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Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 1 of 3)

GOLDSMITH’S “RETALIATION.”

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At a festive meeting, where Johnson, Reynolds, Burke, Garrick, Douglas, and Goldsmith, were conspicuous, the idea of composing a set of extempore epitaphs on one another was started. Garrick offended Goldsmith so much by two very indifferent lines of waggery, that the latter avenged himself by composing the celebrated poem Retaliation, in which he exhibits the characters of his companions with great liveliness and talent. The lines have a melancholy interest, from being the last the author wrote. The character of Sir Joshua Reynolds is drawn with discrimination and judgment—a little flattered, resembling his own portraits, in which the features are a little softened, and the expression a little elevated.

“Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind; His pencil was striking, resistless, and grand; His manners were gentle, complying, and bland; Still born to improve us in every part, His pencil our faces, his manners our heart.”

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