EVERY DEPARTMENT OF LITERATURE (continued 4)

And now let us loll in the cool portico, shaded with the Lombardy poplar—the proper tree, let them say what they will, to surround a gentleman's mansion—so tall and stately, and therefore so appropriate. How delightful is the breeze on this height! See the white sails of the vessels, through the trees on the bank of the river, spread out to catch it, and how gracefully and even majestically they glide along. You can trace them up and down as far as the eye can reach, following their quiet courses. The beautiful slopes of the fields in Maryland, cultivated to the water's edge, fill up a picture surpassingly beautiful—not grand, but beautiful; for what can please more than the calm sunshine shed upon upland and lowland, with the glad waters glistening in its rays, and just enough of man's works on both "flood and field" to give life and motion to the scene! Surrounded with such a prospect as this, let the old folks discuss their crops, talk of their wheat and corn, and prognosticate the changes of the weather—or, as times now go, settle first the affairs of the county, then of the state, and lastly of the nation, while we steal away to the parlor.

DAUGHTERS OF VIRGINIA! always fair, always lovely, how much fairer and lovelier than ever, do you appear in your own homes, surrounded by your fathers, your brothers and your kinsmen. How it has delighted me to watch the overflowings of your innocent hearts, to enjoy your winning smiles—to listen to the music of your voices! I see in you no hypocrisy and deceit, the moral contagious diseases caught by intercourse with corrupt society—I find no "town-bred" arts, mocking the modesty of nature—I discover no cunning devices to attract that attention which merit alone ought to command. May this be written of you always! May the land which produces noble, generous sons, ever have for its boast and pride, THE MOST VIRTUOUS DAUGHTERS.

And now having seen the young men fairly "paired," if not matched, let us leave them with a blessing, and look after our more aged friends.

Politics have run high since we left them, but the "cool of the evening" is cooling the blood, and "a drink" settles the controversy. Friends and neighbors cannot afford to quarrel even about what concerns themselves, much less about things so far off as at Washington. With Virginia gentlemen there is always a courtesy and kindness even in heated argument which precludes the possibility of offence.

Ah! did I not see a sly wink? And is there not a touch of the elbow, and then a low whisper, and by and by a buzz—and then an open proposal for a sociable game at CARDS. Presently, presently, good friends, we will have our tea and biscuit, and then for loo or whist!

Let not starched propriety look prim, nor prudery shake her head, nor jealous caution hold up her finger. Our fathers did the same before us, and "be we wiser or better than they?" Call in the "womankind," as Oldbuck of Monkbarns ungallantly styled the better part of creation, and let us have fair friends and foes to join us round the table. Trim the lights, roll from your purses just enough of silver to give an interest to our play. Avaunt! spirits of gaming and avarice from this circle—and here's at you till weariness or inclination calls us to seek

"Tired nature's sweet restorer, balmy sleep."

And thus ends a day in Chotank: A day!—yes many, many days. In these "our latter times," and this "our age of improvement," all this may be thought wrong! Perhaps it is so. I will not dispute with stern morality and strict philosophy. Their counsels are doubtless more worthy to be followed than the maxim which

"Holds it one of the wisest things To drive dull care away."

But for "my single self" I can say that after a day spent in Chotank I never had reason to exclaim, following the fashion of the Roman Emperor, "Diem Perdidi!"

But Chotank, like many other parts of the Old Dominion, is not now in its "high and palmy state." Some fifteen or twenty years ago it obtained that celebrity which makes it famous now. The ancient seats of generous hospitality are still there, but their former possessors, so free of heart, so liberal, and blessed withal with the means of being free and liberal, where are they? "And echo alone answers, where are they." Their sons can only hope to keep alive the old spirit by the exercise of more prudence and economy than their fathers possessed. Otherwise here too, as alas! in some cases is too true, the families that once and now own the soil, are destined to be rudely pushed from their places by grasping money lenders! Altered as the times are however, and changed as is the condition of many of the inhabitants, the life that I have attempted faintly to sketch, is the life yet led by the merry Chotankers. With the remembrance of the "olden time" strongly impressed on their minds, and tradition to strengthen the ideas formed by their own recollections, they will have their fun and their frolics—their barbecues and their fish frys. There are fewer "roystering blades" than there used to be, and much less drinking than formerly—but the court house now and then brings up a round dozen of "good men and true," who will not disgrace their ancestors: men who will make the "welkin ring" again with uprorarious mirth, and part as they met in all that high flow of spirits which results from good eating and drinking, and freedom, at least for the present, from care.

Let us, however, close. There is that in the place and the people of whom I am writing to induce me to continue: but enough for this "Recollection." If the eye of a Chotanker should meet this page and read what is written, he will know without looking at the signature that he has met with a FRIEND to him and 'all his neighborhood.'

Alexandria, D. C., Sept. 13, 1834.

E. S.

For the Southern Literary Messenger.

IMPORTANT LAW CASE IN A SISTER STATE, INVOLVING QUESTIONS OF SCIENCE.

[Communicated by P. A. Browne, Esq. of Philadelphia.]

On the Easterly side of the beautiful river Schuylkill, about seven miles north of the city of Philadelphia, stands the flourishing town of MANYUNK. Only a few years ago there was not a house to be seen there, and nothing disturbed the stillness of nature but the singing of the birds, the lowing of the herds, and the gentle ripling of the river as its waters glided towards the ocean; but now it has become the habitation of thousands of human beings, the seat of numerous manufactories, and a striking example of the rapid improvements in American industry and the arts. The whole of this change has been wrought by improving the navigation of the Schuylkill: by raising the Fairmount and other dams, sufficient water has been provided, not only for all the purposes of canaling and watering the city of Philadelphia, but the company, incorporated by law for that purpose, have found at their disposal an immense water power, which they sell and rent to the best advantage.

Among the number of enterprising citizens who availed themselves of these advantages was Mr. Mark Richards, a gentleman advantageously known and esteemed in the mercantile as well as the manufacturing world.

On the 1st of February, 1830, the Schuylkill navigation company made a deed to John Moore, in which it was recited that on the 3d day of November, 1827, Mark Richards had agreed with the company for the purchase of a lot of ground at Manyunk therein described; that on the 25th of January, 1828, he, the said Mark, had agreed to purchase of the company 100 inches of water power at flat-rock canal, at the annual rent of $6 per inch; and on the 13th of March, 1828, 200 inches of water power at the same rate, which water power was to be granted on the usual conditions, and subject to the former grants by the company of water power. That on the 4th of June, 1830, Richards and wife had granted the said lot and "the aforesaid water power of 300 inches of water" to Moore. It further recited that Richards had requested the grant of the company to be made to Moore, he Richards having paid the whole rent, amounting to $1840 per annum up to that time. Then follows the grant of the lot, together with the privilege of drawing from the canal through the forebay, at all times thereafter forever, "SO MUCH WATER AS CAN PASS through two metalic apertures, one of 50, and the other of 250 square inches, under a head of three feet." To have and to hold "the quantity of 300 SQUARE INCHES OF WATER," in manner aforesaid. Moore covenanted at his expense to erect and support the two metalic apertures, one of 50, and the other of 250 square inches, through which the said 300 inches of water, under a three feet head, "is to pass." The company reserving to themselves the right to enter upon the premises for the purpose of examining "the size of the apertures."

Mr. Moore having ascertained that by applying two plain simple metalic apertures of the given sizes, he was not able to draw the same quantity in square inches of water, but only 65 and ²/3d per cent. of the amount, he therefore applied the adjutages described by Professor Venturi; and for these applications, which were alleged to be a breach of the contract, an action was instituted in the Supreme Court of Pennsylvania.

It will be perceived that this case involved not only important principles of law, but interesting inquiries in hydrodynamics, to aid in the discussion of which, large draughts were made upon the scientific attainments of the accomplished bar of Philadelphia. For the plaintiff were engaged John Sergeant and Horace Binney, Esquires; but the absence of the latter gentleman at Congress, occasioned the retaining of C. Chauncey, Esquire; for the defendants were Joseph R. Ingersol and Peter A. Browne, Esquires.

The cause occupied several days, during which time the court house was continually crowded with an intelligent audience.

The questions were, first, whether the granter was confined to the use of simple apertures of the dimensions mentioned in the deed, when it was apparent from the opinions of men of science, and from the experiments made before the jury, that through such openings it was not possible for him to draw more than 65 and ²/3d per cent. of the water contracted for, (it being a law of nature that when a fluid is drawn from a simple aperture or opening, the stream or vein is contracted so as to form the figure of a cone;) or whether the grantee was entitled, at all events, to his 300 inches of water, and had a right to affix adjutages to overcome this law of nature, and restore things to the state they were supposed to be in by the parties, if, when they contracted, they were ignorant of this principle. Second. The defendant having contracted for as much water as "can pass" through metalic apertures of given sizes, whether he was entitled, provided he did not increase the size of the openings, nor increase the head, so to adjust the adjutages as to draw more water than 300 square inches; for it was proved by another set of experiments that, by reason of the adjutages at the defendant's mill, he had contrived, not only to overcome the vena contracta or contracted vein, but to draw off more water than would have passed through a plain opening if the vena contracta did not exist.

