ROBERT HICHENS

The Garden of Allah

The son of a clergyman, Mr. Robert Smythe Hichens, born at Speldhurst, Kent, England, on November 14, 1864, was originally intended to follow a musical career, but after some years abandoned music for journalism. His first long novel was written and published at the age of seventeen. It attracted little or no attention, and has long been out of print. A trip to Egypt in 1893 resulted in a burning desire to become a novelist, and his brilliant satire, "The Green Carnation," followed. The book was written in a month, and at once established its author's name and fame. "The Garden of Allah," of all Mr. Hichens' works the most typical of his genius, appeared in 1905. "The intellectual grip of the story," says one critic, "cannot be denied, for it completely conquers the critical sense, and the ideas of the author insinuate themselves, as it were, among one's inmost thoughts." Yet Mr. Hichens' stories are popular, not only with literary connoisseurs, but also with the general public, inasmuch as they owe their fascination not so much to an extreme refinement of art as to their freshness of imagination and dramatic intensity. This epitome of the "Garden of Allah" has been prepared by Mr. Hichens himself.

I.--The Home of Peace

On an autumn evening, Domini Enfilden leaned on the parapet of a verandah of the Hotel du Désert at Beni-Mora, in Southern Algeria, gazing towards the great Sahara, which was lit up by the glory of sunset. The bell of the Catholic Church chimed. She heard the throbbing of native drums in the village near by. Tired with her long journey from England, she watched and listened while the twilight crept among the palms, and the sandy alleys grew dark.

Thirty-two, an orphan, unmarried, strong, fearless, ardent, but a deeply religious woman and a Catholic, Domini had passed through much mental agony. Her mother, Lady Rens, a member of one of England's oldest Catholic families, but half Hungarian on the mother's side, had run away when Domini was nineteen with a Hungarian musician, leaving her only child with her despairing and abandoned husband. Lord Rens had become a Catholic out of love for his wife. When he was deserted by her, he furiously renounced his faith, and eventually died blaspheming. In vain through many years he had tried to detach his daughter from the religion of her guilty mother, now long since dead. Domini had known how to resist; but the cruel contest had shaken her body and soul.

Now free, alone, she had left England to begin a new life far away from the scene of her misery. Vaguely she had thought of the great desert, called by the Arabs "The Garden of Allah," as the home of peace. She had travelled there to find peace. That day, at the gate of the desert, she had met a traveller, Doris Androvsky, a man of about thirty-six, powerfully built, tanned by the sun. When she was about to get into the train at the station of El Akbara this man had rudely sprung in before her. The train had begun to move, and Domini had sprung into it almost at the risk of her life. Androvsky had not offered to help her, had not said a word of apology. His gaucherie had almost revolted Domini. Nevertheless, something powerful, mournful, passionate, and sincere in his personality had affected her, roused her interest.

Silently they had come into the desert together, strangers, almost at enmity the one with the other. They were now staying in the same hotel in this oasis in the desert of Sahara.

In coming to the hotel, Domini had seen a curious incident. Androvsky, with a guide who carried his bag, was walking before her down the long public garden, when in the distance there appeared the black figure of the priest of Beni-Mora advancing slowly towards them. When Androvsky saw the priest he had stopped short, hesitated, then, despite the protests of his guide, had abruptly turned down a side path and hurried away. He had fled from the man of prayer.

Now, as the twilight fell, Domini thought of this incident, and when she heard Androvsky's heavy tread upon the stairs of the verandah, the sharp closing of the French window of his room, she was filled with a vague uneasiness.

Next day she visited a wonderful garden on the edge of the desert belonging to a Count Anteoni, a recluse who loved the Arabs and spent much of his time among them. There, standing with the count by the garden wall at the hour of the Mohammedan's prayer, she had seen Androvsky again. He was in the desert with a Nomad. The cry of the muezzin went up to the brazen sky. The Nomad fell on his knees and prayed. Androvsky started, gazed, shrank back, then turned and strode away like one horrified by some grievous vision. Domini said to the count, "I have just seen a man flee from prayer; it was horrible."

