The Trow Bindery
Reading edition
The production of fine bindings is not a new departure with us, but has been carried on for many years in what has been aptly described as, a “quality” department of a “quantity” business, where fine work can be executed at prices that are not prohibitive.
It is under the direction of a skilled craftsman, and the workmen are encouraged to excel in careful and conscientious work.
Our endeavor is to produce books which are not surpassed for elegance, elasticity, and durability—the three great requisites of a well bound book.
With technical knowledge to aid us in the selection of the best materials, and excellent tools, we strive for that result which is described as “flawless material faultlessly treated.”
The decoration, if any, is designed in complete harmony with the text, and where warranted, we call to our aid the foremost decorative designers and artists of the day.
No. 1. Vellum
No. 2. Linen
No. 3. Buckram
Samples of specially designed “Marbled” cloths For sides and linings of half, three-quarter or full leather bindings
The older models are followed where original designs are not required; and where simplicity is desired, we hold to the belief in “the undecorated surface of flawless material,” bearing in mind the sobriety of treatment, but careful execution which distinguishes the best work of the past.
As a new departure we are showing the use of specially designed cloths for sides and linings, in place of the German marbled papers and French “combs,” the most of which as Miss Prideaux says “produce the effect of violent color thrown on wet blotting paper.”
Used as sides on half or three-quarter leather styles, the cloth gives greater durability, as the surface does not rub, nor will the edges wear off where turned over, as happens with the use of marbled papers.
As linings they obviate the use of the extra cloth joint, which is unsightly, but necessary for strength with the use of marbled paper; with their use the folded edge is pasted in the joint, allowing the cover to be lifted without drawing the end papers away from the book.
Good taste, and harmony of color are assured by their wide variety, and in addition some new and novel effects may sometimes be secured.
The Historic Hudson—Doublé Green Levant. Pictorial inlay and decoration tooled in gold.