ON A PICTURE OF THE ASSUMPTION BY MURILLO.

With what calm power thou risest on the wind— Mak’st thou a pinion of those locks unshorn? Or of that dark blue robe which floats behind In ample fold? or art thou cloud-upborne? A crescent moon is bent beneath thy feet, Above the heavens expand, and tier o’er tier With heavenly garlands thy advance to greet, The cloudy throng of cherubim appear. There is a glory round thee, and mine eyes Are dazzled, for I know not whence it came, Since never in the light of western skies The island clouds burned with so pure a flame: Nor were those flowers of our dull common mould, But nurtured on some amaranthine bed, Nearer the sun, remote from storms and cold, By purer dews and warmer breezes fed. Well may we be perplexed and sadly wrought, That we can guess so ill what dreams were thine, Ere from the chambers of thy silent thought That face looked out on thee, Painter divine. What innocence, what love, what loveliness, What purity must have familiar been Unto thy soul, before it could express The holy beauty in that visage seen. And so, if we would understand thee right, And the diviner portion of thine art, We must exalt our spirits to thine height, Nor wilt thou else the mystery impart.