He answered her, very gravely, "The man who is afraid of prayer is unwise to set foot beyond the palm-trees, for the desert is the garden of Allah."

That evening Domini and Androvsky spoke to each other for the first time, on the top of a tower where they had come to see the sunset. Domini spoke first, moved by a strange look of loneliness, of desolation, in Androvsky's eyes. He replied in a low voice, and asked her pardon for his rude conduct at the station. Then, abruptly, he descended the tower and disappeared.

At night she visited a dancing house to see the strange dances of the desert. She found Androvsky there, watching the painted women as if half fascinated, half horrified by them. Irena, a girl who had been banished from Beni-Mora for threatening to murder an Arab of whom she was jealous, but had been permitted to return, discovering him among the audience, stabbed him. There was a violent scene, during which Androvsky, forcing his way through the desert men, protected Domini from the crush. The crowd rushed out, leaving them alone together. Androvsky insisted on escorting Domini back to the hotel.

II.--Defying Allah in Allah's Garden

The acquaintance thus unconventionally began between them continued, and ripened into a strange friendship. Domini was a magnificent horsewoman. Finding that Androvsky did not know how to ride, she gave him lessons. Together they galloped over the desert sands; together they visited the Saharan villages, hidden in the groves of date palms behind the brown earthen walls of the oasis; together watched the burning sunsets of Africa; at meal-times they met in the hotel; in the evenings they sat upon the verandah, and heard the Zouaves singing in chorus, the distant murmur of the tom-toms.

Domini became profoundly interested in Androvsky, but her interest was complicated by wonder at his peculiarities, at his uncouth manners, his strange silences, his ignorance of life and of social matters, his distrust of others, his desire to keep aloof from all human beings, except herself. The good priest, now her intimate friend, Count Anteoni, also her friend and respectful admirer, were ill at ease with him. He had tried to avoid them, but Domini, anxious to bring some pleasure into his life, had introduced him to them at a luncheon given by the count in his garden, despite Androvsky's dogged assertion that he disliked priests, and did not care for social intercourse.

At this lunch Androvsky had been brusque, on the defensive, almost actively disagreeable. And when, after the priest's departure, he left Domini alone with Count Anteoni, she felt almost relieved. Count Anteoni summoned a sand-diviner to read Domini's fate in the sand. This man--a thin, fanatical Eastern, with piercing and cruel eyes--spread out his sand brought from the tomb of a Mohammedan saint, and prophesied. He declared that he saw a great sand-storm, and in it a train of camels waiting by a church. From the church came the sound of music, nearly drowned by the roar of the wind. In the church the real life of Domini was beginning. The music ceased; darkness fell. Then the diviner saw Domini, with a companion, mounted on one of the camels, and disappearing into the storm towards the south. The face of her companion was hidden. Finally he saw Domini far out in the desert among great dunes of white sand. In her heart there was joy. It was as if all the date palms bore their fruit together, and in all the desert places water-springs burst forth. But presently a figure came towards her, walking heavily; and all the dates shrivelled upon the palms, and all the springs dried up. Sorrow and terror were there beside her.

At this point in the diviner's prophecy Domini stopped him. Afterwards she explained to Anteoni that she felt as if another's fate was being read in it as well as her own, as if to listen any more might be to intrude upon another's secret.

Upon the following day Anteoni left Beni-Mora to make a long desert journey to a sacred city called Amara. Domini went to his garden at dawn to see him off. Before departing he warned Domini to beware of Androvsky. She asked him why. He answered that Androvsky seemed to him a man who was at odds with life, with himself, with his Creator, a man who was defying Allah in Allah's garden. When Anteoni had gone, Domini, in some perplexity of spirit, and moved by a longing for sympathy and help, visited the priest in his house near the church. The priest, indirectly, also warned her against Androvsky, and a little later frankly, told her that he felt an invincible dislike to him.

"I have no reason to give," said the priest. "My instinct is my reason. I feel it my duty to say that I advise you most earnestly to break off your acquaintance with Monsieur Androvsky."