When a vessel is filled with a homogeneous fluid, and it is in equilibrium, all the particles of the fluid are pressed equally in all directions. This law was known to Archimedes, and its knowledge enabled him to detect the fraud committed by the gold smith upon Hiero, King of Syracuse. The first regular work upon Hisdrodynamics was written by Sextus Julius Frentinus, inspector of the public fountains at Rome under the Emperors Nerva and Trajan. He laid down the law, that water which flows in a given time, from a given orifice, does not depend merely upon the magnitude of the orifice, but upon the head or height of the fluid in the vessel. From that period until the 17th century none of the principles upon which this cause depends, were much studied, nor the doctrine of fluids much known. At length Gallileo the astronomer, by his discovery of the uniform acceleration of gravity, paved the way for a rapid improvement in hydrodynamics. Gallileo was acquainted with the fact that water could not be made to rise more than a certain height in a common pump; but he was entirely unacquainted with the reason. His pupil, Torricelli, and his friend, Viviani, discovered that it was owing to the pressure of the external air, and thus the problem was solved. Mariotte, who introduced experimental philosophy into France, was the first who announced that fluids suffer a retardation from the friction of their particles against the sides of tubes; and he shewed that this was the case even though the tubes were made of the smoothest glass. From his works, which were published after his death, in 1684, it appears that though he was thus acquainted with the principle upon which it is explained, he was unacquainted with the vena contracta. About that time this subject began to be much more studied in Italy. Dominic Guglielmini, a celebrated engineer, in 1697, published a very learned work upon the friction and resistance of fluids; and from that period to this the learned of all nations have admitted, that this resistance and retardation of fluids, owing to their friction, did take place in a moving fluid. This work, as connected with the motion of rivers and water in open canals, is one of deep interest in natural philosophy; and it is one, which in this age of improvements, should not be neglected in this country. Sir Isaac Newton, whose capacious mind grasped at every kind of knowledge, struggled hard to detect the reason of this resistance. In his 2nd book of his "Principia," propositions 51, 52 and 53, he lays down certain hypotheses, from which it results, that the filaments (as he calls them,) of a fluid, in a pipe, will be kept back by their adhesion to the sides of the tube, and that the next filaments will be kept back, though in a less degree, by their adhesion to the first filaments, and so on, until the velocity of the fluid will be greatest at the centre. Now if we apply this principle to the discharge of a fluid through a plain aperture, we will perceive that the parts of the water next to the sides of the opening, being liable to the greatest friction, will be the most retarded; and that those in the centre, being liable to the least friction, will be most in advance; and that the friction decreasing gradually from the extremities to the centre, the water will be always flowing in the form of a cone, with the smallest end in advance. This is the exact form of the vena contracta or contracted vein!

When the pipes are very small, this attraction of the sides of the pipes to the fluid operates so as to suspend the whole mass, when it is called capillary attraction. This appears to be the extent to which Newton was acquainted with the laws that govern the vena contracta, at the time he published the first edition of his Principia; but in his second edition, published in 1714, he discloses the doctrine of the contracted vein with his usual intelligence.

Every body is acquainted with the splendid experiments of the Abbe Bossut, which were published successively in 1771, 1786 and 1796, and any one desirous of examining this interesting subject will consult them at large.

Poleni first discovered, that by applying an additional cylindrical pipe to the orifice, of the same diameter, the expenditure of the fluid was increased. This discovery was followed up, first, by Mr. Vince; secondly, by Doctor Matthew Young; and lastly, by Venturi. This last named gentleman published his work on hydraulics in 1798; it was immediately translated and published in Nicholson's Journal of Natural Philosophy, where all the different adjutages, including the one used by the defendant in this action, are accurately drawn and described. They are also noticed, though not in as ample a manner, in Gregory's Mechanics, pages 438, 445 and 447.

From all which it was contended, that every one making a contract, must be presumed to be acquainted with the principles of the vena contracta, and of the methods used to overcome it, and that this party had a right to use these adjutages without incurring the risk of a suit.

[We understand that the suit, the foregoing interesting sketch of which has been obligingly furnished by one of the counsel, is still, in the language of the lawyers, sub judice; the jury having found a verdict subject to the opinion of the court. We are promised a full report of the trial and decision, for a subsequent number.]—ED.

For the Southern Literary Messenger.

MR. WHITE,—The following sketch was given me by one of those mail stage story-tellers, who abound on our roads, and enliven the drowsy passengers by their narratives. It is founded on fact, and may not be unacceptable to such of your readers as are fond of the delineation of human character in all its variety of phases.

NUGATOR.

SALLY SINGLETON.

Who thundering comes on blackest steed, With slacken'd bit and hoof of speed?—Byron.

A horseman passed us at full speed, whose wild and haggard look arrested the attention of my friend. In the name of all that is singular, said he, who can that be, and whither is he posting with such rapidity? His garb seems of the last century, and his grizzled locks stream on the wind like those of some ancient bard.

That man, replied I, is a lover, and is hurrying away to pay his devoirs to his mistress, who married another, and has been dead for many years.

Indeed! you surprize me, he rejoined. He has, it is true, the "lean look" of Shakspeare's lover; the "blue eye and sunken;" the "unquestionable spirit," and "every thing about him demonstrates a careless desolation"—yet I should have imagined, that the snows of so many winters had extinguished all the fires of that frosty carcase; but tell me who he is, and what is his story.

His name is Wilson; and that of the lady whom he loved, was Sally Singleton. I would that I had the graphic power of Scott to sketch a tale of so much interest. If Sir Walter has immortalized an old man, mounted on his white pony, and going in quest of the tombstomes, how much is it to be regretted that the same master hand cannot be employed to perpetuate the memory of yonder eccentric being, whose love lives on, after the lapse of twenty years, in spite of the marriage and death of his mistress—in spite of the evidence of his own senses, and notwithstanding every human effort to dispel his delusion. Regularly every morning, for the last twenty years, no matter what the state of the weather, (alike to him the hail, the rain, and the sunshine,) has he mounted his horse, and travelled a distance of ten miles, to see his beloved Sally Singleton. His custom is, to ride directly up to the window of her former apartment, and in a courteous manner, to bow to his mistress in token of his continued attachment. Having performed this act of gallantry, he waves with his hand a fond adieu, and immediately gallops back with a triumphant air, as if perfectly satisfied with having set his enemies at defiance. "The course of true love never did run smooth," and in this case, whether "misgrafted in respect of years," or "different in blood," or "standing on the choice of friends," is not exactly known; but the lady was wedded to another, and died soon after. Her lover would never believe in her marriage or her death. His mind unhinged by the severity of his disappointment, seems to have retained nothing but the single image of her he loved, shut up in that apartment; and he resolved to brave every difficulty, to testify his unchanging devotion. Obstacles were purposely built across his path—the bridges were broken down—the idle boys would gather around him, and assail him in their cruel folly—guns even, were fired at him,—all in vain! The elements could not quench the fervor of his love—obstacles were overleaped—he swam the rivers—the boys were disregarded—balls could not harm him. He held a charmed life; like young Lochinvar,

"He staid not for brake, And he stop'd not for stone;"

but dashed onward to his beloved window, and then, contented with this public attestation of his unalterable love, returned with a look of triumphant satisfaction, to his joyless home. As a last effort to remove the veil from his eyes, a suit was instituted, in which he was made a party, and proof of the lady's marriage and death was purposely introduced to undeceive him. He listened with cold incredulity to the witnesses; smiled derisively at that part of their testimony which regarded her marriage and death; and the next morning was seen mounted as usual, and bowing beneath the window of his adored Sally Singleton.

From the Petersburg Intelligencer.

EXTRACT FROM A NOVEL

THAT NEVER WILL BE PUBLISHED.

We had all assembled round the cheerful fire, that cracked and blazed in the wide old-fashioned hearth. The labor of the day was over. My father, snugly placed in his great easy chair, with his spectacles on his nose, had been for some time studying the last long winded and very patriotic speech of our representative in Congress, until his senses, gradually yielding to its soothing eloquence, had sunk into a calm slumber.—My mother sat in the corner knitting with all her might, and every now and then expressing her wonder (for she always wondered) how Patsy Woods could marry such a lazy, poor, good-for-nothing fellow as Henry Pate. Sister was leaning with both elbows on the table, devouring, as she termed it, the last most exquisite romance. Puss was squatted on Mother's cricket, licking her paws with indefatigable industry; and old Carlo, the pointer, lay grunting on the hearth rug, sadly incommoded by the heat of the fire, but much too lazy to remove from before it. And where was I? Oh! there was another corner to the fire place. In its extremest nook sat cousin Caroline, and next to her,—always next to her when I could get there, was I. Now this was what I call a right comfortable family party; and not the least comfortable of that party was myself. Cousin Caroline; dear, dear cousin! Many a year has rolled over me since the scene I describe; many a cold blast of the world's breath has blown on my heart and chilled, one by one, the spring flowers of hope that grew there; but the blossoms of love thy image nurtured, were gathered into a garland to hang on thy tomb, and the tears of memory have preserved its freshness. Cousin Caroline!—she was the loveliest creature on whom beauty ever set its seal. Reader, my feeling towards her was not what is called love; at least, not what I have since felt for another. My judgment of her excellence was not biassed by passion. She was most beautiful. I cannot describe her.

"Who has not proved how feebly words essay, To fix one spark of beauty's heavenly ray."

