Chapter V · "Fidelio"

An opera based on conjugal love—"Fidelio," "Orfeo," and "Alceste"— Beethoven a Sincere moralist—Technical history of "Fidelio,"—The subject treated by Paër and Gaveaux—Beethoven's commission—The first performance a failure—A revision by the composer's friends— The second trial—Beethoven withdraws his opera—A second revision —The revival of 1814—Success at last—First performances in London and New York—The opera enriched by a ballet—Plot of "Fidelio"— The first duet—The canon quartet—A dramatic trio—Milder-Hauptmann and the great scena—Florestan's air—The trumpet call—The opera's four overtures—Their history.