Domini said, "It is strange; ever since I have been here I have felt as if everything that has happened had been arranged beforehand, as if it had to happen, and I feel that, too, about the future."

"Count Anteoni's fatalism!" exclaimed the priest. "It is the guiding spirit of this land. And you, too, are going to be led by it. Take care! You have come to a land of fire, and I think you are made of fire."

The warnings of Anteoni and the priest made an impression on Domini. She was conscious of how the outside world would be likely to regard her acquaintance with Androvsky. Suddenly she saw Androvsky as some strange and ghastly figure of legend; as the wandering Jew met by a traveller at cross roads, and distinguished for an instant by an oblique flash of lightning; as the shrouded Arab of the Eastern tale, who announces coming disaster to the wanderers in the desert by beating a death-roll on a drum amid the sands.

And she felt upon her the heavy hand of some strange, perhaps terrible, fate.

III.--The Eternal Song of Love

That same night, accompanied by Batouch, Domini rode out into the desert to see the rising of the moon, and there met Androvsky. He had followed them on horseback. Domini dismissed Batouch at Androvsky's reiterated request. When they were alone in the sands, Androvsky told Domini that he had needed to be with her as he had something to tell her. On the morrow he was going away from Beni-Mora.

His face, while he said this, was turned from Domini, and his voice sounded as if it spoke to some one at a distance, some one who can hear as man cannot hear.

Domini said little. But at the sound of his words it seemed to her as if all outside things she had ever known had foundered; as if with them had foundered, too, all the bodily powers that were of the essence of her life. And the desert, which she had so loved, was no longer to her the desert, sand with a soul in it, blue distances full of a music of summons, but only a barren waste of dried-up matter, featureless, desolate, ghastly with the bones of things that had died.

She rode back with Androvsky to Beni-Mora in a silence like that of death.

But this parting, decreed by the man, was not to be. In the desert these two human beings had grown to love each other, with a love that had become a burning passion. And next day when, in the garden of Count Anteoni, Androvsky came to say farewell to Domini, his love broke all barriers. He sank on the sand, letting his hands slip down till they clasped Domini's knees.

"I love you!" he said. "I love you. But don't listen to me. You mustn't hear it. You mustn't. But I must say it. I can't go till I say it. I love you! I love you!"

"I am listening," she said. "I must hear it."

Androvsky rose up, put his hands behind Domini, held her, set his lips on hers, pressing his whole body against hers.

"Hear it!" he said, muttering against her lips. "Hear it! I love you! I love you!"

In the recesses of the garden Larbi, that idle gardener, played upon his little flute his eternal song of love, and from the desert, beyond the white wall, there rose an Arab's voice singing a song of the Sahara, "No one but God and I knows what is in my heart!"

IV.--A Nomad's Honeymoon

As the sand-diviner had foretold, Domini and Androvsky were married in the church of Beni-Mora, and by the priest who had warned Domini to have nothing more to do with Androvsky. A terrible sand-storm was raging, and the desert was blotted out. Nevertheless, when the ceremony was over, the bride and bridegroom mounted upon a camel, and with their attendants, set out for their desert honeymoon. Standing before the door of the church, the good priest watched them go, with fear in his heart, and that night in his humble home, kneeling before his crucifix, he prayed long and earnestly for all wanderers in the desert.

Isolated from all who knew them, free from all social ties, nomads, as are the Bedouins who make their dwelling for ever amid the vast and burning sands, Domini and Androvsky entered upon their married life. And at first one of them was happy as few are ever happy. Domini loved completely, trusted completely, lived with a fulness, a completeness she had never known till now. That Androvsky almost worshipped her, she knew. His conduct to her was perfect. And yet there were times when Domini felt as if a shadow rose between them, as if, even with her, in some secret place of his soul Androvsky was ill at ease, as if sometimes he suffered, and dared not tell his suffering.