It were vain to talk of her "hyacinthine curls," her "ruby lips," her "pearly teeth," her "gazelle eye." These, and all the etceteras of description, define not beauty. It belongs to the pencil and not to the pen, to give us a faint idea of its living richness. But had your eyes glanced round a crowded room, crowded with beauty too, they would have rested in amazement there; amazement, that one so lovely should be on earth, and breathe among the creatures of common clay. Alas! it could not be so long. No, I did not love her in manhood's sense of love; for, at the time I speak of, I was but fourteen, and Caroline was in her eighteenth year; but I loved her as all created things that could love, loved her; from the highest to the lowest, she was the darling of the household. The servants, indoor and outdoor, young and old, and the crossest of the old, loved her. None so crabbed her smile would not soften; none so stern her mildness would not subdue. Oh, what a creature she was. I never saw Caroline angry, though I have seen her repel, with dignity, intrusion or impertinence. I never saw her cross. But this theme will lead me too far; and, perhaps the reader thinks I might sum up my estimate of her qualities in one word—perfection. Not so; but as near to it as the Creator ever suffered his creature to attain. Well, we were sitting round the fire in the manner I have described. Caroline was amusing me with a description of the pleasures of the town, for she had just returned from a visit to a relation residing in the city of ——, when the sound was heard of a carriage coming up the avenue. What a bustle! Father bounced up, dropping the paper and his spectacles; Mother stopped wondering about Patsy Woods, to wonder still more who this could be. Pussy remained quiet, but Carlo prevailed upon himself to stretch and yawn, and totter to the door, to satisfy his curiosity. Sister looked up. Caroline looked down; and then sister looked at her very archly, though I could not tell why, and said, "go brother Harry, ask the gentleman in."

"Why do you know who it is, my dear, that is coming to see us at this late hour?" said my father. It was but eight o'clock; but remember we were in the country. I went out of the room, and did not hear the answer. I was met at the hall door by a gentleman, whom I ushered in. My father accosted him, and was very proud and very happy to see Col. H——d. He was then introduced to the members of the family; "and this lady I think you are already acquainted with," continued my father, as he presented cousin Caroline, who had hung back. The Colonel smiled,—Caroline blushed, but she smiled too. What is all this about, thought I. "Come, sir, be seated," quoth my father. The Colonel bowed, thanked him, and placed himself forthwith in my chair, right beside Caroline. Now it is true Caroline had two sides, and her left side was as dear to me as her right; but then that side was next to the wall, and she sat so near to it that there was no edging a chair in without incommoding her. So I was fain to look out for other quarters, and found them next to my mother, whence I looked the colonel right in the face. He was not a handsome man, but a very noble looking one. He was rather above the common height, somewhat thin, but his carriage very erect. His complexion was dark, but ruddy dark, the hue of health and manliness; his forehead broad; so much so as to make the lower part of his visage appear contracted, and rather long. The expression of his features when at rest, was stern, and even haughty; perhaps from the habit of command, for his had been a soldier's life, and his title was won on the battle field; but when in conversation, there was an air of great good nature over his whole countenance, and his smile was very winning. Cousin Caroline thought it so.

"The road to your farm is rather intricate, my good sir," said the colonel, as he took his seat, "and though I had a pretty good chart of the country, (here he looked at Caroline and smiled one of those winning smiles, but Caroline did not, or would not see him,) I was so stupid as to miss the way, for when I reached the cross roads, instead of taking the right I directed the servant to the left, and moved on some time in the wrong direction without meeting a human being of whom to make inquiry. At length I had the good fortune to encounter a gentleman on horseback, who corrected my error, adding the satisfactory assurance, that I had gone at least four miles in the opposite direction to that which I desired to go; so that, though I set out betimes, it was thus late before I reached here."

"Well, I wonder!" cried my mother.

"Then colonel you must be sadly in want of refreshment," said my father. "My dear"—

"Not at all so, my dear sir. I beg you will give yourselves no trouble on my account. I assure you"—

"Sit still, colonel, I beg of you," interrupted my father, as the former rose to urge his remonstrance.—"Sit still, sir; trouble indeed; we'll have supper directly, and I don't care if I nibble a little myself."

So the colonel gave up the contest, but when he reseated himself, he perceived Caroline was gone; she had slipped out of the room with my mother. The colonel had a very nice supper that night, and he did it justice. Who prepared it, think you? my mother? No, for she returned to the room in two minutes after she left it. I knew who prepared it, and so did the colonel, or he made a shrewd guess; for, when Caroline returned, he gave her a look that spoke volumes of thankfulness, and of such exquisite fondness that it made the blood mount to her very forehead.

A week passed away, and colonel H——d remained a constant guest at my father's; and though I could not but like and admire him, his conduct was a source of great annoyance to me, for no sooner did Caroline make her appearance in the breakfast room in the morning than he posted himself next to her; and then they took such long walks together, and would spend so many hours in riding about the country, and they never asked me to accompany them, so that Caroline had as well have been in town again, for the opportunity I had of conversing with her. The result of all this is, of course, plain to the reader; and it was soon formally announced that on the third day of the succeeding month Caroline was to become the bride of the wealthy and gallant Colonel H——d, and accompany him forthwith to his distant home, for his residence was in the state of Georgia. I wept bitter tears, and sobbed as if my heart would break as I laid all lonely in my bed that night on which this latter piece of intelligence had been communicated by my father, until sleep, the comforter of the wretched, extended to me the bliss of oblivion. "Blessings on the man who invented sleep," says friend Sancho—blessings, aye blessings indeed, on all bountiful nature who, while she gives rest to the wearied body bestows consolation on the grieving heart, lulls into gentle calm the storm of the passions, plucks from power its ability and even its wish to oppress, and hushes in poverty the sense of its weakness and its degradation. My fate has not been more adverse than that of the generality of men, but "take it all in all," the happiest portion of my existence has been spent in sleep. Why did I weep? The being whom I loved best on earth was about to be wedded to the worthy object of her choice,—a choice that affection sanctioned and reason might well approve; and even to my young observation it was apparent that while she gave, she was enjoying happiness. There was pleasure in the beaming of her sparkling eyes, there was joy in the dimples of her rosy smile. The very earth on which she trod seemed springing to her step, and the air she breathed to be pure and balmy. Could she be happy and I feel miserable? and that misery growing too, out of the very source of her happiness. Yes; even so unmixed, so absorbing was my selfishness. My selfishness! the selfishness of humanity; for even as the rest of my fellow men so was, and so am I. I thought of the many hours of delight I had enjoyed in her presence, of the thousand daily kindnesses I had experienced at her hand. She alone was wont to partake of my youthful joys, to sympathize with my boyish griefs; it was her praise that urged me to exertion, the fear of her censure that restrained me from mischief. And all this was to pass away, and to pass with her presence too. Never more was my heart to drink in the sweet light of her eyes; never more would her soft voice breathe its music in my ear. I felt that I dwelt no longer in her thoughts; I believed my very image would soon perish from her memory. Such were the bitter thoughts that weighed down my mind.

I go on spinning out this portion of my tale, no doubt very tediously, and my readers will perhaps despair of my ever arriving at the end; but patience, I shall get there by and by. "Bear with me yet a little while." It is that I shrink from what I have undertaken to narrate, that I wander into digression; for whatever effect it may have on others, whose only interest in it will arise from momentary excitement, on me the fearful casualty I shall describe, has imposed "the grief of years." Many a pang has my heart experienced in my pilgrimage through this weary world, and some grievous enough to sustain; time and occupation, however, have afforded their accustomed remedy, and scars only are left to mark where the wounds have been. But this, though inflicted in boyhood's springy days, is festering now; aye now, when the very autumn of manhood is passed, and the winter of age is congealing the sources of feeling and of life.

The wedding day was drawing nigh. One little week remained of the appointed time; and a joyous man, no doubt, was colonel H——d, as hour after hour winged its flight, and each diminished the space that lay betwixt him and his assured felicity. Poor weak creatures that we are, whose brief history is but a record of hope and disappointment, ever deceived by the mirage of happiness that glitters afar in the desert of life, and recedes from before us as we pursue, till outworn, we sink into death with our thirst unslaked, our desires ungratified. One little week remained. What matters the brevity of time when a moment is fraught with power to destroy. Behold the gallant ship with tightened cordage and outspread sails, dashing from her prow the glittering spray as she dances on the leaping wave to the music of the breeze; cheerful faces crowd her deck, for she is homeward bound from a distant land; and now her port is almost reached, a hidden rock has pierced her side, the eternal sea rolls over the sunken wreck. The warrior has charged and broken the foe; the shout of victory rings in his ears, and fancy twines the laurel round his brow; but treachery lurks in his armed array, and the clarion of conquest sounds the note of defeat. The mighty city with its thousand domes, its marble palaces, and its crowded marts, over which ages have urged their onward flight, and still it grew in wealth and strength, has felt the earthquake's shock. Black mouldering ruins and a sullen sulphurous lake are left to mark the spot where once its "splendors shone." And the heart, the human heart, with its high aspirations, and its treacherous whisperings of unmixed joys, its blindness of trust in coming events, its strange forgetfulness of the hours gone by, its sunny morning of boundless hope, its stormy night of dark despair.

