Chapter III · "Die Zauberflöte"
Reading edition
The oldest German opera current in America—Beethoven's appreciation of Mozart's opera—Its Teutonism—Otto Jahn's estimate—Papageno, the German Punch—Emanuel Schikaneder—Wieland and the original of the story of the opera—How "Die Zanberflöte" came to be written—The story of "Lulu"—Mozart and freemasonry—The overture to the opera— The fugue theme and a theme from a sonata by Clementi—The opera's play—"O Isis und Osiris"—"Hellish rage" and fiorituri—The song of the Two Men in Armor—Goethe and the libretto of "Die Zauberflöte"— How the opera should be viewed.