One day, in their wanderings, they came to a desolate place called Mogar, and camped on a sandhill looking over a vast stretch of dunes. Towards evening Androvsky descended into the plain to shoot gazelle, leaving Domini alone. While he was away a French officer, with two men of the Zouaves, rode slowly up. They were nearly starving and terribly exhausted, having been lost in a sand-storm for three days and nights.

Pitying their sufferings, Domini insisted on entertaining them. The men must sup with the Arabs, the officer must dine with herself and Androvsky. The officer accepted with gratitude, and went off to make his toilet. When Androvsky returned, Domini told him of the officer's arrival, and when he saw the three places laid for dinner in the tent, he seemed profoundly disturbed. He asked the officer's name. Domini told him Trevignac.

"Trevignac!" he exclaimed.

Then, hearing the soldiers coming, he turned away; abruptly and disappeared into the bedroom tent.

Trevignac came up, and in a few minutes Androvsky reappeared. The two men gazed at each other for an instant. Then Domini introduced them, and they all sat down to dinner. Conversation was uneasy. Androvsky was evidently ill at ease; Trevignac was distrait at moments, strangely watchful of his host at other moments. Dinner over, Domini left the two men together to smoke, and went out on to the sand. She met an Arab carrying coffee and a liqueur to the tent.

"What's that, Ouardi?" she asked, touching the bottle.

He told her it was an African liqueur.

"Take it in," she said.

And she strolled away to the bonfire to listen to the fantasia the Arabs were making in honour of the soldiers.

When she returned to the tent, she found her husband alone in it, standing up, with a quantity of fragments of glass lying at his feet. Near him was the coffee, untasted. Trevignac was gone. She asked for an explanation. He gave her none. The fragments of glass were all that remained of the bottle which had contained the liqueur.

At dawn Domini met Trevignac riding away with his soldiers. He saluted her, bidding his men ride on. As he gazed at her, she seemed to see horror in his eyes. Twice he tried to speak, but apparently could not bring himself to do so. He looked towards the tent where Androvsky was sleeping, then at Domini; then, as if moved by an irresistible impulse, he leaned from his saddle, made over Domini the sign of the cross, and rode away into the desert.

V.--I Have Insulted God

From that day Androvsky's strange misery of the soul, strange horror of the world, increased. Domini felt that he was secretly tormented. She tried to make him happier; she even told him that she believed he often felt far away from God, and that she prayed each day for him.

"Boris," she said, "if it's that, don't be too sad. It may all come right in the desert. For the desert is the garden of Allah."

He made her no answer.

At last in their journeying they came to the sacred city of Amara, and camped in the white sands beyond it.

This was the place described by the sand-diviner, and here Domini knew that her love was to be crowned, that she would become a mother. She hesitated to tell her husband, for in this place his misery and fear of men seemed mounting to a climax. Nevertheless, as if in a frantic attempt to get the better of his mental torture, he had gone off, saying he wanted to see the city.

While he was away, Domini was visited first by Count Anteoni, who told her that he had joined the Mohammedan religion, and was at last happy and at peace; secondly, when night had fallen, by the priest of Amara. This man was talkative and genial, fond of the good things of life. Domini offered him a cigar. He accepted it. An Arab brought coffee, and the same African liqueur which had been taken to the tent on the night when Trevignac had dined with Domini and Androvsky.

When the priest was about to drink some of it, he suddenly paused, and put the glass down. Domini leant forward.

"Louarine," she said, reading the name on the bottle. "Won't you have some?"

"The fact is, madame," began the priest, with hesitation, "this liqueur comes from the Trappist monastery of El Largani."

"Yes?"

"It was made by a monk and priest to whom the secret of its manufacture belonged. At his death he was to confide the secret to another whom he had chosen. But the monks of El Largani will never earn another franc by Louarine when what they have in stock is exhausted."

"The monk died suddenly?"

"Madame, he ran away from the monastery after being there in the eternal silence for twenty years, after taking the final vows."

"How horrible!" said Domini. "That man must be in hell now, in the hell a man can make for himself by his own act."