My father's house was situated on an elevated spot, commanding an extensive view of the broad Potomac; from its front to the bank of the river, a distance of some hundred yards, the ground descended in a gentle slope terminating in a sheer precipice, and down, down "a fearful depth below," rolled on the rapid waters. The bank was composed of vast masses of rock, between the crevices of which pushed forth gnarled and jagged trees of various kinds, shooting their moss-covered branches in every direction, and hugged in strict and stifling embrace by huge vines, that looked like the monster boas, of a preadamate world. The summit was lined with a dense growth of underwood, that hid from the passer by the awful chasm upon whose very margin he might be unconciously standing. As the main road (which ran parallel to the course of the river) laid upwards of a mile from the rear of the dwelling house, and was, besides being generally in very bad order, very uninteresting in its character, we were in the habit of using for the purpose of visiting some of our neighbors, a path that ran along and was dangerously near to the verge of the precipice, but which had been travelled so long and so often without accident, that we had ceased to think of even the possibility of any occurring. It was a bright sunshiny morning, the blue sky studded with those massy rolling clouds whose purple shades give such strong relief to the fleecy white, and cheat the fancy into portraying a thousand resemblances; ancient castles with frowning battlements, mighty ships resting beneath their crowded canvass, bright fairy isles, where a poet's soul would delight to wander, dark yawning caverns, in whose undreamt of depths the pent up spirits of the damned might be "imagined howling." Pardon, pardon! but sea and sky have always set me raving. It was at the breakfast table that I informed my father I would ride over to aunt Diana's and see if they were all well.—"The weather is so fine, and I have not seen our good aunt for some time. I will ride with you; that is, if you'll let me, cousin Harry," said Caroline, as if it were not a delight to me to have her company. The colonel, too, proposed to join us, and we went to get ourselves in readiness. We were soon on the road, and away we cantered, full of health and youth and spirits. The breeze came fresh and soft from the surface of the waters, and played among Caroline's curls and revelled on her cheek, as if to gather the odors of the rose, where its beauteous hue was so richly spread. We paid our visit, partook of aunt Diana's good things, and set off on our return, amid her protestations against our hurry. Caroline was riding on a nice little mare that had been bred on the farm, and had always been the pet of the family; as gentle and as playful as a lamb, but at the same time full of spirit. We had arrived at a part of the road where the precipice (now on our right hand) was highest. I was in front, Caroline next to and behind me; a hare crossed my path: "take care my boy," cried Colonel H——d, "that, you know, is said to be a bad omen." Scarcely had he spoken when my horse started, and wheeled short round; the mare partook of his fright, swerved half to the left, and reared bolt upright. "Slack your rein and seize the mane, Caroline," I screamed in agony. It was too late; the mare struggled, and fell backwards. Oh, God! A shriek, a rushing sound

* * * * *

I entered the chamber where innocence and beauty had been wont to repose; around me were the trappings of the grave; the cold white curtains with their black crape knots, the shrouded mirror, the scattered herbs—and stretched upon the bed motionless, lay a form—the form of her whose living excellence was unsurpassed. My father came in; he took my hand, led me to the bed, and gently removed the sheet from the marble face. Oh, death, thou art indeed a conqueror!

For the Southern Literary Messenger.

SONNET,

WRITTEN ON THE BLUE RIDGE IN VIRGINIA.

Gigantic sov'reign of this mountain-chain, Proud Otter Peak! as gazing on thee now I mark the sun its parting splendor throw Athwart thy summit hoar—I sigh with pain To think thus soon I needs must turn again And seek man's bustling haunts! What if my brow No longer wear the signs of sorrow's plough, Doth not my heart its traces still retain, And I still hate the crowd?—Yes! it is so, And scenes alone such as surround me here— These deep'ning shades—thy torrents loud and clear— Yon half-hid cot—the cattle's plaintive low— The raven's cry, and the soft whispering breeze, Have now the pow'r this aching breast to please.

* * *

For the Southern Literary Messenger.

STANZAS,

WRITTEN AT THE WHITE SULPHUR SPRINGS OF VIRGINIA.

With spirits like the slacken'd strings Of some neglected instrument— Or rather like the wearied wings Of a lone bird by travel spent; Ah! how should I expect to find Midst scenes of constant revelry, A solace for a troubled mind, A cure for my despondency?— There was a time when mirth's glad tone And pleasure's smile had charms for me— But disappointment had not strown My pathway then with misery: Health then was mine—and friends sincere— Requited love—and prospects bright— Nor dreamt I that a day so clear Could ever set in such a night!

* * *

For the Southern Literary Messenger.

TO —— —— OF THE U. S. NAVY.

Tell me—for thou hast stood on classic ground, If there the waters flow more bright and clear, And if the trees with thicker foliage crowned, Are lovelier far than those which blossom here? Say is it true, in green unfading bowers, That there the wild bird sings her sweetest lay? And that a light, more beautiful than ours, Lends richer glories to expiring day? Wooed by Italian airs, does woman's cheek With purer color glow, than in our land? Or does her eye more eloquently speak, Or with a softer grace her form expand? Does music there, with power to us unknown, Breathe o'er the heart a far diviner spell? And with a sweeter, more entrancing tone, The thrilling strains of love and glory swell? Tell me if thou in thought didst dearer prize Thy home, than all that Italy could give? Didst thou regret that her resplendent skies Should smile on men as slaves content to live? Didst thou, when straying in her cities fair, Or in her groves of bloom, regret that here No perfumes mingle with the passing air? And was thine own, thy native land, less dear? Or didst thou turn where proudly in the breeze America's star-spangled flag was flying? The flag that o'er thee waved on the high seas; With conscious heart exultingly replying, "No slothful land of dreaming ease is ours, Her soil is only trodden by the free— Less rich in music, poetry, and flowers, Still, still she is the land of all for me!"

E. A. S.

Lombardy, Va.

For the Southern Literary Messenger.

MUSINGS II—By the Author of Vyvyan.

The sea is in the broad, the narrow streets Ebbing and flowing.——————Rogers.

I loved her from my boyhood—she to me Was as a fairy city of the heart, Rising like water columns from the sea. Childe Harold, Canto IV. Stanza xviii.

There is, far in a foreign clime, Alas! no longer free— A city famed in olden time As queen of all the sea; Still fair but fallen from her prime— For such is destiny. There motley masque and princely ball Make gay the merry carnival, And all the night some serenade Steals sweetly from the calm Lagune, While many a dark eyed loving maid Is wooed in secret neath the moon. And swiftly o'er the noiseless tide Gondolas dark, like spectres, glide Neath archways deep and bridges fair, Temples and marble palaces, Adorned with jutting balconies, And dim arcades of beauty rare. There's naught that meets the wondering eye, From the wave that kisses the landing stair To the sculptured range in the azure sky,¹ But wears a wild unearthly air, And every voice that echoes among Those phantomlike halls, breathes the spell of song. The rudest Barcarolli's cry, Heard faint and far o'er Adria's waves, Might cheat the listener of a sigh— So sad the farewell which it leaves, When sinking on the ear it dies Along the borders of the skies. Oh! Venice! Venice! couldst thou be Still wond'rous fair and even as free! How peerless were thy regal halls!— How glorious were thy seagirt walls!— But foreign banners flaunt thy tide, And chains have tamed thy lion's pride. Thy flag is furled upon the sea, Thy sceptre shivered on the land, And many a spirit mourns for thee Beyond the Lido's barren strand: Better thy towers were sunk below The level of Old Ocean's flow. Fair city of the fairest clime, Sad change hath come o'er thee— The spirit voice of olden time Is wailing o'er thy sea; And matin bell and vesper chime Seem knelling for the free Who reared thy standard o'er the wave And spurned the chains that now enslave.

¹ The tops of many of the buildings are ornamented with a range of statues.

For the Southern Literary Messenger.

THE GENIUS OF COLUMBIA TO HER NATIVE MUSE.

A parent's eye, sweet mountain maid, Hath seen thee rise in Sylvan shade; And patient, lent attentive ear Thy first, wild minstrelsy to hear: And thou hast breathed some artless lays, That well deserve the meed of praise; For, nursed by spirits bold and free, Thy notes should breathe of Liberty. Yet some who scan thy numbers wild, Inquire if thou art Fancy's child, Or some impostor, duly taught To weave with skill the borrow'd thought. Then list, my child! Experience sage May well direct thy guileless age. Breathe not thy notes with spirit tame, Nor pilfer, from an honor'd name, The praise that crowns the sons of fame. Be not by imitation taught, To blend with thine, the vagrant thought, From Britain's polish'd minstrels caught. Full oft my mountain echoes tell, How Byron's genius fram'd a spell, Which reason vainly seeks to quell: Did not his spirit cast a gloom On all who shared his adverse doom, E'en from the cradle to the tomb? With intellectual treasures bless'd, With misanthropic thoughts possess'd, Their sway alternate fired his breast. He pour'd the lava stream alone, In torrents from that burning zone, Which girt his bosom's fiery throne. Enough! on his untimely bier Affection shed no hallow'd tear— He claim'd no love—he own'd no fear. And she,¹ whose light poetic tread Scarce sways the dewdrop newly shed Upon the rose-bud's infant head; Most meet to be the tender nurse Of virtue, wounded by the curse Of passion's fierce and lawless verse, Whose dulcet strain, with soothing pow'r, Can calm the soul in sorrow's hour, And scatter many a thornless flow'r: The thoughts that breathe in each soft line, Seem spirits from a purer shrine Than earth can in her realms confine. Yet mayst thou not, in mimic lay, Such lofty arts of verse essay? 'Twere but a vain and weak display. Be Freedom's bold, unfetter'd child, And roam thy native forests wild, Where, on thy birth, all nature smil'd; Dwell on the mountain's sylvan crest, Where fair Hygeia roams confest, Bright Fancy's ever honor'd guest: Mark the proud streams that onward sweep, And to old Ocean's bosom leap— Majestic offspring of the deep. Their inspiration shall be thine, And nature, from that mighty shrine, Shall prompt thee with a voice divine! When thy free spirit is reveal'd, The spells within its depths conceal'd Will soon a golden tribute yield. In numbers free, by nature taught, Breathe forth the wild poetic thought, And let thy strains be Fancy fraught. Enough! my child! a parent's voice Would fain direct thy youthful choice To themes, majestic and sublime, The fruits of Freedom's favor'd clime. Enough! For thee has nature thrown O'er the wild stream a curb of stone, Whose pendant arch in verdure dress'd, Binds the tall mountain's cloven crest.² For thee the volum'd waters sweep Through riven mountains to the deep.³ For thee the mighty cataract pours In thunder, through opposing shores; And rushing with delirious leap, Bursts the full fountains of the deep; A billowy phlegethon—whose waves Rend the strong walls of Ocean's caves.

