Chapter IX · "La Traviata"

Familiarity with music and its effects—An experience of the author's—Prelude to Verdi's last act—Expressiveness of some melodies—Verdi, the dramatist—Von Bülow and Mascagni—How "Traviata" came to be written—Piave, the librettist—Composed simultaneously with "Il Trovatore,"—Failure of "La Traviata," —The causes—The style of the music—Dr. Basevi's view—Changes in costuming—The opera succeeds—First performance in New York, —A criticism by W. H. Fry—Story of the opera—Dumas's story and harles Dickens—Controversy as a help to popular success.