As she spoke, Androvsky appeared by the tent door. He was looking frightfully ill, and like a desperate man. When the priest had gone, Domini told Androvsky about the liqueur and the disappearance of the Trappist monk. As she spoke, his face grew more ghastly. He stood rigid, as if with horror.

"Poor, poor man!" she said, as she finished her story.

"You--you pity that man then?" murmured Androvsky.

"Yes," she replied. "I was thinking of the agony he must be enduring if he is still alive."

Androvsky seemed painfully moved, and almost as if he were on the verge of some passionate outburst of emotion; and something like a deep voice far down in the loving heart of Domini said to her, "If you really love, be fearless. Attack the sorrow which stands like a figure of death between you and your husband. Drive it away. You have a weapon--faith--use it!"

At last she summoned all her courage, all her faith, and she forced from Androvsky the confession of what it was which held him in perpetual misery, even in freedom, even with her, whom he loved beyond and above all human beings.

"Domini," he said, "you want to know what it is that makes me unhappy even in our love--desperately unhappy. It is this. I believe in God, I love God, I have insulted God. I have tried to forget God, to deny Him, to put human love higher than love for Him. But always I am haunted by the thought of God, and that thought makes me despair. Once, when I was young, I gave myself to God solemnly. I have broken the vows I made! I gave myself to God as a monk."

"You are the Trappist!" she whispered. "You are the monk from the monastery of El Largani who disappeared after twenty years?"

"Yes," he said, "I am he."

Standing there in the sands, while the world was wrapped in sleep, Androvsky told Domini the whole story of his life in the monastery, of his innocent happiness there, and of the events which woke up within him the mad longing to see life and the world, and to know the love of woman. He told her of his secret departure by night from the monastery, of his journey to the desert in search of complete and savage liberty. He told her how he had fought against his growing love for her, how he had tried to leave her; how, at the last moment in the garden by night, his passion for her had conquered him and driven him to her feet. He told her how the officer, Trevignac, had known him long ago in the monastery, and had recognised him when the Arab brought in the liqueur which he had made. He kept nothing from her.

"That last day in the garden," he said finally, "I thought I had conquered myself, and it was in that moment that I fell for ever. When I knew you loved me, I could fight no more. You have seen me, you have lived with me, you have divined my misery. But don't think, Domini, that it ever came from you. It was the consciousness of my lie to you, my lie to God, that--that--I can't tell you--I can't tell you--you know."

He looked into her face, then turned to go away into the desert.

"I'll go! I'll go!" he muttered.

Then Domini spoke.

"Boris!" she said.

He stopped.

"Boris, now at last you can pray."

She went into the tent, and left him alone. He knew that in the tent she was praying for him. He stood, trying to listen to her prayer, then, with an uncertain hand, he felt in his breast. He drew out a wooden cross, given to him by his mother when he entered the monastery. He bent down his head, touched it with his lips, and fell upon his knees in the desert.

From that night, Domini realised that her duty was plain before her. Androvsky was still at heart a monk, and she was a fervently religious woman. She put God above herself, above her poor, desperate, human love, above Androvsky and his passionate love for her. She put the things of eternity before the things of time. She never told Androvsky of the child that was coming.

After he had made his confession to the priest of Beni-Mora who had married them, she led him to the monastery door, and there they parted for ever on earth, to be reunited, as both believed, in heaven.

And now, in the garden of Count Anteoni, which has passed into other hands, a little boy may often be seen playing.

Sometimes, when twilight is falling over the Sahara, his mother calls him to her, to the white wall from which she looks out over the desert.

"Listen, Boris," she whispers.

The little boy leans his face against her breast, and obeys.

An Arab is passing below on the desert track, singing to himself, as he goes towards his home in the oasis, "No one but God and I knows what is in my heart."

The mother whispers the words to herself. The cool wind of the night blows over the vast spaces of the Sahara and touches her cheek, reminding her of her glorious days of liberty, of the passion that came to her soul like fire in the desert.

But she does not rebel, for always, when night falls, she sees the form of a man praying, one who once fled from prayer in the desert; she sees a wanderer who at last has reached his home.