C.

¹ Mrs. Hemans.

² The Natural Bridge.

³ Harper's Ferry.

For the Southern Literary Messenger.

DEATH AMONG THE TREES.

Death walketh in the forest. The tall Pines Do woo the lightning-flash,—and thro' their veins The fire-cup darting, leaves their blacken'd trunks A tablet, where Ambition's sons may read Their destiny. The Oak that centuries spar'd, Grows grey at last, and like some time-scath'd man Stretching out palsied arms, doth feebly cope With the destroyer, while its gnarled roots Betray their trust. The towering Elm turns pale, And faintly strews the sere and yellow leaf, While from its dead arms falls the wedded vine. The Sycamore uplifts a beacon-brow, Denuded of its honors,—while the blast That sways the wither'd Willow, rudely asks For its lost grace, and for its tissued leaf Of silvery hue. I knew that blight might check The sapling, ere kind nature's hand could weave Its first spring-coronal, and that the worm Coiling itself amid our garden-plants Did make their unborn buds its sepulchre. And well I knew, how wild and wrecking winds May take the forest-monarchs by the crown, And lay them with the lowliest vassal-herb; And that the axe, with its sharp ministry, Might in one hour, such revolution work, That all earth's boasted power could never hope To reinstate. And I had seen the flame Go crackling up, amid yon verdant boughs, And with a tyrant's insolence dissolve Their interlacing,—and I felt that man For sordid gain, would make the forest's pomp Its heaven-rear'd arch, and living tracery A funeral pyre. But yet I did not deem That pale disease amid those shades would steal As to a sickly maiden's cheek, and waste The plenitude of those majestic ranks, Which in their peerage and nobility, Unrivall'd and unchronicled, had reign'd. And then I said, if in this world of knells, And open graves, there lingereth one, whose dream Is of aught permanent below the skies, Even let him come, and muse among the trees, For they shall be his teachers,—they shall bow To their meek lessons his forgetful ear, And by the whispering of their faded leaves, Soften to his sad heart, the thought of death.

L. H. S.

Hartford, Con. Sept. 10, 1834.

ORIGINAL LITERARY NOTICES.

AMIR KHAN, AND OTHER POEMS: the remains of Lucretia Maria Davidson, who died at Plattsburg, N. Y. August 27, 1825, aged 16 years and 11 months. With a Biographical Sketch, by Samuel F. B. Morse, A. M. New York: G. & C. & H. Carvill—1829.

We believe that this little volume, although published several years since, has but recently found its way to this side of the Potomac. Our attention has been attracted towards it by some notice of its contents in the Richmond Enquirer, whose principal editor we will do him the justice to say, has always manifested a lively interest in the productions of American genius. Mr. Ritchie is entitled to the more praise for his efforts in behalf of domestic literature, not only on account of his active and absorbing labors as a political writer, but because, also, we are sorry to add, the subject is one in which southern taste and intelligence have, for the most part, evinced but little concern. It is but too common for our leading men, professional as well as others, to affect something like a sneer at every native attempt in the walks of polite literature. Their example, we fear, has imparted a tone to the reading circles generally, and has served to beget that inordinate appetite for every thing foreign which has either obtained a fashionable currency abroad—or occasioned some excitement in that busy, noisy, gossipping class of society, whose merit is so vastly disproportioned to its influence. We have often known the sentimental trash and profane ribaldry of some popular Englishman eagerly sought after, and as eagerly devoured, whilst the pure and genuine productions of native genius have remained neglected on the bookseller's shelf, and quietly surrendered to oblivion. That this does, in some measure, proceed from an unenlightened and uncultivated public taste, we do not doubt; but it is much more the fruit of a slavish and inglorious dependence upon accidental circumstances,—a spiritless, and we might add, a cowardly apprehension of appearing singular—that is, of not chiming in with the shallow, vain and heartless tittle-tattle of the self-styled beau monde and corps elite of society. It is not the fault of the bookseller. The undertaker, who prepares the coffin and shroud, has as little participation in the death of the person for whom they are intended. The bookseller is but the caterer of the public palate; and if that palate is diseased, he is no more answerable for it, than the milliners and mantuamakers who are busily occupied in deforming the fairest part of creation, are censurable for the false taste of their customers.

We did not intend by the foregoing observations, to bespeak any extraordinary share of public favor towards the poems of Miss Davidson. What we have said in relation to the neglect of American talent, was designed to have a general and not particular application. Notwithstanding we hear that the poems before us have been extravagantly praised beyond the Atlantic, we are not so intoxicated by a little foreign flattery as to believe that they are destined to immortality. Some may console themselves, if they please, for the whole ocean of obloquy and contempt cast upon us from the British press, by regarding with favorable eyes this little rivulet of praise bestowed upon the juvenile efforts of a lovely and interesting girl. We are not of that number; we shall endeavor to decide upon the work before us, unbiassed by trans-atlantic opinion—and we shall render precisely that judgment which we would have done if that opinion had been pronounced in the usual tone of British arrogance and contumely.

Regarding the volume before us as a literary production merely, and supposing it to have been the offspring of a matured mind, we do not think that it possesses any considerable merit. Estimating its contents, however, as the first lispings of a child of genius,—as furnishing proofs of the existence of that ethereal spark which, under favorable circumstances, might have been kindled into a brilliant flame, we do consider it as altogether extraordinary. We do not say that these poems are equal to the early productions of Chatterton, Henry Kirke White, or Dermody, those prodigies of precocious talent,—but we entertain not a shadow of doubt if Miss Davidson had lived, that she would have ranked among the highest of her own sex in poetical excellence. In forming a correct judgment upon the offspring of her muse, her youth is not alone to be considered. She had also to contend with those remorseless enemies of mental effort,—poverty, sorrow, and ill health; and it is, perhaps, a circumstance in her history not unworthy of notice, that possessing a high degree of personal beauty, and being on that account the object of much admiration and attention, she did not suffer herself to be withdrawn from the purer sources of intellectual enjoyment. Love indeed, seems to have found no permanent lodgment in her heart. It might have stolen to the threshold and infused some of its gentle influences, but she seems to have been resolved to cast off the silken cord before it was too firmly bound around her. Thus in the piece which bears the title of Cupid's Bower, written in her fifteenth year.

"Am I in fairy land?—or tell me, pray, To what love-lighted bower I've found my way? Sure luckless wight was never more beguiled In woodland maze, or closely-tangled wild. And is this Cupid's realm?—if so, good by! Cupid, and Cupid's votaries, I fly; No offering to his altar do I bring, No bleeding heart—or hymeneal ring."

The longest, most elaborate, and perhaps best of her poems, is that which gives the principal title to the volume. Amir Khan is a simple oriental tale, written in her sixteenth year, and is worked up with surprising power of imagery for one so young. The most fastidious and critical reader could not fail to be struck with its resemblance to the gorgeous magnificence of Lalla Rookh; a resemblance, to be sure, which no more implies equality of merit than does the brilliancy of the mock diamond establish its value with that of the real gem. We give the opening passage from the poem as a fair specimen of the rest, and from which the reader may form a correct opinion of the style and composition.

"Brightly o'er spire, and dome, and tower, The pale moon shone at midnight hour, While all beneath her smile of light Was resting there in calm delight; Evening with robe of stars appears, Bright as repentant Peri's tears, And o'er her turban's fleecy fold Night's crescent streamed its rays of gold, While every chrystal cloud of heaven, Bowed as it passed the queen of even. Beneath—calm Cashmere's lovely vale Breathed perfumes to the sighing gale; The amaranth and tuberose, Convolvulus in deep repose, Bent to each breeze which swept their bed, Or scarcely kissed the dew and fled; The bulbul, with his lay of love; Sang mid the stillness of the grove; The gulnare blushed a deeper hue, And trembling shed a shower of dew, Which perfumed e'er it kiss'd the ground, Each zephyr's pinion hovering round. The lofty plane-tree's haughty brow Glitter'd beneath the moon's pale glow; And wide the plantain's arms were spread, The guardian of its native bed."

We venture to assert that if Thomas Moore had written Amir Khan at the age of sixteen, there are thousands by whom it would be read and admired who would hardly condescend to open Miss Davidson's volume; and that too, without being able to assign any other or better reason than that Moore is a distinguished and popular British bard, whereas the other was an obscure country girl, who lived and died in the state of New York.

