/8

CREMIEUX:

Cherries (Two Step) 1/6

Away Down Indiana (Two Step) 1/6

CZIBULKA, A.:

La Stéphanie Gavotte 0/6

Hearts and Flowers 1/4

Songe d’Amour après le Bal 1/4

DAVIS, P.:

Paprika (Two Step) 1/4

DEBUSSY, CLAUDE:

Children’s Corner 3/10

Two Arabesques 2/0

DE GRAU:

Il Corricolo 0/6

DELIBES, LEO:

Coppelia Valse 2/0

Pizzicati from Sylvia 1/4

DUBOURG, CH.:

The Apache’s Dance 1/4

DUNKEL’S:

Ghosts (Two Step) 1/6

DURAND, A.:

Chaconne, Op. 62 1/4

Iere Valse, Op. 83 1/4

Second Valse, A flat, Op. 86 1/6

Pomponette 1/4

Six Valses (in book) 3/10

DVORAK:

Slavische Tanzes, 2 books each 2/4

ECKERSLEY, R.:

Fire-Flies (Two Step) 1/4

EILENBERG, R.:

German Patrol 1/4

March of the Mountain Gnomes 1/4

ELGAR, E.:

Chanson de Nuit 1/0

Pomp and Circumstance March 1/6

Salut d’Amour 1/4

Wand of Youth (2 Suites) each 2/3

EWING, M.:

Policeman’s Holiday (One or Two Step) 1/4

FINCK, H.:

In the Shadows 1/4

Pirouette 1/4

On the Road to Zag-a-Zig 1/4

Pelissiana No. 1 (on Pelissier Songs) 1/4

FUCIK, J.:

Entry of the Gladiators March 1/4

GALLATLY:

Bogey Walk (One or Two Step) 1/4

Tortoise Patrol (One Step) 1/4

GANNE, LOUIS:

Marche Americaine 1/4

La Tzigane Mazurka 1/4

La Mousmé 1/4

Marche Lorraine 1/4

La Czarine 1/4

La Scandinave 1/4

La Housard 1/4

GANZ, W.:

Qui Vive, Galop de Concert 1/4

GERMAN:

Intermezzo (Henry VIII.) 1/6

Masque (As You Like It) 1/11

3 Dances (Henry VIII.) 1/6

3 Dances (Tom Jones) 1/6

3 Dances (Nell Gwynne) 2/0

4 Dances (Merrie England) 2/0

Gipsy Suite Dances 2/8

Colombine 1/4

GHYS:

Air le Roi (Louis XIII.) 0/6

GILLET:

Loin du Bal 1/4

Lettre de Manon 1/4

Pendant le Bal 1/6

Reponse a Manon 1/6

GODARD, B.:

Au Matin 1/4

Deuxieme Mazurka 1/4

1st Valse 1/4

2nd,, 1/8

GODFREY:

Madam Butterfly (Selection) 1/4

Lady Madcap (Selection) 1/6

Dollar Princess (Selection) 1/4

Orchid 1/6

Girl from Kay’s 1/6

Messenger Boy 1/6

Reminiscences of England, Ireland, Scotland, Wales each 1/6

The Bohemians 1/4

Country Girl 1/6

Belle of New York 1/4

Duchess of Dantzic 1/6

Runaway Girl 1/6

Artist’s Model (Selection) 1/4

Gaiety Girl (Selection) 1/4

Shop Girl (Selection) 1/4

La Poupée 1/4

Little Christopher Columbus (Selection) 1/4

Yeoman of the Guard (Selection) 1/6

La Cigale (Selection) 1/4

Girl in the Train (Selection) 1/4

Gondoliers (Selection) 1/6

Holy City (Adams) 1/6

Queen of the Earth (Pinsuti) 1/4

Tosca (Puccini) 1/4

Toreador 1/6

Three Little Maids 1/6

Cingalee 1/6

Veronique 1/6

Earl and the Girl 1/6

Catch of the Season 1/4

GOUNOD, C.:

Ave Maria (transcription) 1/0

Dodelinette 1/4

Funeral March of a Marionette 1/4

Marche Romaine 1/6

Meditation sur le Ire Prelude (Bach) 1/4

Sérenade (transcription) 1/4

GREIG:

Op. 1 Four Pieces 1/3

,, 3 Poetic Tone Pictures 1/3

,, 6 Humoresken 1/3

,, 7 Sonata, E minor 1/8

,, 12 Lyrische Stückchen. Heft 1 1/3

,, 17 Nordische Tanzen Volksweisen 1/3

,, 19 No. 2 Nordweigischer Brautzug 0/10

,, 19 Aus dem Volksleben 1/3

,, 24 Ballade 1/3

,, 28 Album Leaves 1/3

,, 29 Improvten Norweg. Pop. Songs 1/3

,, 38 Lyrische Stückchen. Heft 2 1/8

,, 40 Holberg Suite 1/3

,, 41 Klavier Stüche nach eignen Liedern, 2 books, each 1/3

,, 43 Lyrische Stückchen. Heft 3 1/8

,, Peer Gynt Suite 1/3

,, 47 Lyrische Stückchen. Heft 4 1/3

,, 54 Lyrische Stückchen. Heft 5 1/3

HALL, R. B.:

New Colonial March 1/4

HAMBOURG, MARK:

Gavotte (A minor) 1/6

HANDEL:

Dead March in Saul 0/6

Harmonious Blacksmith 0/6

Largo 0/6

March in Scipio 0/6

HAYDN:

Gipsy Rondo 0/6

Toy Symphony, Piano and Parts 1/8

Toy Symphony, String Parts 1/0

HELLER, STEPHEN:

Tarantelle in A flat 0/6

HENSELT, A.:

Si oiseau j’étais 0/6

Song of Love (Liebeslied) 0/5

HIGGS, H. M.:

Girls of Gottenberg (Selection) 1/6

Count of Luxembourg (Selection) 1/6

Merry Widow (Selection) 1/6

Moonstruck Two Step (Our Miss Gibbs) 1/6

Mousmé, The (Selection) 1/6

Our Miss Gibbs (Selection) 1/6

Arcadians (Selection) 1/6

Quaker Girl (Selection) 1/6

Yip-I-addy-I-ay (Two Step) 1/6

HOFFMAN:

Mocking Bird 0/8

HOFFMAN, M.:

Way Down in Colon Town 1/4

HILL, W.:

March in G 1/0

HOWGILL, J. S.:

Weymouth Chimes Gavotte 1/6

HUMPERDINCK, E.:

Miracle, The (Selection) 1/4

JENSEN:

Songs and Dances, 2 books, each 0/9

The Mill 1/0

Wanderbilder, 2 books, each 1/3

JOHNSON, W.:

Harry Lauder Songs for Piano 1/0

JOHNSON, LEE:

Ramona 1/6

JONES, SIDNEY:

Geisha (Selection) 1/4

Greek Slave (Selection) 1/4

King of Cadonia (Selection) 1/4

JOYCE, A.:

I’ll Dance Till de Sun Breaks Thro’ (Two Step) 1/4

Mickey’s Birthday 1/4

JUNGMAN:

Heimweh (Home) 0/6

KAPS (KARL):

Bustlin’ Billy (Two Step) 1/4

KETELBEY, A. W.:

Dairymaids (Selection) 1/6

Spring Chicken (Selection) 1/6

Little Michus (Selection) 1/6

Miss Hook of Holland (Selection) 1/6

KLAY, KAROLY:

Liebeslied 1/4

Abendlied 1/4

Slavonic Dance 1/4

Sunshine Intermezzo 1/4

KIEFERT, C.:

Come, Sweet Morning 1/4

San Toy (Selection) 1/4

Violets (Wright) 1/4

KETTERER:

Caprice Hongroise 0/6

Gaetana Mazurka 0/6

L’Argentine 0/6

KRAL, J. N.:

Hoch Habsburg March 1/4

KUHE:

Better Land (Cowen) 1/6

Cavalleria Rusticana (Selection) 1/4

Come Back to Erin 1/6

Lost Chord (Sullivan ) 1/6

KUSSNER, A.:

Moon Moths 1/11

Hesitation 1/4

The Evening Hour 1/4

Dance of the Wood Nymphs 1/4

LACK, T.:

Cabaletta 1/4

Sonnet 1/4

Valse Arabesque 2/0

LEDUC:

La Chatelaine 0/6

LESTRANGE, Z.:

Hobble Skirt Walk (One Step) 1/4

LANGE, G.:

Blumenlied 0/6

Edelweiss 0/6

Herzelied 1/4

LANSING:

Darkie’s Dream 1/4

LASSON:

Crescendo 1/0

LEHMANN, L.:

Cobweb Castle (6 Pieces) 3/6

LIEBICH, I.:

Musical Box 1/4

LINCKE, PAUL:

Berliner Luft March 1/4

Nigger’s Birthday 1/4

O ihr Weiber March 1/6

LUTZ, M.:

Pas de Quatre (Faust) 1/4

MACBETH, A.:

Intermezzo, Forget-me-not 1/4

MACDOWELL:

Fireside Tales 3/0

Woodland Sketches 3/0

Sea Pieces 3/10

In Lilting Rhythm 1/11

Forgotten Fairy Tales 1/11

New England Idylls 3/10

In Passing Moods 3/10

MACKLIN, C.:

Tres Moutarde (One or Two Step) 1/4

MAGNUS, D.:

Barcarolle (Tales of Hoffmann) 1/4

MALEMBERG, C.:

Dresdina (A Stately Measure) 1/4

MARTI, E.:

Confidences 1/4

MASCAGNI, P.:

Intermezzo Cavalleria Rusticana 1/4

MATTEI, TITO:

Grand Valse 1/8

MELLAINE, M.:

Valse Arabesque 1/4

MENDELSSOHN:

Andante and Rondo Capriccioso 0/8

A Fragment 1/4

Complete Pianoforte Compositions paper 5/8

,, ,,cloth 8/0

Lieder ohne Worte, cloth 3/5

,,full music size, cloth 5/8

,, ,, ,, paper 1/11

Large Print 3/10

Seven Marches 1/11

Six Christmas Pieces 0/8

Two Musical Sketches 0/6

War March in Athalie 0/8

Wedding March 0/6

MEYERBEER:

Grand March Prophête 1/0

MICHAELMAS, T.:

Czardas (6 Numbers) each 1/4

Turkish Patrol 1/4

MILLS (KERRY):

Whistling Rufus 1/4

At a Georgia Camp Meeting 1/4

MORET, N.:

Hiawatha 0/6

Moonlight Serenade 1/4

Poppies 1/4

Silverheels 1/4

MONCKTON, LIONEL:

Soldiers in the Park March 1/6

MOZART, W.:

Sonatas, complete. By A. Zimmerman 2/3

,, ,, ,,cloth 3/10

MOSZKOWSKI:

Album Espagnole, Op. 21 1/6

Serenata, Op. 15 1/4

Spanish Dances, complete 2/6

Valse Brilliante (A flat) 1/4

MYDDLETON, W. H.:

Down South 1/4

NEVIN, E.:

O’er Hill and Dale (4 Pieces) 2/3

May in Tuscany (6 Pieces) 2/3

Album, 2 vols each 2/3

Venezia 3/0

Narcissus 1/0

Rosary 1/4

NOWOTNY, J.:

Aller Ehren March 1/4

O’NIELL, NORMAN:

Blue Bird, complete 2/8

Blue Bird, 4 Dances 1/11

OEHME, ROBERT:

8 Morceaux, in Album 1/11

4 Morceaux, in Album 1/11

OESTEN:

Carnival de Venise 0/6

Gondolied 0/6

PADEREWSKI, J. J.:

Chant du Voyager, complete 2/0

Legende, Op. 16, No. 1 1/4

Mélodie, Op. 16, No. 2 1/4

Mélodie, Op. 8, No. 3 1/0

Menuet in A 1/4

Minuet, Op. 14, No. 1 1/4

Nocturne, Op. 16, No. 4 1/4

Scherzino, Op. 10, No. 3 1/0

Un Moment Musical 1/0

PAUER, E.:

La Cascade 1/6

PIERNE:

Serenade in A or A flat, each 1/0

POWELL, S.:

Ein Liebeslied 1/4

PRIDHAM:

Battle March of Delhi 1/4

PRYOR:

Arcade Girl (Two Step) 1/6

Baby Parade 1/6

Coon Band Contest 1/4

Passing of Rag Time 1/6

Whistler and his Dog 1/6

RACHMANINOFF:

Prelude in C sharp minor 1/0

RANDOLPH, L. A.:

Manuella (Two Step) 1/4

REISSIGER:

Fairy Waltz 0/5

RAFF:

Cavatina, Op. 85 0/6

Fileuse, Op. 157 1/4

Polka de la Reine 0/10

Riguadon, Op. 204 1/4

Tarantelle 0/9

RESCH:

True Love Gavotte 0/6

REEVES, E.:

Lion’s Tail (Two Step) 1/4

Hobomoko Indian Romance 1/4

Billy Possums’ Parade (Two Step) 1/4

REINHARDT, H.:

Spring Maid (Selection) 1/6

RIMMER, W.:

Coster’s Wooing 1/4

ROBERTS, O.:

Carnival (Two Step) 1/4

ROBINSON, H.:

Pearl (One Step) 1/4

RITTER:

Les Courriers 1/4

ROSEY:

Honeymoon March 1/4

ROUBIER:

Joyeuse Réunion 1/0

Marche des Troubadours 1/4

Une Fête a Trianon 1/0

ROYLE, P.:

Iola, a New Dance 1/4

RUBINSTEIN:

Melody in F 0/6

Polka Boheme 1/4

Romance in E flat 1/0

SCHARWENKA:

Polish Dance, complete 3/10

Polish Dance, No. 1 1/0

SCHULOFF:

Carnival de Venice 0/8

Grande Valse Brillante 0/8

SCHUTT, E.:

A la bien aimee 1/4

Etude Mignonne 1/4

Valse Lente 1/4

Carnaval Mignon 2/8

SCHYTTE, L.:

Berceuse 1/4

SCHUMANN:

Arabesque 0/6

Merry Peasant 0/6

Nachstück 0/6

Schlummerlied 0/6

SCOTTO AND CHRISTINE:

Ah si vous voulez 1/6

Petite Tonkinoise 1/4

SIBELIUS:

Romance 1/4

Valse Triste 1/8

SMITH, SYDNEY:

Adieu, En Route (Concert), Fairy Queen (Galop), Faust (Gounod), Jeunesse Dorée La Harpe Eolienne, Le Jet d’Eau, Maypole Dance, Sleigh Bells, Tannhaüser, William Tell, each 1/4

[836]

SMALLWOOD, W.:

Fairy Barque 1/4

SMITH, SEYMOUR:

Dorothy, Old English Dance 1/4

SMITH, VERE:

Grotesques (Selection) 1/6

SOMERVELL, A.:

Spring Fancies 1/6

SOUSA:

Jack Tar March 1/4

Fairest of the Fair March 1/4

Glory of the British Navy March 1/4

Bride Elect March 1/4

Directorate March 1/4

Free Lance March 1/4

Hands Across the Sea March 1/4

Imperial Edward March 1/4

Invincible Eagle March 1/4

King Cotton March 1/4

Man Behind the Gun March 1/4

El Capitan March 1/4

Powhatan’s Daughter March 1/4

Liberty Bell March 1/4

Stars and Stripes March 1/4

Washington Post March 0/9

Washington Post March Album 0/9

SPINDLER, F.:

All Souls’ Day and Resolution 1/4

Husarenritt 1/4

SPINK, G. A.:

Bill Simmonds (Two Step) 1/4

STEWART DOUGLAS:

A Fragment 1/0

STRAUS, O:

Chocolate Soldier (Selection) 1/6

My Hero (Chocolate Soldier) 1/6

THALBERG:

Home, Sweet Home 0/6

Last Rose of Summer 0/8

THOMAS, A.:

Gavotte from Mignon 1/4

THOME, F.:

Andante Religioso 1/8

Badinage 1/4

Clair de Lune 1/6

Illusions 1/4

L’Extase 1/4

Simple Aveu 1/4

Sous les Feuilles 1/4

THURBAN:

Brooklyn Cake Walk 1/4

Mumblin Mose 1/4

TRINKAUS, G. J.:

Dutch Kiddies (Two Step) 1/4

TSCHAIKOWSKY:

Casse Noisette Suite 1/1½

Symphony Pathetique 1/11

Chant sans Paroles, Romance (Op. 5), Valse Scherzo (Op. 7), Mazurka de Salon (Op. 9, No. 3), Humoreske (Op. 10, No. 2), Thème et Variations (Op. 19, No. 6), Barcarolle (Op. 37, No. 6), En Traineau (Op. 37, No. 11), Valse de Salon (Op. 51, No. 1), Nocturne (Op. 10, No. 1), Feuillett d’Album (Op. 19, No. 3), each 1/4

TURNER:

Fairy Wedding Waltz 0/6

VALVERDE, J.:

Danse du Paraguay 1/4

VIVIANI:

Silver Trumpets 1/6

VANDERVELL:

Immer Wieder Gavotte 1/4

Au Secours March 1/4

WACHS, P.:

Capricante 1/4

Loin du Monde 1/4

WAGNER:

March, Tannhaüser 0/6

Double Eagle March 1/4

Lohengrin (Selection) 1/4

Tannhaüser (Selection) 1/4

WEBER:

Invitation pour le Valse 0/6

Last Valse 0/6

WELY:

Les Cloches du Monastère 0/6

Titania 1/4

WEST, A. H.:

Famous Patrol 1/4

Imperial Patrol 1/4

WEST, G. F.:

Cujus Animam (Rossini) 1/4

Kyrie Eleison 1/0

Nazareth (Gounod) 1/4

WHITE, M. V.:

From the Ionian Sea 2/0

WHITNEY:

Mosquitoes’ Parade 1/4

Old Daddy Peg Leg (Two Step) 1/4

WIDOR:

Serenade 1/4

WINDEATT, C:

Top Dog (One Step) 1/4

WINTERBOTTOM, W.:

Dorothy (Selection) 1/6

Iolanthe (Selection) 1/6

Mikado (Selection) 1/6

Ruddigore (Selection) 1/6

WOLLENHAUPT:

Grand Marche Militaire 1/0

La Gazelle 0/9

Valse Styrienne 0/9

WURM, M.:

Ginger (Two Step) 1/4

WYMAN:

Silvery Waves 1/0

YRADIER:

La Paloma 1/4

ZULUETA, PEDRO DE:

Fluffly Ruffles (Two Step) 1/6

ALL MUSIC NOT IN STOCK PROCURED TO ORDER.

SMALLWOOD’S EASY PIECES FOR CHILDREN.

Little Buds. Nos. 1 to 69 ... ... ... ... ...0/4 each

1.Far Away.

2.Liquid Gem.

3.Her Bright Smile.

4.What are the Wild Waves.