The lines to the memory of Henry Kirk White, which were composed at thirteen, are much superior to many elegiac stanzas written by poets of some reputation at twenty-five or thirty. Of all her minor pieces however, those which were written at fifteen seem to us to possess the greatest merit, if we except the Coquette, a very spirited production in imitation of the Scottish dialect, composed in her fourteenth year. The following are the two first stanzas:

"I hae nae sleep, I hae nae rest, My Ellen's lost for aye; My heart is sair and much distressed, I surely soon must die. I canna think o' wark at a', My eyes still wander far, I see her neck like driven snaw, I see her flaxen hair."

The image of the snowy neck and flaxen hair of the beautiful but unkind fair one, presented so strongly to the rejected lover, as to prevent his performing his daily work, strikes us as highly poetical and true to nature, as we doubt not all genuine lovers will testify. Burns wrote many, very many verses, which were much superior, but Burns wrote some also, which were not so good. Ruth's answer to Naomi, must be allowed, we think, to be a good paraphrase of that most affecting passage of scripture. We must give the whole to the reader.

"Entreat me not, I must not hear, Mark but this sorrow-beaming tear; Thy answer's written deeply now On this warm cheek and clouded brow; 'Tis gleaming o'er this eye of sadness Which only near thee sparkles gladness. The hearts most dear to us are gone, And thou and I are left alone; Where'er thou wanderest, I will go, I'll follow thee through joy or wo; Shouldst thou to other countries fly, Where'er thou lodgest, there will I. Thy people shall my people be, And to thy God, I'll bend the knee; Whither thou fliest, will I fly, And where thou diest, I will die; And the same sod which pillows thee Shall freshly, sweetly bloom for me."¹

[¹ We subjoin the passage of scripture paraphrased by Miss Davidson, and also another paraphrase which has been ascribed to the Hon. R. H. Wilde of Georgia. Our readers can compare and decide between them.

"And Ruth said, entreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go: and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God. Where thou diest will I die, and there will I be buried."

Nay, do not ask!—entreat not—no! O no! I will not leave thy side, Whither thou goest—I will go— Where thou abidest—I'll abide. Through life—in death—my soul to thine Shall cleave as fond, as first it clave— Thy home—thy people—shall be mine— Thy God my God—thy grave my grave.]

We present an extract from a piece called "Woman's Love," as a specimen of Miss Davidson's management of blank verse, a form of poetic diction which Montgomery thinks the most unmanageable of any. The fair authoress might not herself have experienced that holy passion, but she certainly knew how deep and imperishable it is when once planted in the female bosom.

"Love is A beautiful feeling in a woman's heart, When felt, as only woman love can feel! Pure, as the snow-fall, when its latest shower Sinks on spring-flowers; deep, as a cave-locked fountain; And changeless as the cypress' green leaves; And like them, sad!—She nourished Fond hopes and sweet anxieties, and fed A passion unconfessed, till he she loved Was wedded to another. Then she grew Moody and melancholy; one alone Had power to soothe her in her wanderings, Her gentle sister;—but that sister died, And the unhappy girl was left alone, A maniac. She would wander far, and shunned Her own accustomed dwelling; and her haunt Was that dead sister's grave: and that to her Was as a home."

We have italicised such of the lines as we think breathe the air and spirit of genuine poetry. The snow flake has often been used as the emblem of purity; but the snow flake reposing on beds of vernal blossoms, is to us original as well as highly poetical. The "cave-locked fountain" too, with its lone, deep, and quiet waters, seems to us to express with force that profound and melancholy sentiment which the writer intended to illustrate.

We shall conclude our selections with the one addressed to a lady whose singing resembled that of an absent sister.

"Oh! touch the chord yet once again, Nor chide me, though I weep the while; Believe me, that deep, seraph strain Bore with it memory's moonlight smile. It murmured of an absent friend; The voice, the air, 'twas all her own; And hers those wild, sweet notes, which blend In one mild, murmuring, touching tone. And days and months have darkly passed, Since last I listened to her lay; And sorrow's cloud its shade hath cast, Since then, across my weary way. Yet still the strain comes sweet and clear, Like seraph-whispers, lightly breathing; Hush, busy memory,—sorrow's tear Will blight the garland thou art wreathing. 'Tis sweet, though sad—yes, I will stay, I cannot tear myself away. I thank thee, lady, for the strain, The tempest of my soul is still; Then touch the chord yet once again, For thou canst calm the storm at will."

We beg the reader to bear it in mind that these are the productions of a young, inexperienced, and almost uneducated girl, and that they are not to be tried by the tests which are usually applied to more matured efforts. In conclusion, we will say in the language of Dr. Morse, her biographer, "that her defects will be perceived to be those of youth and inexperience, while in invention, and in that mysterious power of exciting deep interest, of enchaining the attention, and keeping it alive to the end of the story; in that adaptation of the measure to the sentiment, and in the sudden change of measure to suit a sudden change of sentiment, in wild and romantic description, and in the congruity of the accompaniments to her characters, all conceived with great purity and delicacy, she will be allowed to have discovered uncommon maturity of mind; and her friends to have been warranted in forming very high expectations of her future distinction."

We are pleased to learn that it is in contemplation by Miss Davidson's friends, to publish a new and improved edition of her works, with various additions from her unpublished manuscripts.

THE PILGRIMS OF THE RHINE; by the author of Pelham, Eugene Aram, &c. New York: Published by Harper & Brothers—1834.

Mr. Bulwer's novels have acquired no inconsiderable degree of popularity in the circles of fashionable literature. Whether they are destined to survive the temporary admiration bestowed on them, is at this time a subject of speculation; but in the next generation, will become matter of fact. We are among those who think that they will quietly glide into that oblivious ocean, which is destined to receive a large proportion of the ever multiplying productions of this prolific age. We do not say this either, in disparagement of many of those labors of the mind which even intrinsic excellence cannot save from perishing. Great and valuable as some of them undoubtedly are, such is the onward march of intellect, and such the endless creations which fancy and genius are continually rearing for man's gratification and improvement,—to say nothing of the almost illimitable progress of science, that posterity will find no room for the thousandth part of our present stock of literature. We do not anticipate that Mr. Bulwer's writings will be among the select few which will outlive the general wreck; because, unless we are much mistaken, he is one of those authors who write more for present than permanent fame. This is emphatically the age of great moral and mental excitability. It is a period of incessant restlessness and activity; and he who would expect to command much attention, must seek to gratify the appetite for novelty and variety, even at the expense of good sense, sound morality and correct taste. We incline to the opinion that Mr. Bulwer has forgotten, that society in the aggregate, frequently resembles the individual man; and that whilst it often experiences paroxysms of unnatural excitement, there are long lucid intervals of returning reason and sober simplicity. The volume before us is not calculated, we think, to leave any lasting impression, either of good or evil. Whilst it certainly abounds in felicitous language, and contains passages of fine sentiment, it is grossly defective both in plot and machinery; and if it were worth while to descend to minute criticism, it would be easy to point out many examples of false morality as well as false taste. Mr. Bulwer seems to have been aware, in his preface, that he was making a bold experiment upon popular favor, and accordingly he claims the reader's "indulgence for the superstitions he has incorporated with his tale—for the floridity of his style, and the redundance of his descriptions." As if somewhat apprehensive, however, that that indulgence might not possibly be granted, he assures the public that "various reasons have conspired to make this the work, above all others that he has written, which has given him the most delight (though not unmixed with melancholy,) in producing, and in which his mind, for the time, has been the most completely absorbed." A popular writer, thus bespeaking the public approbation in advance, by stamping his last production with his own decided preference, could not expect to be treated uncourteously by his readers. In the first sentence of the second chapter too, the author declares as follows: "I wish only for such readers as give themselves heart and soul up to me: if they begin to cavil, I have done with them; their fancy should put itself entirely under my management." Now whether it proceeded from a spirit of perverseness or not, we cannot tell; but we resolved when we read this passage, neither to surrender our heart, fancy or judgment to Mr. Bulwer's guidance. On the contrary, we determined to read the book and decide on its merits, in the spirit of perfect impartiality and entire independence. The story upon which the work is founded—at least that part of it which treats of mortal affairs, consists of the simplest materials. Trevylyan, a gentleman of "a wild, resolute and active nature, who had been thrown upon the world at the age of sixteen, and had passed his youth in alternate pleasure, travel and solitary study," falls in love with Gertrude Vane, a young girl, described as "the loveliest person that ever dawned upon a poet's vision." A fatal disease, "consumption in its most beautiful shape," had set its seal upon her, and yet Trevylyan loved with an irresistible passion. With the consent, rather than by the advice of the faculty and her friends, the young and interesting invalid, attended by her father and lover, goes upon a pilgrimage up the beautiful and romantic Rhine. From that pilgrimage she never returned; but in one of those wild and legendary spots which impart such interest to that celebrated stream—a spot selected by herself as her last grassy couch, she breathed out her gentle spirit, and quietly sunk to her lasting repose. Such is the simple thread upon which Mr. Bulwer has contrived to weave a variety of German legends and fairy fictions, having no necessary connection with the main story, except that the principal episodes were suggested by some remarkable scenery or some castellated ruin on the banks of the Rhine. The underplot, if it may be so called, or the adventures of Nymphalin, queen of the fairies, and her Elfin court, is altogether unworthy of Mr. Bulwer's genius. It is rather a bungling attempt to revive the exploded machinery of supernatural agency; and we moreover do not perceive any possible connection or sympathy between these imaginary beings and the principal personages of the tale. Apart from other considerations, the actions and conversations of these roving elves are destitute of all interest and attraction; and nothing in our eyes appears more preposterous than the introduction of the Lord Treasurer into Queen Nymphalin's train. We always thought that the fairies were mischievous spirits—sometimes a little wicked, and often very benevolent; but never before did we suspect that this ideal population of the world of fancy, manifested any concern in the dry subject of finance, or in the unfairy-like establishment of a regular exchequer. The story of "The Wooing of Master Fox," related for the amusement of Queen Nymphalin, making every allowance for the author's design in introducing it, is to our taste unutterably disgusting and ridiculous.

We have no objection to the occasional use of the fairy superstition in tales of fancy; no more than we have to the frequent classical allusions to heathen mythology which distinguish the best writers. They are pleasing and beautiful illustrations, when happily introduced. But we do protest against lifting the veil from the world of imagination, and investing its shadowy beings with the common place attributes, the vulgar actions and frivolous dialogue of mere mortals. It is in truth dispelling the illusion in which the spirit of poetry delights to indulge. It takes away the most powerful charm from the cool and sequestered grotto, the shady grove or moonlit bower. It vulgarises the world of romance, and reduces the region of mind to a level with brute sense, or even coarser matter.

Condemning as we do, in perfect good faith, these exceptionable portions of Mr. Bulwer's volume, we take pleasure in awarding due praise to some of the legends and stories introduced into the work, and which are for the most part related by Trevylyan for the amusement of Gertrude. Of these, we give the decided preference to "The Brothers" and "The Maid of Malines." The latter indeed, strikes us as so finished an illustration of some of the noble qualities of woman kind, that we have determined to present it entire for the benefit of our readers.

THE MAID OF MALINES.

It was noonday in the town of Malines, or Mechlin, as the English usually term it: the Sabbath bell had summoned the inhabitants to divine worship; and the crowd that had loitered round the Church of St. Rembauld, had gradually emptied itself within the spacious aisles of the sacred edifice.

A young man was standing in the street, with his eyes bent on the ground, and apparently listening for some sound; for, without raising his looks from the rude pavement, he turned to every corner of it with an intent and anxious expression of countenance; he held in one hand a staff, in the other a long slender cord, the end of which trailed on the ground; every now and then he called, with a plaintive voice, "Fido, Fido, come back! Why hast thou deserted me?" Fido returned not: the dog, wearied of confinement, had slipped from the string, and was at play with his kind in a distant quarter of the town, leaving the blind man to seek his way as he might to his solitary inn.

By and by a light step passed through the street, and the young stranger's face brightened—

"Pardon me," said he, turning to the spot where his quick ear had caught the sound, "and direct me, if you are not by chance much pressed for a few moment's time, to the hotel Mortier d'or."

It was a young woman, whose dress betokened that she belonged to the middling class of life, whom he thus addressed. "It is some distance hence, sir," said she, "but if you continue your way straight on for about a hundred yards, and then take the second turn to your right hand—"

"Alas!" interrupted the stranger, with a melancholy smile, "your direction will avail me little; my dog has deserted me, and I am blind!"

There was something in these words, and in the stranger's voice, which went irresistibly to the heart of the young woman. "Pray forgive me," she said, almost with tears in her eyes, "I did not perceive your—" misfortune, she was about to say, but she checked herself with an instinctive delicacy. "Lean upon me, I will conduct you to the door; nay, sir," observing that he hesitated, "I have time enough to spare, I assure you."

The stranger placed his hand on the young woman's arm, and though Lucille was naturally so bashful that even her mother would laughingly reproach her for the excess of a maiden virtue, she felt not the least pang of shame, as she found herself thus suddenly walking through the streets of Malines, alone with a young stranger, whose dress and air betokened him of a rank superior to her own.

"Your voice is very gentle," said he, after a pause, "and that," he added, with a slight sigh, "is the criterion by which I only know the young and the beautiful." Lucille now blushed, and with a slight mixture of pain in the blush, for she knew well that to beauty she had no pretension. "Are you a native of this town?" continued he. "Yes, sir; my father holds a small office in the customs, and my mother and I eke out his salary by making lace. We are called poor, but we do not feel it, sir."

"You are fortunate: there is no wealth like the heart's wealth, content," answered the blind man mournfully.

"And Monsieur," said Lucille, feeling angry with herself that she had awakened a natural envy in the stranger's mind, and anxious to change the subject—"and Monsieur, has he been long at Malines?"

"But yesterday. I am passing through the Low Countries on a tour; perhaps you smile at the tour of a blind man—but it is wearisome even to the blind to rest always in the same place. I thought during church time, when the streets were empty, that I might, by the help of my dog, enjoy safely, at least the air, if not the sight of the town; but there are some persons, methinks, who cannot even have a dog for a friend."

The blind man spoke bitterly,—the desertion of his dog had touched him to the core. Lucille wiped her eyes. "And does Monsieur travel then alone?" said she; and looking at his face more attentively than she had yet ventured to do, she saw that he was scarcely above two-and-twenty. "His father, his mother," she added, with an emphasis on the last word, "are they not with him?"

"I am an orphan," answered the stranger; "and I have neither brother nor sister."

The desolate condition of the blind man quite melted Lucille; never had she been so strongly affected. She felt a strange flutter at the heart—a secret and earnest sympathy, that attracted her at once towards him. She wished that heaven had suffered her to be his sister.

The contrast between the youth and the form of the stranger, and the affliction which took hope from the one, and activity from the other, increased the compassion he excited. His features were remarkably regular, and had a certain nobleness in their outline; and his frame was gracefully and firmly knit, though he moved cautiously and with no cheerful step.

They had now passed into a narrow street leading towards the hotel, when they heard behind them the clatter of hoofs; and Lucille, looking hastily back, saw that a troop of the Belgian horse was passing thro' town.

She drew her charge close by the wall, and trembling with fear for him, she stationed herself by his side. The troop passed at a full trot through the street; and at the sound of their clanging arms, and the ringing hoofs of their heavy chargers, Lucille might have seen, had she looked at the blind man's face, that its sad features kindled with enthusiasm, and his head was raised proudly from its wonted and melancholy bend. "Thank heaven," she said, as the troop had nearly passed them, "the danger is over!" Not so. One of the last two soldiers who rode abreast, was unfortunately mounted on a young and unmanageable horse. The rider's oaths and digging spur only increased the fire and impatience of the charger; he plunged from side to side of the narrow street.

"Gardez vous," cried the horseman, as he was borne on to the place where Lucille and the stranger stood against the wall; "are ye mad—why do you not run?"

"For heaven's sake, for mercy sake, he is blind!" cried Lucille, clinging to the stranger's side.

"Save yourself, my kind guide!" said the stranger. But Lucille dreamt not of such desertion. The trooper wrested the horse's head from the spot where they stood; with a snort, as he felt the spur, the enraged animal lashed out with its hind legs; and Lucille, unable to save both, threw herself before the blind man, and received the shock directed against him; her slight and delicate arm fell shattered by her side—the horseman was borne onward. "Thank God, you are saved!" was poor Lucille's exclamation; and she fell, overcome with pain and terror, into the arms which the stranger mechanically opened to receive her.

"My guide, my friend!" cried he, "you are hurt, you—"

"No, sir," interrupted Lucille, faintly, "I am better, I am well. This arm, if you please—we are not far from your hotel now."

But the stranger's ear, tutored to every inflection of voice, told him at once of the pain she suffered; he drew from her by degrees the confession of the injury she had sustained; but the generous girl did not tell him it had been incurred solely in his protection. He now insisted on reversing their duties, and accompanying her to her home; and Lucille, almost fainting with pain, and hardly able to move, was forced to consent. But a few steps down the next turning stood the humble mansion of her father—they reached it—and Lucille scarcely crossed the threshold, before she sank down, and for some minutes was insensible to pain. It was left to the stranger to explain, and to beseech them immediately to send for a surgeon, "the most skilful—the most practised in town," said he. "See, I am rich, and this is the least I can do to atone to your generous daughter for not forsaking even a stranger in peril."

He held out his purse as he spoke, but the father refused the offer; and it saved the blind man some shame that he could not see the blush of honest resentment with which so poor a species of remuneration was put aside.

The young man staid till the surgeon arrived, till the arm was set; nor did he depart until he had obtained a promise from the mother, that he should learn the next morning how the sufferer had passed the night.

The next morning, indeed, he had intended to quit a town that offers but little temptation to the traveller; but he tarried day after day, until Lucille herself accompanied her mother to assure him of her recovery.

You know, or at least I do, dearest Gertrude, that there is such a thing as love at the first meeting—a secret and unaccountable affinity between persons (strangers before,) which draws them irresistibly together. If there were truth in Plato's beautiful phantasy, that our souls were a portion of the stars, it might be, that spirits thus attracted to each other, have drawn their original light from the same orb; and they thus but yearn for a renewal of their former union. Yet, without recurring to such ideal solutions of a daily mystery, it was but natural that one in the forlorn and desolate condition of Eugene St. Amand, should have felt a certain tenderness for a person who had so generously suffered for his sake.

The darkness to which he was condemned did not shut from his mind's eye the haunting images of ideal beauty; rather, on the contrary, in his perpetual and unoccupied solitude, he fed the reveries of an imagination naturally warm, and a heart eager for sympathy.

He had said rightly that his only test of beauty was in the melody of voice; and never had a softer or a more thrilling tone than that of the young maiden touched upon his ear. Her exclamation, so beautifully denying self, so devoted in its charity, "Thank God, you are saved!" uttered too, in the moment of her own suffering, rang constantly upon his soul, and he yielded, without precisely defining their nature, to vague and delicious sentiments, that his youth had never awakened to till then. And Lucille—the very accident that had happened to her on his behalf, only deepened the interest she had already conceived for one who, in the first flush of youth, was thus cut off from the glad objects of life, and led to a night of years, desolate and alone. There is, to your beautiful and kindly sex, a perpetual and gushing lovingness to protect. This makes them the angels of sickness, the comforters of age, the fosterers of childhood; and this feeling, in Lucille peculiarly developed, had already inexpressibly linked her compassionate nature to the lot of the unfortunate traveller. With ardent affections, and with thoughts beyond her station and her years, she was not without that modest vanity which made her painfully susceptible to her own deficiencies in beauty. Instinctively conscious of how deeply she herself could love, she believed it impossible that she could ever be so loved in return. This stranger, so superior in her eyes to all she had yet seen, was the first out of her own household who had ever addressed her in that voice, which by tones, not words, speaks that admiration most dear to a woman's heart. To him she was beautiful, and her lovely mind spoke out undimmed by the imperfections of her face. Not, indeed, that Lucille was wholly without personal attraction; her light step and graceful form were elastic with the freshness of youth, and her mouth and smile had so gentle and tender an expression, that there were moments when it would not have been the blind only who would have mistaken her to be beautiful. Her early childhood had indeed given the promise of attractions, which the small-pox, that then fearful malady, had inexorably marred. It had not only seared the smooth skin and the brilliant hues, but utterly changed even the character of the features. It so happened that Lucille's family were celebrated for beauty, and vain of that celebrity; and so bitterly had her parents deplored the effects of the cruel malady, that poor Lucille had been early taught to consider them far more grievous than they really were, and to exaggerate the advantages of that beauty, the loss of which was considered by her parents so heavy a misfortune. Lucille too, had a cousin named Julie, who was the wonder of all Malines for her personal perfections; and as the cousins were much together, the contrast was too striking not to occasion frequent mortification to Lucille. But every misfortune has something of a counterpoise; and the consciousness of personal inferiority, had meekened, without souring, her temper—had given gentleness to a spirit that otherwise might have been too high, and humility to a mind that was naturally strong, impassioned, and energetic.

And yet Lucille had long conquered the one disadvantage she most dreaded in the want of beauty. Lucille was never known but to be loved. Wherever came her presence, her bright and soft mind diffused a certain inexpressible charm; and where she was not, a something was missing from the scene which not even Julie's beauty could replace.

"I propose," said St. Amand to Madame le Tisseur, Lucille's mother, as he sat in her little salon,—for he had already contracted that acquaintance with the family which permitted him to be led to their house, to return the visits Madame le Tisseur had made him, and his dog, once more returned a penitent to his master, always conducted his steps to the humble abode, and stopped instinctively at the door,—"I propose," said St. Amand, after a pause, and with some embarrassment, "to stay a little while longer at Malines; the air agrees with me, and I like the quiet of the place; but you are aware, Madame, that at a hotel among strangers, I feel my situation somewhat cheerless. I have been thinking"—St. Amand paused again—"I have been thinking that if I could persuade some agreeable family to receive me as a lodger, I would fix myself here for some weeks. I am easily pleased."

"Doubtless there are many in Malines who would be too happy to receive such a lodger."

"Will you receive me?" said St. Amand, abruptly. "It was of your family I thought."

"Of us? Monsieur is too flattering, but we have scarcely a room good enough for you."

"What difference between one room and another can there be to me? That is the best apartment to my choice in which the human voice sounds most kindly."

The arrangement was made, and St. Amand came now to reside beneath the same roof as Lucille. And was she not happy that he wanted so constant an attendance? was she not happy that she was ever of use? St. Amand was passionately fond of music: he played himself with a skill that was only surpassed by the exquisite melody of his voice; and was not Lucille happy when she sat mute and listening to such sounds as at Malines were never heard before? Was she not happy in gazing on a face to whose melancholy aspect her voice instantly summoned the smile? Was she not happy when the music ceased, and St. Amand called "Lucille?" Did not her own name uttered by that voice, seem to her even sweeter than the music? Was she not happy when they walked out in the still evenings of summer, and her arm thrilled beneath the light touch of one to whom she was so necessary? Was she not proud in her happiness, and was there not something like worship in the gratitude she felt to him, for raising her humble spirit to the luxury of feeling herself loved?

St. Amand's parents were French; they had resided in the neighborhood of Amiens, where they had inherited a competent property, to which he had succeeded about two years previous to the date of my story.

He had been blind from the age of three years. "I know not," said he, as he related these particulars to Lucille one evening when they were alone; "I know not what the earth may be like, or the heaven, or the rivers whose voice at least I can hear, for I have no recollection beyond that of a confused, but delicious blending of a thousand glorious colors—a bright and quick sense of joy—A VISIBLE MUSIC. But it is only since my childhood closed that I have mourned, as I now unceasingly mourn, for the light of day. My boyhood passed in a quiet cheerfulness; the least trifle then could please and occupy the vacancies of my mind; but it was as I took delight in being read to,—as I listened to the vivid descriptions of poetry,—as I glowed at the recital of great deeds,—as I was made acquainted by books, with the energy, the action, the heat, the fervor, the pomp, the enthusiasm of life, that I gradually opened to the sense of all I was forever denied. I felt that I existed, not lived; and that, in the midst of the Universal Liberty, I was sentenced to a prison, from whose blank walls there was no escape. Still, however, while my parents lived, I had something of consolation; at least I was not alone. They died, and a sudden and dread solitude—a vast and empty dreariness settled upon my dungeon. One old servant only, who had nursed me from my childhood, who had known me in my short privilege of light, by whose recollections my mind could grope back its way through the dark and narrow passages of memory, to faint glimpses of the sun, was all that remained to me of human sympathies. It did not suffice, however, to content me with a home where my father and my mother's kind voice were not. A restless impatience, an anxiety to move, possessed me; and I set out from my home, journeying whither I cared not, so that at least I could change an air that weighed upon me like a palpable burthen. I took only this old attendant as my companion; he too died three months since at Bruxelles, worn out with years. Alas! I had forgotten that he was old, for I saw not his progress to decay; and now, save my faithless dog, I was utterly alone, till I came hither and found thee."

Lucille stooped down to caress the dog; she blest the desertion that had led to a friend who never could desert.

But however much and however gratefully St. Amand loved Lucille, her power availed not to chase the melancholy from his brow, and to reconcile him to his forlorn condition.

"Ah, would that I could see thee! Would that I could look upon a face that my heart vainly endeavors to delineate."

"If thou couldst," sighed Lucille, "thou wouldst cease to love me."

"Impossible!" cried St. Amand, passionately; "however the world may find thee, thou wouldst become my standard of beauty, and I should judge not of thee by others, but of others by thee."

He loved to hear Lucille read to him; and mostly he loved the descriptions of war, of travel, of wild adventure, and yet they occasioned him the most pain. Often she paused from the page as she heard him sigh, and felt that she would even have renounced the bliss of being loved by him, if she could have restored to him that blessing, the desire for which haunted him as a spectre.

Lucille's family were Catholic, and, like most in their station, they possessed the superstitions, as well as the devotion of the faith. Sometimes they amused themselves of an evening by the various legends and imaginary miracles of their calendar: and once, as they were thus conversing with two or three of their neighbors, "The Tomb of the Three Kings of Cologne" became the main topic of their wandering recitals. However strong was the sense of Lucille, she was, as you will readily conceive, naturally influenced by the belief of those with whom she had been brought up from her cradle, and she listened to tale after tale of the miracles wrought at the consecrated tomb, as earnestly and undoubtingly as the rest.

And the Kings of the East were no ordinary saints; to the relics of the Three Magi, who followed the Star of Bethlehem, and were the first potentates of the earth who adored its Saviour, well might the pious Catholic suppose that a peculiar power and a healing sanctity would belong. Each of the circle (St. Amand, who had been more than usually silent, and even gloomy during the day, had retired to his apartment, for there were some moments, when in the sadness of his thoughts, he sought that solitude which he so impatiently fled from at others)—each of the circle had some story to relate equally veracious and indisputable, of an infirmity cured, or a prayer accorded, or a sin atoned for at the foot of the holy tomb. One story peculiarly affected Lucille; the narrator, a venerable old man with gray locks, solemnly declared himself a witness of its truth.

A woman at Anvers had given birth to a son, the offspring of an illicit connexion, who came into the world deaf and dumb. The unfortunate mother believed the calamity a punishment for her own sin. "Ah, would," said she, "that the affliction had fallen only upon me! Wretch that I am, my innocent child is punished for my offence!" This idea haunted her night and day: she pined and could not be comforted. As the child grew up, and wound himself more and more round her heart, its caresses added new pangs to her remorse; and at length (continued the narrator) hearing perpetually of the holy fame of the Tomb of Cologne, she resolved upon a pilgrimage barefoot to the shrine. "God is merciful," said she, "and he who called Magdaline his sister, may take the mother's curse from the child." She then went to Cologne; she poured her tears, her penitence, and her prayers, at the sacred tomb. When she returned to her native town, what was her dismay as she approached her cottage to behold it a heap of ruins!—its blackened rafters and yawning casements betokened the ravages of fire. The poor woman sunk upon the ground utterly overpowered. Had her son perished? At that moment she heard the cry of a child's voice, and, lo! her child rushed to her arms, and called her "mother!"